Industry News

An FM translator serving the Texas city of Waco is about to land in the hands of a new licensee, thanks to an asset purchase agreement submitted to the FCC for its regulatory approval.

As first reported on June 12, Christian Contemporary Music (CCM) noncomm network K-Love has found a home in Baltimore, and it is thanks to Diane Sutter — who has signed off on a deal brokered by Kalil & Co. Terms of the sale, including the price K-LOVE is paying, are now known.

In late February, Scripps moved ahead with a plan to reacquire 23 television stations sold at the end of 2020 to INYO Broadcast Holdings in order to complete its $2.65 billion acquisition of ION Media. This led the FCC to establish a pleading cycle. Final replies were due Friday, and DirecTV chimed in.

Spanish Broadcasting System (SBS) has just promoted its VP/National Sales Manager overseeing its two audio properties serving the home of the 2026 National Basketball Association Champions to the role of General Manager.

The in-person event, scheduled from June 23-26, 2026, brings together receiver manufacturers, technology partners, broadcasters, and "industry stakeholders" to test and validate interoperability across a broad range of NextGen TV services and applications.

Fox Corporation has shared that it intends to acquire Nasdaq-traded Roku Inc. A definitive agreement will see FOX purchase Roku for $160 per share in a combination of cash and FOX Class A common stock, valuing Roku at approximately $22 billion in enterprise value.

All eyes are on California Attorney General Rob Bonta, who has expressed his interest in seeking court action to prevent Paramount Skydance from merging its just-acquired assets with Warner Bros Discovery. It would replicate a "hold separate" order issued to Nexstar preventing it from fully merging with TEGNA.

This collection of on-demand audio programs include those featuring Kate and Oliver Hudson, Lele Pons and Martha Stewart, and they are launching as video shows on the global streaming service fingered by the NAB as a "Big Tech" giant unfairly taking dollars and audience away from radio operations such as iHeartMedia.

Sometimes meaningful improvement does not come from adding but from removing

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