Aggregator

The pricing of Gray Television‘s previously announced private offering of $1.3 billion aggregate principal amount of 5.375% senior notes due 2031 by Gray Escrow II Inc., a special purpose wholly owned subsidiary of Gray, has been affirmed.

This represents an increase of $175 million over the amount previously announced but is shy of the $1.5 billion Gray could have gone up to in the bond market.

The Notes were priced at 100% of par.

The offering of the Notes is expected to close on November 9, subject to customary closing conditions, at which time the proceeds of the offering will be funded into an escrow account.

The Notes are being offered to finance, together with cash on hand and anticipated borrowings under Gray’s senior credit facility, Gray’s pending acquisition of Meredith Corp.’s local media group, immediately after all spin-off deals are completed.

Closing is now expected to occur in December.

Life is feeling a bit less beautiful for a permit licensee in California who had its construction license revoked after building at an unauthorized site and operating without FCC approval.

It was back in 2015 that Foundation for a Beautiful Life obtained a permit to construct a new a low-power FM station in Cupertino, Calif., with an antenna mounted on an existing electric distribution tower operated by the local gas and electric company. The bureau gave FBL until May 19, 2018, to complete construction on KQEK(LP). One day before the deadline, FBL certified that the facility had been constructed as authorized.

[Read: Felony Conviction Leads FCC to Consider Revoking Station License]

But several individuals submitted petitions stating that no LPFM communications equipment had been installed at the site. It turned out that the constructed facilities were actually located at a private residence in Saratoga, Calif., about 3.5 miles from the approved site. In addition, the facilities varied from the specifics approved in the permit, which called for using an existing 30-meter tower at a tower height above average terrain (HAAT) of 93 meters and with an effective radiated power (ERP) of 0.01 Watts. Instead it turned out that FBL installed a new 6.1-meter pole at the Saratoga site with a HAAT of 358.3 meters and an ERP of 0.001197 Watts.

FBL said that the discrepancy resulted from a miscommunication with its engineers. It then filed a modification application that sought to formally move the location to the Saratoga site. The Media Bureau denied this request, however, due to noncompliance with a second-adjacent channel distance separation rule.

FBL sought reconsideration of that decision; again the bureau demurred by dismissing both the license application and the modification petition. FBL compared its situation to another station, KM Radio of St. Johns, in which the commission waived rules specifying permit expiration, issued a monetary penalty and allowed the applicant to correct a construction error.

In the KM Radio case, however, a simple surveying error resulted in construction of a facility that was only about 900 feet away. That’s not the case with FBL, the bureau said, since FBL built its facilities 3.5 miles away — and with a different tower height and operating power than were approved by the bureau.

“The bureau found the [FBL case] to be more like cases in which permittees did not merely miscalculate but, rather, took affirmative steps to construct facilities not specified in an existing permit,” the commission said in its order. “Those cases had resulted in automatic permit forfeiture in accordance with governing commission rules, statute and case law.”

Even though FBL said that its programming would provide a critically needed resource for the Asian-American community, the permit was automatically forfeited on May 19, 2018, because the authorized facilities had not been built as specified. “The potential diversity benefits of FBL’s intended programming for Chinese-American listeners did not warrant a different outcome because all applicants, including those with diverse audiences, must comply equally with our rules.”

[Read: FCC Paperwork Confusion May Cost R.I. Broadcaster]

FBL continued to file reconsideration petitions and supplements, including a request for special temporary authority (STA) to broadcast pandemic-related information in Mandarin. One of those supplements revealed that the station went ahead and broadcast from the Saratoga site before receiving permission from the Media Bureau. FBL also asked the bureau to apply newly revised rules LPFM technical standards to its case and shared letters from the local community expressing support for the station’s operations.

But the commission sees broadcasting without authority as a significant error and the bureau ordered FBL off air on April 16, 2020, with a cease order and several reminders: the request for the STA is defective and FBL did not have the right to broadcast; FBL would have to show that it operated without authority on any future LPFM applications (effectively disqualifying FBL from LPFM service); and for the next 10 years, any principal of FBL would need to inform the bureau that it had been handed a cease order.

The station was taken off the air on April 20, 2020, while FBL continued to argue its case, asking the bureau to delay the cease order and contending that the order didn’t actually require FBL to stop broadcasting.

That’s when the Media Bureau sent the case to the commission for review. The commission responded by dismissing FBL’s supplements and denied its applications for review.

The commission said the Media Bureau was right to pull FBL’s license application after learning it constructed facilities at an unauthorized site. The commission also said that it would not apply newly revised LPFM rules to this case (since the commission stated in that rulemaking that the new rules would not apply to cases in which the agency had already issued a decision). The commission chastised FBL for operating before it had authority and dismissed FBL’s request that the commission delay implementation of the cease order. “FBL was operating as a pirate,” the commission said.

While the commission acknowledged FBL’s claims that the station would bring critical programming to the Chinese-American community and that pandemic-specific broadcasts would provide Mandarin speakers with important health information, “[these claims] do not outweigh our statutory responsibility in preventing unauthorized broadcasts,” the FCC said.

As a result, the commission dismissed and denied all applications for review, all supplements and the motion to stay — effectively cancelling FBL’s permit application and deleting the call sign of KQEK.

The post Call Sign Deleted, Permit Revoked After LPFM Construction Snafu appeared first on Radio World.

Finally. After months of questioning from across Washington, D.C., the White House on Tuesday formally nominated Jessica Rosenworcel to serve as the first woman to officially serve as Chair of the FCC. At the same time, President Biden selected Gigi Sohn to serve as a Democratic Commissioner.

While Sohn’s nomination will certainly trigger Republican opposition, Democrats in the District of Columbia were pleased to learn of Sohn’s selection.

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President Joe Biden has announced his intention to renominate acting Federal Communications Commission Chair Jessica Rosenworcel as a member and chair of the agency, and to add Gigi Sohn as the third commissioner.

Sohn’s appointment is a breakthrough nomination as the first LGBTIQ+ member of that agency.

“From fighting to protect an open internet, to ensuring broadband access for students caught in the Homework Gap through the FCC’s Emergency Connectivity Fund, to making sure that households struggling to afford internet service stay connected through the Emergency Broadband Benefit program, she has been a champion for connectivity for all,” the White House said of Rosenworcel. “She is a leader in spectrum policy, developing new ways to support wireless services from Wi-Fi to video and the Internet of Things. She has fought to combat illegal robocalls and enhance consumer protections in our telecommunications policies.”

Sohn was hailed as a defender of “fundamental competition and innovation policies that have made broadband Internet access more ubiquitous, competitive, affordable, open, and protective of user privacy.”

The White House also pointed out that if she is confirmed, as she is expected to be “the first openly LGBTIQ+ commissioner in the history of the FCC.”

From 2013 to 2016, Sohn was counselor to former FCC chairman Tom Wheeler, where she evangelized for network neutrality rules based on Title II of the Telecommunications Act, classifying them as telecommunications services subject to regulation.

Before joining the FCC, Sohn was co-founder and CEO of Public Knowledge. She was also executive director of the Media Access Project.

“Chair Jessica Rosenworcel and commissioners Geoffrey Starks and Gigi Sohn will create an FCC ‘dream team’ that can implement a progressive telecommunications policy agenda for the coming decades,” said Andrew Jay Schwartzman, senior counselor, Benton Institute for Broadband & Society and a former colleague of Sohn’s at Media Access Project. “As Gigi’s colleague for a decade, I may be accused of being biased, but that proximity also gives me confidence that the team of Chair Rosenworcel and Commissioners Starks and Sohn are likely to make major advances in promoting widespread and affordable wireless and wireline broadband deployment, media diversity and an open internet … Jessica has carefully and successfully met the challenge of managing a divided FCC over the last nine months [and] Gigi will be able jump right into the job, and the Senate should confirm her right away,” he said.

The post Biden Renominates Jessica Rosenworcel to FCC, Gigi Sohn Also Gets Nod appeared first on Radio World.

Since September 2020, he’s been a Senior Advisor at the Mozilla Foundation, the entity that brought internet users the Firefox web browser.

His past experience includes roles as Director of Digital Economy for the U.S. Department of Commerce, and from 2005-2012 was an Americas Director of Public Policy for Google.

If Congress says yes, he’ll become the Assistant Secretary for Communications and Information at the Department of Commerce’s National Telecommunications and Information Administration (NTIA), where FCC Commissioner Nathan Simington last worked.

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Among the more colorful entrepreneurs in broadcast media is Frank Copsidas, an individual well-known across New England who is now leading the recently launched LPTV Broadcasters Association. 

Copsidas has bought and sold many LPTVs. Now, he’s spinning a property licensed to a town of less than 2,000 in the Deep South. The buyer? Gray Television.

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Is a bumpy road ahead for broadcasters across the rest of the Biden Administration, now that Jessica Rosenworcel is set to officially become Chairwoman of the FCC and Gigi Sohn, a “net neutrality” champion, is the White House’s nominee to become the fifth Commissioner?

There’s already chatter Inside the Beltway about what could come for the Rosenworcel Commission — or, perhaps, what won’t come. Ahead of his exclusive Forecast 2022 appearance, BIA Advisory Services Senior Vice President and Chief Economist Dr. Mark Fratrik shares his views on whether or not “regulatory burdens” seen under the Wheeler Commission could come back. Deregulation? Don’t count on it, he says in this InFOCUS Podcast, presented by dot.FM.

Listen to “The InFOCUS Podcast: Dr. Mark Fratrik, BIA” on Spreaker.

Antenna and RF systems manufacturer Dielectric has announced the appointment of Daniel Bizet to international sales manager.

Bizet was most recently with Broadcast Electronics as a Latin America sales manager.

[Visit Radio World’s People News Page]

His focus at Dielectric will reflect his past life and work experience by centering on Latin and South American sales. Bizet spent much of his life in Venezuela.

Send news of engineering and executive personnel changes to radioworld@futurenet.com.

The post Bizet Joins Dielectric appeared first on Radio World.

Not long ago, the term “survival” was a distant thought. Now it’s difficult not to think about it several times daily. We must continually consider how we survive this terrible pandemic both physically and financially. We must plan carefully now for the future.

Being local is no longer an option for terrestrial radio. The choice is to be local or to risk irrelevance. As listening habits continue to shift toward more time spent with Spotify, Apple Music, Pandora, podcasts and other choices, being a radio station without localization is a long-term losing proposition.

Where’s the local opportunity?

[Read: Take Time to Renew Relationships]

The most obvious is in news, talk and information. It may be difficult for programmers under 40 years old to remember local news on anything other than an actual full-time local news station, since consolidation has unsparingly wiped out local news on music stations.

For the most part, these had been inexpensive news operations; often the “news department” was one dedicated staff member and a few part-timers.

When they were eliminated, local newspapers initially filled the void. But then so many newspapers folded that it left hundreds of towns — especially those without TV stations — with little to no local news.

However, some local news websites, often based on formerly printed publications, survived; and we have seen radio stations partner with or buy these local news websites and then promote and sell advertising in combo.

This is a great plan if you’re able to replicate it.

There is an opportunity in many cities to bring local news back to radio, especially during drivetimes. There is no reason why your :60– to :90–second local newscasts can’t be recorded slightly in advance of use to maximize your sole reporter’s time.

Another strong option continues to be the talk/news hybrid with local hosts. If you don’t think the talent is out there, I refer you once again to the relatively new “Clubhouse” app, where thousands of hosts are honing much of the same skill set required for local talk radio.

When a radio station pursues a news, talk or information agenda, it is a gathering place for community. This leads to loyalty, which is any station’s key to success. Another understated benefit is that when people listen to spoken-word programming — even when it is part of a music station — it is not usually heard as mere background; rather, it engages actively, a huge benefit to local advertisers who are counting on people to hear their messaging.

Who is consistently the top-billing radio station in America? It’s WTOP, the all-news station in our nation’s capital. Other success stories include Trenton’s NJ101.5 in the talk/news format since 1990, when Walt Sabo not only innovated localization, but also convinced ownership that it belonged on FM.

And for those who think this can’t work in a small- to medium-size town, check out KXRA in Alexandria, Minn., with a county population of 36,529. The “Voice of Alexandria” has local news and sports, a daily updated event calendar, an on-air “Swap Shop” and a strong, locally focused website. And it’s all supported by enthusiastic hometown advertisers.

To be clear, this is not about positioning statements. If you say “we’re local radio” but don’t actually deliver the goods, you will not win fans. This proposition is for courageous programmers and owners who realize that it’s past time for radio to return to its roots in localization.

The post Bring Back Local News appeared first on Radio World.

BALTIMORE — Sinclair Broadcast Group has awarded scholarships to seven university students as a part of its annual Diversity Scholarship program.

Having provided more than $100,000 in tuition assistance during the last six years, the scholarship program aims to invest in the future of the broadcast industry.

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There’s a new Market Manager overseeing a 50kw Class A AM in Chicago, a station that was once the legendary WCFL.

At the same time, the station’s current owner, Good Karma Brands, has selected a Market Manager to lead its Madison, Wisc., operations.

Now leading WMVP “ESPN 1000” in Chicago, starting Nov. 1, is Keith Williams. As Market Manager, Williams will be responsible for overseeing the station’s sales, marketing and content strategy and execution.

Williams is a 22-year veteran of the company and has spent time managing ESPN Cleveland and ESPN Madison, as well as the company’s Mid-Atlantic digital markets.

Speaking of Madison, that’s where Tom Olson will become Market Manager on Nov. 1, replacing Williams. Olson has held a variety of roles throughout his career at Good Karma Brands, including managing the company’s business development team, and most recently as the Director of Sales & Marketing at ESPN Madison.

Olson began his career with Good Karma Brands in 2011 as an intern.

Remember that infamous Reese’s Peanut Butter Cup coffee mug former FCC Chairman Ajit Pai frequently used? Investors and analysts who actively watch broadcast media companies better get two ready for Thursday, November 4.

A sixth licensee of broadcast stations has scheduled their third-quarter 2021 earnings release on this date, with the results distributed following the day’s Closing Bell.

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According to The New York Times, the White House is moving forward with making acting FCC Chairwoman Jessica Rosenworcel the agency’s official Chair — making her the first woman to formally hold the seat.

The newspaper also hears from an unnamed source that the Biden Administration is indeed bringing Gigi Sohn back to the FCC, not as Rosenworcel’s successor but as a progressive Commissioner who has been the subject of rumors for months.

While Rosenworcel’s confirmation as FCC Chair is widely expected to come easily, a Congressional battle over Sohn’s nomination could come with precious weeks remaining in this legislative year — keeping a 2-2 deadlock in place. Then, there’s the unthinkable — a 2-1 Republican majority with a Democrat in the White House as Congress blocks both nominations, leading to the end of Rosenworcel’s term and her exit from the Commission.

With so many broadcast media proposals at the Commission, what should radio and TV station C-Suite leaders keep their eyes on? A Forecast 2022 session picks up where our October 12 InFOCUS Podcast left off, with noted Fletcher, Heald & Hildreth co-Managing Partner Frank Montero moderating a panel set to include Colorado Broadcasters Association President/CEO Justin Sasso, Kagan Senior Research Analyst for Broadcast Media Justin Nielson, PMCM TV and Press Communication LLC CEO Bob Mc Allan, and BIA Advisory Services SVP and Chief Economist Dr. Mark Fratrik.

The coming leadership solidification at the FCC is a topic every broadcast management and ownership leader needs to keep on top of. Being at Forecast 2022 offers the best opportunity to stay abreast of what’s ahead in Washington, from Rosenworcel’s desk to Capitol Hill.

Listen to “Frank Montero, Fletcher Heald & Hildreth” on Spreaker.

Roku has enabled publishers to measure channel content on Roku devices with Nielsen Digital Content Ratings (DCR).

The ratings, Nielsen and Roku note, provide access to deduplicated reach and demographic insights for channels on Roku devices to identify which programs most effectively reach key audiences.

This increase in coverage helps content owners and advertisers navigate the expanding world of TV streaming and is “a major milestone on the path to Nielsen ONE, Nielsen’s transformative, cross-media solution that will enable advertisers and publishers to transact using a single metric across linear and digital television.”

Nielsen will enable publishers to measure content across Roku’s 55.1 million active accounts (as of Q2 2021).

Nielsen Digital Content Ratings (DCR) provides audience measurement of digital content consumption, including streaming video, static web pages and mobile apps, across computer, mobile and TV streaming devices.

DCR is a census-based, panel-calibrated solution that provides syndicated, granular reach and volumetric reporting to provide advertisers and publishers.

“This strengthens the close collaboration between Roku and Nielsen,” said Lougman Parampath, VP of Product Management at Roku. “DCR’s syndicated, independent measurement provides market transparency and immediate value to our publishers around understanding audiences in their channels. This bolsters our commitment to delivering for our customers and underscores our focus to continue to be an innovator in the evolving TV streaming measurement landscape.”

Nielsen GM of Digital and Advanced TV Commercial Strategy Ameneh Atai added, “TV streaming is the wave of the future for digital video consumption, and Roku is a major player in CTV penetration,” said . “With the addition of Roku, DCR will have the capability to measure the majority of CTV platforms devices as well as provide channel partners with an understanding of their overall reach across CTV devices. Armed with these insights, media buyers and sellers can make critical decisions around ad strategies and publishers can create informed programming and content distribution strategies.”

Nielsen and Roku forged a strategic alliance earlier this year.

Furthermore, Roku acquired Nielsen’s Advanced Video Advertising (AVA) business, which includes Nielsen’s video automatic content recognition (ACR) and dynamic ad insertion (DAI) technologies.

The acquisition furthers Roku’s launch of an end-to-end DAI product for TV programmers.

“Nielsen and Roku will continue to integrate complementary Nielsen ad and content measurement products into the Roku platform and further advance Nielsen ONE, the company’s cross-media measurement solution,” the companies state.

A television station owned by the parent company of the MeTV Network and The CW Network affiliate in the nation’s third-largest market recently signed off on the acquisition of several camcorders to improve the quality — and flexibility — of its broadcast operations.

The equipment is now in place at the Weigel Broadcasting stations serving a market to the north of Chicago, where it owns the CBS affiliate.

As such, several GY-HC900 and GY-HC550 CONNECTED CAM camcorders have been purchased from JVC Professional Video, a division of JVCKENWOOD USA Corporation.

They’ll be put to use at “CBS58” in Milwaukee, WDJT-TV; “The M” WMLW-TV; MeTV Network O&O WBME-CD; and “Telemundo Wisconsin,” WYTU-LD.

“We have been using JVC for over a decade in the field and have been very happy,” says Steve Percefull, Weigel’s chief engineer for its Milwaukee operations. “We have the GY-HM650 ProHD Mobile News Camera and GY-HM790 ProHD Solid State Media Camcorder, as well as GY-HM850 and GY-HM890 ProHD Shoulder Camcorders in our inventory. We have tried other manufacturers’ cameras over the years, but have to use adapters to use SD cards, which became problematic. This time around, when I was buying cameras, I wanted something easy and user-friendly.”

The GY-HC900 has a full-frame and a two-thirds lens.

Aaron Frye, WDJT’s director of photography, was among the first to use the cameras at Weigel Broadcasting.

“I primarily use our new JVCGY-HC900 for field anchoring and to shoot news stories,” he says. “The GY-HC900 has a nice depth of field and the colors really pop; it’s a great upgrade from our previous cameras.”

Additionally, the station purchased the GY-HC550s to replace aging cameras in the Multimedia Journalist (MMJ) kits, which are used by photographers for multi-camera shoots.

Percefull has been impressed with the ruggedness of both the GY-HC900 and GY-HC550.

While Weigel uses the JVC CONNECTED CAM camcorders for traditional live stand-ups, the GY-HC900 and GY-HC550 both offer a wide range of live streaming capabilities. Included among these is direct streaming to Facebook Live and YouTube Live.

While you may be thinking of Carmen, there’s no mistaking the individual who has been appointed International Sales Manager for Sinclair Broadcast Group-owned transmitter manufacturer Dielectric.

The Maine-based Sinclair subsidiary has appointed Daniel Bizet to the role. He succeeds the now-retired John Macdonald and is based in Fort Lauderdale, Fla.

Bizet reports to Dielectric VP/Sales Jay Martin, and will lead Dielectric’s sales efforts markets with a strong focus in Latin America. He previously spent more than 30 years working with Broadcast Electronics, most recently as its Latin America sales manager. He lived in Venezuela, and served as a dealer for BE for more than 20 years as president and owner of Professional Broadcast Supply, directing sales of broadcast equipment and radio station turnkey solutions across the now-troubled country. Bizet began his career as the technical manager at Circuito Union Radio in Caracas, where he was responsible for installation and maintenance for all network stations.

“I’m thrilled to join the Dielectric team,” Bizet said. “Dielectric is a very strong global brand that builds and delivers antennas and RF systems optimized for every TV and FM radio broadcast. Based on a proven reputation, close customer engagement, and excellent service, they are for me the key to success.”

Dielectric VP/GM Keith Pelletier said of Bizet, “He truly understands the broadcast industry, which means he can help our customers select the right hardware and software for their specific transmission requirements.”

PPDS, the exclusive global provider of Philips Professional TV and Philips Digital Signage products, has a new VP of Commercial Displays. His chief task: to lead the global company’s North America business forward.

Taking the role is Vince Schuster, an AVIXA Certified Technology Specialist and Digital Signage Display Expert who is certified in Imaging Science Foundation-Commercial.

In Philips’ words, Schuster is a “notorious and highly respected figure” in the AV industry, with a career spanning more than 25 years. “Vince brings invaluable additional industry knowledge and experience to the PPDS team in North America, as well as the wider global company,” the company says.

He will be based in the Washington National Capital Region.

Schuster will report to PPDS General Manager Chris Colpaert, who calls him “a natural leader.”

North American focus areas include Pro TV, Digital Signage and LED products.

It has also formed a series of strategic partnerships with such hardware and software providers as Crestron, Advantech, Bosch, Intel, and i3 Technologies.

Comrex is announcing a new cloud service called Gagl.

Gagl delivers conferenced audio from multiple contributors to Comrex hardware codecs in high quality and allows between one and five users to send and receive audio from computers and smartphones.

Participants can connect and send audio by clicking a link using any common web browser. Their audio is conferenced (if there’s more than one user), and delivered to a Comrex hardware codec such as ACCESS or BRIC-Link II. All participants can hear other
participants, and the codec can send audio back to them.

Gagl could be used as the hub for a round-robin reporting program or for a multi-host radio show to support multiple simultaneous connections at once. Because it offers low latency, it is appropriate for call-in talk radio.

Gagl could also be used to allow a single contributor to connect back to the studio from a computer or smartphone.

Designed with audio quality in mind, Gagl provides stable connections with limited bandwidth.

Gagl uses the Opus audio encoder, with a bit rate that delivers both voice and music in top
quality.

Gagl also delivers audio directly to a Comrex codec with all the stability enhancements,
pro-grade audio connections, and features that hardware codecs provide.

A company known for its radio imaging, voiceover, programming, podcasting and jingles business has added to its production leadership team.

Coming from YamanAir is a new West Coast Director of Commercial Production, while the company is also welcoming a Production Manager for Long Form Programming.

The former position is that of Darren Silva, who spent 22 years as a Network Production Manager for Radio Disney in Los Angeles who began his career as an overnight air personality in San Luis Obispo, Calif. In the late 1980s, he was “Dangerous Darren” at Heavy Metal rocker KNAC-FM 105.5 in Long Beach, Calif. Later, he worked at KEGL “97.1 The Eagle” in Dallas.

In addition to his Radio Disney role, Silva for the past 17 years has been an air talent associated with Sirius XM’s Hair Nation, Ozzy’s Boneyard and Classic Rewind channels.

Meanwhile, the Production Manager for Long Form Programming role is now being held by Jake Urbanek. He joins Benztown from Apple Music in Los Angeles, where he was
Assistant Producer of The Zane Lowe Show. Prior to that, he was Audio Engineer for
over 8 years Mr. Smalls Recording Studio in Pittsburgh. He was also Sound
Engineer for the Washington Symphony Orchestra in Washington, Pa.

Global travel restrictions and time restraints in conducting Factory Acceptance Testing for new transmitters have been addressed by Nautel with a new online FAT program.

A FAT is a set of pre-defined tests that many customers must witness being completed in real-time as part of project specifications. “Many of our customers simply haven’t been able to travel to factory locations since late 2019 due to the pandemic,” said Charles Andrews, Nautel Test Supervisor, “and even in the absence of COVID many customers have cost or visa restrictions making it difficult to attend these tests in person.”

Andrews’ team leveraged the increasingly-versatile capabilities of online meeting platforms,
paired with virtual communications interfaces such as Teams or Team Viewer, to allow
customers to witness transmitter testing in real-time as part of their final acceptance process. The Nautel AUI and multiple pieces of measurement equipment are employed along with a suite of cameras, wireless microphones and personnel to conduct the tests. Customers are able to communicate with their transmitter(s) via the AUI and view performance measurements throughout the final testing process.

“We consider comprehensive communication with our customers critical to the manufacturing and testing process,” said Andrews. “Although we enjoy having our customers here in person, this new system brings a more affordable and immediate solution to them.”

A short video explaining the online FAT process is available via Nautel’s YouTube channel:
https://www.youtube.com/watch?v=o7v5MNA2Ncc .