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Radio World

Is the Smart Speaker Like a New Age Home Radio?

Radio World
4 years 8 months ago

What do sports radio listeners have in common with top 40 listeners? Not much, really. That’s according to the latest report from Edison Research The Infinite Dial series. It profiles listeners of 11 U.S. radio formats. The report goes on to give some granularity to these different listening audio behaviors.

Titled “Radio Listener Profiles,” this report focuses on weekly AM/FM radio listeners who reported listening most often to a radio station with one of the following formats: alternative rock, classic hits, classic rock, contemporary Christian, country, hard rock/heavy metal, hip-hop/rap, news/talk, R&B, sports and top 40.

[Read: Radio Listening Audiences Rebound Despite Pandemic Impact]

The thesis of Edison Research and Triton Digital’s report is that while formats are usually classified by the age and sex of their listeners, not all audio and audio device behaviors can be inferred along those lines. The report refers to the survey participants as P1 listeners.

Ownership of an in-home AM/FM radio continues to be a challenge for the industry, according to the report. Formats whose listeners are most likely to have a radio at home include classic hits, classic rock, country, hard rock/heavy metal, news/talk and sports. Those listeners likely lacking this appliance regularly tune in to alternative rock, contemporary Christian, hip-hop/rap and top 40. Positioned exactly between these two in terms of radio ownership are R&B listeners, representing the overall average.

According to the report, this loss of traditional home radio receivers is partially offset by the influx of smart speakers. Again, the report claims, the utilization of these new devices is not consistent across the board. Not surprisingly, it suggests that smart speaker adoption tracks pretty consistently with the formats which attract younger listeners. Those most likely to own a smart speaker tune in to alternative rock, hard rock/heavy metal, hip-hop/rap, R&B, sports and top 40. On the other hand, the report says, those holding on to their AM/FM radio prefer country, classic hits, classic rock, contemporary Christian and news/talk.

 

The post Is the Smart Speaker Like a New Age Home Radio? appeared first on Radio World.

Tom Vernon

Mark Persons Receives SBE Lifetime Achievement Award

Radio World
4 years 8 months ago
Mark Persons

Only nine people had received the lifetime achievement award from the Society of Broadcast Engineers, until this week. Mark Persons becomes the 10th.

It was presented to Persons during an SBE online membership meeting and award ceremony.

Radio World is proud to share this news in part because Mark is a longtime contributor and valued member of the RW family. (You can read many of his recent tech tips and commentaries here.)

“The SBE John H. Battison Award for Lifetime Achievement recognizes and pays tribute to individuals for their dedication, lifelong achievement and outstanding contribution to broadcast engineering,” the SBE wrote in its announcement.

Prior recipients are Benjamin Wolfe and James Wulliman (1995), Philo and Elma Farnsworth (1997), Morris Blum (1998), Richard Rudman (2002), Richard Burden (2005), John Battison (2006) and Terry Baun (2010).

Persons told SBE: “I never had a Plan B. I was always going to be a broadcast engineer, and that’s exactly how it came out.”

The event planners had to get clever to plan the presentation. They secretly contacted Paula Persons via the Brainerd, Minn., VFW to ship the plaque to her via a friend.

To ensure Mark Persons was online for the ceremonies, they then invited him as 2018 recipient of the SBE Robert W. Flanders SBE Engineer of the Year award, to be present for a cameo with other past winners. And during the online ceremony, Paula came into his office with the award.

[Related: “SBE Names Its New Executive Director”]

SBE provided this summary of his career:

“Mark, a life-long resident of Minnesota, followed in the footstep of his father, who was also a radio broadcast engineer. Mark started turning transmitter knobs more than 60 years ago. While reaching the rank of sergeant in the United States Army from 1967 to 1969, Mark was in charge of an avionics repair shop for the OV-1 Mohawk high-tech surveillance aircraft in Vietnam.

“After his military service, he spent the next 10 years with KVBR radio in Brainerd, MN, where he became chief engineer. In 1977, he opened his own radio engineering consulting business, which he operated for the next 40 years. He married his wife Paula in 1978, and she became instrumental in running the business side of the business out of their home.

“Mark has been a respected engineer in Minnesota and the upper Midwest his entire career. He built 12 commercial AM and FM radio stations, and rebuilt, upgraded, maintained and repaired countless other radio stations for clients. He has endeavored to share his knowledge and experience with others in the field. He has written more than 140 articles that have appeared in industry magazines and made more than 25 speeches and presentations at industry conventions, conferences and meetings.”

Nominees are SBE members and have been active for 40 years or more in broadcast engineering or an allied field. Persons joined the SBE in 1981 and is now a life member. He holds three life certifications from the society.

Persons retired several years ago but is active in the SBE Mentor Program. He’s also a ham and a member of the American Legion, The VFW and Disabled American Veterans.

You can watch the replay of the membership meeting and awards ceremonies on the SBE YouTube channel.

As previously announced, RJ Russell received the Robert W. Flanders SBE Engineer of the Year award. Fred Baumgartner and Roland Robinson received the James C. Wulliman SBE Educator of the Year award. New SBE Fellows Ralph Beaver and Jim Leifer were saluted.

[Related: “RJ Russell Is SBE’s Engineer of the Year”]

The post Mark Persons Receives SBE Lifetime Achievement Award appeared first on Radio World.

Paul McLane

“Next Best Thing” Tour on Mid-Atlantic Swing

Radio World
4 years 8 months ago

The “Next Best Thing Media Tour” is rolling onward, having visited almost two dozen markets so far, and with a long list to go before it concludes around Thanksgiving time.

Greg Dahl

It’s a traveling outdoor equipment expo intended to help engineers and others see equipment or talk to vendors in person, in this year without an NAB Show. In some cases the visits coincide with SBE chapter meetings.

Stops for the week of Sept. 28 are Philadelphia, Baltimore, Raleigh and Charlotte. Major markets on the list and yet to be visited include Cincinnati, Indianapolis, Dallas, Houston, Miami and Atlanta.

Prime movers in the effort include Greg Dahl of Second Opinion Communication, Dave Kerstin of Broadcasters General Store and Jeff Williams of Yellowtec.

Companies with product and/or people taking part are American Recorders, Angry Audio, BDI, Broadcast Bionics, Broadcast Tools Inc., CANARE Corp. of America, CircuitWerkes, Comrex, DJB, ENCO Systems Inc., Graham Studios, Henry Engineering, Inovonics Inc., Kathrein Broadcast USA, Kintronic Labs, Masterclock, Inc, Myat, NotaBotYet, Radio Design Labs, Shoreview Distribution, Shure Incorporated, Sprite Media, Summit Technologies Group, Telos Alliance, Vclock, and WorldCast Group.

Dahl has said that the idea was inspired in part by the “Taste of NAB” tour that Larry Bloomfield conducted over several years.

The tour stops in four communities each week. The group photo above was taken this week in Cleveland.

Masks and hand sanitizer are available at each location. The organizers said equipment and surfaces are sanitized between interactions.

A link to the schedule is available at the Second Opinion Facebook page.

Traveling van of Second Opinion Communications.

 

The post “Next Best Thing” Tour on Mid-Atlantic Swing appeared first on Radio World.

Paul McLane

FCC Decision to Nix Creation of New LPFM Class Gets Reactions

Radio World
4 years 8 months ago

The National Association of Broadcasters is standing behind the Federal Communications Commission decision not to create a new class of low-power FM stations.

In a Report and Order issued earlier this year, the FCC concluded that it would not move to create a new class of 250-watt LPFM stations, known as the LP-250 service. The NAB agreed with the FCC in recently submitted comments, arguing that there is no reason for the FCC to create another class of service, governed by a different set of rules. Moreover, the association said, if an LPFM applicant or station wants to operate a 250-watt radio station, it can apply for a Class A license just like any other entity.

[Read: LPFM Stations Seek Technical Upgrades]

A formal Petition for Reconsideration was filed by a group of LPFM/NCE community radio engineer advocates as part of an FCC Report and Order on modernizing media regulations (formally known as Amendment of Parts 73 and 74 to Improve the Low Power FM Radio Service Technical Rules, Modernization of Media Regulation Initiative, MB Docket Nos. 19-193 and 17-105). Those commenters included Todd Urick with Common Frequency, Paul Bame with the Prometheus Radio Project and five other LPFM operators and engineers.

The group complained in its most recent filing that the FCC did not adequately acknowledge LPFM advocates’ concerns nor did it address numerous sentiments regarding the subject in the final FCC order. Specifically, the commenters argued that LP-250 is not in conflict with the Local Community Radio Act’s requirement regarding reducing minimum distance separations between LPFM and full-service stations. The commenters said that nothing in the commission’s reasoning within the order offer adequate enough rationale for denying the creation of an LP-250 service.

Rather, they said, the commission seemed to imply that the LP-250 issue required further study, which the commenters infer to mean that the commission intends to open a proceeding in the future to solicit various LP-250 proposals for stakeholders to contemplate. In addition, such a solicitation would also address LPFM operators’ concerns about low-power FM service deficiencies that curtail listener reception.

“There does not seem conclusive reasoning to not consider a LP-250 service,” the group said in its comments. “The commission has vastly assisted in relief concerning AM broadcasters failing coverage. Shouldn’t commensurate effort be extended to ameliorating LPFM coverage issues? [Plus,] there is certainly a demand for relief concerning LPFM interference/underpower concerns within the station’s 60 dBu contour of many LPFM stations.”

The NAB responded by saying the petitioners are only rehashing claims in support of LP-250 service that the FCC already fully considered. The petitioners also offer no new information about the burden on applicants of preparing contour studies and entirely ignore the impact on the FCC of having to review such studies, the NAB said. The association also said that although the text of the LCRA does not specifically cap LPFM power levels, the act does prohibit reduction of the minimum distance separations between LPFM and FM stations and that LP-250 supporters have not shown that LP250 service could be consistent with these spacing requirements.

“Petitioners urge the FCC to relitigate its view of the LCRA, but do not offer any additional facts or policy reasons,” the NAB said. “The FCC has repeatedly and consistently spoken on this matter, and while petitioners may disagree with the commission, the FCC’s approach is perfectly valid, thoughtful and requires deference.”

The NAB reminded the FCC that the group failed to provide new facts or new arguments in this subsequent round of comments, which is a necessary part of the process when the FCC considers reversing an earlier decision.

“As [the commenters are] well-aware, the act struck a careful balance between the interests of noncommercial entities for more licensing of LPFM stations with those of incumbent services for interference safeguards,” the NAB said in its comments. “Allowing LPFM stations to more than double their maximum power now, a decade later, would upend the careful balance that stakeholders forged at the time.”

Comments on the issue can be viewed within the FCC’s ECFS electronic database using Docket 17-105 or 19-193.

 

The post FCC Decision to Nix Creation of New LPFM Class Gets Reactions appeared first on Radio World.

Susan Ashworth

Xperi Partners With FM-world in Italy

Radio World
4 years 8 months ago
A promotional image for the FM-world app.

DTS and its parent company Xperi said they’ve expanded DTS Connected Radio coverage in Italy by working with FM-world, a radio station streaming and aggregation platform.

DTS Connected Radio is a hybrid radio platform built around a database of broadcast metadata. Xperi says the platform is about to come to market in a number of 2021 vehicles. Hybrid systems combine over-the-air reception with internet connectivity to provide features like enhanced graphics, geo-targeting and data aggregation.

[Read: Xperi Highlights Its In-Cabin Monitoring Efforts]

FM-world — part of technology company Elenos, which also owns Broadcast Electronics — describes itself as “an ecosystem that lives around the radio.” Its activities include an online newspaper about radio and an app for radio listening that includes visual radio capabilities.

Under this agreement FM-world content will be integrated into the Xperi platform, feeding data and streams to the DTS Connected Radio system on behalf of its own Italian broadcast partners and other markets.

“The companies have completed and validated country-wide integration in Italy and will rapidly add more FM-world territories in other countries,” they announced.

The announcement was made by Gianluca Busi, CEO of FM-world, and Joe D’Angelo, senior vice president of radio at Xperi.

“FM-world will feed validated live, now-playing data, as well as station streaming services into DTS Connected Radio,” according to the announcement. “This collaboration will provide all FM-world’s broadcast clients with turnkey integration and presence in the DTS Connected Radio ecosystem.”

D’Angelo was quoted saying of FM-world: “Their unique position in Italy, and other markets, makes them an ideal partner as we work to revolutionize the in-car radio listening experience.”

Xperi recently completed its merger with Tivo. It is also the parent of HD Radio as well as DTS AutoSense, a line of car occupancy and driver monitoring systems.

 

The post Xperi Partners With FM-world in Italy appeared first on Radio World.

Paul McLane

SBE Names Its New Executive Director

Radio World
4 years 8 months ago
James Ragsdale

James Ragsdale, a former finance executive at Anderson University in Indiana, will be the new executive director of the Society of Broadcast Engineers.

When he comes on board in January, Ragsdale will be only the second full-time executive director of SBE.

He was chosen from a field of 28 candidates to succeed John Poray, who will step down at the end of 2020 after almost three decades. Poray gave the society a one-year heads up that he’d be leaving.

[Read: “SBE’s Poray to Retire in 2020”]

Ragsdale was the VP for finance at Anderson University, a private liberal arts school where he managed the operational budget; he was a member of the university president’s leadership team and oversaw the business office, human resources, physical plant, police and security, and auxiliary services.

Prior, Ragsdale was senior financial analyst at Ascension Technologies, where he managed the operational and capital budgets for Indiana Market and St. Vincent Health system. He also was treasurer and controller at Church of God Ministries and practice administrator at Anderson Family Practice Associates.

John Poray

He holds a bachelor of arts degree in business management and public affairs at what was then called Anderson College; he has a masters of business administration in finance from Indiana University.

The SBE board approved the appointment following a meeting Tuesday.

Society President Wayne Pecena thanked the people involved in the search effort including Past President Joe Snelson, who led the search committee.

The non-profit professional society is based in Indianapolis, Indiana, and has approximately 5,000 members and 114 local chapters.

John Poray was SBE’s first full-time executive director and has been with the society since 1992. He began his career in with the Boy Scouts of America’s Central Ohio Council and went on to work for Kiwanis International, The Apartment Association of Indiana and The Columbus Apartment Association.

The post SBE Names Its New Executive Director appeared first on Radio World.

Paul McLane

NAB Launches Campaign Celebrating the First Amendment

Radio World
4 years 8 months ago

Our First Amendment freedoms are an essential part of our democracy and the National Association of Broadcasters wants to celebrate that.

The NAB announced the launch of a campaign celebrating the First Amendment and its guarantee of free speech and the press. The campaign — which is being hosted at WeAreBroadcasters.com — provides a toolkit with on-air and digital resources to help media professionals, policymakers and the public celebrate the First Amendment.

[Read: NAB Ad Campaign Emphasizes Local Broadcasting]

“America’s founders, in their infinite wisdom, understood that our country could not long survive without a free press that could report the facts and deliver their opinions without fear or favor,” said NAB President and CEO Gordon Smith in a statement. “NAB celebrates this enduring principle that has kept our communities informed and engaged since our nation’s early days, and we honor the ongoing work of the press in preserving our democracy.”

The campaign coincides with the 231st anniversary of congressional passage of 12 amendments to the U.S. Constitution that were sent to the states for ratification. Ten of these amendments were eventually adopted as the Bill of Rights — the First Amendment provided the freedom of religion, speech, the press and the right of assembly.

The NAB created a series of radio and TV spots for broadcasters available in English and Spanish. The resources include an interactive timeline of key First Amendment moments in history, shareable video and social media posts, on-air talking points, and a listing of association, organizations and partners that defend and support the First Amendment.

 

The post NAB Launches Campaign Celebrating the First Amendment appeared first on Radio World.

Susan Ashworth

NextKast Has Licensed Version Option

Radio World
4 years 8 months ago

Axis Entertainment Inc., has released its latest NextKast Broadcast automation, Terrestrial License. The latest automation offering has evolved over the last few years as the software adds more terrestrial customers looking for an intuitive software with the power to run FM, AM, and HD radio stations at an affordable cost.

Some of the features include Natural Log, Marketron, and other traffic merging; Advanced Nexus Integration with Music Master; ability to import external logs from most other music scheduling programs; enhanced live assist screen with track search on second screen; current hour remote and in studio voice tracking; advanced playlist macros; and much more. TCP and cloud-based voice tracking is available for PC, and cloud-based voice tracking on MacOS.

[Check Out More Products at Radio World’s Products Section]

The scheduler includes features like multipass scheduling (giving power categories artist separation bias), granular hourly mood/feature/gender flow, daypart sectioning for evenly distributing songs in different dayparts, date and time track restrictions, and more.

Hardware triggering is achieved using serial connection either USB or RS-232 using the Broadcast Tools relay boards like the SRC-16 Plus or SRC-4. The software can run well in a virtual server environment because of its minimal CPU and memory requirements. It has been time tested running in the Telos Alliance Axia IP-Audio Driver environment.

The new affiliate mode allows one main studio instance generating music and voice tracking, while affiliate stations have control of local commercials, imaging and station IDs. The end result is each affiliate’s imaging and commercials are unique to that station but voice tracks and music are shared, eliminating satellite or remote triggering scenarios. NextKast Broadcast version now also integrates closely with syndicated content providers such as local radio networks and others.

Info: www.nextkast.com

 

The post NextKast Has Licensed Version Option appeared first on Radio World.

RW Staff

Perspectives of a Fly in the Milk 2020

Radio World
4 years 8 months ago

The author of this commentary is chief engineer for Entercom Communications station WIP(FM) in Philadelphia.

Ben Hill

I wrote an opinion piece in Radio World almost 20 years ago that I headlined “Fly in the Milk,” hoping to draw attention to the lack of opportunity for minorities in U.S. radio engineering. The issue didn’t gather much steam.

Today, much national attention is focused on racial issues. Recent stories in Radio World have been exploring the professional experiences of Black radio engineers. It seems a good time to update my earlier commentary and share my own.

Getting here

Dr. King’s work nationally, and local civil rights efforts in my city, certainly influenced me growing up. It was North Philadelphia and the 1960s. Police and parents were on the same page for “law and order.”

It seemed a time of innocence; and then came the Vietnam War. Everything changed.

Growing up a young Black person in America, the pressure can be intense; but my mother never allowed us to wallow in self-pity or to be afraid to venture out in the world and accomplish things. There was no playing the race card. But we had to stand up for ourselves.

My family had a lot of dignity and grace, since most of my relatives were housekeepers, maids and butlers. My high school was 90% white, and there were heavy racial tensions and fights.

I couldn’t wait to get out of there. No proms or sports really; it wasn’t good to be around after school. I was busy tinkering and trying to fix broken mechanical and electric appliances.

As a kid I could fix things, especially electronic items; I was working on radios and TVs by the age of 14. I attended a tech trade school for electronics that nurtured and taught me. The school was 50% black in the student body, which helped me to fit into it.

My professor Mr. Wortham told us, “Boys, you will learn all the technical stuff you will need; but dealing with people and co-workers? That will be a bigger challenge for you.” Boy he was right.

A couple of electronic repair jobs brought in some income but I was bored. I liked radio. I liked to play on-air radio contests; and I won a lot.

My radio career began because a morning show host wanted employees who looked like the predominately Black audience the station served. A noble cause indeed! A friend of mine told me about the job. I went to work at WHAT, a 1 kW AM station in Philadelphia. It was a crazy exciting place. The FM was WWDB.

This lasted about a year before I was let go; why I don’t know. Someone else was hired to replace me who wasn’t Black; but he was a good engineer, I was told.

I interviewed for jobs but didn’t get them. I knew things weren’t right because some of the interviews didn’t include a tour of the facility, no in-depth questions on my technical ability and not even eye contact in some cases.

But I also was interviewed and given a test by the legendary engineer Glynn Walden at KYW. He said I was very good; but he wasn’t hiring me because the job was a board operator position, and he said I was better than that. He told me to find an engineering job. He was right. Thanks Glynn!

Always back to radio

These interviews took me all over the Philly and New Jersey area. Meanwhile I taught broadcast electronics for the First Class engineering license. I had gotten mine by passing the tests for the Third, Second and then the First, which later became a General license.

I met a guy teaching at the school who’d heard that a job was open at a 1 kW station in Camden, WSSJ(AM). I applied. The African-American owner told me I was the only Black candidate he’d seen; he asked an engineering friend to interview me, not a radio guy but a nice person, and I was hired that day.

At WSSJ we built new studios and had to rebuild the transmitter site after an arson fire. The station was sold within two years. I decided to leave and take another teaching assignment at a trade school for electronics. Officially done with the radio business — I had had it! I was frustrated again; the career in radio didn’t seem to be happening.

This chapter went well, and I actually relearned electronics by teaching it, especially RF electronics. But a friend called me and said there were a couple of radio engineering jobs open in Philly.

I interviewed at the WSNI(FM)/WPGR(AM) combo. I got the job. The manager said that he liked that I came to the interview with my suit jacket over my arm and my sleeves rolled (it was a hot day). They took me right in as soon as I arrived.

We clicked the day I became chief at those stations, dealing with high-power FM and a 50 kW AM.

From there and over 40 years I have prospered at some of the biggest and best stations in the Philly area.

And I did eventually get to work for Glynn Walden, at WIP and KYW Newsradio for CBS Radio, which had been a dream job.

Creating positive culture

I’ve been known as something of a Radio Mr. Fix It, but I try to be more than that, remembering Mr. Wortham’s advice about people.

I walk around the station several times in the morning to make sure all is good — with the facility, but also with my co-workers. Someone’s memory is jogged by seeing me walk by. I get early warning of an impending issue. I ask not only “What else needs fixing” but also “How is your family?”

A friendly approach is always better than the alternative. Mom used to say you get more with a cup of sugar than a bowl of salt.

I tried to create a culture, a way to let young board ops and DJs and announcers know that someone was looking out for them. If they needed a pair of headphones or advice on building a home studio. Or cooking BBQ or one of my famous fish fries.

My friendly approach helped so much with making friends in a White world that was so different to the one I grew up in. Positive attitude and uplifting approach, even when I was not happy or pleased with the situation, really made a difference for me. No one was going to accuse me of a bad attitude or a chip on my shoulder.

I have wondered over the years how I was regarded by my engineering peers. I always felt concerned to fit in and be recognized as competent and knowledgeable, like they were. Not a token. Black.

This wondering — about whether we fit in or will be accepted — is added pressure we have to cope with daily.

Start with education

I have not seen a lot of racism but I’ve seen racial bias. I have heard the question in a crowd, “Who is the chief?” and seen their surprise when I identified myself. I’ve been at a convention and had someone think I couldn’t comprehend or understand how antennas or transmitters work.

Also I questioned why I could never seem to get a promotion. A dear friend, an industry stalwart who is White, told me, “They prefer to hire and promote those who look like them.” I appreciate him for telling me that. (This was not the 1970s or ’80s but far more recently.) He personally didn’t hire that way, saying he felt diversity was important for all of us.

I think that my Black peers — the few I know and with whom I’ve spoken about this — are well aware of the spotlight on us to succeed. Our mere presence in this radio world is a great thing because we are succeeding and benefiting. It has always been a form of protest to me, my presence.

But there are no new Black engineers coming along. Maybe in western and southern cities, but I haven’t seen it in the north. There have been some IT pros and some remote engineering guys I have met. Not many.

What to do about it?

Discussion on race as with any discussion needs to be followed with action plans. We need every major learning center in this country to open their doors with scholarships and grants to allow young Blacks and Latinos to attend college or trade school.

This would go a long way to helping young people find their way. We need to use our schools and universities as training and “melting pots,” learning from each other while we learn our particular craft.

And radio and TV companies should hire young people to fill their empty studios and buildings, especially at night. Where will the future radio DJs and workforce come from if we keep automating and cutting people?

The most startling fact I’ve heard about population lately is there are more young people under the age of 30 living on this planet than ever. They need guidance and mentors and education.

Removing the names of former presidents’ from buildings because of their racial misdeeds is good, I guess. But these universities need to make tuition free, especially at state-funded schools. Offer free education to young inner-city youth. Support inner-city schools, especially high schools and top-performing charter schools.

President Kennedy once said “Ask not what your country can do for you but what you can do for your country.”

I would amend that to “What more can I do to help my country?” Help young people succeed by mentoring, educating and offering them an alternative to the negatives they see.

I had the same encouragement and it worked for me.

Comment on this or any story. Email radioworld@futurenet.com.

[Related: “Is Diversity in U.S. Radio Engineering Possible?”]

The post Perspectives of a Fly in the Milk 2020 appeared first on Radio World.

Ben Hill

Metadata: Keeping Radio Strong in the Car

Radio World
4 years 8 months ago
Cover image from a WorldDAB presentation about metadata

The author of this commentary is chair of the WorldDAB UX Group and director, Radioplayer Automotive Partnerships.

At WorldDAB we recently launched a targeted communications campaign, urging radio broadcasters to prioritize the provision of great-looking images and informative text (metadata) for car dashboards.

The campaign includes a video explainer for senior execs, plus FAQs and a factsheet for those wanting to find out more. There’s also a dedicated email address through which broadcasters can ask WorldDAB to point them in the direction of organizations who can help. Information is available at https://www.worlddab.org/automotive/metadata.

For many reading this, the campaign and messaging to broadcasters might seem blindingly obvious. Why wouldn’t you do everything to ensure your station and branding looks great in cars?

Depending on which country you’re in, consumption in cars could account for anything from 25% to 50% of all listening.

But not everyone will have the same understanding of what needs to be done, or the time and resource to prioritize it. This is where WorldDAB and its member network can help.

We need to set this campaign against the backdrop of the pandemic, with the accompanying economic downturn, which has hit everyone hard.

We understand why metadata might not make it to the top of everyone’s to-do list right now, so how do we make progress in this critical area?

The answer to that conundrum comes in the answers to two questions: Why act now? And what do you actually need to do?

Why act now?

Because dashboard technology is changing faster than ever before. We need to react to the new dashboard environment and work hard to create a great radio experience as the competition for ears and eyes in the car increases.

Technologies that allow pairing of smartphones to the dashboard (like Apple CarPlay and Android Auto) have already opened up a wider choice of media sources, but now we have an app ecosystem available directly in the dashboard for the first time, thanks to the new Android Automotive operating system, launched in the Polestar 2 earlier this year.

Media and audio apps can now be downloaded directly to car dashboards via embedded SIM cards in the car. The increased number of services is forcing a rethink from car manufacturers about the user journey and interface, including the radio button.

It is vital that we continue to push for radio’s prominence on the dashboard given its popularity in-car and clear value to consumers. Many car manufacturers still provide a radio button, but a study from the National Association of Broadcasters of 50 cars at U.S. automotive exhibitions showed that the number of cars with a specific button on the dash for radio had decreased from 39% in 2017 to 26% in 2019.

This is not down to car manufacturers downgrading radio, but rather with more media services available on their interface they need to create a “user journey” that makes sense. At the same time, color touchscreens are replacing physical buttons, and these screens are getting bigger, brighter and sharper, making the visual experience of radio more important than ever.

[Related: “Metadata Is Both Glue and Lubrication,” Q&A with NPR’s David Julian Gray]

While this presents a challenge, there is also a big opportunity here for the radio industry, and we need to deliver if we’re to keep our car manufacturer partners supporting radio.

The good news is that they are more engaged than ever before. They want radio to look great in their cars, but this means they are disappointed and frustrated when it does not.

The same will be true of consumers who will compare radio to other app experiences, rightly expecting radio to look as good, if not better. So we must act now.

Within the WorldDAB Automotive Group (a collaboration of broadcasters, vehicle manufacturers, Tier 1s and companies offering solutions for radio to the vehicle industry), we believe that we must focus on the “user experience.”

If the radio UX is fantastic, and the content is great, our listeners will stay engaged. Of course within WorldDAB we see the heart of that UX being DAB+ (HD radio in the U.S.), alongside FM and streaming in a hybrid radio. We believe that digital broadcast radio is vital for robust, quality, free-to-air access. The question then is, when the station is playing, what appears on the large color screen that brings it to life?

The answer is metadata.

As a minimum, broadcasters should be providing a high-resolution station logo, the station name and description.

It’s likely that listeners will also want to know what show they’re listening to, the song that’s playing and who it’s by, they may also want an image of the artist. This is metadata, and without it radio risks appearing as a blank screen, disappointing listeners, car manufacturers and missing the chance to promote one’s station and brand.

[Read more Radio World articles about metadata.]

The work we do now to prioritize metadata for the car will also establish a baseline experience on which we can build with our car manufacturer partners.

Screens will get bigger and entertainment even more important, as drivers become passengers in autonomous cars.

For example, could there be an option in the future to show live video from the studio when hands are off the wheel? This isn’t going to happen any time soon but collaborating now with car manufacturers on a roadmap for metadata will allow us to plan to introduce more exciting features in the future and keep the radio UX strong.

So, what do we actually need to do?

Well, if you’re a radio exec, there are some simple steps you can take.

First, make someone responsible for getting your metadata to the car. It’s likely that your station will have already created all the metadata you need for use on your station apps or web players, so no problems there.

You will then need to see if you can make this metadata available over the air on DAB+, and you can also work with an organization who can help get your metadata to car manufacturers over the internet.

WorldDAB can put you in touch with member organizations who can help. Just email metadata@worlddab.org.

Additional resources are available at https://www.worlddab.org/resources/metadata/. They include an animated video that explains why it’s important for stations to have a visual presence; an information Sheet aimed at radio managers and those working at a technical level; and a video presentation to promote the use of metadata within the broadcasting industry. That video is below:

 

The post Metadata: Keeping Radio Strong in the Car appeared first on Radio World.

Laurence Harrison

V-Soft Schedules Training Webinars for Oct. 7

Radio World
4 years 8 months ago
V-Soft FMCommander

Signal monitoring and measurement software developer V-Soft has scheduled to training webinars for Oct. 7 for to of its well-known programs, FMCommander and Probe 5.

Starting at 9:30 a.m. Doug Vernier will introduce the FMCommander signal mapping program. Then he’ll take attendees through several examples, showing valuable hidden features and the most effective ways to use the program’s capability.

[Read: V-Soft Updates RFHaz]

V-Soft Probe 5

At 1 p.m. John Gray will take on the Probe 5 signal propagation program with examples using new, timesaving, features that analyze and map coverage and interference.

The webinars are open to anyone interested. To enroll send an email to enroll@v-soft.com with your name and the webinars you will be attending.

Information can be had at info@v-soft.com.

 

The post V-Soft Schedules Training Webinars for Oct. 7 appeared first on Radio World.

RW Staff

Consumer Audio Firm Gets Digital Radio Accreditation Green Light

Radio World
4 years 8 months ago

The Digital Radio Tick Mark scheme has its first formal participant.

The DAB+ products provider Frontier Smart Technologies has become the first company to pass Digital Radio UK’s recently upgraded provider technology testing program known as the Digital Radio Tick Mark scheme.

The tick mark scheme, overseen by DTG Testing, lets consumers know which devices have been tested and approved to meet the U.K. government agreed-upon specification for digital radios. These devices are able to receive FM, DAB and DAB+ stations and are supported by many digital radio manufacturers and retailers.

[Read: SmartRadio Logo Aims to Help Europeans Make Sense of New Platforms]

The scheme was first introduced in 2014 and was designed to give technology providers the ability to self-certify that their technology met Digital Radio Tick Mark standards. The new updated testing regime requires that DAB+ receiver core technology be certified by an independent third-party testing house using a single set of independently created test files. This is designed to bring a new level of robustness to the Tick Mark approval process.

This new testing program was launched in July 2020 and is being coordinated by the third-party testing lab DTG Testing. Frontier Smart Technologies passed the updated tests with its Siena DAB+ module, which the company said powers more than 3.5 million radios in the market.

“The new Digital Tick technology testing regime is good news for digital radio manufacturers and listeners who can select their technology and radios with confidence when they see the Digital Tick Mark,” said Ford Ennals, CEO of Digital Radio UK.

DTG Testing has licensed and made Fraunhofer DAB ETI files available for brands and manufacturers developing radios. These are a complete set of files with an accompanying test procedure that enables DAB radios to be tested against ETSI TS 103 461, which is the technical spec necessary to obtain the Digital Radio Tick Mark.

More information on the program can be found can be found here.

 

The post Consumer Audio Firm Gets Digital Radio Accreditation Green Light appeared first on Radio World.

Susan Ashworth

New IEEE Event to Take Pulse of Industry

Radio World
4 years 8 months ago

The IEEE Broadcast Technology Society is taking its 2020 symposium in a new direction with a new moniker.

Instead of hosting its traditional annual in-person IEEE Broadcast Symposium, the new BTS Pulse event will be a three-day virtual event held from Oct. 6–8 that will focus on the timely issue of broadcast disaster preparedness as well as 5G broadcasting and ATSC 3.0.

Radio is a very relevant instrument for disaster preparedness, said Samina Husain, BTS secretary and Pulse event co-chair, and so a session on the final day will explore the ins and out of broadcast disaster preparedness. The session will be chaired by Guy Bouchard, director of transmission systems at Télé-Québec, and will touch on lessons that have been learned during the current pandemic and explore how to design disaster-resilient infrastructure.

“Our priority is to ensure we have an established platform, enabling continuity to fulfill our integral role in industry of information sharing,” Husain said of the Pulse event. Since IEEE BTS was unable to host its annual Broadcast Symposium in-person due to the current pandemic environment, an event such as Pulse serves as an essential means of answering vital questions and discussing issues relevant to a global industry audience, she said.

The first session of the three-day event will be chaired by broadcast industry advisor Peter Siebert who will look at the role that 5G will play in the future of DTT broadcast. The second session, which will be chaired by ATSC President Madeleine Noland, will review the status of next-generation ATSC 3.0 rollout.

Similar to the IEEE Broadcast Symposium, this virtual event will provide attendees the opportunity to earn multiple continuing education credits or professional development hours.

“The sessions will include essential topics and innovation discussions as well as best practices and insights for both leaders and practitioners,” Husain said.

Registration details are available can be found on the BTS Pulse event website.

IEEE BTS Pulse Virtual Event Information

When: October 6–8

Time: 9:30 a.m.–11:00 a.m. ET each day

Schedule:

Day 1 — 5G & Broadcasting: Session Chair Peter Siebert, broadcast industry advisor

Day 2 — ATSC 3.0 Implementation & Roll Out: Session Chair Madeleine Noland, ATSC president

Day 3 — Broadcast Disaster Preparedness: Session Chair Guy Bouchard, director of transmission systems at Tele-Quebec

 

The post New IEEE Event to Take Pulse of Industry appeared first on Radio World.

Susan Ashworth

Best of Show Awards Program Guide Now Available

Radio World
4 years 8 months ago
Click to see full version.

The Best of Show Awards digital supplement is now available to read and download. The ebook showcases all of the entries from this year’s awards program that took place around the virtual IBC Showcase.

The awards recognize products and technologies that broadcast providers launched and demonstrated around the show. They are supported by four of Future’s leading media technology brands: TVBEurope, Pro Sound News, Radio World and TV Technology.

[Related: Radio World Announces Fall Best of Show Recipients]

“We’ve had a terrific turnout considering the virtual nature of the current trade show environment, which is fantastic because it’s important that product development and innovation continues to receive the visibility it deserves despite the lack of physical events,” said Future B2B Group Content Director James McKeown.

“Every year the level of entries goes up a gear and 2020 is no exception. The quality and agility of the tech and solutions on show this year is testament to the work being done by product and R&D teams throughout this community, and our sincere congratulations go to the winners and all of those nominated for an award.”

 

The post Best of Show Awards Program Guide Now Available appeared first on Radio World.

RW Staff

What, Exactly, Was First About KDKA?

Radio World
4 years 8 months ago
Read more about early radio’s history by clicking the logo.

What, exactly, was “first” about KDKA’s broadcast on Nov. 2, 1920?

As history articles in Radio World demonstrate, there really was no single “first day” of “radio.” Various dates and organizations could lay claim to some or all of the honor depending on how one defines it. 

[Related: “They Set the Stage for the Birth of Radio”]

Radio history fans are well aware of this, but many others are not.

In celebrating the upcoming KDKA anniversary, most people are likely to say something like “Radio started in November 1920.” I wasn’t happy with this simplification, so I turned to two of RW’s favorite radio history writers, John Schneider and James O’Neal.

John is a lifelong radio history researcher and a longtime Radio World contributor. He held technology positions with Broadcast Electronics and iBiquity Digital.

James is former technology editor of TV Technology and a frequent Radio World contributor. He worked for more than 30 years on the television side of the Voice of America.

I asked John and James how they would complete the following statement: “The radio industry celebrates Nov. 2, 1920, as its birth date, because until then no one had … what?”

Below is their exchange, which I share for your enjoyment as well as my own edification.

John Schneider writes:

John Schneider, 2020 style

In my mind, Nov. 2 doesn’t clearly signify a “first” of anything. There are a number of milestone events that marked the beginnings of broadcasting, but they each can be credited to different stations. No one pioneer can clearly claim the right to being first on all counts:

-Who made the first broadcast? Reginald Fessenden or Lee de Forest

-Who first broadcast on a regular schedule? Charles “Doc” Herrold

-Who received the first broadcasting license? WBZ

-Who established the first professional station? WWJ and KDKA

-Who has broadcast continuously for the longest time without interruption? WWJ and KNX

-Who was broadcasting to a consumer audience? Impossible to determine, seeing as the development of the non-amateur audience was a gradual process.

People have been arguing this issue without a resolution for nearly 100 years, so we aren’t going to resolve it with one story or statement.

After struggling with this question for much of my life, I have finally come to the conclusion that they were ALL pioneers, each contributing a piece of the story but with no one clearly standing head and shoulders above the rest. It’s not appropriate to give the recognition to just one while discounting all of the rest.

In my mind, Nov. 2, 1920 is important because it marks the debut of the most important and well-publicized of all of the pioneer stations, and as such it is the date the broadcast industry generally recognizes as its formal beginning.

Going beyond that will just drag you down into the age-old argument, and you will receive dozens of complaint letters, each person arguing for their personal favorite.

On the other hand, if you want to stimulate conversation and generate letters to the editor, why not ask the question of your readers: Who do you think was first?

James O’Neal

James O’Neal responded:

I would certainly agree with John on all points.

It’s indeed a fool’s paradise to think that claims to priority in just about every endeavor of any consequence can ever be adjudicated to everyone’s satisfaction. I certainly considered this and have said as much in one of my stories.

I also singled out several other close contenders (including Marconi’s MZX in Chelmsford, U.K., which, while significant, doesn’t get a lot of mention) to try to illustrate the futility of establishing a really clear-cut winner for this position in the history books.

I have pointed out that KDKA seemed to possess a number of qualifications not held by others, including operation on a license/frequency for commercial broadcasting, operating (from Nov. 2) on a regular and continuous basis, emitting programming directed to the general public, and publicly advertising to offering of programming in advance of the Nov. 2 airdate.

While I realize that this does not really answer your question, I think it’s important background to consider in framing some sort of unified phrase to describe what KDKA accomplished on Nov. 2, 1920.

Possibly the best compromise would be something like:

“Nov. 2, 1920 is recognized as a significant date in radio’s history and evolution, as most historians agree that it marks the beginning of regular and continuing entertainment and news broadcasts directed exclusively to the general public. Pittsburgh’s KDKA, which has now been operating continuously for 100 years, is recognized for launching broadcasting as we know today that evening, by airing continuing coverage of presidential election returns.”

John Schneider replies:

I disagree with James on a few points; KDKA was not licensed or assigned to a frequency for “commercial broadcasting.” They were initially given a Commercial Land station license, a classification that had existed for many years and applied to point-to-point communication. There was no frequency designated for broadcasting until 1921, when WBZ was given 360 meters (at the request of Westinghouse). Also, WWJ was broadcasting to the general public, and advertising themselves in the pages of the Detroit News, three months before KDKA.

But I think the statement that James suggests is entirely accurate and appropriate.

And James has the final word:

John is correct in stating that broadcasting (on any frequency) had yet to be authorized. Westinghouse was in possession of a license allowing operations in spectrum reserved for commercial purposes. I stress this as the Detroit News broadcasting that evening was done via an Amateur class station license that restricted it to operation on a frequency allocated strictly for that purpose, and as such, their transmissions were subject to any interference that might be created by other radio amateurs sharing it.

What do you think? Email radioworld@futurenet.com with “Letter to the Editor” in the subject field.

The post What, Exactly, Was First About KDKA? appeared first on Radio World.

Paul McLane

Georgia Radio Is On the Mind as the Peach State Celebrates #Radio100

Radio World
4 years 8 months ago

From the strains of bluegrass in the 1950s to the live radio calls of Georgia Bulldogs football, the Georgia Association of Broadcasters (GAB) is honoring radio’s 100th anniversary by recognizing the myriad ways radio has served citizens across the Peach State.

The GAB is celebrating radio’s 100-year milestone with a series of radio spots and digital elements that showcase the diverse population, lifestyles and interests across Georgia. From the discovery of new R&B stars to the intricacies of NASCAR culture to explaining mud-bogging races to the uninitiated, Georgia radio and its DJs have long recognized the state’s unique heritage and culture.

[Read other articles in Radio World’s celebration of Radio@100]

DJs like Bill Elder entertained WAYS(FM) listeners for nearly 20 years with his “wacky wake up morning show,” according to the website Gateway Macon, which detailed some of top radio personalities in Macon. Others like Hamp “King Bee” Swain made history as the first African-American DJ at WIBB(FM) and was credited with discovering the soul singer Otis Redding.

To honor Georgia radio as part of the nation’s Radio at 100 celebrations, the GAB created a Radio 100 Committee comprised of broadcasters and individuals from universities and companies across Georgia. New digital spots are being shared with Georgia radio stations to use over the airways and on their digital platforms. Stations and listeners are encouraged to celebrate the past and look to the future by sharing some of their favorite broadcasting memories on social media by using #Radio100 and @GaBroadcasters.

“WSB Barn Dance,” classic country music programming at the legacy station, WSB(AM) in Atlanta.

The National Association of Broadcasters is also counting down the top moments in radio, especially those moments that most fully represent radio’s influence as a means of sharing news and building community, from Pres. Franklin D. Roosevelt’s 1933 fireside chats to radio’s current role as purveyor of news, comfort and connection during the 2020 COVID-19 pandemic. NAB is encouraging broadcasters across the nation to celebrate the 100th year of radio by using the NAB’s #Radio100 toolkit, which includes #Radio100 audio spots and videos for social media platforms.

Radio World is also recognizing radio’s 100th year with profiles of women who burst through radio’s earliest glass ceilings to those companies who are recognizing the accomplishments of songwriters from all radio genres.

“As we celebrate the past 100 years of radio, we also look forward to the bright and promising future of the industry,” the GAB said in a statement. “Now with more ways than ever to connect with our communities, radio feels confident moving ahead to the next 100 years.”

 

The post Georgia Radio Is On the Mind as the Peach State Celebrates #Radio100 appeared first on Radio World.

Susan Ashworth

Licensee Agrees to $8,000 Consent Agreement on Unauthorized License Transfer

Radio World
4 years 8 months ago

A license transfer violation that occurred more than two years ago was resolved when the Federal Communications Commission agreed to enter into a consent decree with the parties in question.

In October 2017, the sole shareholders of Big Horn Media (BHM) — John and Mercedes Burkavage — acquired the stations KUEZ(FM) in Fallon, Nev., and KUEZ(FM1) in Reno, Nev. At that time, BHM was authorized to issue 100 shares of stock, yet decided to issue only 27 of those shares as community property to the Burkavages. Then in November of 2017, the Burkavages entered into a buy/sell agreement and stock purchase agreement and issued the remaining 73 stock shares of BHM as community property to Harry and Bonnie Dixon.

[Read: FCC Rejects Appeal From Florida FM Applicant]

This was a problem, the FCC said, since the Burkavages failed to request prior approval of the transaction as required by the Communications Act and FCC Rules.

In 2020, the licensee filed the applications disclosing the unauthorized transfer of control of BHM. Soon after, the licensee amended the applications to clarify the Burkavages’ ownership of the stock shares of BHM prior to the unauthorized transfer of control. According to the commission, the licensee said it filed the applications as soon as it became aware of the filing obligation and at that time, formally requested a waiver to continue operation of the stations and to bring the licensee into compliance with commission’s rules.

During the bureau’s investigation of the unauthorized transfer of control, the licensee also revealed that it had failed to file its Biennial Ownership Report for the year 2019.

The FCC often enters to into consent agreements like this one to resolve clear-cut issues and cut down on the time spent on time-consuming proceedings. As a result, the groups agreed to a civil penalty of $8,000 to be paid within the next six months.

The FCC also anticipated that the applications would be granted successfully in the future, as long as the consent decree is followed to the letter. But the commission declined the request that the decision be ruled as nunc pro tunc, meaning the decision would retroactively correct an earlier error.

That’s because the unauthorized transfer of control occurred on Nov. 30, 2017 — more than two years before BHM alerted the commission to the violation — and because BHM failed to file its 2019 Biennial Ownership Report on time. “Given these facts, we cannot conclude that BHM has adequately discharged its legal obligations and we decline to grant the applications nunc pro tunc,” the chief of the Audio Division at the Media Bureau wrote in its order.

 

The post Licensee Agrees to $8,000 Consent Agreement on Unauthorized License Transfer appeared first on Radio World.

Susan Ashworth

Radio@100: Beasley Celebrates Songwriters

Radio World
4 years 8 months ago

Three organizations are cooperating to highlight the relationship between songwriters and radio over the past century.

Broadcast Music Inc., Beasley Media Group and Xperi’s HD Radio launched the series “100 Years of Hit Makers.” It will air on Beasley stations and on demand at www.bbgi.com/hitmakers.

“The series is a part of a year-long campaign to celebrate the 100th anniversary of the first commercial radio broadcast in the U.S., and to highlight the continuing importance of radio, especially in our current climate,” they announced.

“The series will take acclaimed songwriters from the country, rock, and R&B/hip-hop genres and give music fans everywhere a behind the scenes glimpse into the writing of their hit songs.”

[Related: Read articles in Radio World’s celebration of Radio@100]

The program is in partnership by Benztown, which provided on-air post-production. The companies listed a sample of writers to be featured: John Oates, Ed Roland of Collective Soul, Jesse Frasure, Daniel Tashian, Derrick Milano and Sonny Digital, and many others.

“Also celebrated are up-and-coming writers from the three genres. These acclaimed music creators will take audiences behind the scenes and into the writing rooms with stories of how their hit songs were created.”

The announcement was made by Xperi Senior Vice President Radio Joe D’Angelo, BMI Nashville’s AVP Creative Mason Hunter and Beasley Media Group Chief Content Officer Justin Chase.

Hunter said, “Songwriting and the radio have been deeply intertwined throughout the last century. Songs find new life on the radio and we’re honored to help elevate the significant connection between the art of songwriting and radio in this series.”

 

The post Radio@100: Beasley Celebrates Songwriters appeared first on Radio World.

Paul McLane

WorldDAB Urges EU Members to Meet Digital Radio Deadline

Radio World
4 years 8 months ago
EU flag GettyImages/BrasilNut1

The WorldDAB organization is urging European countries to “act immediately” to comply with an upcoming EU digital radio deadline.

The European Electronic Communications Code adopted in late 2018 contains a mandate that all new car radios should be able to receive digital terrestrial radio services.

Countries that are members of the European Union must turn it into national legislation by Dec. 21.

In a press release Monday, Patrick Hannon, president of WorldDAB, is quoted saying that the 2018 EU decision “has transformed the prospects for DAB+ radio in Europe. … We urge countries that have yet to implement the EECC to act imminently and help ensure that motorists in all EU Member States benefit from the advantages of digital radio: greater choice, clearer audio and enhanced data services.”

WorldDAB also provided a snapshot of how various countries are responding:

“In Germany, all radio receivers in new cars will be required to include digital radio capabilities from 21 December 2020. In the UK, all radios fitted in new passenger cars will come with digital radio as standard from 2021 following new regulations passed through Parliament.

“In Italy, all new (consumer and automotive) radio receivers sold from January 2020 onwards are required to include DAB+. In France, a proposal requiring all new car radios to include digital radio capabilities – in line with the EECC deadline – is being reviewed by parliament this month.

“Last week, Spain published a draft of its Telecoms Regulation, which also complies with the EECC. Other countries including The Netherlands, Belgium, Denmark, Sweden, Austria, Greece, Czech Republic, Poland and Malta have all initiated procedures to implement the EECC into national legislation.”

Read a factsheet about EEEC from WorldDAB including a longer update for various countries.

The post WorldDAB Urges EU Members to Meet Digital Radio Deadline appeared first on Radio World.

Paul McLane

Indiana AM Station Suspends All-Digital Transmission

Radio World
4 years 8 months ago
Transmitters at WIOE 1450. Photo courtesy Brian Walsh

After about four months in all-digital mode, an AM radio station in northeast Indiana has turned off MA3 digital operations for now and returned to analog transmission.

WIOE(AM) in Warsaw, Ind., was the second station in the United States to conduct such an experiment on the AM band. The station serves the Fort Wayne market.

Owner Brian Walsh was enthused about the quality and coverage of the signal. But he told Radio World he ended the experiment on Sept. 11 because of a lack of interest from listeners.

“Fort Wayne just isn’t ready for all-digital AM at this point. It wasn’t so much complaints but just a lack of any feedback whatsoever (on the switch to all-digital),” Walsh says. “We invested heavily in the digital technology but it just wasn’t working out right now.”

WIOE had received experimental approval from the Federal Communications Commission and began digital operations in the MA3 mode of HD Radio in May. Walsh says it was “exciting to have a station to pioneer (all-digital AM) and help develop new technology to assist other broadcasters with similar radio stations.”

[Related: “Xperi Describes More Tests at All-Digital AM”]

WIOE, which also uses AM stereo, is a Class C AM operating at 1450 kHz with 1 kW of power and a non-directional antenna daytime and nighttime. WIOE used a Nautel NX 3 transmitter during all-digital operations, capable of a digital main channel and digital multicast channel, Walsh says, though the station did not utilize HD-2.

“Full MA3 mode didn’t disappoint. MA3 AM HD excels,” Walsh says. He compared the sound of all-digital AM to that of an FM HD-1 channel.

“The AM HD MA3 mode drastically improves your AM coverage in areas that before had interference from electrical or man-made noise. That impresses me most,” he said.

Any AM station using all-digital will, by definition, not be heard on analog receivers. For that reason, having an FM translator that continues to carry the station content is considered important. WIOE’s programming could be heard by analog listeners on FM translator W282CH during the test period, Walsh says.

“We didn’t want anyone deprived of the programming. We purchased a billboard to spread the news of the changes, but people seemed to think the AM station just went off the air, just static, which is not what we intended obviously,” Walsh told Radio World.

Walsh (who is slated to talk about his experience during next month’s virtual Radio Show “Channel B” technical track) says MA3 was “consistent both day and night over 20 miles from the 1450 transmitter site” near downtown Fort Wayne.

“Every market is different. I was ready to provide an improved service to clients and listeners more than they were ready to accept the MA3 AM HD,” he says. “I overestimated a bit. When the time is right and the Fort Wayne market is ready, so is WIOE.”

WWFD(AM) in Frederick, Md., owned by Hubbard Radio was the first U.S. station to turn off analog AM and continues to operate in full-time all-digital under special temporary authority.

[Related: “Broadcasters Get Behind All-Digital AM Option”]

The post Indiana AM Station Suspends All-Digital Transmission appeared first on Radio World.

Randy J. Stine

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