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Radio World

Radio World Is Future’s B2B Publication of the Year

Radio World
4 years 6 months ago

Future plc, the global platform for specialist media, announced that Radio World is the recipient of its 2020 “B2B Publication of the Year” Award.

Radio World serves radio broadcast industry professionals in the United States and globally with content about technology trends, regulation, new products and radio technical careers. 

“In a challenging year marked by tremendous disruption in the media and trade show industries, plus the impact of COVID on all businesses, Radio World, a 44-year-old brand, continues to reinvent itself and thrive, consolidating its position as the radio industry’s No. 1 technology brand,” the company stated.

Future made note of Radio World’s revenue performance as well as its business-to-business innovation with new digital content formats, its growth in digital audience, and its recent content exploring diversity issues in radio. 

Radio World is a multiplatform brand, with print and digital editions, e-newsletters, social platforms, ebooks and webcasts. 

Among its successes in fiscal 2020:

• The webcast “Inside WTOP: A Specialty Facility Tour Webinar” took Radio World’s video camera into the gleaming new studios of America’s top-earning radio station near the nation’s capital. 

• A front-page special report “Blacks Are Few in U.S. Radio Engineering” was part of a special series of stories featuring career reflections of African-American engineers with their views on their roles and opportunities.

• “Broadcasting From Home” was a four-part series of one-hour produced webcasts featuring interviews with media company technologists about how they responded to the challenge of the pandemic in their workflows.

• Radio World’s online video efforts also included a webcast about one of radio’s big technical questions, “Digital Sunrise for AM,” a spring product-based webcast “15 Things You Can’t Miss” and two autumn product webcasts “Fall Product Peeks I & II.”

• Radio World’s website delivered YoY page views up +39%, users +51% and sessions +46% as of September. The publication’s e-newsletters are notable for their open rates and click-throughs.

• And Radio World expanded on the success of its ebooks, having now published more than 75 of them, this year including reports on trends in codec design, artificial intelligence, and virtualization and the cloud. 

“Radio professionals have become multimedia, multiplatform specialists,” Content Director and Editor in Chief Paul McLane said. 

“Radio World’s work has been characterized by remarkable stability and endurance, and by loyalty from both readers and clients. We’re proud of our efficiency and profitable operations accomplished in a difficult economic environment through smart initiatives, judicious investment and a roll-up-the sleeves attitude adopted by the entire team.”

“This is also an amazing time to be part of Future plc, which Radio World joined in 2018,” McLane said. “Its corporate culture and its support for innovation have been big parts of helping us not only keep Radio World relevant, but to grow it in new directions.”

The company’s annual awards were given in a virtual ceremony on Friday Nov. 6, led by Future CEO Zillah Byng-Thorne.

The post Radio World Is Future’s B2B Publication of the Year appeared first on Radio World.

RW Staff

New BTS Career Center Launched by IEEE Broadcast Technology Society

Radio World
4 years 6 months ago

A new career center has been launched by the IEEE Broadcast Technology Society, designed to connect broadcast industry professionals across all disciplines and career stages with broadcast employers.

The new center, called the BTS Career Center, is designed to highlight the unique nature of members of this industry, said Ralph Hogan, president of the IEEE Broadcast Technology Society. “Our members are highly appealing to employers because they’ve demonstrated a commitment to the highest levels integrity and training,” he said. “Providing our members with opportunities for professional development and career growth are core to our mission to serve the broadcast profession.”

[Read: Ben Dawson Honored With IEEE BTS Award]

The BTS Career Center is being hosted by YM Careers, a provider of job websites and career centers for organizations that serve specialized members. The career center is also unique in that it offers broadcast industry professionals and employers additional benefits such as the ability for job seekers to post anonymous resumes, options for employers to reach out to passive job-seeking broadcast industry professionals who do not visit job boards, integration of job content into social media channels, and the integration of career resources, training and other benefits offered by IEEE Broadcast Technology Society to members.

The career center is in line with the IEEE Broadcast Technology Society’s mission: to enhance industry professionals’ knowledge by keeping them informed of the latest research results and industry trends, and provide enriching educational and networking opportunities.

 

The post New BTS Career Center Launched by IEEE Broadcast Technology Society appeared first on Radio World.

Susan Ashworth

FCC Sets Comment Deadlines on NCE FM Cap

Radio World
4 years 6 months ago

If you want to tell the Federal Communications Commission what you think about its planned limit on applications in the upcoming window for new NCE FM stations, take note: The commission has now published the deadlines for comments.

In October, the FCC said it is seeking comment on its proposed limit for applications in the window that’s expected to open next year. The commission intends to cap the applications at 10 for any applicant, and that no party should have an attributable interest in more than 10 applications. [Read: “FCC Plans to Cap New NCE FM Applications.”]

Now the Media Bureau has set the deadline for comments at Nov. 20, and reply comments by Nov. 30.

Comments are being accepted in MB Docket No. 20-343. Comments may be filed via the commission’s ECFS website.

As we’ve reported, more than a decade has passed since the FCC accepted applications for new full-power NCE construction permits.

The window will allow non-profit organizations, schools and native tribes to apply for original CPs in the NCE reserved band, which is 88.1–91.9 MHz on the FM dial. Individuals cannot apply for NCEs. A separate window for additional new LPFMs is expected to follow.

The post FCC Sets Comment Deadlines on NCE FM Cap appeared first on Radio World.

Paul McLane

GatesAir Names Joe Mack as CRO

Radio World
4 years 6 months ago
Joe Mack

Joe Mack has been named chief revenue officer of equipment manufacturer GatesAir. It is a newly formed position.

Meanwhile Rich Redmond has left the company after 23 years, a spokesman confirmed to Radio World. Redmond most recently held the title of president – managing director, international.

[Read: GatesAir Promotes Parikh to VP of Engineering]

“Joe will take ownership of global sales activity in his new role, with all regional sales leaders across APAC, CALA, EMEA and North America reporting to him,” the company stated in a release planned for Tuesday distribution and obtained by RW.

Mack will continue to report to GatesAir CEO Bruce D. Swail.

Rich Redmond

Mack has been with GatesAir and its predecessor Harris for 30 years. He was promoted to VP of sales for the Americas when GatesAir was formed in 2014, after holding leadership roles at Harris Corporation’s Broadcast Communications Division. “Joe was responsible for all U.S. spectrum repack sales efforts, which established GatesAir as the undisputed market share leader for broadcast transmission,” the company stated. He joined Harris through the acquisition of Midwest Communication in 1990.

Rich Redmond joined Harris in 1998, according to his LinkedIn page, and held several sales and business development roles. He has been a familiar face to visitors to the GatesAir booth at trade shows, and played an important role in that 2014 “carveout” of GatesAir from Harris six years ago. He started his career with Northeast Broadcast Lab in 1990. Redmond did not immediately reply to a request for comment from Radio World.

GatesAir is part of The Gores Group, a global investment firm.

 

The post GatesAir Names Joe Mack as CRO appeared first on Radio World.

Paul McLane

USSI Global Service to Assist C-Band Spectrum Users Relocate

Radio World
4 years 6 months ago
A USSI Global field engineer performs maintenance on the satellite dish of a customer in Miami. Photo: USSI Global

USSI Global has launched a service to mitigate possible interference that may occur in the C-Band as broadcasters and cable networks transition from the lower 300 MHz band to make room for 5G services.

Operators of C-Band services in the 300 MHz band will be moved to what remains of the 200 MHz band by 2025. An auction for the spectrum begins in December, and the relocation of existing C-Band users in the 300 MHz band will occur with deadlines in late 2021, 2023 and 2025.

[Read: FCC Chooses C-Band Repack Money Clearinghouse Operators]

The new USSI Global interference mitigation service offers a full range of project management services, including site inspection, installation and commissioning. The company also can modernize all satellite systems and infrastructure, it said.

USSI Global, which is a turnkey provider of customized network, broadcast and digital signage systems and services around the world, plans to have a dedicated team of RF and satellite engineers work on each relocation project. It will offer C-Band users an option to offload network operation, monitoring and maintenance to USSI Global technicians, as well as a dedicated around-the-clock call center to respond to problems, the company said.

“The C-Band spectrum is occupied by television and radio broadcasters, as well as cable networks, that use satellite networks for contribution and distribution,” said David S. Christiano, USSI Global CEO and president.

“Our C-Band Mitigation Interference service will guide operators through complex, time-sensitive transformations and complete system upgrades that optimize their network infrastructure for the next generation. USSI Global brings together every project management and customer service element to ensure smooth transitions for our customers.”

The company will perform a full inspection of existing satellite facilities, after which its field engineers will manage all technical changes to the network infrastructure. It will update and repaint existing antennas as well as install new antennas, filters, IRDs and other components to modernized satellite networks. USSI Global will work with multiple suppliers while procuring new technology to get the best price, the company said.

USSI Global also will retune and repoint antennas to comply with frequency changes while enabling its clients to maintain uninterrupted service during the upgrade and transition, it said.

More information is available on the company’s website.

 

The post USSI Global Service to Assist C-Band Spectrum Users Relocate appeared first on Radio World.

Michael Balderston

Gordon Smith Says Biden Won

Radio World
4 years 6 months ago
Gordon Smith sent a video message about the elections to NAB members. Click to view.

Gordon Smith, a former Republican senator and now the president/CEO of the National Association of Broadcasters, says it is “decisive” that Joe Biden won the U.S. electoral vote. Smith issued a statement this weekend praising Biden for “his patriotic love for his country and of his good heart for all his countrymen.”

This would normally be considered a fairly routine post-election compliment from a former Senate colleague, but it stands out in the 2020 political climate.

Smith, a Republican, issued his statement even though Trump has not conceded and has issued numerous legal challenges to the Biden win.

In a similar vein, former President George W. Bush on Sunday described the election as “fundamentally fair.”

Smith acknowledged Trump’s rights to judicial review of election results but said, “It is time to acknowledge the election of Joe Biden and to allow him the chance to bind our nation back together.”

Here is the text of Smith’s statement:

“It has been clear for days now that Joe Biden has been on track to win the popular vote in his run for the presidency. It is decisive that today he has surpassed the threshold of 270 electoral college votes. NAB congratulates Joe Biden on becoming president-elect of the United States of America.

“I was privileged to serve beside President-elect Joe Biden during my two terms as a Republican Senator from Oregon. I know Joe. I know his patriotic love for his country and of his good heart for all his countrymen.

“Working together on the Foreign Relations Committee, we routinely bridged the partisan divide to achieve important legislative accomplishments.

“And, during a time of personal tragedy for my family, when we lost our son Garrett, Joe was a source of support and solace. Because he too knew the pain of losing a child, he gave to me a steady, brotherly shoulder to lean on. Joe is a healer, the consoler-in-chief our nation has elected.

“With due respect to President Trump’s rights to judicial review of election results, it is time to acknowledge the election of Joe Biden and to allow him the chance to bind our nation back together.”

He posed a video message for NAB members regarding the elections. He highlighted the large turnout and the role of broadcasters in the process.

The post Gordon Smith Says Biden Won appeared first on Radio World.

Paul McLane

FCC Gives iHeart a Foreign Ownership Privilege

Radio World
4 years 7 months ago

The Federal Communications Commission will allow more foreign investment in iHeartMedia — up to 100%, subject to certain conditions.

“We find that the public interest would not be served by prohibiting foreign investment in iHeart, the owner of over 850 radio broadcast station licenses, in excess of the 25% benchmark set forth in … the [Communications] Act,” wrote Albert Shuldiner, chief of the Audio Division of the Media Bureau.

The FCC has the discretion to allow higher levels of foreign investment in a broadcaster’s U.S. parent company. iHeart asked to be allowed to exceed the 25% cap because, in coming out of bankruptcy last year, it issued new stock and special warrants but was required to seek approval to exceed 25% so that foreign investors could use their warrants to buy stock.

[Read: Cumulus Gets Thumbs up on Foreign Ownership Petition]

A 2016 commission order made it easier for U.S. broadcasters to seek this type of outcome. Since then, the FCC has eased or waived the 25% cap in several cases. iHeart’s role as the country’s largest radio station owner makes it notable, but the FCC recently also gave a similar ruling in favor of Cumulus Media.

“The FCC’s decision will enable holders of iHeartMedia warrants to have those warrants exchanged into Class A or Class B shares of iHeartMedia common stock,” the company stated. It said the ruling “will afford iHeartMedia flexibility to accommodate increased foreign investment that may result from share purchases by the public.”

The nine-page ruling includes a summary of the role and investment structures of the specific companies concerned: PIMCO Group and Invesco Group. iHeart had estimated that if their warrants were fully exercised, its foreign equity interests would be about 64% and foreign voting interests around 70.5%. iHeart emphasized that the investments mostly involve U.S. subsidiaries of businesses based in Germany and Bermuda, two close allies and trade partners.

In its petition, iHeart also argued that lifting the cap would serve the public interest by enabling it to better compete, incentivizing foreign investment and encouraging reciprocal opportunities for U.S. companies elsewhere.

The company will still have to obtain FCC approval for any new or additional foreign entity to control more than 5% (or more than 10% for certain institutional investors).

The commission rejected an argument by one petitioner that this outcome would put national security at risk. The FCC said the Departments of Justice, Defense and Homeland Security signed off, as long as iHeart abides by commitments it made to DOJ including designating a Security Officer who is a U.S. citizen and certain reporting requirements.

 

The post FCC Gives iHeart a Foreign Ownership Privilege appeared first on Radio World.

Paul McLane

Entercom Filing Shows Ad Revenue Trending Up

Radio World
4 years 7 months ago
David Field

Group owner Entercom’s third quarter investor report delivered on Nov. 6 wasn’t the ad revenue disaster of the previous quarter, but it shows any kind of robust economic recovery will take time.

Entercom said its third quarter net revenue was $268.5 million. That’s an increase of 53% compared to the second quarter of 2020. However, that is a dip of 30% when compared to the third quarter of 2019, according to the financial report.

One promising sign for the publicly traded broadcaster is its monthly revenue improvement trend when compared to one year ago: July was down 36%, August down 32% and September was down 25%.

[Read: Entercom and FanDuel Ink Partnership]

Entercom has been aggressively trimming costs since the beginning of the pandemic and cut station expenses in the quarter by 16% compared to 2019 totals to $228.1 million. That cost-cutting couldn’t help Entercom stem an operating loss of nearly $300,000 for the third quarter compared to income of $79.5 million in Q3 2019.

Entercom’s President and CEO David Field said during the investor call on Friday the company will continue to focus on reducing costs to be better positioned for economic recovery post-pandemic. “For example, we are planning to reduce the size of our studio locations significantly to reflect expected post-pandemic work structures. And anticipate significantly reducing the $70 million we currently spend on studio leases over the next several years.”

He continued: “In addition, we have significantly reduced the staffing and scope of our promotions department and discontinued some of the legacy practices, which have diminishing value given the rapid adoption of our digital, social and other technologies.”

Booked fourth quarter ad revenue for Entercom, Field says, already exceeds the $268.6 million in revenue from the third quarter. Some of that is attributable to political advertising which “rose significantly in October,” he said.

Friday’s financial disclosure shows the broadcaster’s digital and podcasting revenues were up 41% year-over-year to $47.3 million in the third quarter. Field said: “We continue to build and transform Entercom into a leading multiplatform audio content and entertainment company with scaled audience reach, robust data, analytics and attribution capabilities.”

Field said podcast downloads was up 27% compared to Q3 2019. The company has just over 26 million monthly average podcast users.

The broadcaster’s net debt as of Sept. 30 was $1.63 billion, which is down $66 million from the end of 2019, according to the company’s filing with the U.S. Securities and Exchange Commission.

Much of the erosion in ad spending in 2020 brought on by the pandemic can be attributed to two factors, less volume and lower pricing, Field said. “There’s no question we took a hit on pricing. We did a lot of things to support our local advertisers who were hurting. But inventory has tightened up and we have seen an improvement in pricing.”

Coinciding with Friday’s investor call Entercom announced a station swap with Urban One that gives Entercom FM stations in Philadelphia and St. Louis and an AM station in Washington. In exchange Urban One will gain Entercom’s cluster of radio stations in Charlotte, N.C. The deal was an “even trade with no other financial considerations,” Field said on Friday’s investor call.

In addition, Entercom recently announced a partnership with FanDuel designating the sports betting company as “the official sportsbook partner” of Entercom. Field called the agreement “the largest advertising deal in radio history,” without specifying any dollar figures.

“Unfortunately, we are not at liberty to share those (numbers), but I will say that FanDuel will be one of our largest advertisers,” Field said. “And we expect the amount of their advertising to grow over the six years of the deal as we see more states open to legalize mobile gambling, including New York.”

 

The post Entercom Filing Shows Ad Revenue Trending Up appeared first on Radio World.

Randy J. Stine

Entercom-Urban One Deal Shakes Up Four Markets

Radio World
4 years 7 months ago

The big multi-station swap that was just announced by Entercom and Urban One will bring change in four major media markets.

Among the impacts, Entercom’s iconic KYW(AM) in Philly now gets a big FM presence, while the company enhances its position in three big markets, but departs a fourth.

Meanwhile Urban One becomes an even bigger player in Charlotte than it already is, and reduces its debt.

Entercom CEO David Field on Friday described it as an “even trade with no other financial considerations.”

The FCC must approve all this; the deal is expected to close early next year. But Urban One and Entercom will begin operating the stations later this month under a Local Marketing Agreement.

Entercom gets St. Louis urban contemporary station WHHL(FM); Philadelphia urban station WPHI(FM); and Washington, D.C., station WTEM(AM) “The Team 980,” flagship of the Washington NFL team. Entercom also takes the intellectual property of St. Louis  adult urban contemporary WFUN(FM) “The Lou,” which will move to another frequency.

Entercom already has multiple other stations in each of these markets.

In Philly, Entercom will use WPHI to carry “KYW Newsradio” programming on FM at 103.9, in addition to KYW’s 1060 AM signal. In the announcement, Senior VP & Market Manager DavidYadgaroff made oblique reference to a common woe of AM operators when he talked about expanding KYW’s reach and enhancing the listener experience “on the crystal-clear FM dial.”

It is the second expansion of a major Entercom AM news format to the FM dial in a few weeks, following the recent move in Pittsburgh to expand KDKA to FM.

But the deal also means Entercom lets go of another notable news talk station, because …

Urban One is really powering up in Charlotte, N.C., where it currently has three stations. Now it adds these from Entercom: news/talker WBT(AM/FM), adult contemporary station WLNK(FM) and sports station WFNZ(AM) and its FM translator at 102.5.

President/CEO Alfred Liggins said in a release: “By adding three best-in-class general market formats (adult contemporary, sports, news and talk) to our existing cluster of stations — WPZS(FM), WOSF(FM), and WONC(FM) — that super-serve the Black and Urban consumer, Urban One will be a dominant player across all segments of the growing Charlotte market. The ability to build scale with a complete market offering in multiple genres is what makes this deal so exciting.”

Although money isn’t changing hands, Liggins said the deal also helps the company “continue our strategy of de-leveraging the business.”

At Nielsen Audio, the Washington market is ranked No. 7, Philly is 9, Charlotte is 23 and St. Louis is 24.

 

 

The post Entercom-Urban One Deal Shakes Up Four Markets appeared first on Radio World.

Paul McLane

Tieline App Use “Skyrocketed” in Pandemic

Radio World
4 years 7 months ago

Technology supplier Tieline says one way it can measure the impact of the pandemic in radio is by watching usage statistics for its live streaming app.

“There is no doubt the pandemic has led to network broadcasting workflows changing dramatically in recent months,” the company stated.

It noted that demand for remote broadcasting solutions was “huge” when the pandemic first hit, as Radio World reported, and this was reflected in use of its Report-IT Enterprise app. VP Sales APAC/EMEA Charlie Gawley said the company’s TieServer statistics showed a more than three-fold increase in app logins and use in March and April.

“Over the last few months, the statistics have stabilized, and Report-IT Enterprise use has roughly doubled compared to its use pre-pandemic,” said Gawley. “We suspect that this is the ‘new normal’ for Report-IT, certainly for the foreseeable future but perhaps also beyond that.”

The company highlights the app for its live streaming capabilities and support for operations like file recording and FTP, voice tracking and podcast recording. (Learn more about it.) Tieline also noted that people who start with the app may later upgrade to more permanent codec solutions like its ViA model.

Addressing a question that many people in broadcasting have been discussing this year, Tieline wrote: “Working and broadcasting from home is now the way things are likely to be for the foreseeable future in many regions. Major networks also openly foresee working and broadcasting from home becoming the permanent new normal for many. At the very least, station footprints are likely to reduce and support a mix of home broadcasting and studio-related work.”

[Related: “CEOs Look Beyond Pandemic”]

The post Tieline App Use “Skyrocketed” in Pandemic appeared first on Radio World.

RW Staff

Westwood One’s TM Studios Finds Familiar New Owners

Radio World
4 years 7 months ago

Westwood One announced that TM Studios, the famed jingle and production house it owned, was purchased for an undisclosed figure by Major Triad Media, a partnership that is being run by three TM Studio veterans: Dave Bethell, Chris “UK” Stevens and General Manager Greg Clancy.

TM Studio will transition from its Dallas-based home to become a multinational entity with studios in Dallas, Los Angeles and the U.K. The company — which creates custom station jingles, from full buyouts to syndicated imaging packages — has clients like the American Forces Radio Network and over the years TM has been owned and operated by iconic individuals such as Roy Disney and Bill Drake. The transaction was finalized on the 30th Anniversary of the merger between TM Productions and Century 21 Productions, which became TM Century Inc., a predecessor to TM Studios.

[Read: The State of the Radio ID Jingle]

“From listening to TM jingles on my local radio station in England when I was a kid to becoming a fan, I’ve always wanted to work for TM,” said Bethell, who is creative director of Major Triad Media. “Eventually it was the place where I had my big jingle break.” Bethell said he has written and produced for TM Studios continuously ever since and, as co-owner, is “excited to tell the next chapter of TM’s incredible story with our perfect new partnership.”

Life at TM also brings back fond memories for Clancy. “I vividly remember watching my dad sing in TM vocal sessions as a kid and had my first vocal session at TM as a 12-year-old,” said Clancy, who is general manager of Major Triad Media. “Just imagine what this moment means to me. We are standing on the shoulders of giants and can’t wait to grow and extend the TM legacy. ”

The trio of owners come to the partnership with a list of accomplishments. Clancy is a singer, writer and producer of radio station jingles and commercial jingles. He also directs the 13-time gold medal winning men’s chorus, The Vocal Majority, and sings tenor in the champion quartet, Max Q.

Bethell is a long-time jingle/music composer, producer, voiceover artist and business owner. He was the voice of the London 2012 Olympic games and is currently the voice of Virgin Radio UK and dozens of radio stations around the world. Bethell created the radio-specific production music catalog Beds & Beats, which he sold to BMG in 2015.

Stevens was a former vice president and creative at TM and has since returned to Manchester, England, where he runs a production company and programs one of Europe’s leading country music radio stations. Stevens launched the world’s first updating jingle package while at TM, and is an experienced composer and broadcaster.

TM Studios will continue to work with Westwood One via a multiyear agreement in which it will serve as exclusive barter representative.

“Greg, Dave and Chris each have a special and unique history with TM Studios,” said Suzanne Grimes, executive vice president of marketing for Cumulus Media and president of Westwood One. “They are the perfect team to lead TM through its next incarnation. We look forward to the magic they will create and to continued success working with them.”

 

The post Westwood One’s TM Studios Finds Familiar New Owners appeared first on Radio World.

Susan Ashworth

Watch the “WMAL Towers” Fall

Radio World
4 years 7 months ago

The four-tower array that used to broadcast the AM signal of WMAL in Maryland came down this morning as scheduled.

Neal Augenstein of Washington news station WTOP (who’s been using his iPhone for radio field production for a decade, longer than anyone) tweeted the video, below, noting that the structures fell in less than 30 seconds.

The AM array in Bethesda, Md. had been active since WMAL put a 5,000 W transmitter into service in 1941. Cumulus listed the 75-acre site for sale in February 2015, and it was acquired for development.

WATCH: Four towers of WMAL radio demolished in less than 30 seconds. pic.twitter.com/XDK2k3y3gQ

— Neal Augenstein (@AugensteinWTOP) November 4, 2020

Related: “WMAL Tower Site Demolition Begins,” includes earlier drone video of the site

The post Watch the “WMAL Towers” Fall appeared first on Radio World.

Paul McLane

How to Get the Most Out of Your Remote Control

Radio World
4 years 7 months ago
This Davicom network monitoring and management system can monitor the complete site LAN as well as the remote WAN, ISP, studio and internet connection all the way back to the engineer’s home.

If they are to manage effectively, radio broadcast engineers need good, reliable data about all of their stations, including distant transmission sites.

As Matt Leland of Burk Technology puts it, “A modern remote control system enables engineers to focus their efforts on the most critical tasks, reducing off-air time and eliminating unnecessary travel to remote sites.”

How can you get the most out of this broadcast infrastructure tool, and how are remote controls evolving?

We asked several manufacturers.

Getting started

Nicolas Boulay, co-CEO of WorldCast Group, notes how far the technology has come.

“Twenty years ago it was wonderful to receive a simple SMS over GSM, alerting me which relay was OFF, even if that information was received five minutes after the event,” he said.

“Now technology offers much more, but the goal remains the same: to control and manage remotely.”

He thinks the most important point is to define the purpose of your remote control, to decide what kind of information is useful for each action, rather than just aggregating a lot of data.

“In the past, it was the opposite; it was the technology capacity that defined what the user could do. Today, it’s the user who defines what he or she wants, and can ask more or less for everything.”

Control dashboards are more sophisticated. This image of a KYBIO system from WorldCast Systems shows dynamic and contextual dashboards based on SVG files.

CircuitWerkes President Kyle Magrill said many factors go into selecting a remote control.

“First, make an ordered ‘wish list’ of features that you need and then add the features that you want,” he said.

“Second, make a list of features that you dislike and don’t want to have in your system.”

An example of desirable features might be multiple ways to connect to the product such as network, serial port and telco. An undesirable feature, Magrill said, might be the lack of an indication that the network connection to the user interface is lost, misleading you into thinking that you’re connected to the remote unit when you’re not.

“When deciding on the actual product, don’t waver on the ‘must have’ features, and try not to compromise on the more ‘desirable’ ones,” he continued.

“Remember that you will have to live with your choices, possibly for many years. For example, if you site is very remote, you may want to get a remote control that has both telco and internet capability, for redundancy. Don’t settle for one that has only one or the other. If you have multiple sites, it might be important to have a set of remote controls with the ability to be simultaneously monitored from your network operations computer.”

Bob Tarsio, president of Broadcast Devices, encourages customers to be well-informed both before and after purchase.

“The best way to have a good outcome is to read the technical manual thoroughly before planning the installation. This way you know what you need to do and in what order including information needed for setup, tools to have on hand and how to get the most out of customer support.”

Plan the installation for when you have time to do it right and have the resources you need when calling customer support.

“Things like having your laptop ready to go, a good internet connection and a good telephone to call for support when you need it,” Tarsio said. “This may sound basic, but all of these things go into a good experience for fast installation and easy setup.”

Ask your vendor what’s included, such as software and SNMP capability. Tarsio reminds customers to consider options that BDI offers such as expansion panels, premade cables for motorized switch interfaces, transmitter interface cables and accessories such as prewired temperature and pressure sensors.

Connectivity is another factor to ask about and understand. “Since our SWP-300 series are SNMP agents, they can be connected via our provided GUI or even the competition’s system. Just load our MIB into brand X or Y SNMP-based remote control and you have complete control and monitor capability of every parameter on one system. This also allows NOCs to easily interface to a site with one MIB file.” (Management Information Base, or MIB, is a text file that lists data objects used by a piece of SNMP equipment.)

The HTML-based Monitor and Control web page of a Broadcast Tools WVRC-8 Plus remote control.

Things to remember

At Broadcast Tools, Don Winget is founder and president, and Ben Nason handles product development, tech support and engineering.

“Start with the basics, which means setting up email alarms,” they wrote by email. “For broadcasters who are not necessarily IT experts, configuring a remote control to send email (SMTP) can be a little daunting, but it’s easy once you know what server settings to use.”

For those who don’t already have that information, they recommend using an SMTP service from third-party provider SMTP2Go, which features multiple authentication options as well as email tracking for more advanced users.

“Once you have alarms and email set up, you might want to delegate some local functions to the remote control,” they wrote.

“The easiest way to do this on our remote controls is with a feature we call the Event Action Sequencer, which uses a simple syntax for logic functions. All you need to do is fill in the blanks.”

For example, to trigger a relay output for one second when a high-temperature alarm occurs, the configuration would be: When (Temperature) is (in High Alarm) delay (0) seconds then engage for (1) second.

“The email inbox isn’t always the best mechanism to get people’s attention when the remote control detects a problem,” Winget and Nason noted.

“Luckily almost everyone has a cellphone, and the cellular carriers provide email-to-SMS text message gateways that make it easy to convert an email alarm message into a text message using a special email address with customer’s phone number in it.”

For more advanced users interested in getting started with SNMP, they recommend checking out MIB Browser from iReasoning, a cross-platform application for working with SNMP MIB files, SNMP traps and accessing data/controlling devices using SNMP GET and SET.

Think broadly

Matt Leland, the director of sales for Burk, recommends that you think of this whole process as managing your facility and not just the transmitter.

Remote control systems have expanded the meaning of “remote.” This is a Mosaic from Burk’s Arcadia remote access system displayed on a smartphone.

“Monitor your critical systems: tower lights, transmission line pressure, room temperature, air chain equipment, silence sensor, PPM to name a few,” Leland told Radio World. “Use timer channels to keep track of tube life or hours on the filter in your air handler.”

Burk clients can use the company’s Jet Active Flowcharts to automate site functions such as switching to the standby transmitter.

“Use remote data captures as an analytical tool, drilling down for additional detail related to alarms or equipment failures. Use virtual channels to calculate efficiency and to cross-check power metering by comparing measured power to calculated indirect power.”

Leland also recommends that you not set alarm notification thresholds too tight.

“Set each threshold at the point where you should take action. Use alarm roll-ups to consolidate notifications from a cascading event such as loss of power at your transmitter site.”

At Davicom, President John Ahern said a point of emphasis is the reduction of false or nuisance alarms.

“Having a remote control is supposed to reduce your workload,” he said, “but if it sends too many alarms, users will begin to mistrust it and their workload may actually increase! So fine-tuning thresholds and applying different measures to mitigate false alarms can go a long way towards making users more productive.”

Cloud thinking

We hear much these days about the cloud and the related subject of virtualization, so we asked the manufacturers how those conversations affect facility remote control planning or products.

Leland said Burk’s Arcadia is built for the virtual environment; it runs on an AWS Virtual Private Cloud instance or on an on-premises customer owned server, giving engineers access to their remote sites over one secure web link. Its graphical mobile interface presents high-level summary information with drill-down capability to access monitored equipment and functionality in the virtual and physical plant.

Davicom’s Ahern says moving to the cloud is a nice concept. “But consider Wikipedia’s definition: Cloud Computing operates on big data, while Edge Computing operates on instant data,” he said.

“I think that at the transmitter site, we’re talking more about Edge Computing and fast processing to react to issues like lightning strikes, equipment failure, network throughput reduction, to name just a few.”

Cloud computing requires an always-on link to the cloud, Ahern continued, but many transmitter sites may lose that link as soon as, for example, a UPS runs out at the cellular communications tower.

Although the cloud may be expanding slowly towards the transmission site, he said, a robust system should always have a smart Edge Computing device — the remote control — at the site to keep things running, or at least keep a log of what is going on, during bad situations.

“This Edge Computer should be capable of handling various tasks at the site, well beyond simply controlling the transmitter. The same device should be able to control and monitor subsystems like the HVAC, network, utility power and generator, antenna deicer, audio processors, backhaul links and of course, the transmitter.

“For example, it should be able to take control and try to restore connectivity to the studio (or the cloud) working from the remote end, while the station engineer is trying to restore things from the studio end.”

Asked about the cloud, Boulay at WorldCast Group noted that remote control designs naturally follow the evolution of infrastructure.

“At the beginning, remote control meant the management of physical I/O — analog, digital, relays. Then protocols like SNMP replaced I/O. And now, in the majority of cases, remote control means the management of API, including the cloud.

“So of course, technically speaking, tools for performing remote control are completely different. But the end goal is the same: to make sure your radio station or web radio is on-air or its stream is accessible, and to manage all the redundant processing automatically.”

For Winget and Nason of Broadcast Tools, the concept of “virtual” in this context means less focus on a central piece of hardware and more on remote control hardware as peripherals distributed throughout the studio and transmitter sites, tied together over the network with an SNMP manager that can collect, store and display data from devices all over the network.

“As a remote control hardware manufacturer our goal is to provide products with features that strike a balance between the need for local/standalone operation as well as network-based ‘virtual’ operation via SNMP,” they wrote.

“This is why we provide built-in features like a smartphone-compatible HTML-based web interface, a relay event scheduler, support for notification via email/texting and POTS telephone (on our WVRC-4 Plus and WVRC-8 Plus remote controls) in addition to support for SNMP.”

Screens pack more functionality, as in this SWP-300 Dashboard from Broadcast. Alarms and actions are noted; tabs allow detailed inspection of specific parameters. Basic macros for functions such as switch control are programmed; other macros can be programmed on a button or provide necessary action and alerts. Timed events can be programmed via macro functionality, and macros can be triggered within macros as well providing full feature programming capability.

Important trends

What about other notable trends?

Ahern says that because everything is becoming network-centric, there’s more need for network status and performance monitoring.

“Being able to ping different network branches and devices, and using that information to automatically re-route data or re-start network elements, will help to proactively manage network infrastructure to keep it operating smoothly.”

Winget and Nason wrote, “This may be a no-brainer for some folks, but as we rely more and more on virtual systems and IP networked devices in areas like remote control and audio, it’s important to plan for what will happen when the network — be it your LAN, WAN or internet service — fails.

“This means being smart about implementing network failover and backup options like cellular modems or POTS lines so that you can maintain connectivity with your remote control when things go wrong.”

They also noted that web browser support for Adobe Flash Player is ending this year, which has obligated a number of manufacturers to develop updated web interfaces for their products.

“Several years ago we faced a similar situation with some of our products when web browser support for Java was significantly reduced. Like many others we chose to develop HTML-based web interfaces, which are now standard across our products. We feel that the shift to interfaces that use web standards like HTML5 has been a positive one for our customers, and as more manufacturers follow suit, that change benefits the industry as a whole in terms of accessibility.”

Bob Tarsio said that without question, SNMP has been a game changer.

“With Simple Network Management Protocol as a common standard, a user can interface different manufacturers’ equipment to a software or hardware platform easily with Cat-5 cables instead of a soldering iron and a crimping tool,” he said.

“We pioneered SNMP technology over 10 years ago with the DPS-100D power meter and the SWP-200 series motorized switch controller, which was the industry’s first SNMP RF switch controller.”

Now the company’s SWP-300 is SNMP-based and its software platforms all run with SNMP technology.

He said events and storage are a natural for cloud-based technology because the information can be obtained and stored off-site in case it is needed later. “Software platforms are undoubtedly going to be impacted by cloud technology as well. Software platforms can be run from the cloud from virtually anywhere to control anything anywhere else.”

Also, Tarsio said, Network Operations Centers are becoming more common. “Again, SNMP technology allows this to happen easily and provides flexibility in NOC location and capabilities.”

The “internet of things” is coming into the conversation. Matt Leland, while agreeing on the usefulness of SNMP for bringing in additional data, said, “Additionally, Burk is releasing API for ARC Plus, enabling our customers to bring data from a growing range of IoT devices into the AutoPilot environment,” he said.

“For example, the API could be used to integrate weather information from the internet as remote control channels with associated alarming and logging. This expands the scope of the remote control system beyond the limits of parallel wiring and SNMP.”

Nicolas Boulay mentioned the growing importance of compatibility with multiple protocols, given the number of manufacturers and brands and even generational differences in equipment found in a NOC.

“It must be able to do I/O, be compatible with fieldbus systems such as CAN, SNMP, advanced protocols and even proprietary protocols.”

Remote controls, he said, are being asked to provide a comprehensive view of infrastructures that are increasingly complex, even multi-format and multi-platform. They must also provide tools for action once the cause of a problem is identified.

Users also want automated action for better redundancy management. “This applies to a NOC level as well as on a local site level. This is extremely important. In the case of a connection loss between the NOC and the sites, it is crucial to have a local intelligence capable of automatically taking decisions without human interaction.”

On top of all this, Boulay added, users want their interfaces to be simple and intuitive, despite the complexity of the job being done by the system.

Remote control systems are tasked with managing increasingly complex site networks. Shown is a CircuitWerkes Sicon-8 system in multi-site mode.

Specialized devices

At CircuitWerkes, Magrill said, “We did see the trend for more internet-based stuff coming back in the early teens. For the past seven years, we have had a streaming audio option on our units that allows the user to stream confidence audio to them or allows the remote control to receive an audio stream as a backup STL.”

Magrill expects there will always be demand for new remote controls, especially where telco access or streaming audio are desirable, but says many smaller stations can get by with the built-in IP interface that is now part of many transmitters.

“In place of the traditional remote control comes an increased need for remote monitoring,” Magrill said.

“For example, many stations now have multiple audio sources feeding a variety of outlets originating from one, or more locations. There is a need to monitor either the audio or the streams and to sound the alarm if these are disrupted. Although similar to a traditional remote control, there are specialized devices out there, including some that we make, that are more adept at handling these specialized monitoring functions and reacting when something is wrong.”

Magrill feels audio failure seems to be a far more common problem than RF plant failure.

“I like to have a simple backup audio method available to keep the station on the air at all times. For example, many small stations stream program audio over the internet. They do so knowing that they are trading reliability, complexity and high cost for simplicity, low cost but less reliability.”

This can lead to extended silence periods or frequently disrupted audio during times of high traffic.

“One way to stay on the air is to have a backup audio source at the transmitter site. I personally prefer a local PC running a freeware automation program so that it can play the legal IDs and jingles, but I’ve done this with just a local MP3 player, as well.

“When the audio monitor detects silence, it switches the backup source to the air, thus keeping the station on the air. Note that care must be taken when used with AM/translator combos to not accidentally end up with the AM playing one thing and the FM another. Proper design can avoid that problem.

“If using an onsite PC as a backup, I also like to wire the power switch out to a relay so that I can reboot the PC remotely.”

In closing

As Matt Leland noted at the beginning of this article, a modern remote control system can do a great deal.

“Trends can be identified and reported automatically by comparing current values with initial values in virtual channels,” he wrote. “Predictive analytics compares multiple parameters and highlights variations in data patterns to spot the need for maintenance. Timer channels track maintenance intervals, automatically scheduling the next service date when each task is completed.”

Remote controls enable engineers to focus on the most critical tasks, reduce off-air time and eliminate unnecessary travel.

And these manufacturers were agreed that remote controls systems will continue to evolve to serve radio’s changing infrastructures. Also, because many offer more than one type or flavor of control system, it’s important to do your homework about how each works, to understand the various levels of capability for different architectures, and to evaluate each company for its customer service because you want them available should a problem arise.

To learn more about this topic, start with the websites of the manufacturers quoted. Among the resources you’ll find are webinars, blog posts, “how to” and maintenance tips, application notes and white papers.

Vendor YouTube channels and Facebook pages can also be an excellent resource; as Bob Tarsio of Broadcast Devices put it, “Social media has revolutionized how customers can be informed, educated and sometimes entertained.”

The post How to Get the Most Out of Your Remote Control appeared first on Radio World.

Paul McLane

Tracking Radio’s Road to Recovery

Radio World
4 years 7 months ago

As the nation recovers, so do radio listening levels in many markets around the country. That’s the consensus of a new research report from Nielsen titled “Audio Today: On the Road to Recovery with AM/FM Radio.”

Audio usage in 2020 has certainly been interesting, said Brad Kelly, managing director of Nielsen Audio. Despite conventional wisdom, radio listening did not dissolve when commuting patterns changed. Instead, some of that drive-time listening migrated into home listening via to digital assistants like Alexa and Google Dot. “Audio usage continues to evolve and morph in new ways,” Kelly said in the report. “COVID-19 didn’t change that — it just accelerated it.”

[Read: Bouvard: More People Are “Ready to Go”]

The data is also telling another story about a group of American consumers who have remained mobile through the pandemic, a group Nielsen dubbed the Ready to Go consumer group. “For these people, radio is more than a distraction, it’s a lifeline,” Kelly said. Nielsen found that this group is more ready to engage, eager to make major purchases sooner and typically has a more optimistic view on the future.

More often than not these highly mobile people are essential workers who are have consistently tuned into radio throughout the pandemic, the report found. “[T]he people we now rely on most, they rely on radio,” he said.

“As you look at trendlines in the first few graphs and your eye naturally gravitates to the ‘lockdown’ low spot, be sure to keep in mind the foundational underpinning of these audience numbers and who was doing the heavy lifting,” Kelly said, referring to the essential workers who were on the job throughout the pandemic and continued to consume radio. “And remember to thank one of those folks the next time you see them.”

The report breaks down radio listening into specific subcategories: pre-COVID, lockdown, reopening, summer stability and fall growth. Nielsen said that with the onset of fall, changes in working and commuting patterns — along with a return to school in some areas — are sparking growth in radio listening.

Nielsen tracked the past eight months of data in the top 50 radio markets as measured by Nielsen’s Portable People Meter and found that radio’s weekly reach through early October recovered to within three points of March levels. This continues an upward trend that began during the reopening period in June and July.

The report does not address, however, what the impact the rising number of coronavirus cases in late October and November will have after a term of summertime stability.

Through early October, Nielsen found that radio’s weekly reach was 97% of March levels. Along those same lines, the report found that radio’s AQH in October 2020 is now 95% of March levels.

The report also revealed that drive time recovery continues as commuting increases. “At the beginning of the pandemic, radio use during traditional commute times initially declined, but it has grown each month since then, with significant recovery in October,” the report revealed. “Morning drive in particular increased by 11% from September to October, while weekends have now moved ahead of March levels.”

The report also found that nearly 70% of AQH (average quarter hour) listening is at out-of-home locations. In April, those figures dropped to 58% from a pre-COVID high of 71%. As of October, those figures were back up to 69%. That may be attributable to the fact that radio is on as parents commute their children to school. The report found that 62% of those who drive their children to class have their radio always on, followed by 35% who say that the radio is sometimes on. Those figures far outweigh those drivers who say their radio is rarely on (3%) or never on (1%).

“[This report tells] a story of how radio usage has changed during the course of the 2020 rollercoaster ride and how it’s tracking in-sync with the recovery,” Kelly said.

 

The post Tracking Radio’s Road to Recovery appeared first on Radio World.

Susan Ashworth

Ben Dawson Honored With IEEE BTS Award

Radio World
4 years 7 months ago

Ben Dawson — whose name is associated with more than a hundred medium-wave, UHF and VHF broadcasting antenna and transmission system projects in the United States and abroad — is the recipient of a notable honor from the IEEE Broadcast Technology Society.

The BTS chose Dawson to receive its Jules Cohen Outstanding Achievement Award.

“Although we could not present Ben with the award in person, he attended the October virtual BTS Adcom meeting as an invited guest, where President Ralph Hogan virtually presented him with the award,” the society said in an announcement.

Dawson has five decades of experience in telecommunications engineering, and specializes in antenna and propagation design and analysis. (For a sampler of his many projects, see below.)

“Ben received numerous nominations from many colleagues throughout the industry,” the IEEE BTS stated. “One nominator stated ‘If Ben Dawson is associated with a project, it has instant credibility.’ Another nominator stated ‘Ben has always been a fabulous mentor.’”

Dawson taught himself calculus in high school to better understand antennas, according to a Radio World profile story in 2006.

“When I was 15, I began working an air shift during the summers for a radio station in Salem, Ore., but when the transmitter broke — an old RCA 250L — I was the only one who could fix it,” he recalled at the time. “Then my parents moved to Portland, Ore., and I started work for KUIK(AM), which was half-owned by Harold Singleton, who was a consulting engineer. Once Harold realized I could fix things I became his go-fer.”

After college, where he was chief engineer of Harvard’s student FM station WHRB for a year or so, and after stops as the chief of several West Coast radio stations, Dawson formed Hatfield & Dawson in 1973 along with Jim Hatfield Jr., and Maury Hatfield.

The Cohen award is given to “exemplify outstanding work in the field of broadcasting, focusing on Integrity, professionalism, quality, extent, reach and thoroughness of the candidates work as well as commitment to client success.” Last year’s recipient was Gary Cavell.

It is named after Jules Cohen, who among other contributions played a major role in developing the rules governing assignment of stations in the noncommercial educational portion of the FM band.

Ben Dawson received the National Association of Broadcasters Radio Engineering Achievement Award in 2006, with his longtime project partner Ron Rackley. He has produced numerous policy analyses and technical research for private clients as well as local, state, federal and foreign governments. He’s a past delegate to study groups of the International Telecommunications Union.

He’s a professional electrical engineer who is a member of several IEEE societies, as well as the Association of Federal Communications Consulting Engineers and the Society of American Military Engineers.

Check out Ben’s favorites

Radio World asked Ben Dawson to list some of of his favorite or more interesting jobs. He replied by email:

1.  Diplexing 620 Portland on the 1190 antenna when the Port of Portland destroyed the beautifully designed 620 antenna (designed/implemented by Harold Singleton), ironic since 1190 had originally been at the 620 site.

2.  The three-station frequency swap in the Miami area that Ron Rackley and I did, establishing the 1040 operation in Miami with 50 kW.

3.  Designing the 900 MHz point-to-multipoint delivery system in the L.A. basin for City News Service of L.A.

4.  Design (with Harris Broadcast engineering staff) of the conversion of the Loran antenna in western Iceland to LF broadcast, and designing the new LF broadcast antenna system in eastern Iceland.

5.  Designing the adjacent-frequency two-site operation (954 kHz, 963 kHz) of what was then Radio Liberty in London, providing citywide coverage despite the unnecessarily restrictive allocation policies of the then-UK regulator (who’ve since been replaced by OFCOM).

6.  Obtaining FCC authorization for the first fulltime slant-wire fed grounded AM antenna in several decades.

7. Designing and implementing the rebuild of the 1 megawatt VOA (USAGM now) antenna in Thailand so it would handle the peak modulation from a modern solid-state (DX-1000) transmitter.

The post Ben Dawson Honored With IEEE BTS Award appeared first on Radio World.

Paul McLane

Best Switch Topology for AoIP Redundancy

Radio World
4 years 7 months ago

The author is sales engineer for Wheatstone.

If you’re new to AoIP topologies, you have probably heard it’s best to set up a central core stack of switches in the TOC with edge switches at each studio or group of studios.

There are two good reasons to do this:

First, should a studio lose connectivity with the central stack for any reason — fire in the TOC, flood, power outage — individual studios can continue to operate independently via their local switches.

Cisco has a topology called Stackwise, where the back planes of multiple switches in a TOC, for example, can be joined at very high bandwidth (somewhere on the order of 160 gigabits-per-second links) in a daisy chain configuration, as shown above.

If any one of the switches should drop out of the stack, the other stack members can still communicate with each other.

Second, all local I/O is handled by the edge switches, which provides a more efficient networking and traffic control by cutting down the number of “home runs” from the studio to the central core stack.

Click to view in detail.

Shown above are smaller, 12-port edge switches that handle the local I/O for the studio and have a trunk connection back to the central stack. (Click the image to view in detail.)

For additional redundancy, you can take a baseband connection out of one of the local I/O nodes (or BLADEs, in the case of Wheatstone) in the studio and run it into the rack room.

This gives you a baseband audio connection directly from the studio to the TOC in case you need to quickly patch programming into the RF chain.

Learn more about Wheatstone AoIP technology.

The post Best Switch Topology for AoIP Redundancy appeared first on Radio World.

Phil Owens

5 Tips for Processing Your Podcast

Radio World
4 years 7 months ago

The author is with Telos Alliance.

Processing is as important for podcasts as it is for live radio. However, your challenges and your goals are going to be slightly different.

Radio needs to have that larger-than-life sound to stand out. It’s broadcasting and the challenges are much different.

Just for starters, processing for FM has to take into consideration pre-emphasis, limiting, stereo pilot and multi-path. Most radio stations are a combination of music and voice, and the processing needs to bring out the best in both. Consider the amount of time a lot of processing gurus spend listening to one clip from one song to make sure that the cowbells really sound like cowbells when the radio listener hears it (yes, I am talking about Omnia founder Frank Foti).

The processing also needs to be adjusted for a wider variety of content and voices than a podcast.

Could you have the same processing preset for both an FM radio station and your podcast? Not really, because you will not have pre-emphasis or a final clipper to deal with.

But just as many radio stations have managed to get their streams having similar sonic signatures for their FM and streams, developing a core processing recipe for your podcasts and your FM station can and should be a goal.

After all, if your listeners love your radio station and they recognize the same sonic signature on your podcasts, you already have a fan.

One thing both have in common is the objective: To make sure the listener stays with you and loves your sound. Here are five tips to process your podcasts that will do just that.

#1 Test Your Podcast’s Processed Sound in a Variety of Environments

The other thing podcasting and radio have in common is that you don’t know where your listener is doing the listening. It may be in a car, using earbuds on public transportation, or at home, whether it be on an FM radio or smart speakers.

For both FM and podcasting, you have to create a sonic signature that works across all devices and environments. And we highly recommended that you test your podcast’s processed sound across a variety of devices.

We learned from many years of experience that what may sound great in one environment doesn’t always translate to others. In other words, don’t listen on the most beautiful speakers you have and think “Eureka!” The person listening on a really small smart speaker may not have the same experience at all.

#2 Process Based on Voice

Most podcasts are voice-only with only occasional music beds. A podcast should be processed depending on that voice. The processing adjustments you make will be to try to make the voice sound as good as it can.

This is critically important to keep in mind. The podcaster may have a great story but not the greatest voice, and processing can be used to add a bit more “oomph” to that voice or get rid of issues with over sibilance. What type of mic the podcaster uses can also affect how you process the audio.

#3 Consider Your Format and Audience

Your podcast’s desired sound also depends on what type of podcast you are producing.

A fast-paced podcast geared towards a young audience including lots of music beds can be processed very aggressively. But even at that, if you are going to maximize the loudness, it will need to be at a lower loudness level overall, because it will need to fit in with the rest of the content on a smart speaker or other podcasts. Very little irritates people more than audio content that is much louder than other content.

Using that same aggressive type of audio processing on a cooking show geared towards a more mature audience is a mistake. That audience doesn’t need to hear something über-compressed. Your goal with that type of show is probably a much more open sound.

#4 Podcast Processing & Audio Codecs

Processing for podcasting is  similar to processing for streaming. You do not have the same issues you need to deal with in FM processing.

Both podcasts and streams do have the challenges of audible artifacts caused by audio codecs as well. The good news is that you do not have to deal with a final clipper which can cause issues with audio codecs.

#5 Get Intimate with Your Audience

It is also worth considering that podcasting by its nature is a much more intimate one-on-one experience. It is a podcaster sharing information or a story with its audience one at a time. Often people are listening on ear buds. Processing needs to have that intimate feel.

For more on this topic, see the Telos Alliance webinar “Podcast Audio Quality.”

Also read the new Radio World ebook “Trends in Processing for Radio” at the Radio World Resources page.

The post 5 Tips for Processing Your Podcast appeared first on Radio World.

Mary Ann Seidler

User Report: Inovonics Provides FM-HD Radio Toolbox

Radio World
4 years 7 months ago
The “Now Playing” tab of the Inovonics Sofia 568

The author is chief engineer of KTIS(AM/FM), KDNW(FM), KDNI(FM) and KRFG(FM).

Artist Experience via HD Radio has been around for quite a few years now, but KTIS(FM) just implemented station logo and album artwork about two years ago.

At the time, the only ways to verify whether or not the images were going out over the air properly were various car stereos (built into the vehicles, so not very convenient for rack room monitoring), or the Sparc SHD-T750 Tabletop HD Radio.

Because the SPARC was the only indoor option, we purchased a few units — one for engineering, one for promotions, and one for the assistant PD.

We quickly discovered, however, the limitations (bugs?) of the Sparc unit. Strange unpredictable caching of station logos (why is the old logo still showing up on my radio?) and apparently no logo or artwork functionality on the HD4 channel. And even though they’re still being sold on Amazon and promoted on Grace Digital’s website, it seems to be an abandoned product that won’t be receiving any updates or bug fixes.

Enter the Inovonics Sofia 568 SiteStreamer+. It is a veritable toolbox for FM/HD Radio broadcasters to make sure that what you’re intending to put on the air is exactly what’s going on the air.

If you’ve used any of Inovonics’ recent equipment, starting with the Aaron 650 and popular INOmini SiteStreamer line, you will recognize the web interface. It’s organized and divided into sections that make sense. The “Now Playing” tab gives you an overview of your signal condition and various alarms, along with the option to tune the audio output of the unit to whichever station you’d like.

What the listener sees

The “Listener Experience” tab is where the real fun starts.

The “Listener Experience” tab

This tab gives an overview of every single active HD subchannel on the currently-tuned frequency, along with all the metadata and Artist Experience images, while also highlighting which image should be currently displayed on listener’s radios.

It will also tell you if your station logo has an “image issue” relating to the requirements specified by iBiquity Digital/Xperi for the station image logo.

On my particular unit, I’m noticing that my HD2 station logo isn’t currently working for some reason, and that my HD3 station logo seems to have an “issue.” This doesn’t necessarily mean it won’t work over the air, but that for best results, you should look into its formatting and resolution, and that it’s totally cleared of all EXIF data before being loaded into the Importer/Exporter/MSAC Client.

The Sofia 568 has many options for audio outputs — analog, AES3, streaming via the web interface, and AES67 via a separate Dante network jack. So far, the most useful of these has absolutely been the webstream. It’s a quick and easy way to verify things are on the air and sounding normal.

Alarms can be configured to send out an email for audio loss, low signal, RDS issues, pilot issues, HD carrier issues, and HD Artist Experience issues. Also, there are four GPOs on the rear that can be configured as any of those alarms for local signaling to an external monitoring or remote alerting system.

As usual, Inovonics has been extremely helpful in supporting and updating the unit for functionality and bug fixes ever since the original purchase. Overall, having the Sofia 568 in our facility has been a valuable addition to our HD Radio troubleshooting, diagnostic and monitoring toolbox, providing much information that was not otherwise available to us.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

For information, contact Gary Luhrman at Inovonics in California at 1-831-458-0552 or visit http://www.inovonicsbroadcast.com.

The post User Report: Inovonics Provides FM-HD Radio Toolbox appeared first on Radio World.

Brian Gullickson

New Association Tackles the Needs of Independent Radio Stations

Radio World
4 years 7 months ago

There’s a new organization focused on supporting the needs of independent radio broadcasters.

The concept of the new Independent Broadcasters Association (IBA) started as the brainchild of the independent radio operator Ron Stone. After sitting in on a session at an annual NAB conference two years ago, Stone walked out realizing that none of the issues covered were focused on independent radio companies at all.

“When you go to those events, you want to improve your organization and sales. It just seemed like everything was focused on the larger companies,” said Stone, who is founder, president and executive director of IBA and also owner 24 stations in five markets as part of the Adams Radio Group. “I was disheartened. And from there, I thought about what an association can do if it is formed in the right way.”

Fast forward to today and the new Independent Broadcasters Association has found support from 1,200 independent radio members. The association’s goals are to provide independent operators with ways to drive revenue and achieve cost benefits cannot be achieved alone. It will also meet needs not be served by other organizations, such as through educational webinars, conferences, access to group health insurance and admittance to jobs board.

On the heels of this, the IBA also plans to roll out a news service for independent broadcasters. “If you go back into the 1800s when [the Associated Press] started, it began as a co-op with other papers,” Stone said. “What we’re trying to do is to have all independents of the IBA contribute stories and images and [make that news accessible so that] any member can use it.”

Stone wanted to make it clear that stations who are part of the IBA are not trying to compete with other umbrella organizations. “We’re trying to take away from anyone else’s organization,” he said. “And we’re not trying to displace anyone else. Ours is highly focused on operational cost and revenue.”

Other offerings include the ability for independent broadcasters to participate in a financial review of their organization. IBA recently announced an association with dk east associates, a media specialty accounting firm, who will conduct a financial analysis of independent broadcasters’ operations. Participation in the financial report is free but stations must be a member of the IBA.

“We see a lot of information about the industry, but typically it only speaks to larger public companies and it is difficult to use in a meaningful way for local operations,” Stone said when the announcement was made. “The IBA was formed to bring shared resources like this to independent broadcasters, along with revenue-generation and cost-saving opportunities.”

For example, the IBA-dk east associates report will allow members to compare and contrast their operations to others of similar size and will provide quarterly data against 2019 to allow members to gauge their own performance against similar operations during the COVID-19 crisis.

Why did Stone see the need for this type of organization now? “Bigger companies have taken control of what is going on in our country,” he said. “They’ve had control since consolidation in the ’90s. And if you look at revenue, in 1996 we were something like a $15 billion industry. This year, we’re a $10 billion industry; compared to 1996 valuations, that’s more like $8 million. So we’ve lost 50% of the revenue that we used to have. Half our revenue is gone.

“We can keep doing the same things and you can see what the next 10 years is going to look like,” he said. “Or we can make a decision to bind together and find a path together.”

The entire radio industry is facing big challenges, he said. If we lose our position in the car, for example, we lose in a big way, he said. “Part of our plans is to create an app so that we, too, can go to the car manufacturers and argue ‘there’s a reason this app should be on your dashboard.’”

Stone said the organization is also in talks to create its own real-time, app-based ratings service.

A look at the IBA’s current board shows a mix of CEOs, GMs and independent owners with a mix of industry attorneys and digital companies serving as board advisors. The 501(c)(6) nonprofit company will require one third of the board to vacate their seat in December 2021 to keep ideas and mindsets fresh. Varied voices are important, Stone said. “We don’t want to see the same board members serving or 30 years,” he said.

There are several ways to join the IBA, one of which includes a way to make membership financially feasible to all stations. One option is a barter-based plan that includes a per station $100 annual fee plus one 60-second daily barter advertising spot. If they choose the membership barter option, that inventory is sold to fund their membership, Stone said. A second option is $600 annually per station with no barter.

Stone believes that the more independent members that the IBA has, the stronger the association will be. “The more members we have, the more voice we have in the matter. There is every reason to have every [independent station] be part of us.

“I want to know that when our generation hands it over [to the next generation], it will be in good shape,” he said. “But it takes every independent to make that happen.”

 

The post New Association Tackles the Needs of Independent Radio Stations appeared first on Radio World.

Susan Ashworth

Goffin Wins WorldDAB Service Award

Radio World
4 years 7 months ago

RTBF’s Francis Goffin is the recipient of the WorldDAB Outstanding Service award.

WorldDAB cited Goffin’s work with the French-speaking operations of the Belgian public broadcaster along with his promotion of transition to digital broadcasting.

[Read: WorldDAB’s First Virtual General Assembly Approaches]

He said, “I would like to thank WorldDAB Pres. Patrick Hannon and the entire WorldDAB community for giving me this wonderful award which underlines my involvement in the promotion of DAB+ for almost 10 years now.”

Goffin added, “I believe this award also honors the entire Belgian radio sector, which has collectively embarked on the digital migration from analog FM to DAB+ digital radio with great enthusiasm.”

The WorldDAB 2020 general assembly is this week.

 

The post Goffin Wins WorldDAB Service Award appeared first on Radio World.

RW Staff

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