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Radio World

SiriusXM Expands Its Music-for-Business Offerings

Radio World
4 years ago

SiriusXM Holdings Inc. has acquired Cloud Cover Media, expanding its offerings for businesses that want music and messaging services.

Cloud Cover Media offers Cloud Cover Music, which offers services that “allow businesses to deliver music, with customized audio messaging if desired, to create the desired atmosphere for their prospects, customers and clients.”

[See Our Business and Law Page]

SiriusXM already serves the commercial music market with SiriusXM Music for Business and Pandora for Business. “Together these services provide comprehensive and complementary offerings for businesses of all sizes,” it said in the announcement.

Terms of the acquisition were not disclosed.

Cloud Cover Music has an online platform and a large enterprise account team that “offers organizations of any size in any industry a robust selection of ad-free music for their business with full control over what their customers and employees will hear.”

The announcement was made by SiriusXM EVP Joe Verbrugge and Cloud Cover Music team VP/GM Mark Lehman, who remains with the firm.

Submit business announcements to radioworld@futurenet.com.

The post SiriusXM Expands Its Music-for-Business Offerings appeared first on Radio World.

RW Staff

DHD.audio DX2 Compact Mixing Console Debuts

Radio World
4 years ago
DHD.audio DX2 Compact Mixing Console

The new DHD.audio DX2 desktop audio console will be unveiled next week in Germany at Hamburg Open 2022, January 19–20.

The DX2 compact mixing console is intended for use in small, tight spaces, such as newsroom desks, podcast studios, voiceover suites and video editing booths. It provides the same assistive mixing functions as other DHD consoles, including motorized faders, automix and auto level gain, and is designed for integration with DHD processing cores to form a complete system.

The DX2 is fully compatible with all current second-generation DHD cores running version 10 firmware. It comes as a four-fader console, with an optional six-fader expansion unit. A 3.5 mm output jack at the rear of the console doubles as an input, which can be used to connect a smartphone for live telephone interviews.

Also debuting will be the latest additions to DHD’s range of audio production processing cores, which integrate elements such as control surfaces, routing and external-device interfacing into a standalone or distributed system. The new XC3- and XD3-cores provide full support for intrasite as well as multisite IP-based device control and audio-over-IP signal distribution. They also support automated workflows and product virtualization.

The DHD XC3 IP core is designed for use in on-air studios. It comprises two dual-core DSP modules which combine into a compact 1U. These jointly support up to 48 stereo faders, 72 stereo buses and 16 channels of AES67 IP audio. IPx expansion modules can be added to accommodate 128 channels of AES67/Ravenna IP audio I/O and up to 512 Dante channels. A companion module, the new XC3 Concentrator, allows interconnection of multiple DHD IPx modules, control surfaces and I/O modules.

DHD’s new XD3 is an IP core for use with large mixing and routing systems. It includes support for networked operations such as DHD web apps. The XD3 IP core allows fully redundant configuration and can accommodate an optional router. Up to 96 stereo faders, 126 stereo buses and 24 Gigabit Ethernet audio ports are supported by the XD3 router and IP core combination.

DHD will also be promoting the extend feature set of is new version 10 firmware. This includes bolstered security and management features, unified user management based on web apps, expanded fader and bus handling, and refinements to the DHD Toolbox configuration software.

The post DHD.audio DX2 Compact Mixing Console Debuts appeared first on Radio World.

Mix Editorial Staff

The Term ’Virtual’ Could Be Outdated Soon

Radio World
4 years ago
Alan Jurison

Alan Jurison is senior operations engineer, iHeartMedia Centralized Technical Operations, and the chair of the Metadata Usage Working Group within the National Radio Systems Committee.

This interview is from the recent ebook “What’s Next for Virtualization?” Find it at radioworld.com/ebooks.

Radio World: Alan you said a year ago that you define virtualization as consolidating broadcast functions into a software environment or single-purpose hardware and facility functions at the transmitter site. How is that definition holding up?

Alan Jurison: I think that concept is progressing. Many vendors are actively consolidating functions into existing processes, whether it be hardware or software.

This is a transition that will happen over time. For the most part, a lot of what has occurred in the last year has been in existing hardware platforms we are accustomed to; but looking towards the future, as new platforms are developed, I think we will be able to take what we’ve learned as an industry and consolidate even more functions in the next generation of hardware and software platforms.

RW: You’ve also said that there’s no universal solution for getting stations connected to run air chains completely virtually. How far are we from that?

Jurison: I’ve yet to see a cohesive strategy provided by a single vendor, or consortium of vendors, in this space. I think that’s what it will take for most broadcasters to get started — trusted industry partners to help them accomplish this. Vendors are working in this space, but I still think it’ll be a bit of time before we see an ecosystem — i.e., a “product line” or solution that a station could buy into to accomplish this.

RW: The idea of “air chains as a service” is just so interesting. Will we really get to that point?

Jurison: I think so. As connectivity options at transmitter sites improve and become diverse, there will be stations that opt to consolidate everything into a single service or set of appliances to enable them to do exactly that.

RW: We talked too about connectivity at the transmitter site.

Jurison: The success of these future solutions will live or die with connectivity. IP is competing with traditional RF-based STLs that, when designed properly, have near-perfect uptime.

Finding a combination of reliable and diverse connectivity to the transmitter site is key. Diversity is key. You can’t put all of your connectivity in one basket, i.e. with the same connectivity provider, and the same types of delivery mediums.

I think it is possible to achieve IP diversity at many sites across the United States right now with existing wired and wireless telco infrastructure with different providers. As we move forward, connectivity options will only increase over time, as additional technologies and delivery mediums are offered by IP/telco solutions providers.

RW: Are we farther along now in seeing virtualization come to PPM, to EAS?

Jurison: With PPM, we are already there. With the NAB Radio Technology Committee and Nielsen’s PPM Software Encoder, the major audio processing companies all have solutions that eliminate the need for an external PPM encoder.

With EAS on HD2/HD3/HD4, the industry now has a great solution for including alerts on HD subchannels.

EAS on main-channel AM and FM stations is a bit more involved, as the broadcasting industry needs to have broader discussions with our partners at the FCC and FEMA. I wouldn’t expect much change there immediately. But with the FCC’s recent proceedings on EAS, they are looking at ways to modernize EAS, improve alerting capabilities, and out of that process I think there will be a lot of great ideas that can only help serve the public and communities better than we can today.

RW: What are common misconceptions or unfamiliar terms in virtualization?

Jurison: Broadcasters generally think IP audio and software solutions are not as reliable as hardware and traditional STL. The truth is, given the proper hardware and software design, these challenges can be overcome, and someday IP- and software-based solutions will become more reliable and resilient than traditional broadcast infrastructure because it will have more redundancies built in.

RW: What else should we be considering on this topic?

Jurison: It’s interesting, when we started talking about virtualization a few years ago, it seemed like a good term to discuss the modernization efforts for our industry. As time has gone on, it almost seems the term virtual is becoming outdated.

The IT space has moved away from virtual environments and changing platforms completely to work with cloud-based infrastructure. While the industry doesn’t have a “virtual air chain” today, I think by the time we get to that, we’ll be calling it something else.

We likely won’t call it cloud-based either. What we are heading towards is a completely new ecosystem for our industry, and whatever terms we want to call that today will have a short shelf life. Because the new ecosystem will be rapidly changing to meet the industry’s needs, we won’t have time to sit around and dwell on what we should call it.

Share your thoughts on this or any other article. Write to radioworld@futurenet.com.

The post The Term ’Virtual’ Could Be Outdated Soon appeared first on Radio World.

RW Staff

Iowa Event Will Honor Chicago’s WLS (and Other Musical Legends)

Radio World
4 years ago

What do country rock, boogie blues, swing and the state of Iowa have in common? This year, they’re all part of the Iowa Rock ’n Roll Music Association’s Hall of Fame Class of 2022. And an iconic radio station from another state is a big part of the celebration.

The association plans to welcome this year’s honorees during a Hall of Fame Induction Spectacular on Labor Day weekend.

The festival will kick off with a Rock the Roof concert on Sept. 1 followed by a weekend of festivities, including an opening ceremony with a guitar marching band, autograph party, Iowa Rocks talent contest and an inductee meet and greet. The weekend will wrap up with the Iowa Rock ’n Roll Induction Ceremony and Concert on Sept. 4.

[Visit Radio World’s People News Page]

The announcement was made by Executive Director Clay Norris, who noted that this year is the association’s 25th anniversary.

Among the 2022 honorees is WLS(AM). The Cumulus Media-owned station might be based in Chicago, but it has served as a “huge part of the rock music history of the entire Midwest, and it had a profound impact on Iowa,” Norris said.

The Chicago station’s daytime signal can be heard across much of eastern Iowa — where two thirds of the state’s population lives — and at night, it could be heard all over the state, he said. WLS has also played and promoted other Iowa Hall of Fame inductees — bands like The Buckinghams, New Colony Six and Head East.

In the DJ Category, the Iowa Rock ‘’n Roll Hall of Fame will induct Ron Sorenson of KFMG-LP in Des Moines and Bruce Wasenius of KLKK(FM) in Clear Lake, Iowa.

2022 Iowa Rock ’n Roll Hall of Fame Inductees

  • Band Category: Blue Strings, Gray James Band, The Library, The Pendletons, The Unidynes, Zini
  • Individual Category: Dan Bern, Johnnie Bolin, Tommy Bolin, Jen Brucher, Barry Clark, Laurie Haag, Glenn Henriksen, Kelli James, Troy Johnson, Vance Jorgensen, Kris Karr, T. Wilson King, Ralph Kluseman, Tom Nelson, Paul Miller, Heath Pattschull, Jim Poffenberger, Robby Vee
  • Venue Category: The Burlington Capital Theatre
  • Radio Station Category: WLS(AM), Chicago
  • DJ Category: Ron Sorenson, Bruce Wasenius
  • Support Person Category: Bill Monroe, Mark Sampson

Special Achievement Awards

  • Iowa Rock ‘n Roll Music Association Lifetime Achievement Award: JC Wilson
  • Matousek Lifetime Achievement Award: Tom Pick
  • Spirit Award: Jeremy Ober, Maddie Poppe, Amedeo Rossi
  • John Senn Legacy Award: Naomi Senn

The post Iowa Event Will Honor Chicago’s WLS (and Other Musical Legends) appeared first on Radio World.

Susan Ashworth

IBC2022 Conference Opens Call for Technical Papers

Radio World
4 years ago

The IBC2022 Conference Technical Papers Programme is now accepting submissions, and they are looking for the latest research on broadcast, communications, electronic media and entertainment fields.

The program, according to IBC, is an opportunity for forward-thinking technologists and companies to put ideas and research before media industry leaders looking for new technology concepts and practical applications.

“Last year we learnt of conversational robots, industry challenging approaches to privacy management, practical improvements to streaming systems and the standardization of AI/Machine learning – to mention only a handful of the excellent papers received,” stated Dr. Paul Entwistle, chair of IBC’s Technical Papers Committee, in the call for papers.

At this stage, the committee is seeking 300-word synopses that provide a clear and concise overview of the concept being discussed in the paper, highlighting what is unique and explaining its background. Synopses are due by Feb. 9, 2022, and can be submitted online via the IBC website.

A panel of professional experts will review all submissions. Papers accepted for presentation at the IBC Conference are considered for the Best Conference Paper Award, which is presented during the IBC Awards.

“This year, more than ever, we are looking forward to the opportunity to sit alongside our peers and learn of their work, enjoying the debate and a glimpse into our industry’s future,” Entwistle stated.

The post IBC2022 Conference Opens Call for Technical Papers appeared first on Radio World.

RW Staff

NATE Unite 2022 Features FCC’s Carr, DISH’s Ergen

Radio World
4 years ago
Brendan Carr

FCC Commissioner Brendan Carr and DISH Co-Founder and Chairman Charlie Ergen will take part in a Q&A Keynote Fireside Chat at the upcoming conference of the communications tower industry.

The keynote will take place during the NATE Unite 2022 Awards Luncheon, sponsored by DISH, on Feb. 23 at Caesars Forum in Las Vegas.

NATE is the Communications Infrastructure Contractors Association. President/CEO Todd Schlekeway said he welcomed the participation of Carr and Ergen and the chance for them to share their insights.

[For News on This and Other Shows See Our Show News Page]

Charlie Ergen

“Additionally, NATE Unite 2022 being held in Las Vegas is well-timed to coincide with DISH preparing to activate service and make the city its first official 5G wireless market during the first quarter of 2022,” he said in a press release.

NATE quoted Carr as saying, “The individuals who are building, servicing, maintaining and deploying America’s wireless networks have some of the toughest jobs out there. But their hard, often gritty work is critical for the buildout of 5G and has allowed us to continue to lead the world in wireless.”

Carr is one of two Republicans on the FCC and is the agency’s former general counsel. At the FCC, he has worked to update infrastructure rules and accelerate the buildout of high-speed networks. NATE said these reforms have cut a large amount of red tape and enabled the private sector to construct high-speed networks.

The discussion will be moderated by analyst Jennifer Fritzsche, head of North American Telecom and Digital Infrastructure at Greenhill & Co.

Registration is open to attend NATE Unite 2022. Here is a PDF of the schedule of events.

The post NATE Unite 2022 Features FCC’s Carr, DISH’s Ergen appeared first on Radio World.

Terry Scutt

WZFL Deploys Myriad Playout

Radio World
4 years ago

From our Who’s Buying What page: Zoo Communications station WZFL(FM) in Miami is using Myriad Playout Version 5 automation from Broadcast Radio Ltd.

“With this update the station can now have talent live from home with full on-air control, and even bring guest and co-host on air, and all broadcast to the studio in HD quality audio with a milli-second delay,” the supplier said.

“Myriad Playout also gives the station the ability to display now playing information for syndicated programming on RDS receivers.”

Irvin “Brainchild” Nunez is program director of the station, which is branded Revolution 93.5.

The Myriad line from Broadcast Radio Ltd. also includes Myriad Anywhere products that offer web-based, remote working solutions.

Suppliers and users are invited to send announcements for Who’s Buying What to radioworld@futurenet.com.

The post WZFL Deploys Myriad Playout appeared first on Radio World.

RW Staff

iHeart Takes on Web3 and the Metaverse

Radio World
4 years ago
(Getty Images)

The metaverse doesn’t really exist yet, at least not in its envisioned form; but that isn’t keeping companies from expanding their efforts to play in it.

That includes iHeartMedia, which says it wants to build “an easy-to-use ramp to the metaverse and Web3 for the mass market.”

iHeart announced an “important next step in extending its presence into Web3 and the metaverse, beginning with plans for the creation of iHeart events and experiences for listeners and music fans on Roblox,” which it says brings people together online through shared experiences.

The company said it also is committed to launch tokenized communities for its users and creators.

It said it plans to use its existing consumer reach and engagement “to create the awareness and demand necessary to bring new metaverse and Web3 platforms to the mass market.” Chairman/CEO Bob Pittman said in the announcement that iHeart “is uniquely positioned” to play that role.

The company said this year it “plans to bring immersive musical moments to the over 47 million daily active users on the Roblox platform.”

It will launch its first tokenized community, “building a new token that will incentivize and reward the iHeart creator community in new ways and give iHeart’s fans unique access to offerings across its multiple platforms.” It will also launch a series of collectible non-fungible tokens, citing he success of its iHeartRadio Music Festival NFTs launched in partnership with NFT platform OneOf last September.

iHeart’s Digital Audio Group President Conal Byrne said, “We are big believers in the incredible potential of Web3. We have already stepped into the metaverse with NFTs and have much more to come.”

Comment on this or any article. Write to radioworld@futurenet.com.

The post iHeart Takes on Web3 and the Metaverse appeared first on Radio World.

Paul McLane

WorldCast Group Hires Uible as Application Engineer, Solution Architect

Radio World
4 years ago

Cyrus Uible joins WorldCast Group as an application engineer and solution architect. He will be based in Miami.

He’ll offer sales support to account managers and customers for the company’s brands including NMS Kybio by WorldCast Connect, as well as WorldCast Systems’ Ecreso, APT and Audemat solutions.

WorldCast Co-President Christophe Poulain said Uible’s “strong software know-how, market understanding, insights and solution-oriented approach” will enhance the company’s recent successes in North America.

Uible brings 20 years of experience in software engineering to the position with expertise gained during his time at companies such as Dalet and Skyline Communications, and recently serving as a principal solutions architect covering OTT, satellite broadcast management and NOC monitoring for Skyline Communications.

The post WorldCast Group Hires Uible as Application Engineer, Solution Architect appeared first on Radio World.

Terry Scutt

FCC Ends Broadcaster Filings in CDBS

Radio World
4 years ago

Giving the industry only a day or so of notice, the FCC’s Media Bureau announced that its Consolidated Database System (CDBS) online filing system, used by broadcasters for decades, will no longer accept filings effective at 5 p.m. Eastern today, Jan. 12.

The agency announced new and apparently transitional procedures for types of filings that are currently submitted in CDBS, ones that cannot yet be entered in the newer LMS system.

The move is necessary due to what the FCC calls “pressing technical issues that prevent effective use of CDBS going forward and to facilitate the ongoing transition of all filings to the Licensing and Management System.” It did point out that the majority of types of broadcast filings had already migrated off of CDBS.

The new procedures are apparently transitional, but the Media Bureau emphasized that it expects this to be “a permanent sunset of the use of CDBS for Media Bureau filing.” [Read the announcement.]

So for now, effective with today’s sunset of CDBS filings, broadcasters will need to submit those FCC forms not currently accepted in LMS as an attachment in an email in PDF format, according to the announcement, and the FCC staff will have to enter them manually into its system.

The Media Bureau listed the following filings that will be required to be submitted by email to mailto:audiofilings@fcc.gov:

  • AM Application for Construction Permit for Commercial Broadcast Station on Form 301
  • AM Application for Construction Permit for Reserved Channel Noncommercial Educational Broadcast Station on Form 340
  • AM Applications for Broadcast Station License on Form 302
  • Special Temporary Authority (STA) Engineering Requests and Extension of Engineering STA Requests for all audio service stations
  • Silent STA / Notification of Suspension/ Resumption of Operations / Extension of Silent STA Requests for all audio service stations
  • Change in official mailing address
  • AM Digital Notification on Form 335-AM
  • All-Digital AM Notification on Form 335-AM
  • FM Digital Notification on Form 335-FM
  • Amendments to pending applications previously submitted in CDBS
  • Pleadings (Petitions to Deny, Informal Objections, Oppositions, Replies, Supplements, Petitions for Reconsideration and Applications for Review) concerning applications submitted through CDBS or using the email procedures outlined in the Public Notice

Note that other filing types that had already transitioned to LMS, including FM and FM NCE applications for CPs, must continue to be submitted using LMS.

Media Bureau staff will be entering all pertinent information from the above types of emailed filings into CDBS, the FCC said. “Since this will be a manual process, it may take 1–2 business days to receive a confirmation of your filing.”

The FCC noted that informal filings, such as requests for Special Temporary Authority or Silent Station Notifications, submitted by letter may still be submitted in PDF or Word format.

The majority of applications and submissions have already transitioned from CDBS to LMS. The FCC launched its e-filing LMS forms system for TV licensees in late 2014. The transition for radio broadcasters began in May 2019 with radio station renewal applications.

The FCC says the public will continue to have access to CDBS for public searches and CDBS data files.

Additional information about the LMS system and which filings are supported by LMS can be found at the Media Bureau’s LMS Help Center.

One leading consultant, Gary Cavell of Cavell Mertz & Associates, told Radio World, “Based upon what the Public Notice outlined, the interim procedure for non-LMS filings should be relatively painless. My only long term concern is having continued access to some of the historical data and filing attachments that were a part of CDBS, but I understand that the FCC is aware of the need.”

The post FCC Ends Broadcaster Filings in CDBS appeared first on Radio World.

Randy J. Stine

Russia Continues Campaign to Silence Media, RFE/RL Says

Radio World
4 years ago

While meetings take place between the United States, Russia and other organizations to discuss Russia’s aggressive posture along Ukraine’s borders, Radio Free Europe/Radio Liberty says Russia is continuing a campaign to silence independent media and drive RFE/RL out of the country.

“In concert with the threat posed by the 100,000 soldiers Russia has deployed along Ukraine’s borders,” said RFE/RL President Jamie Fly in a press release, “Russia’s bullying actions against independent journalism have also intensified. RFE/RL will continue to provide the Russian people with the news and information they need to hold their government accountable.”

RFE/RL said that on Dec. 3, four current and former RFE/RL journalists were named foreign agents, and on Dec. 30, Russia named two more RFE/RL journalists along with others as individual media foreign agents. The organization said this designation makes the journalists subject to onerous and invasive financial reporting requirements and forces them to add lengthy, legally mandated labels of their “foreign agent” status to all electronic communications or posted content.

These additions bring the number of individuals named to the Justice Ministry’s media “foreign agent” list to 75, and another 36 media organizations are also labeled as foreign agents.

RFE/RL said, due to its refusal to submit to the labeling provisions, Russia’s communications regulator has issued another series of violation protocols against RFE/RL, the eighth since the beginning of last year. RFE/RL now faces a total of some 1 billion rubles (US$13.4 million) in fines, which it continues to fight in Russian court. It has also filed suit with the European Court of Human Rights (ECHR) over the law.

The post Russia Continues Campaign to Silence Media, RFE/RL Says appeared first on Radio World.

RW Staff

These Stations Are at Risk of Losing Their Licenses

Radio World
4 years ago

Nineteen radio station licenses — located in Alaska, Washington, Oregon and Hawaii — will expire on Feb. 1 unless the Federal Communications Commission hears from them.

The FCC has listed stations that were required to fill applications for license renewal by Oct. 1 of 2021 in those states. These 19 stations did not; the list includes full-power stations, low-power FMs and translators.

Each license will expire if no renewal application is received by Feb. 1.

Call sign Community of License Facility ID Licensee KANC Anchorage, AK 198674 Adventist Radio Alaska Corp. KAUG Anchorage, AK 165582 Anchorage School District K282AW Eagle River, AK 139588 MCC Radio LLC KGKR-LP Galena, AK 193373 Galena Seventh-day Adventist Church K296EL Glennallen, AK 73922 Greater Copper Valley Communications Inc. KOGB McGrath, AK 176402 Blessed Hope Baptist Mission K264AV Waimea, HI 152955 WP Media Lending LLC KSEP-LP Brookings, OR 135276 Anchor Network KGMW-LP Chiloquin, OR 192288 Klamath County School District KZZF-LP Klamath Falls, OR 135243 Jesus Radio Inc. KTOD-LP Lakeview, OR 135707 Hope for Today Broadcasting Inc. KLYC McMinnville, OR 6322 Promedia Partners LLC KEZX Medford, OR 23032 Opus Broadcasting Systems Inc. K290BD Omak, WA 148938 Divine Mercy Broadcasting KDXB-LP Seattle, WA 192777 KMIH.org Radio Booster Club K207DC Tonasket & Oroville, WA 49263 North Okanogan Christian Translator KYNR Toppenish, WA 24586 Confederated Tribes and Bands of the Yakama Nation KNLI-LP Waller, WA 197066 Northwest Leadership Foundation KWEW-LP Wenatchee, WA 135720 Wenatchee Youth Radio

 

The post These Stations Are at Risk of Losing Their Licenses appeared first on Radio World.

RW Staff

Vitec Will Acquire Audix

Radio World
4 years ago

Vitec Imaging Solutions, part of U.K.-based The Vitec Group, will acquire U.S. mic maker Audix.

Audix makes mics for studio and live performance audio. “As part of the Vitec family, the Audix team and facility in Oregon will become Vitec Imaging Solutions’ Audio R&D Centre of Excellence, enabling the acceleration of in-house microphone product design, development and manufacturing across all Vitec audio brands,” Vitec announced, saying the acquisition should close soon.

“With the acquisition of Audix, Vitec’s audio capture strategy is now structured around three core brands that cover all growth segments of the $1 billion microphone market.” Those brands are Audix, Rycote and JOBY.

Audix will open its manufacturing facility to the rest of Vitec’s audio brands.

Vitec employs around 2,000 people in 11 countries; it is listed on the London Stock Exchange.

The post Vitec Will Acquire Audix appeared first on Radio World.

RW Staff

Broadcasters Again Push Back on Foreign Government ID

Radio World
4 years ago

The legal tug of war continues between the Federal Communications Commission and several broadcast organizations over the new rule about disclosing when programs are sponsored by foreign governments.

At issue is the FCC’s order, adopted last April, requiring that U.S. radio and TV stations disclose when foreign governments lease air time. All four commissioners voted yes, saying the change would ensure that audiences are aware when a foreign government or its representatives use the airwaves to persuade the public.

The National Association of Broadcasters, the Multicultural Media, Telecom and Internet Council and the National Association of Black Owned Broadcasters earlier had asked a federal appeals court to put a stay on the order pending judicial review. The FCC opposed their request.

[Related: FCC Denies NAB Stay Petition on Foreign-Sponsorship ID Rules]

Now NAB, MMTC and NABOB have filed a reply brief, reiterating their arguments that the FCC doesn’t have authority for this requirement under the Communications Act and the First Amendment, that it would be an undue burden and that broadcasters face imminent, irreparable harm unless the court pauses the FCC action.

They criticize the regulation for its “extraordinary reach and sheer pointlessness” and call it a “content-based compulsion of speech.” They repeated their arguments that a broadcaster would have to conduct an investigation of “every programming lease, even commercial and local programming (since virtually every lessee will deny, virtually always truthfully, that it or another person in the production or distribution chain is a foreign governmental entity, thus triggering the duty to investigate).” And they say the whole rule is in place to solve a “phantom harm never known to occur.”

Read the brief.

The post Broadcasters Again Push Back on Foreign Government ID appeared first on Radio World.

Paul McLane

Lawo Ends Production of Its DALLIS Platform

Radio World
4 years ago

Lawo has announced the end of production of its DALLIS modular I/O system and related cards and components.

“Lawo AG presented the DALLIS platform to the public for the first time in 2002,” the company wrote in an email to customers.

“Since then, the DALLIS interface was Lawo’s highly respected primary I/O system due to its flexibility, modularity and quality. Over the years, DALLIS frames interfaced to Lawo audio products via three different backbone technologies, ATM, MADI and Ravenna, and has supported almost 90 different I/O card options.”

With the introduction of the A_UHD Core Phase 2 architecture in late 2020, DALLIS approached the end of its life as an I/O device.

“For existing mc2, Radio and Routing installations that utilize DALLIS, there is a last-time buy window until June 30, 2022,” the company continued.

“Lawo’s service team will continue to support all DALLIS installations based on the final software release for each of the various products using DALLIS.” It noted that “due to increasing complexity in supply chain,” its support team will only be able to service DALLIS with components still in stock. “Supplies of replacement components will be limited to stock on hand. Limited numbers of products for replacement might also be available until end of stock.”

DALLIS stood for “Digital And Line Level Interface System.”

Send your new equipment news to radioworld@futurenet.com.

The post Lawo Ends Production of Its DALLIS Platform appeared first on Radio World.

RW Staff

Brino Joins Adams Radio in Tallahassee

Radio World
4 years ago

Adams Radio Group has named Nick Brino as vice president and general manager of its stations in Tallahassee, Fla.

Brino is former market manager for Forever Media in Havre de Grace, Md. He also has worked for Cumulus and Salem Media, the latter as a general sales manager — in New York for WMCA(AM) and WNYM(AM), and in Washington for WAVA(AM/FM).

Brino replaces Jason Lamp, who is pursuing station ownership opportunities. The Tallahassee cluster comprises WXTY(FM), WWOF(FM), WQTL(FM) and WHTF(FM).

Ron Stone is CEO of Adams Radio Group.

Send People News announcements, particularly involving technology and senior management roles, to radioworld@futurenet.com.

The post Brino Joins Adams Radio in Tallahassee appeared first on Radio World.

RW Staff

Josh Reiss Begins Term as AES President

Radio World
4 years ago

Josh Reiss has begun his term as the new president of the Audio Engineering Society.

He succeeds Jonathan Wyner, who said Reiss “brings a deep knowledge of audio technology coupled with an appetite for innovation.”

“The field of audio engineering is changing fast,” Reiss wrote in his president’s message. “Machine learning is introducing changes to almost every facet of our lives, the music industry continues to undergo rapid innovation and professionals continually require training in new technologies and workflows.

“The AES understands and embraces this need to adapt. Handled well, these changes can bring new and better audio, as well as a more inclusive and diverse field, encouraging talent, creativity and innovation from all walks of life. However, to say that we have challenges would be an understatement.”

The society has posted the text of his president’s message.

Reiss is a professor with the Centre for Digital Music at Queen Mary University of London.

[Visit Radio World’s People News Page]

Over 15 years of involvement with the society, Reiss has been vice-chair of its Publications Policy Committee, co-chair of the Technical Committee on High-Resolution Audio, and a former governor of the society.

In 2007 he was general chair of the 31st AES Conference, “New Directions in High Resolution Audio,” and in 2009 he was general secretary of the 35th AES International Conference, “Audio for Games.” He served on the organizational team for several AES International Conventions, including the role of chair of the 128th. He also has won several AES honors.

He has published more than 150 scientific papers, authored the book Working with the Web Audio API and co-authored the books Intelligent Music Production and Audio Effects: Theory, Implementation and Application.

“As coordinator of the EASAIER project, he led an international consortium working to improve access to sound archives in museums, libraries and cultural heritage institutions,” AES wrote. “He is co-founder of the start-up company LandR, providing intelligent tools for audio production, and Tonz, providing neural network-based audio effects. Another start-up based on his team’s research, Nemisindo, has recently launched an online service for procedural sound design and the Nemisindo Action Pack of fully procedural audio plugins for sound effect creation in Epic Game’s Unreal Engine.”

The post Josh Reiss Begins Term as AES President appeared first on Radio World.

RW Staff

The Optelator Is Discontinued

Radio World
4 years 1 month ago

Stormin Protection Products President John Pecore said the Optelator — a fiber optic isolator that eliminates grounding differentials between equipment and demark ground, protecting against direct lightning strikes on phone lines — has been discontinued.

A common application in broadcasting is to protect lines that serve remote monitors at transmitter sites. It also has uses in the automated milking industry — where remote monitoring equipment often suffers from poor connections — and in the military and homeland security, where Optelator protected inexpensive fax machines, copiers and printers, as well as provided isolated phone lines to silos and other military missile launching sites.

John Pecore blamed three factors for the decision: the pandemic, which he said has caused a 65 percent loss of business; increased pressure from his suppliers for parts orders in larger quantities; and a dramatic decline of demand for this kind of product.

“The phone hardline industry has crashed and burned [while] wireless is alive and well,” he said.

[Check Out More Products at Radio World’s Products Section]

In fact the product was scheduled to be discontinued in the late 1990s, but Pecore said a review that appeared at the time in Radio World was followed by a rush of interest. “This product became a great success in your industry, and has been depended upon in radio for many years.”

The company will continue to support users of the Optelator II and the early-generation Optilator with repair services, and can rebuild or replace PC boards, at least until the supply chain has dried up. But no more brand-new units are available.

“Sometimes progress destroys the old, and brings in the new. It is the end of life as we know it for the hardline phone line,” Pecore said.

“One last final words for the radio broadcast industry: Thank you.”

Radio World invites both users and suppliers to tell us about recently installed new or notable equipment. Email radioworld@futurenet.com.

The post The Optelator Is Discontinued appeared first on Radio World.

Paul McLane

EMF Deploys Translator in L.A.

Radio World
4 years 1 month ago

Educational Media Foundation is using a new and unusual FM translator installation so that more people around Los Angeles can hear its Air1 Radio Network Christian worship format.

GeoBroadcast Solutions said EMF is using a MaxxCasting system to expand the signal quality and audience reach of two FM stations through the installation of a translator in downtown Los Angeles. The technology company said EMF has increased its potential listenership by as much as 4 million.

“KYRA(FM), broadcasting to the north of the city in Ventura and L.A. Counties, and KYLA(FM), broadcasting from Orange County in the south, had been simulcasting the Air1 signal on the 92.7 frequency but weren’t reaching the densely populated downtown and neighborhoods of the city,” GBS explained in its press release.

“Through the innovative installation of a co-channel translator on the AON Center building, GBS engineers were able to bridge the gap between the two coverage areas and built a continuous signal that now stretches across 110 miles.”

MaxxCasting is a booster-based system that uses a cluster of directionalized, synchronized node sites to reduce interference between a station’s main and booster transmissions. But this configuration did not involve a node/booster at all; it relied on moving the translator to the Aon Building and synchronizing the two main stations.

GBS quoted EMF Senior Broadcast Engineer Shane Toven saying, “Since we’ve owned the stations, our challenge has been connecting the two signals and providing continuous coverage between our co-channel signals, which conventional boosters and repeaters were not able to provide.”

Equipment for Maxxcasting is provided by Doug Tharp at SCMS, the U.S. distributor for GatesAir transmitters. Paul Littleton is director of spectrum design at GeoBroadcast Solutions.

The post EMF Deploys Translator in L.A. appeared first on Radio World.

Paul McLane

Having Fun with the Elgato Stream Deck

Radio World
4 years 1 month ago

Many engineers are familiar with programmable keypads, sometimes referred to as X-keys, used for shortcuts to computer software. A gaming company called Elgato has taken the idea a step further with something called Stream Deck.

This is a hardware box with buttons that simply connects to a computer (Mac or Windows) via a USB port. There are no additional power requirements or anything else but the USB cable.

This content creation controller is aimed at the new world of video streamers: “Streamline your setup! Elgato Game Capture, OBS, Twitch, Twitter, TipeeeStream, XSplit, YouTube and more — Stream Deck integrates your tools and automatically detects your scenes, media and audio sources, enabling you to control them with a quick tap of a key.”

But there’s plenty here that a radio person can put to good use.

Engaging keys

With three sizes, you can have a 32-button, 15-button or small six-button version of the Stream Deck.

Utilizing its software (a free download from its site), you can easily create shortcuts and macros to allow this device to control the computer, connected hardware or software.

The author’s Stream Deck with custom buttons

Making this more visually appealing and user-intuitive is that the keys are backed by full color LCD graphic displays. You can place JPGs or animated GIFs on the key faces to represent functions or software.

I’ve found nothing that requires special formatting or specific resolutions for the images or animated GIFs, they just load and work. There are even plug-ins that allow the animation to represent everything from audio levels, clocks, current weather info (as a weather graphic).

[Check Out More Product Evaluations in Our Products Section]

The buttons can be used to bring up a website, a web stream or nearly anything the computer can do on its own. You can even turn the Stream Deck into an instant audio clip player, as its software allows you to load audio files that are quickly and instantly recalled via the button (and output on the computer’s sound card).

Stream Deck integrates with Elgato’s product ecosystem (for functions like controlling Wave Link audio software, turning on/off Key Lights or capturing console gameplay via the Game Capture line of HDMI capture cards).

With a publicly available SDK, anyone can build plugins for Stream Deck; there are many available that integrate with products from NVIDIA, Spotify, Philips and Corsair’s iCUE ecosystem.

Voicemod has a plugin in the Stream Deck store that enables Stream Deck users to control the Voicemod software; this allows an audio input to the computer (like a USB mic) to be changed using the “Voice Changer.”

And while 32 buttons gives a lot of options, you can have one button to act like a shift or control key to take you to a new layer/page of presets, thus increasing choices.

Since the Stream Deck has no GPIO interface, for the device to control hardware, either that hardware must have software on the PC, or another device (like a USB to GPIO adapter) would be needed.

Enticing

Elgato is a company that focuses on gaming, but its technology has some enticing possibilities when tied into radio broadcasting, webcasting or video for radio when interfacing into the workflow of a radio station.

Stream Deck icon library

On testing Stream Deck, I was successful in controlling BSI’s Simian automation software, opening Adobe Audition and quickly recalling effects and settings. I was also able to load audio (from music to SFX) and activate equipment off and mic mute buttons. In addition it can display currently playing audio represented by a horizontal bar graph meter. You can have a combined analog/digital clock displayed as a button (accurate with the computer), and even a button that updates the temperature and current weather graphic (displayed on the button).

It’s easy to use and lots of fun. I suspect other users, including the creative geniuses working for morning shows, might make this do even more cool things.

Elgato is based in Germany and California. Founded in 1999, it was acquired in 2018 by Corsair Gaming Inc.

Stream Deck XL (32 buttons) lists for $249.99. Stream Deck (15 buttons) is $149.99 and Stream Deck Mini (six buttons) is $79.99.

Also available is Stream Deck Mobile software for smartphones (Apple and Android), with a 30-day free trial, then $2.99 a month or $24.99 a year for a subscription. For info see www.elgato.com/en.

Program producers and studio engineers are both invited to send news about equipment used or recent installations at a radio studio to radioworld@futurenet.com.

The post Having Fun with the Elgato Stream Deck appeared first on Radio World.

Dan Slentz

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