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Aggregator

Use of the 5.850-5.925 GHz Band

Federal Register: FCC (Personal Radio & Amateur)
5 years 4 months ago
In this document, the Commission's proposal to amend its rules for the 5.850-5.925 GHz (5.9 GHz) band. The proposal would permit unlicensed devices to operate in the lower 45-megahertz portion of the band at 5.850-5.895 GHz under part 15 of the Commission's rules. It would also permit Intelligent Transportation System (ITS) operations in the upper 30-megahertz portion of the band at 5.895-5.925 GHz under parts 90 and 95 of the Commission's rules. ITS operations would consist of Cellular Vehicle to Everything (C-V2X) devices at 5.905-5.925 GHz, and C-V2X and/or Dedicated Short Range Communications (DSRC) devices at 5.895-5.905 GHz. The document also asks whether alternate spectrum band approaches would better achieve the goal of maximizing the effective and efficient use of the 5.9 GHz band, including whether differently sized sub-bands or greater flexibility to introduce additional vehicular safety communications technologies into the band would be warranted.
Federal Communications Commission

Cable Television Relay Service (CARS) Applicartions Re: Actions of Pending Applications

FCC Media Bureau News Items
5 years 4 months ago
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Broadcast Applications

FCC Media Bureau News Items
5 years 4 months ago
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Applications

FCC Media Bureau News Items
5 years 4 months ago
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Cable Television Relay Service (CARS) Applications Re: Applications Accepted for Filing

FCC Media Bureau News Items
5 years 4 months ago
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Broadcast Actions

FCC Media Bureau News Items
5 years 4 months ago
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Actions

FCC Media Bureau News Items
5 years 4 months ago
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Pleadings

FCC Media Bureau News Items
5 years 4 months ago
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Mackie ProFXv3 Mixers Debut

Radio World
5 years 4 months ago

Originally announced last September, the Mackie ProFXv3 Series of audio mixers made their debut at last month’s NAMM Show.

The half-dozen mixers are intended for use both in live sound settings as well as for home studios, content creators and live streaming.

The new series is based around the six-channel ProFX6v3, 10-channel ProFX10v3, 12-channel ProFX12v3, 16-channel ProFX16v3, 22-channel ProFX22v3, and 30-channel ProFX30v3.

[Check Out More Products at Radio World’s Products Section]

All the mixers have some features in common, including Mackie’s Onyx mic preamps, GigFX effects engine, 24-bit/192 kHz USB recording and shared design cues. The mixers also come with a variety of software, notably a copy of the Avid Pro Tools|First DAW, as well as the Mackie Musician Collection, a set of 23 Avid plug-ins.

Mackie says that the Onyx mic preamps offer up to 60 dB of gain, while its new GigFX high-resolution effects engine provides 24 effects such as reverbs, delays and more. The mixers feature a built-in USB interface; a dedicated Blend knob that swaps between DAW output and direct latency-free monitoring; single-knob compression; Hi-Z switches and more.

Avid plug-ins provided with the mixers include the 304C compressor and 304E equalizer. In addition, users will also get Waveform OEM DAW software with its DAW Essentials Collection of 16 plug-ins.

The mixers range from $199.99 for the ProFX6v3 up to $1,169.99 for the flagship ProFX30v3.

Info: www.mackie.com

The post Mackie ProFXv3 Mixers Debut appeared first on Radio World.

ProSoundNetwork Editorial Staff

Spotify and The Ringer Want to Create “Flagship Sports Audio Network”

Radio World
5 years 4 months ago

Sports and pop culture phenomenon The Ringer will be acquired by Spotify as part of an effort to “build the world’s flagship sports audio network,” The Ringer founder Bill Simmons said in a press release Wednesday. 

Spotify already touts itself as “the world’s most popular audio streaming subscription service,” and this acquisition will round out the company’s sports and entertainment offerings and present new strategic opportunities, it announced. 

Created in 2016 by ESPN alum Simmons, in four years The Ringer grew from a standalone website to a multimedia company with its own podcast network with more than 30 shows, a video production house and a new publishing imprint. It will be interesting to see how Spotify handles the breadth of these offerings, given its emphasis on audio. 

In the press release, Spotify Chief Content Officer Dawn Ostroff explained that The Ringer will “drive our [Spotify’s] global sports strategy” through its editorial team led by Simmons. Ostroff said, “The Ringer’s proven track record of creating distinctive cultural content as well as discovering and developing top tier talent will make them a formidable asset for Spotify.”

According to Recode, Spotify plans to hire both Simmons and his 90-person team as part of the deal. (Recode is a part of Vox Media, which hosts The Ringer via Chorus, its CMS.) That move would be consistent with other recent buys, such as last year’s Gimlet Media acquisition, Recode’s Peter Kafka notes.

For his part, Simmons cited the benefits of Spotify’s “power of scale and discovery” as well as the opportunity to bring new audiences to The Ringer. 

[From 2017: Spotify Ramps Up Podcast Offerings]

The deal is expected to be closed this quarter for an undisclosed sum, pending regulatory approval and other conditions.

This isn’t Simmons’ first association with Spotify. “The Bill Simmons Podcast” was among the first the streamer added when it expanded from a music only service in 2017. In return, Simmons promoted the service via his own channels.

It remains to be seen how this acquisition and subsequent sports content initiatives may affect radio, and AM in particular, since one of the remaining programming strongholds of the medium band is sports talk.

The post Spotify and The Ringer Want to Create “Flagship Sports Audio Network” appeared first on Radio World.

Emily M. Reigart

Inside the Feb. 5 Issue of Radio World

Radio World
5 years 4 months ago

Find out why John Bisset is excited about the Amprobe ULD-420. Read why Larry Langford is getting tied up in knots. Hear what Fred Jacobs learned when he went back over 15 years of Techsurvey data about how radio listeners use consumer technology. And check in on two separate LPFM operations with very different audiences and formats.

Read it online here.

Prefer to do your reading offline? No problem! Simply click on the Issuu link, go to the left corner and choose the download button to get a PDF version.

REGULATION
A Problem With FX Pretzel Patterns

In this commentary, a station owner (no, that’s not him in the photo) challenges the FCC to tighten up its regulations on exotic directional translators.

TECHNOLOGY
BBC Assesses 5G’s Broadcast Capability

The research and development arm of The Beeb tested live radio broadcasts over a purpose-designed 5G network to assess the capability of the technology to reach people living in rural areas.

 

ALSO IN THIS ISSUE:
  • Workbench: A New Ultrasonic Leak Detector Pinpoints Leaks
  • MicPort Pro 2 Delivers the Smartphone Audio Goods
  • Small Station Finds It Needs More Space

The post Inside the Feb. 5 Issue of Radio World appeared first on Radio World.

Emily M. Reigart

Neogroupe’s GDPR-Compliant NeoScreener Goes Mobile

Radio World
5 years 4 months ago

NeoGroupe’s NeoScreener is a set of call screening applications that allow screeners and hosts to be in different locations while sharing instant information on calls that are available for broadcast.

With the NeoGroupe smartphone/tablets application, the company says that one of its clients, for example, regularly screens calls in Washington D.C. while the host airs them in London.

The applications also offers full user control, even based on Active Directory if necessary. Thus, specific rights to studios and shows, action tracing, authentication and data encryption are now included.

[Check Out More Products at Radio World’s Products Section]

NeoScreener works with Telos VX and NX as well as AEQ Systel. It has a comprehensive winner, giveaway, promo and script companion module. It’s also now now fully GDPR compliant.

For information, contact NeoGroupe in France at +33-9-72-23-62-00 or visit www.neogroupe.com.

The post Neogroupe’s GDPR-Compliant NeoScreener Goes Mobile appeared first on Radio World.

Marguerite Clark

A Problem With FX Pretzel Patterns

Radio World
5 years 4 months ago
The author writes, “Pretzel patterns are becoming more and more common in metro areas where FX openings are tight.” Getty Images/Jen Pollack Bianco/EyeEm

 

The job of a consulting engineer is to do everything possible to maximize the facilities of a client within the constraints of FCC regulations, the laws of physics and the budget of the applicant.

In the case of a full-power FM that needs a directional antenna system, the FCC demands strict conditions before the License to Cover application is granted. 

These include detailed paperwork from the applicant showing the antenna was designed by a reputable manufacturer using a test range with full-size or modeled antennas that take into account the tower design, other antennas mounted to the tower, cables, conduits and anything else that could cause pattern distortion. 

The commission wants to see sketches, notes and test results from the maker of the antenna. It further requires you to use a licensed surveyor to certify that the antenna was mounted at the correct azimuth as called for by the manufacturer. Lastly the commission requires an affidavit from a qualified engineer that everything was done by the book and the resulting pattern is good based on a proof of performance. 

All of this can be required of the simplest of directional systems for full-power FMs.

CURIOUS PATTERNS

With consultants now being asked to shoe-horn translators into the tightest of places, we are seeing some rather curious antenna patterns in FX applications. Some stretch physics to the absolute limit! 

Again, understand, just because the consultant can specify a complex contour that requires a composite antenna design, it does not mean that the antenna company can make it happen for less than a king’s ransom. 

What is shocking is that for translator directionals, the FCC demands only a checkbox that promises that the antenna meets the required contours as shown in the CP. Talk about faith and trust. 

I will admit that for some “off-the-shelf” directionals and omni antennas that are side-mounted with a predictable pattern, just the antenna sheet and a promise that it was put up pointing the correct direction are probably enough. 

But let’s take the case of the antenna pattern granted on a Chicago translator. It is a real head-scratcher. Fig. 1 shows a pattern that is obviously protecting more than three co-channel translators and full-power FM stations. These pretzel patterns are becoming more and more common in metro areas where FX openings are tight. In this case, the CP application specifies a two-bay “penetrator” style antenna with parasitic elements to get this very complex and non-symmetrical pattern in both the horizontal and vertical planes. 

If this pattern can be done with this type antenna, it would take a lot of range testing and a big box of parasitics installed with great precision and care to pull it off. The price tag for that would be in the thousands. 

TEMPTATION TO CHEAT

I have seen more than a few installations that demand such complex antennas that are simply built with an omni and no attempt to follow the one-of-a-kind design in the app. The temptation to cheat here is just too great, and the results are a mess when there is an interference complaint and the commission relies on these sometimes fantasy patterns to be accurate. 

I cannot blame the consultants, they just show what needs to be done. And often the person signing the License to Cover app is just one of the owners just checking the box, with no idea as to what pattern they really have. The License to Cover app should require that an actual engineer certifies the installation.

There are other cases where the commission is just plain wrong by its own mistakes on issuing a license. I know of a Chicago-area translator with a detailed application on how the system would take care of second-adjacency interference by using a multi-bay antenna to attenuate downward signal. The details were part of a waiver request. But when they put in the License to Cover application they specified a single-bay omni … and guess what? The commission granted the license anyway. Obviously this one slipped through the cracks. 

With AM it’s pretty easy to check on a directional antenna system, just drag out the Potomac and find the monitor points. But trying to do a field proof on a 250 watt translator DA with a meter to check on an installation after the fact will drive you crazy and tell you very little, especially if the antenna is mounted in close proximity to other antennas.  

[Is the FCC Dropping the Ball on Directional Translators?]

The FCC must tighten up regulations to make sure these exotic patterns drawn to get a CP are in fact built to get the License to Cover. 

Since the commission requires detailed proof that a directional was actually built and installed correctly for a commercial FM, why not at least some documentation that shows that a composite directional FX antenna for the requested CP was actually built and tested on a range with proper proof of performance? 

The commission would never accept the “word” of an AM operator that his multi-tower array was good without paperwork, so why allow translators to be put in with these very difficult patterns on just a wink and a promise that there is no cheating? 

While some old and outdated rules are being tossed out, here is one that needs to be revised for more, not less, paperwork. 

 Larry Langford is the owner of WGTO(AM) in Cassopolis, Mich. and W246DV, South Bend, Ind. His opinions on AM radio and other issues are a recurring feature in Radio World. 

Comment on this or any story to radioworld@futurenet.com with “Letter to the Editor” in the subject field. 

The post A Problem With FX Pretzel Patterns appeared first on Radio World.

Larry Langford

Actions

FCC Media Bureau News Items
5 years 4 months ago
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Broadcast Actions

FCC Media Bureau News Items
5 years 4 months ago
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Broadcast Applications

FCC Media Bureau News Items
5 years 4 months ago
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Applications

FCC Media Bureau News Items
5 years 4 months ago
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Prometheus Radio Project and Mega-Philadelphia LLC

FCC Media Bureau News Items
5 years 4 months ago
Denied the Petition for Reconsideration

Pleadings

FCC Media Bureau News Items
5 years 4 months ago
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Radio World Webcast to Explore “Digital Sunrise for AM Radio” 

Radio World
5 years 4 months ago

Discussion of all-digital on the AM band has moved from the theoretical to the real with the recent announcement that the FCC tentatively plans to allow U.S. AM band stations to turn off their analog and broadcast in all-digital HD Radio.

Radio World is hosting a webcast Feb. 19 to explore the potential benefits, challenges and costs of such a transition. 

Whether you’ve been following developments closely or you are new to the idea, “Digital Sunrise for AM Radio” will help prepare attendees for what’s next. The content is intended not just for engineers, but also for owners and managers.

Editor in Chief Paul McLane interviewed Hubbard Radio’s Joel Oxley and Dave Kolesar, NAB’s David Layer, Xperi’s Mike Raide, DRM’s Ruxandra Obreja and Bryan Broadcasting’s Ben Downs. 

[Dates Set for Comments on Digital AM Proposal]

He asked: What would it cost to convert a station? What are the interference implications? What kind of user experience will listeners have? What important lessons can be learned from the only station so far to operate in all-digital full-time? What are the coverage and interference considerations that experts are exploring? How many stations might switch, and when? 

Learn more about the webinar and the featured speakers via the registration page.

The post Radio World Webcast to Explore “Digital Sunrise for AM Radio”  appeared first on Radio World.

RW Staff

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