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In this document, the Federal Communications Commission (Commission) announces that the Office of Management and Budget (OMB) has approved, for a period of three years, the information collection requirements associated with the Uniform License Renewal, Discontinuance of Operation, and Geographic Partitioning and Spectrum Disaggregation Rules and Policies for Certain Wireless Radio Services Second Report and Order and the Report and Order on the Commission's Rules to Facilitate the Use of Vehicular Repeater Units. This document is consistent with the Second Report and Order, Report and Order, all of which stated that the Commission would publish a document in the Federal Register announcing OMB approval and the effective date of the information collection requirements.

Microphone hygiene and IP at the BBC are among the topics on the agenda for the Broadcast and Online Delivery track of the upcoming AES Show, which will be held virtually.

There’s also a healthy dollop of radio history, appropriate in this centennial year for radio.

Show planners released these highlights:

“Practical Tips for Using Digital Audio in a 2110 Facility” will explore IP architecture and the SMPTE ST 2110 media networking protocol, of which the Audio Engineering Society’s AES3 and AES67 standards are components. Moderator Andy Butler of PBS will host Wesley D. Simpson (telecom product consultant), Robert Welch (technical solutions lead, Arista Networks) and Peter Wharton (principal consultant, Happy Robot Inc.).

“Pass the Mic” will celebrate the 100th anniversary of radio broadcasting and its innovations with host veteran radio engineer John Holt.

[For News on Other Shows See Our Show News Page]

“A Century of Radio: What You May Not Know About the History of Broadcasting” features Donna Halper of Lesley University and Barry Mishkind of Broadcasters’ Desktop Resource sharing “surprising facts about broadcast history” and dispelling some cherished myths.

“Stay Safe: Disinfecting Microphones in the time of COVID-19” is presented by David Prentice.

“Podcasts: Telling Stories with Sound” has Rob Byers of American Public Media hosting designers/composers Jim Briggs and Fernando Arruda of Revel as well as podcast series reporter/producers Laura Starecheski and Ike Sriskandarajah.

The AES Show usually includes facility tours; this year there are two: “A Virtual Tour and Discussion: BBC Broadcasting House Studio,” led by Jamie Laundon, and “A Virtual Tour and Discussion: BBC Wales — Cardiff Central Square IP-based Broadcast Facility,” with Adrian Wisbey.

The Broadcast and Online Delivery Track has been led David Bialik for 36 years.

Show info is at AESShow.com. Full all-access registration starts at $149. Free AES Show 2020 Showcase registration is free before October 1.

 

The post History and Mic Hygiene Are on AES Show Agenda appeared first on Radio World.

The L’essentiel Radio Transmission Tower

These photos provided by Broadcasting Center Europe are from its project to install a new transmitter for L’essentiel Radio, adding a signal at 103.4 MHz for the French-language service in Luxembourg.

BCE is a European provider of media services, integration and software. The installation is in the small town of Blaschette in central Luxembourg.

[See Our Who’s Buying What Page]

“Since 2016, BCE has supported the French-speaking radio station with the integration of its studios, transmitters and antennas,” the company announced. “L’essentiel Radio has increased its country coverage with the launch of new frequencies in Rambrouch, Junglinster, Ettelbruck and Remich.”

The national radio service is now available on seven FM frequencies.

Eugène Muller is head of transmissions at BCE. Emmanuel Fleig is manager at L’essentiel Radio.

L’essentiel Radio is also planning tests of the DAB+ platform.

Send news of radio broadcast projects (studios, RF, TOCs/NOCs, etc.) to radioworld@futurenet.com.

 

The post A New Frequency for L’essentiel Radio appeared first on Radio World.

Screen grab of the YouTube video described below, taken after 140 generations.

Dan Slentz has been trolling the internet again.

This time he has come across a very interesting audio clip on YouTube. “Nickd2011” took an MP3 recording of Michael Bolton’s “How Am I Supposed to Live Without You” and compressed it up to 300 times.

Nick reminds us that every time an MP3 is recompressed, some of the audio is thrown away. In his example, Nick opened a FLAC file of the song in Adobe Audition, then saved it as a 128k MP3.

He then opened the MP3 he just saved, and resaved it as a 128k MP3 with a new file name. Nick repeated that process 300 times.

When you listen to the fifth generation you’ll notice artifacts in the audio. By the 10th, the audio sounds terrible. And with each subsequent compression, the audio quality only gets worse.

Nick compares the degradation to the game of “Telephone” in which a large group of people line up and the first person whispers something to the second person, who whispers it to the third and so on. By the time the message gets to the last person, the meaning would have changed.

A similar process happens when an MP3 file gets compressed over and over. Each generation introduces new artifacts in the audio, as the decoder imperfectly approximates what audio was thrown away. Wait till you hear the 300th generation!

This is a great clip to share with your programming folks. Find it here.

Sniffing for leaks

Amprobe probably is most familiar to broadcast engineers for its line of clamp-on ammeters the company builds. Their innovation doesn’t stop there, however.

The company has developed an ultrasonic leak detector to help troubleshoot leaks. Initially designed for air conditioning technicians, this probe also can be used to sense nitrogen or other gas leaks in pressurized transmission line.

The ULD-420 has a frequency range from 20 kHz to 90 kHz, the optimal range for detecting a variety of leaks. Three switchable filters help remove noise frequencies in noisy environments, and a headphone output is provided.

The tool runs about $1,000 on Amazon, so it may be better suited for group broadcaster purchase. You can find out more at the Amprobe website www.amprobe.com.

Coming up the end of this month, Amprobe is sponsoring a webinar on using the ULD-420 for leak detection. Register at www.amprobe.com/webinars.

Tiny bubbles

Looking for a less expensive means of leak detection? Radio World Technical Advisor and veteran engineer Tom McGinley reminded me of a simpler method: a bottle of soapsuds.

Even dishwashing liquid cut with water will work. Put it in a spray bottle and spray your connections and junctions of nitrogen tubing with the soapy water. If there’s a leak, little bubbles will appear at the leaky junction. Wipe the water off and tighten the connection.

Help the next engineer

I just presented a Generator Maintenance program for members of the SBE Mentor Program, which is designed to help broadcast engineers new to the field by partnering them with seasoned professionals. The goal is for the more-experienced person to share his or her gained knowledge, both empirical and practical, with someone new to the field.

Mentor Committee Chairman Chris Tarr says, “For the seasoned mentor, it’s a chance to give something back. For the freshman mentee, it’s an ideal way to gain inside knowledge and understanding that can sometime take years to accumulate.”

Program participants also are invited to join the SBE Mentor Group on the SBE Facebook page. This is a member-only benefit. Mentor program participants also receive monthly newsletters and have access to a special Mentor program quarterly webinar series.

Interested in learning more? Contact Education Director Cathy Orosz at corosz@sbe.org or 317-846-9000.

We’re hooked!

BGS Sales Associate Mary Schnelle sent us this photo. It’s a view of the underside of an interview table installed at WTOP in Washington by Rob Goldberg and RadioDNA last fall.

Just a simple hook intended for holding headphones. The hook quickly morphed into another use as a place for guests to hang their purses (or murses). Off the floor and easily within reach!

John Bisset has spent over 50 years in the broadcasting industry and is still learning. He handles western U.S. radio sales for the Telos Alliance. He holds CPBE certification with the Society of Broadcast Engineers and is a past recipient of the SBE’s Educator of the Year Award. Workbench submissions are encouraged, qualify for SBE Recertification, and can be emailed to johnpbisset@gmail.com.

The post How Michael Bolton Can Be 300 Times Worse appeared first on Radio World.

The author is membership program director of the National Federation of Community Broadcasters. NFCB commentaries are featured regularly at www.radioworld.com.

The noncommercial media industry groups Public Radio Program Directors and Public Media Journalists Association hosted a joint conference virtually. One showcase featured a powerful initiative in public radio’s search for new audiences.

In 2015, the Corporation for Public Broadcasting launched its support of efforts to develop a new music format for noncommercial radio. What emerged was urban alternative, aimed at drawing a younger, multicultural audience to public media.

The graying of public radio has been a concern for many years, though podcasting, led by NPR in the public media sphere, has changed many of these perceptions. Diversity has been an ongoing concern, however. Urban alternative’s potential in this regard is tremendous.

[Read: Community Broadcaster: Four Election Day Issues to Avoid]

While noncommercial radio has many successful music formatted stations — think KEXP, WXPN and KCRW — none are explicitly focused on making noncommercial media a draw to multicultural audiences. Thanks to champions like Mike Henry and CPB Vice President for Radio Jacquie Gales Webb, you can now tune in to one of a handful of urban alternative stations and hear one of public media’s boldest experiments in decades.

Turn on The Drop, featured on HD at Denver’s KUVO, and you’ll catch emerging mainstream hip-hop blended with classics, cutting-edge soul and lively conversation. Houston KTSU has just unveiled the Vibe as its digital channel. To ensure success, the Texas Southern University station has introduced Ben Thompson as content director. Thompson is best-known as Madd Hatta, a Houston hip-hop radio luminary who was program director and morning show host at KBXX, the city’s top-rated station for nearly his whole 20+-year run. Elsewhere, urban alternative endeavors are showing promise, too.

The next great chapter for urban alternative will be securing commitments for FM broadcast. Thus far, HD and other secondary bands have been its home. Considering the a new full-power noncommercial license window is on the way, could there be a possibility for an urban alternative-born terrestrial broadcaster? Many media groups, including the National Federation of Community Broadcasters, are stepping up to educate aspiring station operators about their options.

The positive growth of urban alternative is a crucial opening for those of us in noncommercial radio to have some needed discussion about audience engagement. For more than a generation, public media’s story has been, implicitly as well as openly, about “super serving” its core audience — mostly educated, mostly white, mostly older, mostly middle class to wealthy. The suggestion has been that, by providing quality content to this listener, a station was by extension serving listeners who were younger and less white and wealthy.

But, as we are seeing from controversies across public media, such as the recent implosions at Minnesota Public Radio and St. Louis Public Radio, the generic approach is getting internal and external pushback. Super service does not necessarily mean inclusive service. CPB’s recognition that stations should foster relationships with nontraditional audiences is gratifying. One can hope that such innovative approaches empower others to have discussions about engagement, and about acting for our future.

The post Community Broadcaster: Inclusive Service Is the Future appeared first on Radio World.

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Jeff Marks

The author of this commentary is a career broadcaster and a consultant to Widelity Corp. The company recently launched an outsource service to help stations maintain compliance with FCC Online Public Information Files requirements.

College students have a habit of graduating and moving on.

So, this year’s student manager at the campus radio station is gone next year and someone else is in charge for one school year.

Widelity’s informal survey of student-run radio stations shows that they are more likely to be in violation of FCC rules requiring online filings than are other non-commercial or commercial stations. It appears that the managers just don’t know to pay attention to the posting rules.

In most of these cases, nothing has been posted in their Issues and Programs folder since the requirement to post online started almost three years ago.

[Related: “Big Companies Settle With FCC on Online Public Files”]

Why would Widelity Corp., a company that derives its operating revenue by representing commercial radio and television stations, take on helping these chronically underfunded non-commercial stations to get current with their online responsibilities?

Widelity’s joint project with College Broadcasters Inc. seeks to educate these station leaders and to help them create systems so that the knowledge is passed on from year to year.

We have had success consulting radio and TV stations and MPVDs in the television repack, in the C-Band repack and in the online filing process, and this is an opportunity to help educate the next generation of broadcasters about their responsibilities.

Widelity and CBI believe that there is the possibility of finding an underwriting sponsor, so that the student-run stations can receive services paid for in exchange for on-air announcements.

COVID-19 changed everyone’s daily life, and the same is true for student-run radio stations. Station staff had to relocate, and most student-run stations were scrambling just to keep programming on the air. The Online Public Inspection Files process wasn’t on everyone’s “to do” list.

Widelity services will provide board members who oversee student-run stations the confidence that FCC compliance standards are being met as required.

Outsourcing these time-sensitive requirements to Widelity should provide peace of mind not only to the directors, but to the staff administrators as well. As students rotate in and out due to churn, Widelity is a constant that can be depended on to assist the new student staff with information about how to properly handle their station OPIF requirements, including the Issues and Programs quarterly reports.

It certainly is not in an educational institution’s best interest to have its station noncompliant and subject to an FCC fine. It also makes for bad public relations.

Our informal survey shows that FCC OPIF compliance is not part of many student-run stations’ curriculums. We are answering that need by creating a webinar that, in conjunction with College Broadcasters, Inc, will be available to student-run stations.

Because sometimes FCC rules change, we plan to be a continuous, reliable source of FCC compliance information to our client schools.

College broadcast leaders, whether student, staff and faculty, can reach out to us at Widelity for more information.

Radio World welcomes other points of view at radioworld@futurenet.com.

 

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What do sports radio listeners have in common with top 40 listeners? Not much, really. That’s according to the latest report from Edison Research The Infinite Dial series. It profiles listeners of 11 U.S. radio formats. The report goes on to give some granularity to these different listening audio behaviors.

Titled “Radio Listener Profiles,” this report focuses on weekly AM/FM radio listeners who reported listening most often to a radio station with one of the following formats: alternative rock, classic hits, classic rock, contemporary Christian, country, hard rock/heavy metal, hip-hop/rap, news/talk, R&B, sports and top 40.

[Read: Radio Listening Audiences Rebound Despite Pandemic Impact]

The thesis of Edison Research and Triton Digital’s report is that while formats are usually classified by the age and sex of their listeners, not all audio and audio device behaviors can be inferred along those lines. The report refers to the survey participants as P1 listeners.

Ownership of an in-home AM/FM radio continues to be a challenge for the industry, according to the report. Formats whose listeners are most likely to have a radio at home include classic hits, classic rock, country, hard rock/heavy metal, news/talk and sports. Those listeners likely lacking this appliance regularly tune in to alternative rock, contemporary Christian, hip-hop/rap and top 40. Positioned exactly between these two in terms of radio ownership are R&B listeners, representing the overall average.

According to the report, this loss of traditional home radio receivers is partially offset by the influx of smart speakers. Again, the report claims, the utilization of these new devices is not consistent across the board. Not surprisingly, it suggests that smart speaker adoption tracks pretty consistently with the formats which attract younger listeners. Those most likely to own a smart speaker tune in to alternative rock, hard rock/heavy metal, hip-hop/rap, R&B, sports and top 40. On the other hand, the report says, those holding on to their AM/FM radio prefer country, classic hits, classic rock, contemporary Christian and news/talk.

 

The post Is the Smart Speaker Like a New Age Home Radio? appeared first on Radio World.

Mark Persons

Only nine people had received the lifetime achievement award from the Society of Broadcast Engineers, until this week. Mark Persons becomes the 10th.

It was presented to Persons during an SBE online membership meeting and award ceremony.

Radio World is proud to share this news in part because Mark is a longtime contributor and valued member of the RW family. (You can read many of his recent tech tips and commentaries here.)

“The SBE John H. Battison Award for Lifetime Achievement recognizes and pays tribute to individuals for their dedication, lifelong achievement and outstanding contribution to broadcast engineering,” the SBE wrote in its announcement.

Prior recipients are Benjamin Wolfe and James Wulliman (1995), Philo and Elma Farnsworth (1997), Morris Blum (1998), Richard Rudman (2002), Richard Burden (2005), John Battison (2006) and Terry Baun (2010).

Persons told SBE: “I never had a Plan B. I was always going to be a broadcast engineer, and that’s exactly how it came out.”

The event planners had to get clever to plan the presentation. They secretly contacted Paula Persons via the Brainerd, Minn., VFW to ship the plaque to her via a friend.

To ensure Mark Persons was online for the ceremonies, they then invited him as 2018 recipient of the SBE Robert W. Flanders SBE Engineer of the Year award, to be present for a cameo with other past winners. And during the online ceremony, Paula came into his office with the award.

[Related: “SBE Names Its New Executive Director”]

SBE provided this summary of his career:

“Mark, a life-long resident of Minnesota, followed in the footstep of his father, who was also a radio broadcast engineer. Mark started turning transmitter knobs more than 60 years ago. While reaching the rank of sergeant in the United States Army from 1967 to 1969, Mark was in charge of an avionics repair shop for the OV-1 Mohawk high-tech surveillance aircraft in Vietnam.

“After his military service, he spent the next 10 years with KVBR radio in Brainerd, MN, where he became chief engineer. In 1977, he opened his own radio engineering consulting business, which he operated for the next 40 years. He married his wife Paula in 1978, and she became instrumental in running the business side of the business out of their home.

“Mark has been a respected engineer in Minnesota and the upper Midwest his entire career. He built 12 commercial AM and FM radio stations, and rebuilt, upgraded, maintained and repaired countless other radio stations for clients. He has endeavored to share his knowledge and experience with others in the field. He has written more than 140 articles that have appeared in industry magazines and made more than 25 speeches and presentations at industry conventions, conferences and meetings.”

Nominees are SBE members and have been active for 40 years or more in broadcast engineering or an allied field. Persons joined the SBE in 1981 and is now a life member. He holds three life certifications from the society.

Persons retired several years ago but is active in the SBE Mentor Program. He’s also a ham and a member of the American Legion, The VFW and Disabled American Veterans.

You can watch the replay of the membership meeting and awards ceremonies on the SBE YouTube channel.

As previously announced, RJ Russell received the Robert W. Flanders SBE Engineer of the Year award. Fred Baumgartner and Roland Robinson received the James C. Wulliman SBE Educator of the Year award. New SBE Fellows Ralph Beaver and Jim Leifer were saluted.

[Related: “RJ Russell Is SBE’s Engineer of the Year”]

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The “Next Best Thing Media Tour” is rolling onward, having visited almost two dozen markets so far, and with a long list to go before it concludes around Thanksgiving time.

Greg Dahl

It’s a traveling outdoor equipment expo intended to help engineers and others see equipment or talk to vendors in person, in this year without an NAB Show. In some cases the visits coincide with SBE chapter meetings.

Stops for the week of Sept. 28 are Philadelphia, Baltimore, Raleigh and Charlotte. Major markets on the list and yet to be visited include Cincinnati, Indianapolis, Dallas, Houston, Miami and Atlanta.

Prime movers in the effort include Greg Dahl of Second Opinion Communication, Dave Kerstin of Broadcasters General Store and Jeff Williams of Yellowtec.

Companies with product and/or people taking part are American Recorders, Angry Audio, BDI, Broadcast Bionics, Broadcast Tools Inc., CANARE Corp. of America, CircuitWerkes, Comrex, DJB, ENCO Systems Inc., Graham Studios, Henry Engineering, Inovonics Inc., Kathrein Broadcast USA, Kintronic Labs, Masterclock, Inc, Myat, NotaBotYet, Radio Design Labs, Shoreview Distribution, Shure Incorporated, Sprite Media, Summit Technologies Group, Telos Alliance, Vclock, and WorldCast Group.

Dahl has said that the idea was inspired in part by the “Taste of NAB” tour that Larry Bloomfield conducted over several years.

The tour stops in four communities each week. The group photo above was taken this week in Cleveland.

Masks and hand sanitizer are available at each location. The organizers said equipment and surfaces are sanitized between interactions.

A link to the schedule is available at the Second Opinion Facebook page.

Traveling van of Second Opinion Communications.

 

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