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Radio+Television Business Report

Mazda Drivers In Seattle Experience HD Radio Snafu

Radio+Television Business Report
3 years 4 months ago

Updated at 12:50pm PT to include a comment from Xperi Corp.

On Sunday, January 30, an owner of a 2016 Mazda hatchback was driving in Ballard, Wash., when his in-dash entertainment system suddenly went awry. For some strange reason, the HD Radio his vehicle was equipped with would only play the main NPR member station for the Seattle-Tacoma market.

This driver wasn’t the only to experience the exact same problem. Is the glitch something every station equipped with the Xperi Corp.-owned product needs to be concerned about?

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Adam Jacobson

A Big Fiscal Q2 Finish For FOX, Beating the Street

Radio+Television Business Report
3 years 4 months ago

“Against the high bar we set in our fiscal second quarter last year, we have once again delivered revenue and adjusted EBITDA growth in the second quarter of our 2022 fiscal year, while continuing to invest in our digital growth initiatives.”

Those are the words of Lachlan Murdoch, as the Executive Chair and CEO of Fox Corporation enjoyed a three-month period that saw net revenue and earnings per share each beat Wall Street forecasts.

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Adam Jacobson

NATPE Unveils a ‘Station Group Summit.’ Where are the Groups?

Radio+Television Business Report
3 years 4 months ago

With the cancellation of NATPE Miami, originally scheduled for January 18-20 in Miami Beach, the National Association of Television Program Executives (NATPE) has moved forward with a slate of in-person and virtual events across the next several months.

Among them: a virtual February 17 “Station Group Summit” that, based on the agenda, is curiously devoid of the nation’s largest broadcast TV station ownership groups.

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Adam Jacobson

Sohn Stands Tall As Senate Commerce GOP Wants Locast, Recusal Answers

Radio+Television Business Report
3 years 4 months ago

WASHINGTON, D.C. — One week after a second nomination hearing for Gigi Sohn to serve as the FCC‘s fifth Commissioner was originally set to take place, the Counselor to former FCC Chairman Tom Wheeler appeared solo Wednesday morning in front of the Senate Commerce Committee.

While Sen. Maria Cantwell (D-Wash.) spoke warmly of Sohn, Republican members — led by its Ranking Member — came armed with questions for Sohn on two key topics. First, her ties to now-shuttered “vOTA” service Locast and the timing and monetary value of its settlement agreement with the “Big Four” networks needed further explanation. Second is her decision, after her first nomination hearing held in December 2021, to sit out on matters involving retransmission consent or TV broadcast copyright for the first three years of her term.

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Adam Jacobson

The Average AM/FM Property Earned $362,250 In Digital Revenue Last Year

Radio+Television Business Report
3 years 4 months ago

NEW YORK — Local radio stations hit the jackpot with digital sales last year, generating $1.5 billion, according to the Radio Advertising Bureau’s 10th annual benchmarking report on the industry’s digital activities.

Stations are poised to follow last year’s growth of 33% with another strong year, with digital sales forecast to grow 22%, approaching the $2 billion mark.

“The radio industry seems to have finally found its digital groove,” the RAB report, compiled by Borrell Associates and sponsored by Marketron, notes. The 47-page analysis covers the activity of more than 3,000 radio stations.

“The findings from this report highlight the rewarded efforts of stations’ digital offerings to drive results for local advertisers,” said RAB President/CEO Erica Farber. “The focus on the importance of digital training has produced dividends for stations and sellers alike. RAB continues to provide business and professional development training that will help stations to super-serve their local businesses.”

For Gordon Borrell, he was happy to report that Borrell Associates underestimated radio’s digital determination when last year’s report was published. He comments, “We predicted that radio would hit a double by increasing sales 18%. They hit a triple – maybe even a home run. It’s quite impressive, especially when you see that little stat that shows how digitally savvy radio sales reps are in the eyes of local advertisers.”

The annual report showed that the average station made $362,250 in digital revenue in 2021, and the average market cluster made $1.6 million.

Top-performing market clusters made more than $10 million, even in some of the smaller markets.

“The local radio salesperson is now the marketing expert in their community by bringing linear and digital solutions to advertisers that produce real, measurable results,” said Todd Kalman, SVP/Sales at Marketron. “In this report, you’ll find data and insights that position radio and digital together for new advertising opportunities in 2022.”

The findings are a part of the RAB and Borrell’s 10th annual report, “Finally, A Digital Bounty: Radio’s Digital Sales Rise 33%,” released today to RAB members. It analyzes online ad revenue from 3,645 radio stations, as well as survey responses from 1,107 local radio buyers and 256 radio managers.

Among the findings:

• Advertisers now rate radio sellers higher than all competitors for marketing expertise.

• Advertisers now rate radio sellers on par with or higher than competitors for digital expertise.

• Nearly one in four station managers now deem their digital strategy “brilliant.”

• Eighty-eight percent of radio advertisers buy digital advertising, but only 46% buy it from their radio rep.

• Twice as many stations as last year say online-only reps are the best way to drive more sales.

• Virtual events didn’t stick in 2021; only 13% of stations are planning them this year.

• While 44% of stations have a local podcast, only 20% have one that produces revenue.

RBR-TVBR

Byron Allen: Media Mogul … and NFL Franchise Owner?

Radio+Television Business Report
3 years 4 months ago

He’s made it clear that his media enterprise plans to invest approximately $10 billion to acquire more ABC, CBS, NBC, and FOX television stations over the next two years with the goal of creating the largest broadcast television group in America.

Now, Byron Allen may be taking a page from Jeff Smulyan’s playbook by confirming his interest in owning a professional sports franchise.

The revelation also notes that it was the Commissioner of the National Football League, and New England Patriots owner Robert Kraft, who suggested to Allen three years ago that he consider the investment.

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Adam Jacobson

Out-Of-Home At-Work Listening Important for Radio

Radio+Television Business Report
3 years 4 months ago

Working age adults who report to a jobsite or office outside the home are highly essential for the continued success of broadcast radio.

How so? They use radio more than two times as much as those who work from home, newly released data from NuVoodoo Media Services show.

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Adam Jacobson

BBC Programming’s U.S. Distribution Stays With APM

Radio+Television Business Report
3 years 4 months ago

American Public Media (APM) and BBC World Service have renewed their distribution partnership for BBC World Service’s English-language radio programming.

This ensures that the U.S. noncommercial radio stations presently airing the content will continue to receive it via APM for the next five years.

This is APM’s second distribution renewal with BBC World Service, and it will remain in place until June 2027.

As the only distributor of BBC World Service content in the U.S., APM services some 600 public radio station across the U.S.

APM took over the partnership in 2012.

BBC broadcasts include news and current affairs programming, including its flagship global daily program Newshour. In 2014, BBC and APM also introduced BBC Topline, a daily 90-second program recapping the world’s most important stories, curated for U.S. audiences.

In early 2020, the Deeply Human podcast was launched as a BBC World Service and APM co-production with iHeartMedia, exploring the psychology, biology and anthropological explanations of human traits.

RBR-TVBR

Bankruptcy Judge Orders Return Of FMs to Ed Stolz

Radio+Television Business Report
3 years 4 months ago

In a stunning turn of events, a Nevada Federal Bankruptcy Judge has — in an oral ruling — paved the way for Ed Stolz, who lost ownership of his three FM radio stations in a protracted California federal court battle over unpaid music royalty fees, to regain ownership of the properties.

What does this mean? The telenovela-like saga of the stations will more than likely end up with the stations in someone else’s control. In an exclusive interview, the court-appointed receiver, Larry Patrick, tells RBR+TVBR it is simply a last-minute act of desperation for an individual financially unable to keep them.

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Adam Jacobson

The InFOCUS Podcast: Hadassa Gerber

Radio+Television Business Report
3 years 4 months ago

She’s the Chief Research Officer of the not-for-profit trade association representing America’s local broadcast television industry, TVB. And, she’s the latest RBR+TVBR InFOCUS Podcast guest.

In this fresh episode, Hadassa Gerber joins RBR+TVBR Editor-in-Chief Adam R Jacobson to talk about some very intriguing new info from the just-released GfK 2022 Media Comparisons Study. In short, it’s great intelligence for broadcast and cable TV.

LISTEN NOW!

Listen to “The InFOCUS Podcast: Hadassa Gerber” on Spreaker.

Adam Jacobson

A New News Director for CBS Los Angeles

Radio+Television Business Report
3 years 4 months ago

SANTA CLARITA, CALIF. — A veteran local news executive has been named VP and News Director for CBS News and Stations’ Los Angeles operations, comprised of KCBS-2, news-intensive unaffiliated KCAL-9, and the CBSLA.com streaming channel.

He reports to CBS Los Angeles President/GM Joel Vilmenay.

Earning the role is Mike Dello Stritto.

He was formerly the News Director for CBS News and Stations’ CBS-affiliated KOVR-13 and The CW Network-affiliated KMAX-31 in Sacramento. He’d been there since 2018.

Dello Stritto has spent nearly 13 years of his local news career with CBS Stations, beginning in 2006 when he worked for three-and-a-half years as reporter at KOVR-13.

His resume includes a two-year stint as the managing editor at the company’s KPIX-5 in San Francisco. Dello Stritto began his career as a weather forecaster at WCJB-20 in Gainesville, Fla. in the early 2000s, following his graduation from the University of Florida. He gained his first experience as a news director with KTNV-13, the ABC affiliate in Las Vegas.

Dello Stritto succeeds Andrea Parquet-Taylor, who last month was named VP and News Director for the CW Network and independent stations managed by CBS News and Stations.

“I am excited to join the team at CBS 2, KCAL 9 and CBS News Los Angeles,” Dello Stritto said. “Harnessing the power of two TV stations and our CBS News Los Angeles stream allows us to deliver an unparalleled local product. I am grateful for the support I have received from Joel, Jennifer and the other members of the CBS News and Stations leadership team, and I feel very fortunate to be succeeding my friend and esteemed colleague, Andrea.”

— With reports from RBR+TVBR West Coast Bureau

RBR-TVBR

An Idaho Radio Licensee Earns a HDO

Radio+Television Business Report
3 years 4 months ago

On February 1, KPCQ-AM celebrated its fourth birthday under the ownership of its current licensee.

But, it may not have future birthdays, thanks to the FCC and its new Media Bureau Chief, Holly Saurer. That’s because a Hearing Designation Order and Notice of Opportunity for Hearing has been dispatched to the station’s owner.

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Adam Jacobson

A Magnum Expansion In the Conch Republic

Radio+Television Business Report
3 years 4 months ago

In May 2020, Michael Stapleford was engaged in several transactions, each of which involved radio station sales.

Now, Stapleford-run Magnum Broadcasting has agreed to buy a low-power television station serving Key West, Fla. — a sign that he wishes to operate a multimedia business serving the Florida Keys.

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Adam Jacobson

Radio Mercury Awards Call for Entry is Now Open

Radio+Television Business Report
3 years 4 months ago

The 2022 Radio Mercury Awards nomination window is officially open.

Eighteen trophies will be awarded in 14 categories, and the final round judges have the option to award a Best of Show winner. All categories are eligible to compete for Best of Show. The Radio Mercury Awards will also bring back prize monies for all award winners.

In 2022, a classic Radio Mercury Awards category, “Creative Use of Sound Design,” is back on the slate and will recognize radio/audio work that utilizes sound design to creatively communicate its message. The Radio Mercury Awards is also expanding the campaign category with “Creative Radio Campaign by a Radio Station or Group,” which will award two winners to radio station-produced campaigns.

In addition, the Student-Produced Radio Commercial category has been brought back this year. Entries into this category are free for students.

The Call for Entry deadline is Wednesday, April 6. Finalists for the show will be announced in mid-May, and winners will be announced at the live Radio Mercury Awards, June 9 at Sony Hall in New York.

For more information regarding entry categories, guidelines, entry fees and deadlines, click here.

RBR-TVBR

NAB Honors One of its Own

Radio+Television Business Report
3 years 4 months ago

The NAB’s Distinguished Service Award is presented annually to “a broadcaster who has made a significant and lasting contribution to the American broadcasting industry.”

The 2022 recipient of the DSA: the man who led the NAB until his retirement at the end of 2021.

Former President/CEO and retired Senator Gordon Smith (R-Ore.) will join the ranks of Jim Henson, Alan Alda, Robin Roberts, Bob Schieffer, Michael J. Fox, Mary Tyler Moore, Ronald Reagan, Edward R. Murrow, Bob Hope, Walter Cronkite and Oprah Winfrey by receiving the honor from the organization he successfully ran for 12 years.

It is the NAB’s highest honor, and he’ll receive it during the 2022 NAB Show welcome session scheduled for April 25, in Las Vegas.

During his tenure, NAB played a pivotal role on a number of significant issues affecting broadcasters. This explains the decision to award Smith with the DSA. Under his tenure, the FCC’s broadcast television spectrum incentive auction transpired, along with the preservation and modernization of the music licensing and copyright system, the ongoing transition to the NEXTGEN TV transmission standard, reviews of media ownership rules and the increased dominance of tech platforms in the advertising marketplace.

“As the head of NAB for more than a decade, Gordon was instrumental in advancing our agenda to help radio and television stations thrive,” NAB President/CEO Curtis LeGeyt said. “Gordon’s leadership, dedication and political acumen have enabled broadcasters to continue serving their local communities in ways no other medium can. It is an honor to present him with the Distinguished Service Award in recognition of the immense impact he has left on broadcasting in our country and around the world.”

RBR-TVBR

Automotive Improvements Already Seen At Beasley

Radio+Television Business Report
3 years 4 months ago

With the release of its fourth-quarter 2021 financial results, Beasley Media Group is on a strong path toward returning to its 2019 growth initiatives. Growth across its Top Four advertising categories was strong, with significant year-over-year growth.

But, how was Automotive? Despite car and truck supply chain concerns, the dollars are up — with trends pointing to a robust third quarter.

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Adam Jacobson

Net Revenue Gain Clouds Beasley ‘Slump’ In Q4

Radio+Television Business Report
3 years 4 months ago

The first of the broadcast media industry quarterly earnings reports has arrived. And, for those in the radio business, C-Suite leaders may not be so pleased to see the Q4 2021 fiscal health report for Beasley Media Group.

While net revenue increased by 3.2%, a 66.8% decline in operating income was registered by the owner of radio stations and an Overwatch League eSports franchise. As such, Beasley’s net income declined by two cents per share from Q4 2020.

Why? Unfair comps that require a look to two years ago are in order.

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Adam Jacobson

Remembering A Pioneer in Stereo Headphones

Radio+Television Business Report
3 years 4 months ago

He’s the creator of the world’s first stereophone. Now, audiophiles and broadcasting industry professionals are paying tribute to the musician, inventor and entrepreneur who in 1953 launched an electronics company originally designed as a TV rental business for hospitals.

John C. Koss, the founder and Chairman of Koss Corporation, died on December 21, 2021. He was 91 years old. News of death first became widely known last week.

Five years after launching his business, Koss, at the age of 28, teamed with business partner Martin Lange Jr., by introducing personal listening to the world.

How so? They developed the world’s first high fidelity “Stereophone.” This product, the SP/3 Stereophone, sparked the creation of the global stereo headphone industry. 

Today, Koss remains a family-run operation, with Michael J. Koss serving as Chairman/CEO. “Dad loved music and the experience of a live performance,” he said. “Like many legendary entrepreneurs, our founder channeled his passion to create a revolutionary product. Today, it’s clear that his innovation changed the way the world listens to music.” 

After introducing the SP/3 Stereophone, Koss developed the Pro/4 Series, which became a recording industry standard — and the official headphones of Air Force One. He went on to help standardize the plug and headphone jack we take for granted today.

By the 1980s, an era when the SONY Walkman dominated personal listening, John Koss pushed his company to develop “portable” headphones for on-the-go listening. The result was the Koss Porta Pro, a collapsible headphone that remains available today.

Outside of Koss Corporation, John Koss was important to Radio. In the 1970s, he purchased the original Classical WFMR-FM 96.5 in Milwaukee, saving the format in the market.  He owned the facility until 1983; today it is WKLH. The sale prompted WFMR’s call sign and format relocation to 98.3 MHz.

RBR-TVBR

VIZIO Adds Staff As Direct-to-Device Ad Business Grows

Radio+Television Business Report
3 years 4 months ago

Citing increased advertiser demand and its desire to achieve more growth as “a streaming-first, data-driven media company,” VIZIO has added two individuals charged with key roles tied to the expansion of its direct-to-device advertising business.

Now serving as VP of Product Management is Oscar “Oz” Lang. He formerly served as the head of product for Adobe’s Advertising Cloud TV business.

Also new to VIZIO is VP of Product Engineering Ben Sullins, most recently SVP of Engineering with SpotX.

Concurrent with their arrival, VIZIO has opened a “Tech Innovation center” in Denver. It is home to 140 of VIZIO’s engineering and tech specialists focused on the innovation of VIZIO’s software, ad products, and entertainment ecosystem.

“Since our IPO last year, we have been heavily investing in engineering and software to scale our Platform+ operations and build out our in-house ad tech team,” said David Rudnick, Senior Vice President of Product Engineering at VIZIO. “This investment will not only provide unique opportunities and measurable outcomes for advertisers, but it also helps us drive better consumer experiences.”

He continued, “Consumers are rapidly shifting to the Smart TV experience, and because we own the hardware, software, and data, we are able to innovate in ways that others can’t. With continued momentum on the Platform+ side of our business, which is a function of better personalization and engagement on SmartCast, we are driving interest with brands, advertisers and content partners to work with VIZIO.”

VIZIO Ads’ direct-to-device offering has doubled the number of participating unique brands and tripled its average revenue per advertiser in the last year. Additionally, VIZIO Ads’ 2022 upfront commitments exceeded $100 million, a fourfold increase over 2021, including enterprise-level buys from six major agency holding companies and encompassing a number of top advertising categories in traditional TV such as automotive, insurance and retail.

RBR-TVBR

Brompton Goes Beta with Tessera v3.3

Radio+Television Business Report
3 years 4 months ago

LED video processing products manufacturer Brompton Technology has moved forward with the beta release of its Tessera v3.3 software features, a move designed to optimize the performance of LED panels to further streamline professional workflows.

New features include Operating Modes, and Per-Batch PureTone.

Additionally, the Tessera SX40 and S8 now have a preset to support the ACES AP1 color space, as used by ACEScg.

Lastly, in collaboration with Mo-Sys, Brompton has added support for the company’s StarTracker camera tracking system when using panels fitted with the Tessera R2 or Brompton’s new Tessera R2+ and an SX40 or S8 processor with Frame Remapping.

The new Tessera R2+ receiver card has the same SO-DIMM form-factor as the R2. R2+ is backwards-compatible with all existing R2-based panel designs, but brings additional data pins and capability to support new LED drivers.

Operating Modes enables a single panel type to have multiple Operating Modes, each with a slightly different configuration for the panel. Different Operating Modes can therefore prioritize different aspects of visual performance, such as maximum frame rate, low brightness performance, bit depth or effective refresh rate, among others.

Additional Operating Modes can be created by Brompton engineers working closely with the panel manufacturers. Once activated, users can switch panels between Operating Modes via the processor, depending on the requirement of each event or project.

In the new Tessera v3.3 software PureTone has been extended to allow each individual batch of panels to be measured separately to generate a PureTone profile specific to that batch. To create a profile, a PureTone profiling kit is required, which incorporates a sensitive colorimeter. A single LED panel is measured within a dark room to generate the profile, which can then be used with all the panels in that particular batch.

Meanwhile, the Tessera SX40 and S8 now have a preset to support the ACES AP1 primaries, used by the ACEScg color space that is increasingly the choice of CG artists. This avoids the need for a color space conversion in the source device.

ACES AP1 will be automatically recognized by the processor when received over HDMI 2.0, or alternatively, may be manually selected on the processor. The user can also reference the ACES AP1 color gamut within Brompton’s dynamic calibration tools.

 

RBR-TVBR

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