FM translators

The FCC has announced that over a dozen different types of filings that were done previously in CDBS and temporarily on "paper" (email notification), as well as some new filing types will be able to be done electronically through LMS starting on May 17, 2022. 

These application types include:

This is a response to a letter to Radio World by Daniel Brown, Zebra Radio who was responding to Michelle Bradley of REC's previous letter to Radio World.

REC Networks has filed Comments with the Federal Communications Commission in MD Docket 20-270.  This FCC proceeding implements a portion of the 2018 RAY BAUM’S Act as it relates to the change in the structure of FCC application fees from a codified schedule to a cost-based method, similar to how regulatory fees are charged.

REC Networks has filed comments opposing RM-11858, the Petition for Rulemaking originated by “Broadcasters for Local Program Origination” (BLPO).  The BLPO petition called for FM translators to be able to reak off of their primary stations to provide separate programming for up to 128 hours per week, use special call signs with an “-FX” suffix, only be required to broadcast 40 hours of “translated” programming per week from the primary station and to allow commercial FM broadcast stations be permitted to extend commonly owned or financed translators outside of the primary station’s service contour (60/57/54 dBu) to 45 dBu.

The FCC recently adopted the Second Report and Order in MB Docket 17-264 which makes substantial changes to the rules related to public notices that broadcast applicants must make in accordance with Section 311(a) of the Communications Act.   For FM translator and FM booster licenses, this normally involved taking out advertising in the newspaper.  The FCC has now realized that in this modern era

REC Networks has had a chance to review the language of the Ask Musicians For Music Act of 2019 or AM-FM Act as submitted by Rep. Jerrold Nadler (D-NY-10).  

The intention of the bill is to put into place a method where the recording industry would obtain payment in connection with music played on terrestrial radio.  Historically, radio has been on a statutory exemption as it was perceived that radio acutally promotes music.  When you look at today's post 80-90 environment with stations so heavily narrowcasted and the lack of local talent (i.e. DJs) and more of a public expectation of "more music and less talk", especially when faced with competition by "non-radio" (streaming) services, with the exception of a small number of noncommercial and commercial stations that still care about the music, radio is not promoting music. When was the last time you heard a DJ say what label a certain song is on?  For many years now, the recording industry had relegated that task to Walmart.  

"Growing pains" associated with the Federal Communications Commission recent conversion of FM engineering applications such as modifications and licenses is causing substantial delays in the processing of broadcast applications.  

In the Petition for Reconsideration filed by The LPFM Coalition (LPFM/C) in MB Docket 18-119, the translator interference proceeding, LPFM/C raises some very excellent points in respect to the decisions made by the Commission in the proceeding. 

While FM translators must protect existing LPFM stations using prohibited overlap, it is REC's position that the disparity between LPFM's use of distance separation and FM translator use of the contour model does raise an LCRA Section 5 issue where translators are overprotected by LPFM stations by as much as 10 times the area that they are entitled to in cases where a translator's directional pattern can be used to protect an LPFM but LPFM stations must protect a translator as they are a non-directional facility.  

REC has filed comments in response to Bryan Broadcasting Corporation's Petition for Rulemaking to allow AM broadcast stations to voluntarily discontinue all AM analog broadcasting and convert to the HD Radio MA3 mode.  MA3 is an all-digital operation.  Two variants of MA3 will allow AM stations to operate in a 20 kHz wide channel where secondary and teritary sidebands more than 5 kHz from the center frequency are either reduced by 15 kHz or they are completely suppressed.  The MA3 mode is a far departure from the "hybrid" MA1 mode which involves the use of a 30 kHz wide channel.  In the past, the MA1 hybrid digital mode on AM, especially at night, has resulted in substantial first and second adjacent interference to analog AM stations forcing many stations to turn off the digital mode and leaving a bad taste in the mouths of AM listeners and radio enthusiasts across the nation.  MA3 mode uses a narrower channel and therefore reduces the chances of digital to analog interference.