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Radio World

Hot Docs Podcast Festival Features Nonfiction Storytellers

Radio World
5 years 8 months ago

TORONTO, Ontario — Some of the world’s best podcast creators and thousands of their avid fans will be in Toronto Nov. 6–11 for the 4th annual Hot Docs Podcast Festival.

The recurring event, which is being held at the Hot Docs Ted Rogers Cinema (named for the late Canadian media mogul Ted Rogers; son of Edward Rogers, who invented the “batteryless” AC-powered AM radio), demonstrates how popular the podcast has become in its short lifetime.

“This year’s festival features live events in which the world’s best podcasts perform live episodes for Toronto’s passionate community of podcast-lovers and a three-day industry conference (the Creators Forum) in which accomplished podcast professionals from across Canada and around the world come together for industry panels and networking events,” said Will Di Novi, the Hot Docs Podcast Festival’s lead programmer.

“Podcasting is, simply put, the hottest medium in nonfiction storytelling right now, with rapidly growing audiences, thrilling new creative developments under way, and huge potential from a business development standpoint.”

The Hot Docs Podcast Festival is structured to meet the needs of podcast creators (“the industry”) and the fans who adore this new medium (“the public”).

“On the industry side, we are offering exciting opportunities to hear the insights of some of the most important experts and decision makers in the international podcast industry — and to do so in an intimate setting where there are real opportunities to meaningfully engage with them and their expertise,” said Di Novi.

“At this year’s Creators Forum, we’re thrilled to be featuring panels, fireside chats and interactive workshops with brilliant folks like Mia Lobel, executive producer at Pushkin Industries (Malcolm Gladwell’s podcast studio); Sarah van Mosel, chief revenue officer at Stitcher; Leslie Merklinger, senior director of audio innovation at CBC; Mimi O’Donnell, executive producer of scripted content at Gimlet Media; David Stern, director of product development at Slate; Kenzi Wilbur, head of original programming at Luminary; and Steve Pratt, co-founder of Pacific Content.”

The public will participate in the Hot Docs Podcast festival by sitting in on a range of live podcast productions.

“We are offering the opportunity to see and hear some of the world’s most exciting audio storytellers live and in the flesh, such as Jon Ronson, Wesley Morris and Jenna Wortham (from the New York Times’ Still Processing), former Daily Show correspondent Mo Rocca (presenting his Mobituaries podcast) and Canadian broadcasting legends like Ian Hanomansingh (Uncover), Jesse Brown (Canadaland) and Anna Maria Tremonti (presenting the exclusive world premiere of her new podcast More with Anna Maria Tremonti),” Di Novi told RWI.

The festival expects about 7,000 members of the public to attend this year’s event, plus hundreds of podcast creators and related personnel from around the world. It occurs at a time when podcasting has come into its own; fed by the public’s appetite for long-form nonfiction audio programs such as “Serial,” The New York Times’ “Caliphate” and Canada’s “Missing and Murdered.”

[Read: MXL Releases Podcasting Bundle]

Such podcasts “do for the audio space what the bingeable masterpieces at studios like HBO, Netflix and Showtime have been doing for prestige television,” said Di Novi.

The paradox is while “we’re seeing all this huge growth at the high-end, macro-level, emerging and mid-career podcasters — especially those who work as freelancers or for independent outfits — are still struggling to make a living in the industry and struggling to monetize their independently produced passion projects.”

 

The post Hot Docs Podcast Festival Features Nonfiction Storytellers appeared first on Radio World.

James Careless

Updated IPAWS Certificate Released For DASDEC, OneNet

Radio World
5 years 8 months ago

FEMA has approved the release of the new Federal Bridge certificate bundle designed for Digital Alert Systems DASDEC and OneNet CAP EAS devices to receive IPAWS messages. A deadline of Nov. 8 to install the certificate has also been announced.

[Read: Broadcasters Need to Keep Eye on Latest EAS Updates]

This was revealed through an email from Digital Alert Systems’ Edward Czarnecki, the company’s senior director of strategy & government affairs, to Society of Broadcast Engineers members.

The certificate is needed to ensure proper validation of CAP alert message from IPAWS. It is a free update and it works with software versions 2.6, 3.x and 4.x.

“We are aware that Nov. 8 leaves very little time — however, the final confirmation from FEMA to release the certs to EAS users was given a few hours ago,” said Czarnecki.

DAS has posted the certificate on its website, included with instructions and download links.

 

The post Updated IPAWS Certificate Released For DASDEC, OneNet appeared first on Radio World.

Michael Balderston

NAB Accepting Nominations for 2020 Technology Awards

Radio World
5 years 8 months ago

Now is the chance to recognize individuals and organizations that have significantly contributed to the television and radio industries by nominating them for the 2020 NAB Technology Awards. The nomination window is open between now and Jan. 13, 2020.

These four annual awards consist of the Radio and Television Engineering Achievement Awards, recognizing individuals for their outstanding accomplishments in each industry; the Technology Innovation Award, which acknowledges an organization showing an advanced technology or exhibit at the 2020 NAB Show that has not yet been commercialized; and the Best Paper Award, honoring the author(s) of a paper published in the Proceedings of the 2020 Broadcasting Engineering and Information Technology Conference.

The awards are presented each year as part of the NAB Show in Las Vegas.

“It is an annual highlight to present these awards to deserving individuals and organizations in celebration of our industry’s technical and engineering achievements,” said Sam Matheny, NAB’s executive vice president and chief technology officer. “I look forward to again recognizing the success that foster progress in broadcast technology and broadcaster innovation at the 2020 NAB Show.”

Nominations are due by Jan. 13, 2020. Nomination forms and award rules are available at www.nab.org/events/awards.asp.

The 2020 NAB Show will take place from April 18–22, 2020, in, as always, Las Vegas.

 

The post NAB Accepting Nominations for 2020 Technology Awards appeared first on Radio World.

Michael Balderston

FCC to Two AM Licensees: Pay Fees or Nixed Licenses Could be Next

Radio World
5 years 8 months ago

The Media Bureau at the Federal Communications Commission is asking two licensees to clarify why they haven’t paid years’ worth of regulatory fees — in one case, for more than a decade — and warned the owners that the next possible step could be loss of the stations’ licenses.

In both situations, the backgrounds are similar. Cox Broadcast Group and La Favorita Inc. are being questioned by the FCC over allegedly unpaid regulatory fees. For Cox station WCGA(AM) in Woodbine, Ga., the FCC said that the licensee allegedly failed to pay regulatory fees for fiscal year 2010, 2103, 2016, 2017 and 2018 resulting in unpaid regulatory fees totaling $11,531.21. Despite the fact that demand letters have been sent to Cox, no payments have yet been made, the Media Bureau said.

[Read: Virginia FM Handed $15,000 Forfeiture for Alleged Filing Violations]

A similar situation has occurred with three AM stations in Georgia licensed by La Favorita Inc. The Media Bureau said the licensee has unpaid regulatory fees stretching back more than a decade — from 2007 through 2018 — for stations WAOS(AM) in Austell, WLBA(AM) in Gainesville and WXEM(AM) in Buford. The amount of unpaid fees totals $79,457.69 for those years. The bureau said that demand letters have been sent to La Favorita but to date have not been paid.

In both cases, additional charges will continue to accrue on these debts until they are paid in full, the bureau said, which includes a penalty equal to 25% of the amount of the original fee.

The commission also has the authority to revoke a station’s license for failing to pay regulatory fees and penalties. As a result, the commission has asked Cox and La Favorita to file documented evidence within 60 days to show that that it has paid or to show cause why payment should be waived. The FCC warned that failing to provide such evidence within the next two months may result in revocation of the stations’ licenses.

 

The post FCC to Two AM Licensees: Pay Fees or Nixed Licenses Could be Next appeared first on Radio World.

Susan Ashworth

FCC to Tackle Duplicative Programming Rule

Radio World
5 years 8 months ago

The Federal Communications Commission said it may be time to tackle the issue of duplicative programming in commonly owned radio stations.

FCC Chairman Ajit Pai said in a blog post this week that the commission will seek comment on modifying or eliminating a rule that limits the amount of duplicative programming that can be aired by commonly owned radio stations in a market.

This rule was originally adopted in 1992; since then the number of radio stations has continued to grow. In his blog post recapping the issues set for the November FCC meeting, Pai said that number of AM and commercial FM stations has increased to 19,500 (up from 11,600 in the 1990s) while the number of noncommercial FM stations has more than doubled and more than 2,000 low-power FM stations have been launched.

[Read: Groups Call on FCC to Waive First-Term Fees for Incubating AM/FM Stations]

And as the number of stations proliferate — and those stations continue to offer content over the air, on websites and through mobile apps — the commission is seeking comment on how to ensure competition and program diversity, which were the objectives of the radio duplication rule when it was set. As a result, the commission will seek formal comment on whether the rule is still necessary and whether it should be modified or eliminated.

Comments on that notice, known as Media Bureau Docket Number 19-310, can be found in the FCC’s ECFS database under the formal title of “Amendment of Section 73.3556 of the Commission’s Rules Regarding Duplication of Programming on Commonly Owned Radio Stations.”

The November commission meeting is set for 10:30 a.m. Eastern on Nov. 19.

 

The post FCC to Tackle Duplicative Programming Rule appeared first on Radio World.

Susan Ashworth

GatesAir Taps Graham Lay for MEA Region

Radio World
5 years 8 months ago

Graham Lay has joined the GatesAir team as its new regional sales manager representing the Middle East and Africa. One of his key responsibilities is to build GatesAir’s market share and brand visibility in those regions.

Graham Lay

Lay has more than a decades’ worth of experience in sales and account management for broadcast and communications. He previously worked for electrical cable distribution company IEWC, moving to Dubai in 2015 to serve as the business unit leader, MEA for Argosy Cable, an IEWC company.

“I look forward to working with the greater EMEA team to strengthen our brand in the Middle East and eastern Africa,” Lay said. “We see enormous opportunity to help broadcasters refresh FM radio infrastructure, and drive large, national digital TV and DAB radio transitions that generate new revenue and service opportunities for customers.”

Lay is based in Dubai and reports to Andy McClelland, managing director, EMEA.

 

The post GatesAir Taps Graham Lay for MEA Region appeared first on Radio World.

Michael Balderston

Progressive Concepts Takes on RVR

Radio World
5 years 8 months ago

Equipment dealer Progressive Concepts has announced an agreement with RVR Electronica of Italy to become an authorized dealer and service center.

Progressive will be handling RVR’s current stereo FM transmitter line: TEX30, TEX100, TEX150, TEX300, TEX502, TEX702 and TEX1002. These range from 30 W to 1 kW in power and can be controlled remotely via the web.

All of the TEX models feature a stereo encoder with left and right analog audio inputs, mono inputs, and MPX composite signal and auxiliary inputs for SCA/RDS signals. They utilize a Power Factor Correction power supply.

They are also FCC- and Industry Canada-approved.

 

The post Progressive Concepts Takes on RVR appeared first on Radio World.

RW Staff

Readers Comment on Engineering Extinction

Radio World
5 years 8 months ago

The following comments were about the column “Are You Doing Your Part” in the June 12 issue of RW Engineering Extra.

TALKING TO THE WRONG PEOPLE?

Hi Cris, I was fortunate enough to have worked with the late Tom Osenkowsky in the early 1990s. While I was holding down afternoon drive, he appointed me “assistant chief operator” of WLAD Danbury, Conn. — more an honorary position than a functional one, but it meant I could field tech issues and check logs when he wasn’t around.

My deeper interest in engineering didn’t happen until a couple of years later — 1994 — when Tom Walker (WNNK-FM Harrisburg) suggested I join the SBE. Along the way, I got my CBT and CEA certifications and I did my best to wrangle my way into working with any engineer I could who was in charge of an AM directional system. I wanted very much to learn how those things worked.

Well, I must have been speaking to all the wrong people. Nobody anywhere wanted to share their secret knowledge with me. Between stations along the southern tier of Maryland and much of Northern Virginia, I couldn’t get my nose into the tent. One told me his skill was all that was keeping him employed and didn’t want to risk losing out to someone (slightly) younger and no doubt less expensive to hire. Another told me I was just a dumb disc jockey who had no business getting into engineering. Whatever I learned about directional RF came on my own from being a ham, and even then that’s limited to two sticks and a little algebra at best.

I sympathize with the industry and the shortage of qualified folks. I also sympathize with those before me who needed to make it to retirement with a paycheck. I’m now a few years out from hanging up the headphones myself, so a mentoring program would be wasted on me. I’ll eventually walk away from the biz pleased with other things I accomplished, but always a little unhappy about the selfishness I experienced, and flummoxed by the lack of foresight that caused AM to shoot itself in the foot in slow motion.

Alan Peterson, KJ4IVD
Arlington, Va.

 

NICELY PUT

Just read your “Radio World” article. “A few funerals away.” What a capsualization! What a brisk way to report the apparent future of broadcast engineering.

I hold SBE certification, but broadcast engineering is at arms’ length.

Thanks for that crisp designation.

Ludwell Sibley
Medford, Ore.

 

PASS IT ON

Excellent commentary, Cris! Much like my advice at the NAB Engineering Achievement Award event two years ago, and Gary Cavell’s this year — to pass knowledge on to younger generations. Unfortunately, it’s easy for us to forget the need as we get involved in our day-to-day work.

In my career, there were a few “senior” engineers (a generation older than me, at the time!) who gave me some lifelong lessons in technology and engineering philosophy. Their contribution to me and others were extraordinary. However, I wish their experience could have extended to many others. I believe we should develop more opportunities to teach and discuss in sessions with others, so that the knowledge is passed on.

It is difficult for national conferences to be a venue for education — sessions seem to be increasingly shorter and lighter in detail. But educational venues could be developed elsewhere. Maybe at SBE meetings and conferences? Personally, I’d welcome the chance to teach, and I wonder how others feel about this.

Thanks for bringing up the transfer of knowledge and wisdom. It is indeed an important issue for our industry!

John Kean
Falls Church, Va.

 

ROCKY MOUNTAIN TRAINING

Great article, Cris. The Colorado Broadcasters Association has hosted three “Introduction to Broadcast Engineering” classes in the last two years. These are modeled after Alabama’s program and taught by their staff engineer, Larry Wilkins. The courses are free to everyone, not just members, and we invite anyone with an interest in broadcast to attend. On average, the course has attracted as many as 22 individuals who attend all three days of the course.

I hope you’ll send some “potentials” our way the next time we host this (currently looking at October 2019) and I would really appreciate any outreach you could provide to get more people to attend the classes.

Thanks again for this article. The call to action is desperately needed!

Justin Sasso
President & CEO
Colorado Broadcasters Association
Englewood, Colo.

 

Do you have a story to share? Write to radioworld@futurenet.com. Please reference “Are You Doing Your Part” in the subject line.

The post Readers Comment on Engineering Extinction appeared first on Radio World.

RW Staff

Is There an Afterlife for “Franken FMs?”

Radio World
5 years 8 months ago

Is there an afterlife for “Franken FMs?”

WRME(LP) in Chicago broadcasts the MeTVFM format as a music companion to the MeTV network, which airs classic television programming. The LPTV station is owned by Venture Technologies Group and operated via an LMA with Weigel Broadcasting. It has received press attention for its success in attracting listeners.

VHF low-power analog television stations that present themselves as radio stations — airing audio on TV Channel 6 spectrum just below the U.S. FM band — face an approaching sunset date for LPTV analog service that could spell their doom.

Advocates argue that many FM6 stations provide important audio services to supplement their video signals and that “millions” of Americans tune to 87.7 FM to listen to programming not available anywhere else, particularly in ethnic and minority communities that are underserved. The very term Franken FM, they add, is a pejorative one coined by radio stations that fear additional legitimate competition.

But once LPTVs transition to digital in 2021, listeners will no longer be able to receive audio from Channel 6 stations on 87.7 MHz.

Their advocates say the industry has developed a technical solution to protect these services but that the FCC has left their future in doubt.

OPPORTUNISTIC

The audio carrier for TV Channel 6 can be heard on many car and tabletop FM receivers. Opportunistic low-power licensees use their TV transmitters to air separate audio and video content, according to those familiar with the practice. FM6 stations are programmed as radio stations, though they are still required to transmit a TV signal, sometimes merely travelogues or nature scenes, in other cases more useful information like visual traffic and weather. The TV signal is analog, “so no one is watching them,” according to one observer.

The stations can operate this way thanks to a loophole opened when the FCC created the LPTV rules, as Radio World has reported. FM6 stations operate in a number of major cities; there are approximately 30 presenting themselves as FM stations in the United States. They were nicknamed Franken FMs by broadcast engineers who were aware of the practice early and considered the signals to be, like Frankenstein’s monster, an unnatural mashup.

As controversial as the practice might appear, legal analysts say the LPTV licensees are working within FCC regulations, though critics feel the practice was not what the FCC had planned when crafting LPTV rules.

Until the 2009 digital transition, full-power TV stations could be heard on that part of the dial; but most audio signals at 87.7 FM have since disappeared.

FM6 operators want to continue to provide analog carriers in order to reach FM radios after the LPTV analog sunset date. That sunset has been extended several times, giving FM6s a longer life than expected. However, the FCC is not believed to be considering another extension.

“NO TECHNICAL BARRIER”

According to the LPTV Spectrum Rights Coalition, operators are continuing to work on technical solutions to provide maximum performance without causing impermissible interference.

“There is no technical barrier to allowing TV Channel 6 FM operators to continue after the July 13, 2021, LPTV analog sunset date,” said Mike Gravino, director of the Washington-based group.

“Remember, it is all about highest and best use of spectrum; and 87.7 FM is available in all markets, can be heard by most car radios and should be used as much as possible.”

The Preserve Community Programming Coalition (PCPC), a group of FM6 broadcasters, has asked the FCC to permit LPTV and TV translator stations on analog Channel 6 to supplement their future digital LPTV operations with a small analog audio carrier.

“This will allow listeners to continue receiving analog audio programming on 87.7 FM without disrupting the ATSC-compatible digital transmission using the majority of the 6 MHz channel,” said Ari Meltzer, a communications attorney with Wiley Rein LLP, representing PCPC and spearheading talks with the FCC.

A slide from a presentation to FCC officials given by FM6 broadcasters. They urged the commission to preserve the capability of LPTV stations operating on Channel 6 to continue broadcasting an aural signal that can be received on 87.7 MHz following the LPTV digital transition.

The goal of the group is not to extend the analog deadline, Meltzer said, but to allow existing Channel 6 FM broadcasters to continue delivering valuable and diverse audio programming that can be received on 87.7 FM following the digital transition.

PCPC estimates that approximately 50 LPTV and TV translator stations are authorized to broadcast an analog signal on Channel 6, more than half of which provide a separate audio stream for reception on 87.7 FM.

The group says analog Channel 6 LPTV radio stations on the air include KRPE(LP) in San Diego, WNYZ(LP) in New York City, WRME(LP) in Chicago and KZFW(LP) in Dallas.

It says that WRME in Chicago has outperformed several traditional AM and FM stations in several ratings categories; that Guadalupe Radio in southern California is an important Christian voice; that WDCN is the second largest Hispanic radio station in the D.C./Maryland/Virginia area; and that KXDP is the only station in Denver that broadcasts live news, traffic and weather reports in Spanish.

Audio from an analog carrier on 87.7 FM and Channel 6 DTV can coexist on the same channel, according to the PCPC presentation to the commission. “An 87.7 MHz audio signal can coexist on the same 6 MHz channel as a digital Channel 6 LPTV station without harming TV or FM reception.”

The group’s ex parte filing stated that “a television station typically utilizes 5.38 MHz of its 6 MHz channel to broadcast a digital signal. The unused 0.62 MHz can be used to transmit a supplementary audio signal.”

 

A chart from the group indicates that by “slightly narrowing the bandwidth used for the DTV broadcast on Channel 6, it is possible to insert an FM audio carrier at 87.76 MHz without degrading the DTV signal or derogating the ability of ATSC tuners to receive it.”

Meltzer said the PCPC is not proposing a shift in analog audio from 87.75 to 87.76 MHz. The exact placement of the audio carrier is less important than the fact that this is a proven concept consistent with the FCC’s rules, which do not require full compliance with the ATSC standard for digital LPTV stations, Meltzer said.

Advocates believe that by narrowing the bandwidth used for the DTV broadcast on Channel 6, it is possible to insert an FM audio carrier at 87.76 MHz without degrading the DTV signal.

“Procedurally, the FCC already has a full record on allowing digital LPTV stations operating on Channel 6 to add an analog audio carrier. The PCPC is merely asking the commission to clarify that the analog sunset rules do not prohibit the broadcast of a supplemental analog audio carrier when existing Channel 6 FM stations transition to digital,” Meltzer said.

According to the FCC, its records indicate there are no digital LPTV Channel 6 stations operating with an analog audio carrier at 87.75 MHz.

UNCERTAINTY

 

LPTV Channel 6 advocates say the commission’s “failure to address questions raised by its 2014 NPRM raises uncertainty about the future of these stations.”

In 2014, the Media Bureau released an NPRM seeking comment on whether digital LPTV stations should be allowed to operate analog FM radio type services on an ancillary or supplementary basis. At the time National Public Radio voiced opposition to the changes.

The FM6 advocates say there is no evidence that a Channel 6 TV station, operating within lawful parameters of its license, causes harmful interference to an FM radio station.

LPTV stations do not have codified rules to protect FM facilities in the reserved band (87.9-91.9 MHz), according to legal observers. And LPFMs are required to protect LPTV (and thus FM6) stations. In addition, FM translators must protect Channel 6 stations.

Since TV Channel 6 is adjacent to the noncommercial portion of the FM band, which runs from 88.1 to 91.9 MHz, there are interference concerns for some observers.

“If the FCC legitimizes Franken FMs, the TV6 radio operators need to follow the same rules applicable to radio, and protect adjacent NCE stations from incoming interference,” said Melodie Virtue, a communications attorney with Foster Garvey.

There currently are no interservice (TV-FM) protection requirements, Virtue said.

“LPTV, as secondary, needs to protect full-power NCEs. There should be protection in favor of the NCE full-power radio stations from FM6 audio stations if those are allowed to continue to exist after the LPTV digital transition deadline.”

PROTECTED CONTOURS

Data collected by REC Networks, an LPFM advocate, appears to support FM6 broadcasters’ argument that interference between FM6s and noncommercial broadcasters is not a concern.

REC told Radio World it has evaluated the service contours of all of the FM6 stations mentioned in PCPC’s ex parte comments. “We found that most of the service contours where those FM6 stations are, there is already a protected contour of a NCE FM station on 88.1 or 88.3 MHz,” said Michi Bradley, founder of REC Networks. “If there is any actual interference from a FM6 station to full-service broadcasters, existing NCE FM stations would already know about it.”

In a related matter, the FCC this year released a Notice of Proposed Rulemaking (MB docket 19-193) that could affect the LPTV FM6 stations. The NPRM, based on a petition from REC Networks, proposes to improve technical rules that primarily affect LPFM stations.

In it the FCC reaffirms the sunset date for LPTV analog transmissions. But the NPRM also states: “REC concludes (in its petition) that the LPFM rules significantly over-protect TV6 stations and could be reduced with little impact … REC supports but is not proposing a complete repeal of TV protection requirements.”

The FCC further proposes “to provide LPFM stations relief from television 6 protection rules and to eliminate TV6 protections entirely on July 13, 2021, and propose to institute a waiver process in the interim, i.e., as of the effective date of any new rule adopted in this proceeding and before July 13, 2021.”

Industry voices, like NAB, have long been guarded in comments about FM6 stations. NAB declined comment for this story.

Comment on this or any story. Email radioworld@futurenet.com with “Letter to the Editor” in the subject field.

The post Is There an Afterlife for “Franken FMs?” appeared first on Radio World.

Randy J. Stine

VuHaus Migrates to NPR Music Platform

Radio World
5 years 8 months ago

The music platform VuHaus has migrated to NPR Music to give its station clients and the artists it supports a much bigger distribution point.

The nonprofit platform was officially launched in 2015 by Public Media Co. (with a grant from the Corporation for Public Broadcasting) to create a coalition of public radio member stations from across the country to showcase professionally shot in-studio live sessions that highlighted local artists, introduced new music, and promoted up and coming artists.

[Read: VuHaus: All About Music Discovery]

According to an announcement by Paragon Media Strategies, a consulting firm that continues to work with NPR News and others, the video performances, interviews and live streams from VuHaus stations will continue as Live Sessions at NPR Music.

The news comes at a time when both public radio and television revenue have grown in recent years, according to a report by market consultant Public Media Co. For the first time in 2018, the report said, radio’s higher growth rate has led to public radio revenue overtaking public TV’s revenue.

While the consumer-facing name of VuHaus will dissolve with the integration, the name will remain as part of the organization’s B2B station network and operating group. VuHaus will also continue to handle curation, manage station involvement and grow sponsorship revenue for its stations.

The move had been in the works for more than a year, according to Mike Henry, founder of Paragon, in a statement on its website.

According to a statement by Henry, when Paragon began conceiving the concept of a national video platform for public radio music stations, the goals were simple: For public radio stations to retain the expensive video production investments they had made over the years. “Their internal investments had created phenomenal original video content in support of emerging, national and local artists, but there were very few eyeballs and even fewer dollars to cover production expenses,” Henry said in a statement. “After hearing the same concerns from multiple stations, the idea was hatched to aggregate all their video content onto one consumer-facing platform.”

Three years ago when Houston Public Media became an affiliate for the music discovery video platform, the broadcaster’s comments were similar to the assessment of many — the new platform was a means of both supporting its local artists, giving them greater exposure and also introducing audiences to new emerging artists across the country. In the years since its founding, VuHaus has grown to 20 public radio and TV stations.

The VuHaus platform can be viewed at the NPR Music platform.

 

The post VuHaus Migrates to NPR Music Platform appeared first on Radio World.

Susan Ashworth

Downs Hails FCC Announcement on All-Digital AM

Radio World
5 years 8 months ago

The Texas broadcaster who pushed the FCC to allow voluntary all-digital transmission on the AM band in the United States is pleased that the commission plans to consider the idea.

“I think this is a uniquely positive step in AM revitalization,” said Ben Downs, reacting to news that the FCC will consider a proposal at its next meeting to take public comments and explore the implications. Downs is VP/GM of Bryan Broadcasting in Texas; he petitioned the FCC in March to initiate a proceeding to authorize the MA3 all-digital mode of HD Radio.

[Read: All-Digital on the AM Band? The FCC Might Allow It Soon]

“We’ve talked for years about the rise in the noise on the AM band and how the quality of receivers has declined. But this is the first time we’ve had a chance to directly resolve both of these issues,” Downs told Radio World in an email. “With the approval of AM all-digital, we have a technology that cleans up all the noise and hash we’ve been complaining about and sends an FM quality signal out of the speakers.”

Going all-digital would mean a station could not be heard on existing analog-only AM receivers. Downs said he recognizes that all-digital would not be the right choice for every station. “We asked for a voluntary standard because of that.”

But he said there are two circumstances where it makes a lot of sense.

One, he said, is an AM station competing with music that has an FM translator for “backup.”

“In that case, the station would be able to compete with high-quality audio while the translator covered listeners who only have analog radios.”

The other, he said, is a major-market station that wants to compete with music but hasn’t been able to break through the low-fidelity reality of AM radio receivers.

“Plus it would be nice to see title, artist and album on the AM dial just like our FM friends,” Downs said.

“There are enough HD Radios being driven around now that it makes sense for operators to think about this step. Every HD radio that’s been sold has the ability to receive AM all-digital. So do you take your chance with the 25% of cars with HD Radio or the shrinking percentage of people who listen to music on AM? It’s a market-based decision.”

Downs said he does not consider an all-digital option as the only answer to AM problems, but a piece of the solution. “And it directly impacts the problem we face on the AM band. I’m glad the FCC realized that AM radio just wants a level playing field. This coming vote allowing all-digital AM is a chance to give AM operators a tool to compete.”

Chairman Ajit Pai described the proposal in a blog post Monday: “Just as the FCC is trying to keep pace with changes in the market, so are AM radio operators, and the commission wants to give them as much flexibility as possible to compete in the digital age,” Pai wrote.

“AM radio stations are currently authorized to operate with either analog signals or hybrid signals, which combine analog and digital signals. In three weeks, we will consider a proposal to allow AM licensees to broadcast using an all-digital signal on a voluntary basis. It would seek comment on topics ranging from the predicted benefits of all-digital AM broadcasting to the interference potential of all-digital stations, as well as addressing the technical standards for all-digital AM stations. And because all-digital broadcasting would be on a voluntary basis, AM operators would be the ones deciding if transitioning is right for them.”

[Read Radio World’s recent ebook “What’s Ahead for All-Digital AM?”]

“I think this is a uniquely positive step in AM revitalization,” Downs told Radio World on Tuesday. “We’ve talked for years about the rise in the noise on the AM band and how the quality of receivers has declined. But this is the first time we’ve had a chance to directly resolve both of these issues. With the approval of AM all-digital we have a technology that cleans up all the noise and hash we’ve been complaining about and sends an FM quality signal out of the speakers.”

 

The post Downs Hails FCC Announcement on All-Digital AM appeared first on Radio World.

Paul McLane

All-Digital on the AM Band? The FCC Might Allow It Soon

Radio World
5 years 8 months ago

AM radio station operators in the United States may soon have the option of switching their transmissions to all-digital.

It’s not a done deal; but the concept is about to take a step closer to reality, because the Federal Communications Commission will consider a proposal at its next meeting that would start a process. It will take comments on whether to allow AM band licensees to make the switch if they want.

Ben Downs, VP/GM of Bryan Broadcasting in Texas, petitioned the FCC in March to initiate a proceeding to authorize the all-digital mode of HD Radio.

[Read a commentary from Ben Downs about why he asked the FCC to take this step.]

Allowing stations to use all-digital transmission is an idea that some broadcasters feel could give business-challenged AM stations in the United States new life or at least another option. Turning off their analog signals would mean that most existing receivers could no longer pick up that signal; but many AM broadcasters are currently heard on FM translator simulcasts now. And adding the all-digital AM option could open up new possibilities for them as the number of digital receivers in the marketplace continues to grow.

One station, WWFD in Frederick, Md., owned by Hubbard, is operating in all-digital AM under special temporary authority, as RW has reported.

Chairman Ajit Pai described the proposal in a blog post Monday: “Just as the FCC is trying to keep pace with changes in the market, so are AM radio operators, and the commission wants to give them as much flexibility as possible to compete in the digital age,” Pai wrote.

“AM radio stations are currently authorized to operate with either analog signals or hybrid signals, which combine analog and digital signals. In three weeks, we will consider a proposal to allow AM licensees to broadcast using an all-digital signal on a voluntary basis. It would seek comment on topics ranging from the predicted benefits of all-digital AM broadcasting to the interference potential of all-digital stations, as well as addressing the technical standards for all-digital AM stations. And because all-digital broadcasting would be on a voluntary basis, AM operators would be the ones deciding if transitioning is right for them.”

[Read Radio World’s recent ebook “What’s Ahead for All-Digital AM?”]

“I think this is a uniquely positive step in AM revitalization,” Downs told Radio World on Tuesday. “We’ve talked for years about the rise in the noise on the AM band and how the quality of receivers has declined. But this is the first time we’ve had a chance to directly resolve both of these issues. With the approval of AM all-digital we have a technology that cleans up all the noise and hash we’ve been complaining about and sends an FM quality signal out of the speakers.”

 

The post All-Digital on the AM Band? The FCC Might Allow It Soon appeared first on Radio World.

Paul McLane

IBC2019 Best Of Show Award Digital Edition Now Available

Radio World
5 years 8 months ago

If you weren’t able to attend September’s IBC Show in Amsterdam or you just weren’t able to catch up on everything that was on the show floor, you can now catch up with a detailed look at some of the best products via the IBC 2019 Best of Show Award Digital Edition.

This new digital edition offers all of the Best of Show award-winning and nominated products from TVBEurope, Radio World and ProSoundNews Europe. All of the products included were praised for their innovations and how they can help drive the industry forward.

To access the IBC 2019 Best of Show Award Digital Edition, click here.

 

The post IBC2019 Best Of Show Award Digital Edition Now Available appeared first on Radio World.

RW Staff

Italian Radio Industry Joins The Radioplayer Platform

Radio World
5 years 8 months ago

MILAN — The Radioplayer Italia app will be available in Italy in early 2020.

Last July, many Italian radio broadcasters teamed together to foster their digital presence through any available device. They launched Player Editori Radio (PER) with the goal of giving their listeners a direct, immediate access to partnering stations’ live streaming content, as well as to podcast, extra content and native videos through a single app.

On Oct. 21, PER signed an agreement with Radioplayer, the international industry-backed radio platform, to launch Radioplayer Italia for the benefit of 44 million Italian radio listeners.

HYBRID FOLLOWING

Present members of PER include Italian public service broadcaster Rai, Radio Mediaset, Gedi, Sole 24 Ore, RTL 102.5, RDS, Radio Italia, Radio Kiss Kiss, Radiofreccia, and organizations Aeranti-Corallo and Federazione Radio Televisioni, which include most local broadcasters.

Player Editori Radio comprises public, commercial and local broadcasters in Italy.

Radioplayer is a non-profit radio aggregation model. There are shared technical standards for the browser, the radio-discovery apps and the back-end systems that power them, but broadcasters retain full control over their own branding, streaming, and commercial deals. In addition, each system is specific to the country in which it is available.

The Italian stations will also join the international Radioplayer data feed that powers the hybrid radio interfaces in many Audi, VW and Porsche cars. These smart devices can switch automatically between DAB, FM, and streaming, to keep listeners locked into their favorite radio stations.

As well as enabling “hybrid” switching between broadcast and streaming as reception varies, the new data feed can power next generation features such as personalized radio recommendations, search results and catch-up content.

“We welcome this new partnership,” said Michael Hill, managing director at Radioplayer. “Italy is a major car manufacturing center, and one of the top automotive markets in Europe. We are determined to keep radio strong in the car, and we’ll do it by working closely with broadcasters and car companies.”

PER and Radioplayer representatives celebrate the launch of Radioplayer Italia. (L to R) Massimiliano Montefusco, RDS; Mario Volo, United Music; Michele Gulinucci, Rai; Lorenzo Suraci, RTL 102.5; Laurence Harrison and Lawrence Galkoff, Radioplayer Worldwide; Paolo Salvaderi, Mediaset Radio; and Eugenio Lateana, RTL 102.5.

With the Radioplayer Italia app “we target all digital platforms,” added Michele Gulinucci, PER director. “One key fact is that each content comes directly from the broadcaster, with no additional advertising. Radio evolves by being itself.”

RELATION ENABLER

According to Eugenio Lateana, PER board member and R&D director for RTL 102.5, broadcasters have typically approached Telco companies, web giants and the automotive industry as individual players. Those large-footprint companies are used to dealing with global representative bodies, while they are less used to working with a multitude of individual players.

“The Radioplayer platform has now reached the critical mass required to sit at the same table with those global-business entities,” said Lateana. “More than a mere aggregator, Radioplayer is a relation-enabler between radio broadcasters and the automotive industry, as well as smart speaker manufacturers and other global players.”

Given the availability of the Radioplayer app on a car multimedia system, all partner stations will immediately be available in the dash, as well as podcasts and time-shifts.

Radioplayer APIs will also upload the most recent version of station logos and brands to the radio receiver. Within this workflow, Radioplayer essentially acts as a database populated by radio stations themselves, with no third-party interference. It also provides metadata directly from each station to receivers.

“No single broadcaster nor any national radio industry could realistically achieve that,” Lateana concluded.

 

The post Italian Radio Industry Joins The Radioplayer Platform appeared first on Radio World.

Davide Moro

Errant Missile Alert Prevention Bill Reintroduced

Radio World
5 years 8 months ago

Sens. Brian Schatz (D-Hawaii) and John Thune (R-S.D.) have reintroduced the Reliable Emergency Alert Distribution Improvement (READI) Act, which is meant to improve the emergency alert system and prevent its accidental triggering.

Among other things, the bill would allow broadcasters to repeat presidential and FEMA alerts, something they can’t do now.

The bill was introduced last year — and passed the Senate — in the wake of an inadvertent missile alert triggered in Hawaii during which some people did not receive the alert. “Even though it was a false alarm, the missile alert exposed real flaws in the way people receive emergency alerts,” said Schatz, Oct. 24, ranking member of the Communications Subcommittee.

FCC Investigating Missile False Alarm

Local officials in Hawaii inadvertently issued an incoming nuclear missile alert, leading to some panic and an FCC investigation into the incident.

“South Dakotans understand how drastically the weather can change on a dime,” said Thune, chairman of the subcommittee. “For that reason, among many others, this legislation would make necessary improvements to help keep South Dakotans and communities around the country safe in times of emergency.”

The bill would:

  1. “Ensure more people receive emergency alerts by eliminating the option to opt out of receiving certain federal alerts, including missile alerts, on mobile phones;”
  2. “Require active alerts issued by the president or FEMA to be repeated. Currently, alerts on TV or radio may only be played once;”
  3. “Explore establishing a system to offer emergency alerts to audio and video online streaming services, such as Netflix and Spotify;”
  4. “Encourage State Emergency Communications Committees to periodically review and update their state Emergency Alert System plans, which are often out of date;”
  5. “Compel FEMA to create best practices for state, tribal and local governments to use for issuing alerts, avoiding false alerts, and retracting false alerts if they occur, as well as for alert origination training and plans for officials to contact each other and federal officials during emergencies;” and
  6. “Establish a reporting system for false alerts so the FCC can track when they occur and examine their causes.”

A House version has also been introduced by Reps. Jerry McNerney (D-Calif.), Tulsi Gabbard (D-Hawaii), Pete Olson (R-Texas) and Gus Bilirakis (R-Fla.).

“We applaud the leadership of Sens. Schatz and Thune and Reps. McNerney, Bilirakis, Gabbard and Olson for introduction of the READI Act of 2019 which develops guidance and best practices for how state and local governments can improve emergency alerts, particularly to address the issuance of false alerts,” said NCTA — The Internet & Television Association. “As participants in the nation’s emergency alert system, cable operators appreciate Congress’ efforts to improve coordination between federal and local authorities to ensure consumers receive accurate and relevant emergency and public safety information in their local communities.”

 

The post Errant Missile Alert Prevention Bill Reintroduced appeared first on Radio World.

John Eggerton

What Does “Value Engineering” Mean to You?

Radio World
5 years 8 months ago

Value engineering. What does that mean? As broadcast engineers, we typically don’t build devices, but we do build systems, often made up of equipment from multiple, disparate manufacturers. We start off by determining the goal of the project — just what is the system supposed to accomplish? We then begin drilling down to key elements of the system, their roles and how they interact with other parts of said system.

But always in the background, we’re forced to work within a framework of cost. It’s great to say, “If money were no object, this is what I would do …” but I have yet to work on a project for a radio station in which money was not an object. I’m quite sure the same goes for you. We all have budgets that need to be satisfied.

When we purchase a piece of gear, there are several aspects of it that we must consider:

• Role in the system
• Functionality
• How well it integrates with other parts of the system
• Upfront cost
• Operating cost

And let’s face it, a big part of the purchasing decision is whether we like a brand or not, and that comes mainly from prior experience. Trying a new brand, or a new technology, is often something people don’t want to do because they have no experience with it and can’t form any idea of how it will affect them negatively. “Tried and true” is something most of us want to stick with.

Value engineering comes into play when what you want to accomplish doesn’t fit within budgetary requirements. It’s as simple as that.

Say, for example, you’re moving an entire radio station cluster to a brand-new facility, and when you look at the overall cost for the entire project, you find that it’s short on budget by, say, 10%. (That’s also of concern because you’ve no contingency money at the end.)

Another cause for value engineering would be when you want to get a certain item, but it doesn’t fit within your budget parameters, so you are left figuring out what else can be removed, or otherwise made less expensive, so that your desired “thing” then does fit.

HOW TO FIND THAT 10 (OR MORE) PERCENT

It should be obvious that the easiest way to find savings is by studying the largest budget line items first, since they’ll have the most impact mathematically. In a studio move, for example, that will likely be consoles, followed by furniture. In a transmitter site build, that will likely be the transmitter itself.

If you’ve found out that you are over budget after completing your initial design, likely there will be some anger and frustration to get over. You could be saying to yourself, “We just can’t do it for that much!” and it’s probably true. (Although it’s putting the cart before the horse, many times budgets get set before the system design is complete. It happens that way all the time.)

The order in which I would look for savings, from the least worst to the worst, is this:

• Can I reduce some of the studios to a less complex (and less expensive) console model?
• Can I reduce the size of the routing system? Do I really need that many inputs and outputs?
• Can I defer the building of several of the studios until a different budget period comes along?
• Can I re-use one or more of the “old” studios at the new place until a different budget period comes along?

No one wants to take this approach, but it’s one of the many aspects of managing a large capital project that you must be able to do in order to succeed. Hopefully, you’ll have your project fully budgeted before the station owners say, “Just how much is this going to cost?” so that you don’t find yourself in this position. Be forewarned, though: Just because you have all the numbers added up doesn’t mean that the station owners will agree to that amount.

There’s much more on the topic of value engineering, which we’ll discuss in future editions of Best Practices. And as always, we welcome your contribution on the topic.

Doug Irwin, CPBE AMD DRB, is vice president of engineering at iHeartMedia in Los Angeles and a technical advisor to Radio World.

Comment on this or any story. Email rweetech@gmail.com with “Letter to the Editor” in the subject field.

The post What Does “Value Engineering” Mean to You? appeared first on Radio World.

Doug Irwin

NXP and DRM Hold First India Infotainment Forum

Radio World
5 years 8 months ago

NXP Semiconductors in collaboration with the Digital Radio Mondiale consortium hosted the first annual NXP Cockpit & Infotainment Forum in New Delhi on Oct. 22.

Pictured from left to right are Ron Schiffelers, NXP; Ashok Chandak, NXP; Ruxandra Obreja, DRM; Alexander Zink, Fraunhofer IIS; SK Singhal, advisor TRAI; and Yogendra Pal, DRM India Platform.

The newly created one-day event featured presentations and demonstrations of the latest trends and solutions surrounding infotainment — from radio and audio to processing and connectivity. It also provided attendees with insight into the development of DRM and the inclusion of DRM receivers in many of the new models on the roads in India.

[Read: Air Highlights DRM Ahead of Cricket Matches]

DRM says participants also received updates on the All India Radio rollout as well as information on how NXP’s latest generation of software defined radio can facilitate DRM digital radio for infotainment system architectures.

The broadcasting and manufacturing industry as well as representatives from government bodies like the Indian regulator TRAI participated in the forum, sharing their information and experience. They, in turn, received information on the latest developments in the infotainment sector.

“The NXP-DRM car event in New Delhi was a great moment where our message was that DRM, whether in AM or FM, is just one standard with the same features and benefits,” said DRM Chairman Ruxandra Obreja. The demonstrqtions of DRM for FM showed how DRM can also enhance the performance of the many cars that an increasing number of Indians will own.”

 

The post NXP and DRM Hold First India Infotainment Forum appeared first on Radio World.

Marguerite Clark

70-Year-Old Antenna Site Rules Up For Debate By FCC

Radio World
5 years 8 months ago

Times have changed since 1945, and the FCC wants to make sure that it is keeping up with those changes, seeking to update many of its media rules that may no longer be relevant. The latest such attempt comes with rules dealing with who has access to antenna sites.

The commission announced a Notice of Proposed Rulemaking on Oct. 25, seeking comment on whether current rules originally crafted in 1945 should be eliminated or revised. Specifically, the rules prohibit the grant, or renewal, of a license for a TV or FM station if the applicant or licensee controls an antenna site that is suitable for broadcasting in the area and does not make the site available for use by other similar licensees.

The FCC says that since the rules were introduced, there has been an increase in antenna sites suitable for broadcasting, a majority of which it says are owned by non-broadcast entities. Calling them “rarely invoked,” the FCC seeks comment on whether the rules are necessary in today’s environment to promote competition and a variety of broadcast sources.

All five commissioners approved of the NPRM.

“These rules date back to 1945,” said FCC Chairman Ajit Pai. “At the time, there was a freeze on broadcast station construction in order to conserve equipment and material needed for World War II. The commission was also concerned about developing the still-nascent FM radio and TV services at a time when broadcasters were still the predominant antenna site owners. But that was a long, long time ago; today there are abundant FM and TV stations, the tower site market is flourishing and commission staff has been unable to find a single instance where these rules were successfully invoked. What they have found are parties citing these rules without a factual basis for doing so, resulting in unnecessary delay of commission proceedings.”

“We must keep up the effort to free traditional, regulated industries from regulatory burdens where appropriate; otherwise, they will continue to fight with one, or both, of their proverbial hands tied behind their backs,” wrote commissioner Michael O’Rielly in his statement.

No deadline for comments has been given at this time.

 

The post 70-Year-Old Antenna Site Rules Up For Debate By FCC appeared first on Radio World.

Michael Balderston

New Bill Would Force C-Band Auction

Radio World
5 years 8 months ago

A bipartisan quartet of House members want to force the FCC to auction C-Band spectrum rather than repurpose it via free-market deals between satellite operators and wireless carriers, as those operators prefer.

The FCC wants to free up as much of that midband (3.7–4.2 GHz) spectrum for 5G as possible, likely at least 300 MHz. Satellite carriers (most as part of the C-Band Alliance) want to be able to strike deals to free up the spectrum. But many in Congress have argued that the money for the public spectrum — to which satellite operators have licenses — should instead go to the Treasury to help fund rural broadband buildouts among other things.

[Read: C-Band Hearing Scheduled for the House]

That definitely includes the four House members who introduced the Clearing Broad Airwaves for New Deployment (C-BAND) Act Thursday (Oct. 24). They are Rep. Mike Doyle (D-Pa.), chairman of the Communications Subcommittee, Rep. Doris Matsui (D-Calif.), subcommittee vice-chair, and Reps. Bill Johnson (R-Ohio), and Greg Gianforte (R-Minn.).

“I am pleased to introduce the bipartisan C-Band Act, which would require the FCC to promptly conduct a public auction to provide more much-needed midband spectrum,” said Doyle. “This bill would ensure a transparent and fair process that would generate billions of dollars in revenue to address the urgent needs of millions of Americans such as building out broadband internet service in rural America while protecting users of incumbent services.”

The FCC would have a September 2022 deadline for auctioning the spectrum.

The act:

  • “Requires the FCC to hold a public auction of C-Band spectrum;”
  • “Allow for no less than 200 megahertz and no more than 300 megahertz of C-band spectrum [with 20 MHz set aside for guard bands];”
  • “Ensures that incumbent C-Band users will be protected” by mandating that they get as good or better service than before. Cable operators, who are also eyeing the C-Band spectrum for 5G, have signaled they could support freeing up as much of that spectrum for 5G as is practicable, perhaps even all of it, replacing the satellite feed with fiber. Broadcasters are concerned that fiber would put their must-have programming at the mercy of an errant backhoe that failed to miss the utility, as it were.

The C-Band Alliance initially propose private sales of 200 MHz, but is likely willing to boost that to 300 MHz if they can be private sales rather than an auction.

Incumbent users include broadcasters and cable operators, who receive their programming network feeds via the satellite spectrum.

The bill will definitely be a topic of conversation at the subcommittee’s C-Band hearing next week.

“ACA Connects salutes the House subcommittee for its introduction of this bipartisan bill,” said ACA Connects President Matt Polka. “The bill appropriately recognizes that any repurposing of C-Band spectrum for 5G must ensure the same or better service for existing users of the band, including the cable operators that rely on the band to deliver video programming to millions of households across the nation. If cable operators encounter any reduction in reliability, capability or quality of that service, or any increase in costs, it is competition and consumers that will ultimately suffer, especially in rural America. To head off these concerns, it is important that any C-Band transition fully compensate cable operators for any costs they incur in opening up the band for 5G, and that receiving programming via fiber instead of satellite is an option. We applaud the subcommittee for its leadership and look forward continuing to work together on this critical public policy issue.”

 

The post New Bill Would Force C-Band Auction appeared first on Radio World.

John Eggerton

Community Broadcaster: Facebook Needs Community Radio

Radio World
5 years 8 months ago

The author is membership program director of the National Federation of Community Broadcasters. NFCB commentaries are featured regularly at www.radioworld.com.

By the time you read this, Facebook will have relaunched its News tab. The Oct. 25 rollout is the social media giant’s return to aggregating journalism. It comes at one of media’s more curious moments, in a period of curiosities aplenty.

Mark Zuckerberg testified before Congress this week, as the House Financial Services Committee inquired about the company’s plans to get into the cryptocurrency business. Facebook had bowed out of news curation after being pelted with accusations of propping up misinformation in its old news feeds during the 2016 elections. Facebook promised to refocus on personal streams. Many media outlets’ fortunes plummeted in the process.

[Read: Community Broadcaster: A Cautionary Tale]

The reentry into news rekindles what has to be a love-hate relationship between journalism and Facebook. No one doubts Facebook’s power to generate audiences or conversation in news. But the power lies in Facebook’s hands and news organizations have minimal influence in what the company’s priorities may be. After Facebook changed its tools to deemphasize news stories, media organizations that had come to depend on Facebook traffic saw stock plunges and layoffs.

Will it be different this time around? Hard to know. Facebook’s newfound interest in local news is encouraging. Given the local lens, for all the criticism of Facebook receives, rightly or wrongly, the News tab could represent a benefit and opportunity to local journalism hubs like community radio.

Facebook would be wise to tap into the vast network of community radio stations providing coverage to their towns, and giving a local perspective to national stories all of us have our eyes on. Whether it’s the excellent coverage by Marfa Public Radio of the El Paso mass shooting or immigration issues, WRFI’s coverage of housing in New York state, or KZMU’s coverage of the complex environmental issues in Utah, there is no shortage of essential stories being told. They’re stories told not from the viewpoint of a parachuting journalist from the coasts, but reporters that live and work in these communities. It is authenticity that is rare in journalism. It is refreshing. And local news from community radio is needed now more than ever, by Facebook and the nation.

Beyond making community news more prominent in feeds, Facebook could build trust by investing financially in community radio journalism and by giving training and access to the slate of new features. Not every community radio station may be able to take advantage of such support, but for those willing and able, a powerful ally can only lift up local voices. Facebook has a unique power in can wield for the betterment of community media.

While details for independent publishers remain sketchy, a process for publishers to submit feeds and stories is expected. One can hope Facebook may have learned from the firestorm during its last foray into news. It launched an initiative to improve news delivered on its platform, and one can hope community radio stations are active in getting themselves listed. Facebook should also take this journalism seriously. I love the Washington Post, Fox News and the like as much as anyone, but Americans deserve the richness community media offers.

 

The post Community Broadcaster: Facebook Needs Community Radio appeared first on Radio World.

Ernesto Aguilar

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