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Radio World

Why Bother With NextGen TV?

Radio World
3 years 3 months ago

I think Fred Baumgartner’s article about OTA Next Gen ATSC 3.0 and the entire push to put it on the air misses a very important point: Why bother?

While he argues that ancient modulation on the MW band and even FM on the VHF band cannot compete with ATSC 3.0 on the UHF band for OTA distribution for most of the global audience, he forgets that wireless transmission in general is passe except for time spent in motion, commuting, etc. Fiber to the home is rapidly replacing copper circuits of all types and is far more reliable than any OTA signal.

[Read More Guest Commentaries Here]

Do we need ATSC 3.0 to reach commuters? Nope. Sure, we could use its data formats with 5G OTA, but that’s really optional. Once you have an IP connection, any data format will work. ATSC 3.0 TV transmission, even synchronous repeaters, pales in comparison with cellular carriers, who will be providing thousands of cell sites in any one community.

If you look at rural areas, especially those with very hilly or mountainous terrain, OTA remains highly challenged. And that includes 5G cellular service. But many of these same areas are being rewired with fiber.

So, for that magnificent 8K TV screen, fiber will likely rule. For the kids in the back seats of the family van, do they really need 8K for the 24-inch screen built into the back rests of the seats in front of them?

In the world of Internet of things, will traditional TV license holders matter? Nope. These devices require two-way connectivity. Only the wireless carriers are in a position to expand and prosper. And at home, the bits can be uplinked more efficiently with wireless modems connected to the world via fiber than 5G.

The author is chief engineer of Monadnock Broadcasting Group and Saga Communications. Opinions are his own.

Comment on this or any story. Email radioworld@futurenet.com.

The post Why Bother With NextGen TV? appeared first on Radio World.

Ira Wilner

SBS Seeks OK for More Foreign Investment

Radio World
3 years 3 months ago

Spanish Broadcasting System has asked the Federal Communications Commission to allow foreign investors to indirectly own up to 49.99% of its equity in aggregate.

SBS filed a petition for declaratory ruling as a consequence of a litigation settlement under which certain investors would receive a combination of cash and new shares of SBS’s common stock.

SBS has radio holdings in multiple major markets including flagship WSKQ(FM) in New York.

“The issuance of the total number of shares required to implement the settlement could cause the aggregate equity foreign ownership of SBS to exceed … [the] 25% benchmark because some of these parties are foreign entities and/or individuals,” the commission wrote in a summary.

[Recently in RW: “FCC Grants iHeart Petition on GMEI Foreign Investment”]

The commission noted that SBS only seeks approval for foreign investors to hold up to 49.99% of the company’s total equity interests; it does not seek special approval with respect to its voting interests.

Raúl Alarcón is the only person or entity that would hold a 5% or greater voting interest, with an approximately 80% voting interest and 34% equity interest in SBS. “The remainder of SBS’s stock would be held by various domestic and foreign investors,” the FCC wrote.

The petition doesn’t seek advance approval for any individual or entity. SBS told the FCC that the request raises no national security, trade policy or law enforcement concerns “and will further the commission’s goal of encouraging foreign investment in the broadcast industry.”

The commission accepted its petition for review and will take public comment. Per its past practice it also will check with relevant executive branch agencies for any concerns related to foreign ownership of SBS.

Comments can be filed on the FCC website and are due March 14, 2022. They should reference MB Docket No. 22-61.

The post SBS Seeks OK for More Foreign Investment appeared first on Radio World.

Paul McLane

Study: Those Working Outside the Home Listen to More Radio

Radio World
3 years 3 months ago

A new study has found that those who commute to an office outside the home use radio more than two times as much as those who work from home.

The media research and content intelligence provider NuVoodoo Media Services recently completed its 19th Rating Prospects Study, which suggests that the industry has reason to be optimistic about increased radio listening in the months ahead.

“Through the earlier stages of the pandemic and in our January study, the data has clearly shown more upside for radio when the focus is on the out of home audience,” said Carolyn Gilbert, president of NuVoodoo Media Services. “As Omicron cases peak and recede, the portion of the radio audience that offers more impact to stations’ monthly report cards is best found and influenced outside the home, in cars and at work, especially during critical weekday prime listening periods.”

Where survey respondents are typically working. (Courtesy NuVoodoo Media Services)

The report found that among those working in any capacity, just 12% report using radio most in a home office setting. Those numbers almost triple to 32% when working outside the home. Differences were also seen among all respondents, those who were likely to participate in ratings surveys (RPS Yes), and those who use radio for an hour or more each day (RPS 60). Less extreme differences were seen between at-home and out-of-home listening to digital streaming platforms (DSP) and other audio sources, although out-of-home workers were greater audio consumers regardless of the chosen medium.

The survey found a clear difference in listening habits between at-home workers and those commuting to work outside the home. (Courtesy NuVoodoo Media Services)

On Feb. 16, 2022, the study and findings will be presented in a 40-minute webinar that will explore how often listeners use streaming apps like Spotify and Apple when compared with how often they use and listen to local AM/FM radio streaming apps. The webinar will look at radio station marketing strategies, including social media, connected TV, direct mail, direct outdoor and telemarketing, and will take a deep dive into the use of smart speakers, car audio systems and podcast listening trends.

The survey was fielded nationwide at the start of January 2022 to 3,298 listeners across all PPM markets. The webinar on the report’s findings will be begin at 1 pm Eastern on Feb. 16.

The post Study: Those Working Outside the Home Listen to More Radio appeared first on Radio World.

Susan Ashworth

NotaBotYet Has SolutionsForYou!

Radio World
3 years 3 months ago
Thresa and Michael Gay

Every now and then we are fortunate in our industry that a startup crops up to bring us some really cool problem-solvers. Some of these firms come and go. Some products are acquired by other companies (the old Dannager Audio Works Plan B silence sensor comes to mind). Some suppliers become industry stalwarts.

We have long-standing manufacturers like Henry Engineering and RDL that have built special widgets for years. Relative newcomer Angry Audio has a growing variety of solutions.

Now a company called NotaBotYet is on the scene with its own line of creative products for radio broadcasters. The startup was founded by wife-and-husband team Thresa and Michael Gay.

[Check Out More Product Evaluations in Our Products Section]

Early glimmers came while Michael was helping his daughter build her first robot, named the C-Bot, and trying to come up with a cute name to put on the circuit board. Because this was just the foundation of the project, he wrote “NotaBotYet” on the board.

Fast forward about six months to a studio build when one of Michael’s engineering colleagues spent days, literally, days, soldering 15-pin connectors for an Axia node. Michael thought, “There has to be a better way.” So he worked out some circuit board designs, and put the “NotaBotYet” name on them again.

That little breakout board was noticed by Dave Kerstin of distributor Broadcasters General Store, who said, “Hey I could probably sell a lot of those! Think you can make more?”

Thus in 2015, NotaBotYet was born.

Thresa is president of the family firm. “My degree is in education. I’m a mom, which qualifies for doing just about any job on the fly. For our company, I was in a position that I could balance starting a company — finances, sales, management — with home life — finances, sales, management.”

The NotaBotYet Howler Monkey is named for the loudest land animal.

Michael’s day job is vice president of engineering for Cumulus Media, but in his spare time he is the product designer for NotaBotYet. And their teenage daughters Tesla and Cianna help out.

Tesla, the 16-year-old, loves technology and has built her own gaming computer. (“Yes, she was named after Nikola Tesla,” said Thresa Gay. “I did marry a radio engineer. She was named Tesla before Tesla was cool.”)

Sample work
NotaBotYet makes a bunch of cost-effective solutions to resolve radio installation quandaries. They include the NotaBotYet Axia Relay, Axia GPIO Breakout, Six-Channel WheatNet Logic or Axia Livewire GPIO Relay, Yellowtec LITT Signaling Device Interface, Easy Relay, On-Air 85, Tally Helper 100 & 500, the Howler Monkey Precision Studio Headphone Amp and the Studio Jam and Expansion Jam.

An example of how Howler Monkeys can be daisy chained.

They’ve also built clever mounts for installing video cameras in radio studios.

Consider the Howler Monkey Headphone Amp system. It is designed to mount around the studio at guest locations; it uses standard RJ45 connectors and Ethernet cables. (And why is it called “Howler Monkey”? Because the howler monkeys of Central and South America are among the loudest creatures on land.)

It’s so well built and designed, I had to open the case to check out the construction. These headphone amp boxes have both 1/4-inch stereo and mini headphone jack, so no adapters to hunt down. You can daisy chain five of these (so you don’t need five “wall wart” power supplies all over) and you can chain the audio via Cat-5 from one to the next, or feed them individually from your analog DA, Blade or Node. Retail price is $320.

Studio Jam can help add multicolor accent lighting around the studio in an inexpensive and creative way.

Then there’s the Studio Jam, a fun device that can be used to create cool lighting effects in the studio based on GPIO connections from your audio board or AoIP gear.

These days, with studios “on camera” via social media and video streaming, an “ugly studio” won’t do. So NotaBotYet created this box to help add multicolor accent lighting around the studio in an inexpensive and creative way. Use it to cause lighting in the room to change color, depending on a GPIO trigger. Maybe the highlights glow red during an EAS! Or as various guest mics open, maybe the room — or even just the boom arms — might change color. Retail price is $340.

Another slick device worth mentioning is the On-Air 85, a universal 12V On-Air light that can be controlled by the Axia, Wheatstone or generic GPIO system.

Unlike more traditional on-air notification systems, this very small device provides the power to your 12V on-air light. It simplifies the wiring and connection to an output of the GPIO to the On-Air 85, and the On-Air 85 to the light. Simple and safe, avoiding any 120V AC wiring, and using easy low-voltage wiring.

A room with lighting controlled by Studio Jam. The NotaBotYet graphics have been Photoshopped in.
Besides the “Steady On” mode, there are 14 flashing patterns you can choose, so this device can certainly be used as the interface for a “phone” GPIO, “door” GPIO, or even “Coffee is READY!” GPIO. Retail price is $140.

Keep your eye on NotaBotYet for more creative ideas. Check out what they have, and if there is something you need, tell them. They’re open to helping you meet that need for the tough-to-solve problem.

The website is www.notabotyet.com and includes a list of its U.S. and international dealers.

The author is chief video engineer for the Cleveland Orchestra and a veteran radio and TV engineer. He wrote about the Elgato Stream Deck in January.

The post NotaBotYet Has SolutionsForYou! appeared first on Radio World.

Dan Slentz

SABC Adopts CGI’s Dira Platform

Radio World
3 years 3 months ago

From our Who’s Buying What page: CGI announced that the South African Broadcasting Corp. is using its dira system at eight of its radio stations and will roll it out to the other 11 this year.

Dira is a playout, production and music scheduling platform.

“The contract, won via a competitive tender process, has seen the SABC invest in CGI’s full dira Solution Suite, including Onair Player, Highlander, Scheduler, Startrack, Orion and Broadcast Report,” the supplier said in a press release.

“The proof of concept and subsequent implementation by CGI has achieved the SABC’s goal to enable dira’s use throughout the company’s radio environment, from sales, sport, news and current affairs to education and drama.”

The announcement was made by Nada Wotshela, group executive for SABC Radio, and Michael Thielen, vice president of radio solutions at CGI.

Wotshela said a feature of particular interest is a Commercial Player that plays radio ads within a specified window of booked time. “This will assist with accurate reporting and also ensure that skipping of advertisements, which leads to revenue losses, is a thing of the past,” Wotshela stated.

CGI acquired SCISYS Group PLC, the previous developer of dira, in 2019.

The post SABC Adopts CGI’s Dira Platform appeared first on Radio World.

RW Staff

Tascam Intros Mixcast 4 Podcast Station Bundles

Radio World
3 years 3 months ago

Tascam has launched three podcast system bundles for its Mixcast 4 Podcast Station with built-in recorder and USB audio interface. They were designed to streamline content creation for podcasts, live streaming, event production and voiceover work.

The three bundles can accommodate up to four people with four microphones and four headsets so users can tailor their setups to accommodate both show personnel and guests.

[Check Out More Products at Radio World’s Products Section]

Key to each bundle is the Mixcast 4 Podcast Station, the TM-70 Dynamic Broadcast Microphone and the TH-02 Studio Headphones. The main difference between each of the three Mixcast 4 bundles is the number of TM-70 microphones and TH-02 headphones included — Bundle No. 1 includes one set of each; Bundle No. 2 includes two sets of each; and Bundle No. 3 includes four of each.

The Mixcast 4 Podcast Station is available as a single entity for those already in possession of microphones and headphones. The company says the three available bundles create system packages that represent a cost-effective solution compared to the expense of acquiring the individual components necessary to form a complete system.

For more information, visit www.tascam.com.

The post Tascam Intros Mixcast 4 Podcast Station Bundles appeared first on Radio World.

Terry Scutt

Frank Pianki to Teach SBE Leadership Development Course

Radio World
3 years 3 months ago

The Society of Broadcast Engineers today said it will hold the 2022 SBE Leadership Development Course, a three-day intensive program focused on successful leadership and management for broadcast engineers, Aug.3-5, in Atlanta.

The course explores the nature of leadership, the difference between being a manager and being a leader, how to build a winning team, the importance of attitude in the leadership position and insights into communication.

Instructing the course will be Frank Pianki, Ph.D., a professor of management who has served at Anderson University since 1998. His balanced background blends academic ability and professional experience.

Pianki earned a Bachelor of Science in chemical engineering from the University of Connecticut, a Master of Science degree in chemical engineering from the University of Arizona, an Executive MBA from Pepperdine University and a doctorate from Indiana University.

Before his academic career, Pianki had nearly 20 years of experience working in business and industry. He has worked as chief operating officer for a healthcare organization and vice president of operations for a manufacturing company.

The cost of the program is $670 for SBE members and $725 for non-members.

Registration is available online.

The post Frank Pianki to Teach SBE Leadership Development Course appeared first on Radio World.

Phil Kurz

FM Directional Computer Simulations — Why Not?

Radio World
3 years 3 months ago
Computer modeling allowed me to set up a new four-tower 50 kW array from scratch in just one day.

It wasn’t too long after I started fooling around with computers in the mid-1980s that antenna modeling became a thing. NEC and MININEC were the prevalent modeling engines, and the source code was out there in the public domain.

At some point, I began playing with models of medium-wave monopole antennas, simple nondirectional radiators. While those simple models were somewhat useful, they didn’t really do a whole lot for me. Now, if I could model a directional array and get an accurate prediction of the driving point impedances, that would be worth something.

And so it was that I started playing with directional models. The challenge was not in the physical geometry of a directional array. It was coming up with a set of drive voltages and phases. I experimented but had little to no success, and I eventually gave up, moving on to other, more pressing things.

Eureka!
Fortunately, some very smart people were working on the problem, people like J.L. Smith, Ron Rackley, Jim Hatfield, Jerry Westberg, Ben Dawson and others.

They figured out that you had to compute the individual tower current moments for unity drive, then with that information and the theoretical directional parameters, solve a set of simultaneous equations to get the normalized drive voltages.

Those drive voltages, each expressed as complex numbers, could be applied as sources in the model, and the resulting tower moments would equal the theoretical directional parameters.

After the brain trust figured that out, I was able to write some code and create a computer program that would do the whole thing, taking array geometry expressed in either X,Y,Z format or in distance/azimuth from a reference tower, then taking the theoretical directional parameters (ratios and phases) and turning that into a model that I could calibrate to real-world impedance matrix measurements and produce an output including driving point impedances, voltages and currents; element current distribution, and both near- and far-field E- and H-field values.

This tower serves Crawford station KBRT in Los Angeles. We caught the sunset on one of our security cameras. You might be able to make out a hawk sitting on a guy wire waiting for his dinner.

New FCC rules permitting “proofing” of AM directional arrays went into effect in 2008. I filed my first model-proof that summer, and I’ve never looked back.

The moment-method modeling proof option has been great for our industry. Aging arrays that needed a lot of very expensive fieldwork could be brought into adjustment very quickly in many cases, and new installations could be tuned up in days if not hours.

Today, you can look through the FCC database and you’ll see many occurrences of the telltale file number prefix “BMM,” indicating a moment-method proofed facility. Many of those are model proofs I have filed.

Needless to say, I’m still a believer.

The trap
Fast forward to 2021. Last year, a group of engineers and broadcasters (more really smart people) petitioned the FCC for a rule change that would allow model proofing of FM directional antennas. That rulemaking, at this writing, is in process.

FM directionals, which constitute a reported 20% of all full-power FM facilities, have long been a problem for engineers. I got caught in the FM directional “trap” back in the mid-1980s and had to petition the FCC for a variance to get a facility on the air.

The usual process is first to determine the maximum ERP in every direction of interest, whether a target service area or toward a protected station or border, then develop a theoretical antenna pattern based solely on the coverage and protection requirements.

That ideal or “envelope” pattern then is specified in the construction permit application. When the CP is granted, the envelope pattern is sent to the antenna manufacturer, who will do range measurements using a model based on detailed information about the mounting location provided by the permittee. The manufacturer will make tweaks, adding and moving around parasitic elements to get as close as possible with the measured pattern to the supplied ideal or envelope pattern.

The “trap” occurs in that zone between meeting all the protections and making the required RMS, which by law must be 85% of that of the authorized pattern. Sometimes the measured pattern will meet all the protection requirements but come up short on RMS. That’s what happened to me way back when.

The sure-fire way to avoid this situation is to have the antenna manufacturer develop a buildable, measured pattern and file that pattern instead of the envelope or ideal pattern with the CP application.

Then, when the time comes to file the license application, that same pattern is filed as the “proofed” pattern. All protections are met, and the RMS is 100%.

But that entails some financial risk. You have to pay the antenna manufacturer to develop and fully proof a pattern, with no assurance that the FCC will grant the application. That risk can be minimized with careful attention to detail in the application process (and leaving some white space between interfering and protected contours), but if there’s one thing I have learned from 40+ years of filing FCC applications, it’s that anything can happen.

Remember those smart people I mentioned, the ones who have petitioned for a rulemaking that will allow model-proofing of FM antennas? Their proposal will solve the problem of the “trap” as well as saving all the time, trouble and cost of FM directional antenna range measurements.

In the latest issue of RW Engineering Extra, we feature a white paper on computer modeling of directional FM antennas by John Schadler of Dielectric. John provides some compelling arguments for this, and I think you’ll find it interesting.

I’m going to go out on a limb here and predict that the FCC will very shortly enact the requested rule change in some form to permit model proofing of FM directional antennas. While there are differences, the engineers at the Media Bureau have certainly seen the benefits and reliability of AM model proofing, and that undoubtedly carries some weight.

The result for broadcasters will be no more RMS/protection traps, no more range measurements, and a reduction in time between order and delivery of custom directional antennas. Patterns can be fine-tuned to fit the application with engineering time being the only cost.

I think that’s pretty doggone cool.

The post FM Directional Computer Simulations — Why Not? appeared first on Radio World.

Cris Alexander

John Robinson Rejoins ERI

Radio World
3 years 3 months ago

John Robinson, P.E., has been named the new vice president of structural engineering for Electronics Research Inc.

This is his second stint with the company, where he worked for 23 years and was senior engineer of the Structural Division.

“Robinson rejoins ERI from Hodge Engineering, a structural engineering consulting firm where he was the principal engineer for their Tower Engineering Group,” ERI said in its announcement. Robinson succeeds James Ruedlinger, who left to pursue other interests.

[Visit Radio World’s People News Page]

He is a registered Professional Engineer in Indiana and 17 other states. He is a member of the American Society of Civil Engineers and the TIA TR-14 Engineering Committee for Structural Standards for Communication and Small Wind Turbine Support Structures.

The announcement was made by President/CEO Tom Silliman, who welcomed Robinson back and added, “We also value and support his participation on the TIA TR14 Committee as its work is critical to our installations subsidiary.”

Robinson is a graduate of the University of Evansville and holds undergraduate degrees in civil and mechanical engineering as well as a master’s degree in mechanical engineering.

Send news of engineering and executive personnel changes to radioworld@futurenet.com.

The post John Robinson Rejoins ERI appeared first on Radio World.

RW Staff

Freakonomics Co-Authors Want You to Think Like a Freak

Radio World
3 years 3 months ago
Stephen Dubner (left) and Dr. Steven Levitt

You’ll be able to get your freak on at the NAB Show this year.

Stephen Dubner and Dr. Steven Levitt, co-authors of the “Freakonomics” book series and podcast hosts on the Freakonomics Radio Network, will keynote the session “Why the Media & Entertainment Industry Should Think Like a Freak” on April 27.

Described by NAB as some of the “leading minds in next-step thinking,” the duo has insight into “leveraging new and transformative perspectives to boost innovation and implement measurable business applications.”

NAB Executive Vice President and Managing Director of Global Connections and Events Chris Brown said the media and entertainment community is learning how to navigate the evolving ways of interfacing with data, content and networking.

[For More News on the NAB Show See Our NAB Show News Page]

Dubner and Levitt were approached in 2003 to co-author “Freakonomics: A Rogue Economist Explores the Hidden Side of Everything.” The book, which applied economic theories to questions about everyday life, has sold 7 million copies and been translated into 40 languages.

Dubner is an author, journalist and radio and TV personality. He is host of the “Freakonomics Radio” podcast, which airs on NPR stations and receives 8 million monthly downloads. His articles have appeared in The New York Times, The New Yorker and Time.

Levitt is an economist, author, researcher and podcast host. He is a tenured professor and the director of the Gary Becker Milton Friedman Institute for Research in Economics at The University of Chicago. He hosts “People I (Mostly) Admire” on the Freakonomics Radio Network.

The post Freakonomics Co-Authors Want You to Think Like a Freak appeared first on Radio World.

Terry Scutt

Radio Stations’ Digital Sales Increased by 33% in 2021

Radio World
3 years 3 months ago

Digital sales for local U.S. radio stations generated $1.5 billion in 2021, a growth of 33%, according to the Radio Advertising Bureau’s annual report on digital activities.

The findings highlight efforts of stations to drive results for local advertisers, said Erica Farber, RAB president and CEO. “The focus on the importance of digital training has produced dividends for stations and sellers alike,” she said.

The report showed that the average station made $36,250 in digital revenue in 2021 with the average market cluster making $1.6 million. Top-performing market clusters made more than $10 million, even in some of the smaller markets, RAB said.

[Visit Radio World’s People News Page]

“I’m happy to report that we underestimated radio’s digital determination when we published last year’s report,” said Gordon Borrell, CEO of Borrell Associates, which compiled the report and predicted that radio sales would increase 18%.

“It’s quite impressive, especially when you see that little stat that shows how digitally savvy radio sales reps are in the eyes of local advertisers,” Borrell said in the RAB’s announcement.

The 47-page report covers the activity of some 3,000 radio stations. The findings are part of the RAB and Borrell’s 10th annual report “Finally, A Digital Bounty: Radio’s Digital Sales Rise 33%.” That annual report analyzed online ad revenue from 3,645 radio stations, survey responses from 1,107 local radio buyers and comments from 256 radio managers.

The post Radio Stations’ Digital Sales Increased by 33% in 2021 appeared first on Radio World.

Susan Ashworth

Why I Stream ALL My Radio Listening

Radio World
3 years 3 months ago
Photo Courtesy Dick Taylor

Twelve year ago, radio broadcast engineer Tom Ray, penned these words: “Unless we give Joe Consumer a reason to go out and purchase an HD Radio for his car – until he can obtain it easily and at a reasonable cost, and a device that works – I fear HD Radio is going to go the way of FM quad and AM stereo, relegated to the scrap pile of history.”

Tom Ray wrote his article for Radio World when he was the vice president/corporate director of engineering for Buckley Broadcasting/WOR Radio in New York City. He was a strong and vocal supporter of HD Radio and his WOR was one of the first AMs on the air with an HD Radio signal. So, any broadcaster that read Tom’s article, “HD Radio Shouldn’t Be This Hard,” should have taken it as a wake-up call about steps the radio industry needed to take to stay relevant in their listeners’ lives.

Buying a New Car in 2010
Tom is a loyal Ford customer, so when his Explorer went to the automobile graveyard with 230,000 miles on it, Tom wanted to get a new Ford Escape, equipped with HD Radio. The only problem was, Ford wasn’t putting HD Radios into their Escapes, instead, they were pushing Satellite Radio. (Tom noted that his wife listened only to Satellite Radio in her car, saying “in her opinion there is nothing worth listening to in New York’s Hudson Valley, 50 miles north of New York City.)

This should have been yet another radio industry wake-up call about its future.

I encourage you to click on the link and read what Tom Ray wrote a dozen years ago about how difficult it was to put an HD Radio into a new car which, at that time, didn’t offer OEM HD Radios and how he, as a broadcast engineer, was totally frustrated trying to install an aftermarket one.

Streaming Radio at Home
Since Christmas 2017, when my wife gave me my first Amazon Echo smart speaker, our Echo family has quickly grown to four of these devices. There is nowhere you can be in our home and not ask Alexa for something.

Since 2017, all of our in-home radio listening is via streaming.

While we also occasionally streamed radio in the car, on all of our road trips from 2018–2021, SiriusXM always seemed to be offering a 3-month free listening trial that I can honestly say we enjoyed the listening to. But, I’ve never been a subscriber, because other than road trips I spend very little time in the car.

Streaming Radio in the Car
In October, while enjoying my latest free 3-month trial for SiriusXM radio, I decided it was time to bring my in-house streaming radio habit into both of our cars. We own a 2006 Subaru Forester and a 2009 Honda Accord.

The Subaru doesn’t have an AUX input, the Honda does.

Streaming in the Subaru was accomplished with a Bluetooth receiver that will broadcast on any FM frequency (88.1 works best). In the Honda, this same device’s output was plugged into an AUX receptacle.

The result is, as soon as either my wife or myself enters one of our cars, the Nulaxy KM18 immediately pairs with our iPhones. I installed the AINOPE Car Phone Holder Mount to hold our phones, and keep them easily accessible to control whatever we would like to listen to.

Total cost for each car: $33.43. Time to install, virtually nil. I just plugged the Nulaxy KM18 into a power port and it was operational. The AINIOPE holder easily clamps to an air vent on the dashboard and holds any smartphone.

Unlike the nightmare that Tom Ray experienced back in 2010 trying to put HD Radio into his car, this installation by me, a non-engineer, was a piece of cake.

A Call to Action
I recently sat in on a Radio World webinar called “A Call to Action, radio’s existential battle for the dash.” Paul McLane, Managing Director of Content/Editor in Chief of Radio World at Radio World/Future U.S., hosted the webinar and did an excellent job. However, one particular piece of information shared during the presentation that I thought was crucial was, how Mercedes-Benz was equipping their vehicles’ radio screens with the following pre-sets: SiriusXM, FM, AM and TuneIn Radio.

TuneIn Radio is the App I use for most of my radio listening, but why was it chosen by Mercedes-Benz? Turns out the answer is, “TuneIn’s radio stations can be accessed worldwide in 197 countries on more than 200 different platforms and devices.” TuneIn says it “provides the displaced radio listener a connection to home with local, national, and international stations anywhere they go and on any device.”

In other words, why would any audio consumer need DAB, DAB+, Digital Radio Mondiale, HD Radio, AM or FM when they can receive any radio station in crystal clear audio via streaming?

With the exception of the proprietary content offered by SiriusXM, everything else is available via streaming at no charge.

Cellular Plan
Now it goes without saying, that streaming consumes data. Each cellphone service provider offers different plans and different price rates. My wife and I are on Verizon’s unlimited phone/text/data plan. We have no landline phone in our home and our iPhones are our lifeline to being connected with each other, our family, our community and the world.

I’ve found streaming radio in our cars provides us with audio quality that is pristine. There’s no buffering or dropout, and it’s been a more reliable signal than AM, FM or SiriusXM radio, especially when traveling through tunnels.

Streaming Apps
I thought you might be interested in knowing what streaming Apps I have on my iPhone, here’s the current list:

  • TuneIn Pro
  • Audacy
  • Pandora
  • Spotify
  • Amazon Music
  • NPR ONE
  • YouTube
  • Simple Radio
  • StreamS
  • Apple Podcasts
  • AccuRadio
  • 650AM WSM
  • Stitcher

Why I Prefer Streaming My Radio
We live far enough away from Washington, D.C., that radio signals for WTOP or WETA experience lots of noise and dropout, depending atmospherics, sometimes making them totally unlistenable. However, their streams are always crystal clear.

This fall Sue and I escaped to Cape Cod for a week and when I get on the peninsula, I love turning on WFCC – Cape Cod’s Classical station – 107.5 FM. Now with streaming radio, I can dial up WFCC on my TuneIn radio App and listen when we’re back home in Virginia.

Full disclosure, I am the midday DJ on WMEX-FM in Rochester, N.H., But even if I weren’t on the station, WMEX-FM would be my No. 1 pre-set for streaming. Gary James, the station’s morning man and program director, puts together a music mix that I find absolutely fabulous. It’s the music of my life.

Which brings me to another important point, radio today is global. No longer is your radio station competing just with other local stations, but radio that is streaming from anywhere on planet Earth.

Streaming also makes it possible for ON DEMAND spoken-word radio, also known as podcasts, to be easily available in the car.

Simington on Streaming
FCC commissioner Nathan Simington recently addressed Ohio broadcasters saying, “content delivery power had shifted away from broadcasters – stations and networks – and toward ‘online platforms,’ something he thinks the FCC needs to recognize in its quadrennial review of media ownership regs.”

He warned that: “Online media platforms are growing rapidly and threaten dominance over traditional media platforms; and Broadcast advertising revenue has flatlined, having been siphoned off from higher margin online platforms.”

The Future is Streaming
88% of the world’s population now uses mobile broadband as its main source of internet access, and nearly 90% of homes in the United States now have internet streaming. 2021 saw an estimated 22% ad industry growth rate, which Magna Global said was “the highest growth rate ever recorded” by this agency, beating a 12.5% growth rate recorded in the year 2000. The caveat however is, digital dominated traditional advertising raking in 64.4% of the growth in ad spending.

RAIN reports “The U.S. recorded music industry will exceed a 48-year revenue record set in 1999 (based on current estimates),” all coming from revenues paid by streaming music services.

The Harvard Business Review recently published “4 Principles to Guide Your Digital Transformation,” by Greg Satell, Andrea Kates and Todd McLees. In it, the authors wrote, “digital transformation is not just about technology. We’re desperately in need of a shift in focus. Leaders must inspire and empower their entire organization to boldly reimagine their work environment, customer needs, product offering, and even the purpose of the enterprise.”

Tom Ray was the proverbial “canary in the coal shaft” back in 2010, with few paying attention. Sadly, based on the early news coming out of the 2022 CES in Las Vegas, nothing has changed.

We’re living in a communications revolution,
bringing about changes that will be both
permanent and irreversible.
Revolutions never maintain or preserve the status quo.

This article originally appeared on Dick’s blog, DickTaylorBlog, where you can find more of his musings.

Comment on this or any article. Email radioworld@futurenet.com.

The post Why I Stream ALL My Radio Listening appeared first on Radio World.

Dick Taylor

Radio Mystery for Some Seattle Mazda Owners

Radio World
3 years 3 months ago

A peculiar thing is happening to drivers of some Mazda’s operating in and around the Seattle area, and it could be caused by images displayed on dashboard screens.

Car owners are reporting their car radios are locking on 94.9 MHz leaving them unable to change the tuner. The only models affected are 2014–2017 Mazdas equipped with factory-installed HD Radios.

KUOW(FM) in Seattle, the NPR station that operates on 94.9 MHz, says it is hoping Mazda or Xperi can help. The radio station confirmed Tuesday on its website it is aware of the issue and has received complaints.

Mazda drivers have been complaining of the issue for several weeks, according to reviews of Reddit threads.

Some commenters on the discussion forum say the infotainment systems are “either locked up or constantly rebooting” and inevitably locking up on 94.9 MHz. Some drivers also have complained on the discussion board about not being able to make calls using the infotainment systems while driving.

[Read More Top News Stories from Radio World Here]

KUOW shared with Radio World a statement provided by Mazda after its dealerships in the Seattle area began receiving complaints from frustrated drivers about the problem.

“Between 1/24–1/31, a radio station in the Seattle area sent image files with no extension, which caused an issue on some 2014–2017 Mazda vehicles with older software. Mazda North American Operations (MNAO) has distributed service alerts advising dealers of the issue.”

Mazda continued: “While dealers are currently experiencing parts delays due to shipping constraints, MNAO will support impacted customers with replacement parts. These customers should contact their local Mazda dealer who can submit a goodwill request to the Mazda Warranty department on their behalf, order the parts, and schedule a free repair when the parts arrive.”

A KUOW spokesperson said the HD Radio system in the vehicles “pulls images from an NPR tool and uses the KUOW logo when there is nothing from NPR to use.” It’s unclear how widespread the problem is, according to the radio station.

Xperi, the developer of HD Radio, said its “assessment is that there was a formatting issue with the transmitted data.”

The company’s statement continued: “We have worked with the station to address it, and we do not believe there are any ongoing issues with car radios in the market.”

Some Mazda owners posting on Reddit theorize the images with no extensions likely corrupted lines of code in Mazda infotainment systems. “We have not received any information from Mazda on which specific file they believe triggered the issue,” the radio station spokesperson said.

Here is the statement KUOW posted on its website earlier this week:

“KUOW is aware of an apparent issue between our signal and some Mazda infotainment systems, causing radios to reboot when they connect to KUOW’s 94.9 FM signal. We have been in contact with Xperi, the company who owns the technology behind HD Radio, and have given them complete access to our transmitters to investigate what is causing this issue.

“Our operations team is doing everything they can to support them in finding a quick resolution. We also appreciate the assistance of listeners who helped alert KUOW to this issue and have provided additional information to aid the investigation.”

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Randy J. Stine

Deadlines Are Set to Comment on EAS Changes

Radio World
3 years 3 months ago

Deadlines have been set to file comments in the latest NPRM from the Federal Communications Commission concerning emergency alerting.

As we’ve reported, the commission has a notice of proposed rulemaking that it says would improve the clarity and accessibility of visual Emergency Alert System messages to the public, particularly to people who are deaf or hard of hearing. In a companion NOI, the commission asks questions about broader measures to enhance the Emergency Alert System’s overall functionality and accessibility.

The NPRM presents proposals for modifying the text associated with national EAS messages, including pre-stored templates for NPT messages, and it proposes requiring “triggered” CAP polling.

The NOI asks, among many other questions, whether it would make sense to use legacy EAS only for the Emergency Action Notification (EAN) and NPT, but require use of CAP for all other alerts, and if legacy EAS can’t be reasonably modified to allow alert originators to distribute text to transcribe a two-minute audio message, whether the legacy EAS architecture should be redesigned altogether.

You can read Radio World’s recent story about the NPRM and NOI.

Now the deadlines are set. Comments on the NPRM are due March 11, and replies are due March 28. Comments on the NOI are due April 11 and replies by May 10.

Read the full proposal at https://tinyurl.com/rw-eas-4. File comments to the FCC at www.fcc.gov/ecfs/. To read others, enter 15-94 in the “Specify Proceeding” field.

The post Deadlines Are Set to Comment on EAS Changes appeared first on Radio World.

RW Staff

Top 50 Podcasts of 2021 Court Crime, Comedy, Fiction

Radio World
3 years 3 months ago

While the media industry has experienced its share of frustrations over the last two years, it has also seen one particular platform demonstrate steady, stable upward growth — despite the ongoing impact of the pandemic.

All in all, said Edison Research Senior Vice President Tom Webster, “It was an eventful year for podcasting.”

Edison Research recently announced its list of the top 50 podcasts of 2021. The list ranks podcasts by audience size based on the Podcast Consumer Tracking Report, a service that measures relative audience size and demographics of all podcast networks.

Last year the most popular genres were true crime, comedy and news programs, Webster said, although the list reveals a vibrant and diverse list of programming.

For the second year in a row “The Joe Rogan Experience” sits at the top of the list, a long-form interview and conversation podcast run by comedian Joe Rogan. The program recently made headlines when Neil Young and other musicians began demanding Spotify remove their music from the service due to Rogan and some of his guests’ promotion of misinformation about COVID-19. In addition, a video complication emerged of Rogan using an ethnic slur to describe the Black community. (Despite this, Spotify Technology CEO Daniel Ek said the platform would not cancel its $100 million licensing deal to be the exclusive host for the podcaster’s program archive, although some episodes have since been removed.)

The number two spot in 2021 belonged to The New York Times’ “The Daily,” a 20-minute weekday news roundup followed in the third spot by “Crime Junkie,” a weekly true crime podcast created by the Indianapolis media company audiochuck. Number four is “This American Life,” a weekly public radio program and podcast produced by NPR station WBEZ(FM). The top five is rounded out with the iHeartRadio program “The Stuff You Should Know,” focusing on obscure and captivating topics like how fortune cookies are made and how the game rock/paper/scissors became a decider of things.

A review of the networks on the top-50 list includes both well-known media sources and smaller media companies. iHeartRadio, The New York Times and NBC News sit in the top 10 as well as smaller media companies like audiochuck, Exactly Right and Earwolf. The top-50 list includes a few media networks with multiple popular podcasts, including NPR with its programs “Wait Wait … Don’t Tell Me,” “Planet Money,” “Up First” and several others. PRX is distributor for three top-50 podcasts, “TED Talks Daily,” “The Moth” and “Welcome to Night Vale,” while the Cumulus Podcast Network has two programs on the list, “The Dan Bongino Show” and “The Mark Levin Show.”

When compared to 2020 — the first year Edison Research began compiling and ranking U.S. podcast listening trends — the top four podcasts on the 2021 list exactly mirror the top four podcasts of 2020. The fifth place podcast in 2020 was “My Favorite Murder” by Exactly Right, which swapped places with “Stuff You Should Know” to drop to number six in 2021.

Investigative topics remained popular, including the serialized audio narrative and investigative journalism podcast “Serial,” along with true crime podcasts like “Criminal” and “Morbid: A True Crime Podcast.” Newcomers to the 2021 list include a twice-monthly weird fiction podcast focused on the imaginary town of Night Vale, a place rife with intriguing residents and conspiracy theories that has since spawned several books, albums and live shows. Other podcasts in 2020 that dropped off the list in 2021 include the design podcast “99% Invisible” and “Lore,” a podcast exploring the stories and people behind our strangest folk stories.

The top-50 list was compiled by Edison after gathering 8,000 online interviews with weekly podcast consumers in the U.S. aged 18 and older. The list tracks usage from the first quarter to the fourth quarter of 2021.

The full list is below.

The post Top 50 Podcasts of 2021 Court Crime, Comedy, Fiction appeared first on Radio World.

Susan Ashworth

Scott Stiefel Appointed Co-CEO at Telos Alliance

Radio World
3 years 3 months ago

Telos Alliance has appointed Scott Stiefel as co-CEO, joining co-CEO Tom Swidarski to lead the company.

Frank Foti, Telos Alliance founder and executive chairman of the board, complimented Stiefel’s leadership skills and knowledge of both business and engineering.

In a company statement Foti noted, “Over the years, it’s been such a pleasure to see him grow, first as an engineer, then taking on the business segment.”

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Stiefel said he was “excited to join Tom in leading Telos through yet another era of growth and transformation.”

Stiefel’s career at Telos began in 1994, where he designed the ISDN card for the Telos Zephyr, worked on the original Omnia.FM and Audioactive Encoder products and served as project manager on the Zephyr Xstream.

In 2001, he moved from the engineering group to become operations manager for Telos, overseeing production, supply chain, logistics and quality.

After a six-year stint as vice president of operations at ViaSat, he returned to the Telos Alliance in 2014 and served as COO until this promotion.

Send news of engineering and executive personnel changes to radioworld@futurenet.com.

The post Scott Stiefel Appointed Co-CEO at Telos Alliance appeared first on Radio World.

Terry Scutt

College Radio Station Sets Guinness World Record

Radio World
3 years 3 months ago
Zachary Sinutko (left) and Collin Kennedy in the WJCU studio at John Carroll University

It’s the radio interview that went on and on …. and on. And that’s a good thing.

On Feb. 5 and 6, 2022, two DJs at WJCU(FM) on the campus of John Carroll University broke the Guinness World Record for longest consecutive radio interview.

The program started at 7 am on Feb. 5 and ran live until 8:35 a.m. the next morning, capping a 25-hour, 35-minute-long interview. The program aired on 88.7 FM in Cleveland, on Instagram Live, via the WJCU radio app and on Twitch.

[Visit Radio World’s People News Page]

The record-breaking event was led by two radio staff — Zachary Sinutko and Collin Kennedy — who serve as on-air personalities as well as executive producer and co-producer, respectively, of the station’s hip-hop/rap show “808s and Mixtapes.”

“It was so much fun and college radio is my life,” said Sinutko, who is also director of promotions and events at the station. “Doing this was a dream of mine for a long time.”

Ahead of the attempt, Sinutko expressed confidence in their ability to break the previous record. “Two college students + a ton of energy drinks and a passion for college radio = countless possibilities,” he stated on the station’s website.

The previous record was set by Bhanu Bhakta Niraula on Nov. 8, 2021, at Himal FM 90.2 MHz in Kathmandu, Nepal, with a 25-hour, 26-minute-long interview of Nepalese tourism expert Ang Phinjo Sherpa.

Sinutko said official auditors were present at the event at WJCU, which broke the previous record by nine minutes.

“It got hard in the middle of the night but with the help of the community and the rest of the university, we did it,” said Kennedy. “Thank you to the school and to everyone who passed by the WJCU studio to help encourage us to do the unachievable.”

WJCU is a noncommercial FM broadcast station owned and operated by John Carroll University with studio and transmitter facilities located on the JCU campus in University Heights, Ohio. The station operates on a non-stop schedule with an effective radiated power of 2.5 kW at 88.7 MHz.

Submit news about your station to radioworld@futurenet.com.

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Susan Ashworth

Inside the Feb. 9, 2022 Issue of RW Engineering Extra

Radio World
3 years 3 months ago

Radio World Engineering Extra is a deep-dive special edition of Radio World that comes six times a year and is edited by award-winning engineer Cris Alexander.

In this issue, John Schadler of Dielectric writes about why the FCC should allow computational modeling of directional FM antennas. And Andreas Hillebrand and Bill Rounopoulos discuss global remote production using Ravenna/AES67 and Amazon Web Services.

Read it here.

The post Inside the Feb. 9, 2022 Issue of RW Engineering Extra appeared first on Radio World.

RW Staff

Allow Computational Modeling of Directional FM Antennas

Radio World
3 years 3 months ago

The author is vice president of engineering, Dielectric LLC. This article is based on a paper prepared for the NAB Broadcast Engineering and IT Conference of the NAB Show and is published with permission. Proceedings of the conference are available at https://nabpilot.org/beitc-proceedings/.

Abstract: There are approximately 900 Class A directional FM stations licensed in the United States. Many reasons exist to directionalize an FM antenna, including maximizing signal coverage over a designated market area (DMA), reducing lost signal over unpopulated areas, shaping the pattern to fit within the station’s authorized footprint and conforming to the rules stated in Title 47 CFR 73.316.

Currently, applications proposing the use of directional antenna systems must include a tabulation of the antenna pattern through measurements performed on a test range of either full scale or 4.4:1 scaled model setup.

It has been requested that the FCC acknowledge that the public interest will be served by the commission accepting computational modeling of directional FM antennas in lieu of physical measurements of antenna characteristics and/or performance for purposes of applications and licensing.

Products such as Ansys HFSS are 3D electromagnetic (EM) simulation software tools for designing, simulating and evaluating high-frequency electronic products such as antennas, antenna arrays and RF or microwave components. The use of 3D high-frequency simulation will in many ways yield results that are superior to traditional range measurement proofs, in terms of accuracy.

Since simulations are done in a true free-space environment, any issues with the range or anechoic chamber and with the surrounding environment are eliminated, resulting in more reliable azimuth patterns and H/V ratio.

The use of software also eliminates the lengthy setup and take down time of models as well as the need for a technician to adjust the model and take data points by hand, thus removing mechanical tolerances and human error affecting the data.

Another advantage of designing in a virtual environment is that the geometry can be completely optimized and not compromised by time, materials and tolerances.

This paper will go into detail on the many benefits illustrating why the FCC should authorize the use of 3D high-frequency simulation computer modeling to demonstrate that a directional FM antenna performs as authorized.

Introduction
The rule for licensing of FM directional antennas is found in §73.316(c)(2) and §73.316(c)(2)(iii) of Part 47 of the Code of Federal Regulations. It states that applications for license upon completion of the antenna construction must include a tabulation of the measured relative field pattern.

Read literally, since it asks for a tabulation of the measured relative field pattern upon completion of antenna construction, this language would seem to imply that an FM antenna must be measured after installation, through field measurements of the installed antenna, which can be quite impractical to make and would have been more so at the time that the rule was adopted in 1963.

Consequently, we assume that the rule was interpreted initially to require that FM directional antennas be measured on full-size test ranges, since such ranges were available then for characterizing both the azimuth and elevation patterns of broadcast television antennas.

In 1976, Matti Siukola, RCA scientist and unit manager of advanced development for RCA Broadcast Systems, presented his paper “Pattern Optimization of FM Antennas” at the NAB symposium.

Siukola proposed parasitic elements to be used as directors or reflectors in either horizontal or vertical positions to directionalize a simple FM antenna. In the same paper, Siukola also proposed the more economical use of scale modeling.

It has now been 45 years and basically nothing has changed regarding FM broadcast pattern verification. Interestingly, characterization of azimuth patterns has evolved in all other broadcast services such as AM radio and television.

The commission has a history of accepting computer modeling
The procedures required or allowed by the FCC for characterization of antenna azimuth patterns vary quite markedly between broadcast services: AM radio, FM radio and television.

It is notable that, while the rules for directional antennas for FM and TV were similar at their initial publication in 1963, there were a few significant differences between them that have led to different procedures over the years.

The most significant difference between the two approaches to directional antenna rules was that the FM rules required a “means (such as a rotatable reference antenna) whereby the operational antenna pattern will be determined prior to licensed operation and maintained within proper tolerances thereafter,” while the TV rules had no such requirement.

So, while the FM rules required a method for producing a “proof of performance” on the antenna prior to its use and for its maintenance over time thereafter, the TV rules did not.

The main difference between the two sets of 1963 rules is that the FM rules require that measured pattern performance data for a directional antenna be submitted as part of the application for a license to cover the corresponding construction permit once the antenna has been installed. The current TV rules (including the DTV rules) only require pattern data for a construction permit and don’t define whether that data must be derived through measurements or can be the product of calculations. The real-world results of this rule difference are that directional TV antennas and their patterns are specified almost exclusively using calculations, which, over time, have migrated to computational modeling of the antennas.

When comparing the three fundamental broadcast services and the treatment of their directional antennas in the commission’s rules, the AM antenna rules were updated over a decade ago.

In 2008, use of the Method of Moments (MoM) computer modeling, based on the Numerical Electromagnetic Code (NEC), was permitted as pattern verification for AM services. This approach provides considerable savings in time and cost for antenna manufacturers and ultimately for the broadcasters who purchase the antennas.

As discussed above, the TV/DTV rules already are flexible enough to permit use of computer modeling both for the design of antenna patterns and for the testing of the antenna’s performance without the need for physical models. That leaves only directional antennas for FM broadcasting with the requirements and burdens of having to go through the steps of first building models of antennas, measuring those models and collecting the related data.

RF Computer Modeling Outside the Broadcast Industry
Not only has the commission approved software modeling for AM directional antenna array proof of performance, but it has approved proof of performance for medical devices and RF radiation exposure evaluation of portable devices as well.

The high level of accuracy that simulation software provides has allowed a wide range of RF device manufacturers to significantly reduce the cost and time associated with proof of performance to the commission.

Computer Modeling — Repack
The timeline of the broadcast repack created a unique situation in the industry. Since many broadcasters needed new antennas and RF systems in a short amount of time, creative engineering solutions to reduce lead time had to be found.

The adoption of 3D high-frequency simulation to gather impedance, phase and amplitude data allowed for expedient antenna design and eliminated many limitations. This process has been successfully used at Dielectric to design more than 1,000 antennas since the beginning of the repack.

In addition, electrical design time was reduced from several weeks to less than three days. The manufacturing space needed to store physical models and house anechoic chambers has been repurposed to further accommodate manufacturing needs. This process has proven to produce more accurate designs, which is evident in the reduction of test time needed to bring the full antenna into specification.

It is safe to say that, without the use of virtual simulation, it would have been essentially impossible to design, manufacture, test and install the nearly 1,000 antennas that had to be replaced to complete the Post-Incentive Auction Spectrum Repack in the minimal time allowed for the process.

Fig. 1: DCR-Q Quadrupole FM-style antenna designed and manufactured for Channel 3 during the repack.

It is worthy to note that, in the television spectrum repack, as some TV stations moved from UHF to Low-VHF, they needed new directional Low-VHF antennas. In several cases, the designs used were those of FM directional antennas scaled to be larger, to work at the lower frequencies of TV Channels 2.6.

Because they were to be licensed for use by TV stations, the new Low-VHF antennas could be developed and proved with all the latest computer modeling techniques for design, manufacturing and testing. Had those very same antenna designs and patterns been constructed for the purpose of use a few MHz higher, in the FM band, only because of the differences in the FCC rules, it would have been necessary to physically model them prior to building them and to physically measure them to collect data for submission to the FCC during the licensing process.

Fig. 1 shows a quadrupole ring antenna typically used for FM broadcast design for the use at TV Channel 3.

Range Measurement Accuracy
An important part of range antenna pattern measurements is the alignment and reflectivity of the range. Alignment typically relies on mechanical bore sighting with the assumption that the antenna used to transmit the signal to the device under test (DUT) is perfectly electrically aligned. Alignment accuracy is therefore limited by both mechanical and electrical constraints.

The principle reason for the pattern to deviate from what would be expected from an idealized range are reflections from the range surface, surrounding objects, the positioner and the cables used to feed the antenna. Sometimes signals from external sources also pose a problem. The field at a point in the aperture under test is the phasor sum of the test signal and the extraneous signals. The relative amplitudes and phases of the desired and extraneous signals will vary with position along the test aperture causing constructive and destructive additions, thus producing a measured pattern that will depart from the free space expected pattern. (See “National Association of Broadcasters Handbook, 11th Edition,” 2018. Chapter 10.8, “VHF and UHF Television Antenna Test Range Measurements,” John L. Schadler.)

Fig. 2: Range measurement error.

Range measurement accuracy limitations are removed with the use of computer simulation.

Mechanical Tolerancing and Human Error With Physical Modeling
Software eliminates lengthy setup and take down of models as well as the need for a technician to be physically present to adjust the model and take data points by hand. Accuracy is improved greatly using simulation as it removes mechanical tolerances and human error affecting the data. Information that is traditionally recorded by hand, such as radiator location and parasitic sizes and locations in space is replaced by a simple exportation of the computer model. The full three-dimensional model can be sent directly to 3D CAD software for detailed component manufacturing and installation instructions, eliminating the possibility of documentation error and physical measurement inaccuracies.

Automated Optimization
Another advantage of designing in a virtual environment is that the geometry can be completely optimized and not compromised by time, materials and tolerances. Variables can be automatically adjusted, and complete data tables exported for the next step in the design process. This is done through an artificial intelligence. An optimetric setup can simultaneously solve any combination of pattern shapers, parasitics and radiators positions in space to find best fit solutions. Trial and error techniques traditionally used to develop the geometry necessary to produce a desired pattern is replaced by this artificial intelligence optimetric process. Criteria are set based on the desired azimuth and FCC regulation and multiple antenna configurations can be run in parallel to reduce overall study time.

Significance of Polarization Ratio
The rules under 47 C.F.R. §73.316 state that the supplemental vertically polarized effective radiated power (ERP) required for circular or elliptical polarization shall in no event exceed the effective radiated power authorized.

Since in most cases, broadcasters consider the vertically polarized component more important than the horizontal and tend to maximize their vertical signal, accurate polarization measurements are important.

Range measuring the polarization ratio at any point in space with accuracy is difficult. Since no range is completely free of reflection and the fact that horizontal and vertically polarized waves reflect differently, the accuracy in the ratio is limited by the range reflectivity. Polarization ratio range measurement accuracy is also limited by the transmit antennas horizontal and vertical polarization pattern congruency.

If the transmit antenna is linearly polarized and is spun from horizontal to vertical for polarization tests on the DUT, the assumption is that the beam is perfectly straight and has no wobble. If separate radiation paths are used to measure the polarizations, such as switching between crossed dipoles, the assumption is that each of the patterns and gains of the two paths are identical.

Each of these sources for error is eliminated with the use of 3D high-frequency simulation.

Comparison of Physical Model Measurements and Computational Simulation
To show the validity of computer modeling in place of physical modeling of FM directional antennas, an example design using both methods, i.e., physical modeling and computational modeling of the same antenna, are compared.

Fig. 4: A 4.4:1 scaled model antenna test.

In the example design, a directional pattern study for Station WHEM, 91.3 MHz, Eau Clair, Wis., was performed on a scale model FM test range using a scaling factor of 4.4:1 for all elements involved in the study.

The scaled elements included a model of an antenna bay and identically scaled models of parasitic elements and the mounting pipe to be used by the station. All the scaled model components were rotated through 360 degrees while receiving a signal at the appropriately-scaled frequency from a linear cavity-backed source antenna.

The horizontally and vertically polarized azimuth patterns were measured in an anechoic chamber test range. The signal source and scale-model antennas were mounted at identical elevations and at opposite ends of the test chamber. A network analyzer was used to supply the RF signal to the source antenna at 4.4 times the fundamental FM frequency (i.e., at 401.72 MHz) and to receive the signal intercepted by the antenna under test.

A photograph of the scale-model pattern study configuration is shown in Fig. 4.

Fig. 5: HFSS model used for simulation.

This directional pattern study was replicated in the Ansys HFSS environment using the full-scale CAD model of this antenna bay, mounting pipe and parasitics at the fundamental frequency of 91.3 MHz six years later. See Fig. 5.

The original results of the scaled model directional pattern study were accepted by the customer and demonstrated both proof of performance and FCC pattern envelope compliance in both the horizontal and vertical planes. A statistical measure of the relationship between two sets of data can be analyzed using the correlation coefficient (r). A correlation coefficient of r = 1.0 represents a perfect match. It can be used as the figure of merit to determine how closely the range measurements match the HFSS calculations.


Where:
xi = x values in sample
x̅ = mean of the x value samples
yi = y values in sample
y̅ = mean of the y value samples

Fig. 6 displays the overlaid horizontal and vertical polarization patterns and the FCC pattern mask. As can be seen, the results of the Ansys HFSS directional pattern study very closely match the results of the scaled model study.

The horizontal polarization azimuth pattern for both the scaled model study and the simulated pattern study have a maximum deviation of 1.67 dB and a minimum deviation of –1.39 dB compared to the scaled model study. The correlation coefficient for the horizontal polarization is 0.986 and 0.960 for the vertical polarization. The figure also shows that the computationally simulated antenna exceeds the FCC pattern mask in the vertical polarization pattern by a minimal amount. It must be noted that if computer modeling was used in 2015 at the time of this study, modifications would have been made to bring the vertical component inside the FCC protect.

Fig. 6: A 4.4:1 scale model physical testing vs. HFSS simulation.

Conclusion
The tools that were available when the current rules for FM directional antennas were developed in 1963 only included full-size or scaled modeling of antennas, combined with physical measurements, to approximate the characteristics that would be obtained when an antenna was installed.

In the decades since then, computational methods have evolved to enable more accurate and precise predictions of the antenna performance. The FCC has for decades relied upon manufacturers of FM directional antennas with engineering personnel who can apply the necessary skills to design and test broadcast antennas. The basic knowledge, experience and expertise requirements with respect to antenna design and modeling remain the same when the newer computational modeling techniques are applied as was the case prior to their availability.

It therefore stands to reason that the manufacturers of FM directional antennas should be permitted to apply the new tools at their discretion and that the FCC should accept the results of computational modeling as being just as valid as the results from physical construction and measurement of either full-size or scaled models of antennas.

A special thank you to S. Merrill Weiss, president of Merrill Weiss Group LLC, for his contributions to this topic. He is responsible for the writing and submission of the Petition for Rule Making to the FCC, “Computational Modeling of FM Directional Antennas.” Portions of this paper are based on that work.

The post Allow Computational Modeling of Directional FM Antennas appeared first on Radio World.

John Schadler

Audio Streaming Metadata is in the Spotlight

Radio World
3 years 3 months ago

There’s a new effort afoot to develop a guideline for the use of metadata that accompanies audio streamed by radio stations.

The National Radio Systems Committee is a technical standards-setting body co-sponsored by the National Association of Broadcasters, representing the transmission side of the radio broadcast industry, and the Consumer Technology Association, representing the reception side.

The NRSC’s Metadata and Streaming Work Group, or MSWG, has a new chair, consultant David Bialik of David K. Bialik & Associates, succeeding Alan Jurison. That working group is part of a larger Data Services and Metadata Subcommittee, or DSM, chaired by Steve Shultis, CTO of New York Public Radio.

Bialik, whose articles about streaming and work at the AES are familiar to Radio World readers, will be responsible for leading development of NRSC-G304, a guideline for streaming audio metadata.

“David’s expertise in the area of streaming for broadcast audio will be put to good use as the new chair,” Shultis said in the announcement. “Radio broadcasters rely increasingly upon their audio streams and the NRSC is eager to help develop better standards in this area.”

The planned document is a guideline for radio broadcasters describing how to use metadata on the streaming audio versions of radio broadcast programs, Bialik told me.

“It focuses on the HTTP live streaming (HLS) method of audio streaming as this has become a de facto standard within the radio broadcasting industry.”

People who are interested in participating in this work should email David Layer at dlayer@nab.org.

Comment on this or any article. Write to radioworld@futurenet.com.

The post Audio Streaming Metadata is in the Spotlight appeared first on Radio World.

Paul McLane

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