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Radio World

Community Broadcaster: Coronavirus Education

Radio World
5 years 3 months ago

The author is membership program director of the National Federation of Community Broadcasters. NFCB commentaries are featured regularly at www.radioworld.com.

The last 10 days have seen fears escalate dramatically as news of the spread of coronavirus took center stage. The U.S. stock market tumbled. Japanese schools and industries came to a standstill. International diplomacy was tested in countries with travel to and from Asia. Coronavirus fears even entered the Democratic debates and the impending U.S. national election. To get a sense of the tensions worldwide, the New York Times set up a page of rolling updates.

While coronavirus has yet to strike the United States, many officials have said the illness’ arrival is only a matter of time. Such fears should only prompt federal, state and county leaders nationwide to ensure their area noncommercial media, including community radio, is at the table.

[Read: Community Broadcaster: Looking Up]

As I have written in past columns, community radio plays a crucial role in emergency preparedness. In rural areas, we are at times the only live, local media available. When there is misinformation and uncertainty, trusted local voices can make a huge difference and avert further tragedy.

With more attention squarely on emergency preparedness, now is the time to clearly state the necessity of noncommercial media.

America’s Public Television Stations President Pat Butler made the case for noncommercial media as an important partner in federal efforts to protect the public. His remarks came amid news that the Corporation for Public Broadcasting would be seeking support from the Department of Homeland Security for the first time.

“After 10 years of making do or doing without, that situation needs to change,” Butler said, according to Current. Given the rise in potential health emergencies, along with the earthquakes, fires and other calamities nonprofit media outlets inform the public about, funding for radio appears overdue.

The Federal Communications Commission has done regular check-ups on the nationwide Emergency Alert System. While the latest FCC analysis indicates compliance improvements, the General Accounting Office says more must be done. Moreover we can’t pretend everyone’s mobile phones will do the trick. Radio remains central to people globally, and America must fast-track community media in its emergency preparedness planning.

By the way, the 10 years Butler is referring to is the Public Telecommunications Facilities Program, which Congress eliminated in 2010. PTFP helped many stations make tremendous infrastructure strides. Many stations need federal investment to make sure their communities are safe.

Some states are already on the move related to this matter. California Gov. Gavin Newsom stated radio is a big part of preparedness in his state as those travelling overseas return. New York State is also including radio as part of its response and education endeavors.

However, station leaders should not wait to be called. Touch base with county and state leaders. Reach out to members of Congress in your region. There is no greater service you can provide than stepping up in a time of need.

 

The post Community Broadcaster: Coronavirus Education appeared first on Radio World.

Ernesto Aguilar

iHeartMedia Gives Few Details on Modernization Plan

Radio World
5 years 3 months ago

There was a lot of talk about “deleveraging balance sheets” and “improving capital structure,” but iHeartMedia’s fourth quarter 2019 earnings call on Thursday gave little new insight into the transformative shift in business operations the broadcaster announced in January.

iHeartMedia, which emerged from Chapter 11 bankruptcy in May 2019, said its modernization initiatives will take advantage of new technologies in order to create operating efficiencies, according to the company’s earnings statement. iHeartMedia let go over 1,000 employees last month and said it will create what company executives call “AI-enabled Centers of Excellence” located in select cities. According to the company’s 10-K filing with the U.S. Securities and Exchange Commission, it still has 11,400 employees.

[Read: iHeart Defends Painful Change]

Those modernization initiatives at iHeartMedia, which operates 856 radio stations in approximately 160 markets, are expected to deliver $100 million in cost savings for the company by the middle of 2021, according to Thursday’s financial release.

Analysts during Thursday’s earnings call raised the issue of localism and whether iHeartMedia’s ratings could be hurt following all the staff cuts.

“We don’t think the quality will go down, but rather it will go up. We want the best programming in each market. Distance is no longer an issue in our business and our ability to project the best talent we have to any location any time is a substantial advantage for us,” said Bob Pittman, chairman and CEO of iHeartMedia.

iHeartMedia did disclose it anticipates seeing its real estate expenses jumping this year as it consolidates some broadcast facilities and downsizes others.

“Our investments in these modernization initiatives are expected to result in an increase in incremental capital expenditures related to real estate optimization of approximately $40 to $50 million in 2020. While we expect some additional capital expenditures impact from our modernization in 2021, the majority of this investment in capital expenditures is expected to impact 2020 and to be weighted to the second-half of the year.”

He added, “Additionally, we anticipate approximately $45 to $55 million of restructuring costs related to achieving our cost savings,” the company said in its financial statement.”

Overall revenue for the company came in flat for the fourth quarter of 2019 at $1.0261 billion compared to $1.0263 billion in Q4 2018. Broadcast revenue declined 2.7% in the last quarter to $611.79 million compared to Q4 2018, according to financial statements. Part of that drop is attributable to less political ad revenue in 2019, company executives said. Broadcast remains the company’s largest source of revenue.

For the year in 2019 overall revenue for iHeartMedia was $3.6 billion, up 2.0% from the previous year. Broadcast revenue for the year dipped overall by 1.4% to $2.2 billion.

“As the number one audio company in the U.S. based on reach, we look forward to expanding our unequaled multiplatform leadership position and leveraging the investments that we have made to modernize our infrastructure and become more efficient, effective and competitive,” Pittman said.

Premiere Networks and Total Traffic & Weather, both owned by iHeartMedia, generated revenue of $614.7 million in 2019 compare to $582.3 million in 2018, according to the company’s financials.

The broadcaster, which also owns online music service iHeartRadio, has seen its stock price drop this week right along with most of the market. Thursday’s price closed at $14.96, a slide of 6.1% for the day. It’s carrying $5.3 billion in debt even after emerging from bankruptcy protection just last year.

Pittman said the “audio environment has never been more exciting,” and at least part of his excitement can be traced to podcasting. The company did see gains in digital revenue, which were driven mainly by podcasting. iHeartMedia is the largest commercial podcast publisher, according to Podtrac, a third-party download service. Digital topped $376 million in revenue for the year, which is an increase of 32.2% over 2018.

 

The post iHeartMedia Gives Few Details on Modernization Plan appeared first on Radio World.

Randy J. Stine

User Report: Tieline ViA Is a “Magical Box”

Radio World
5 years 3 months ago
Play-by-play announcer Greg Wrubell, pregame and postgame show host Ben Bagley and color analyst Riley Nelson team up with the Tieline ViA.

The author is senior broadcast radio engineer for BYU Broadcasting.

PROVO, Utah — In the fall of 2016, as a senior broadcast engineer, I was given the engineering responsibility for studio and transmission functions for the radio stations at BYU Broadcasting, which is located on the Brigham Young University campus in Provo, Utah. The radio stations consist of KBYU(FM) 89.1 MHz HD, BYU Radio HD2, and KUMT(FM) 107.9 KHz. 

At the broadcast center, BYU Radio, in concert with the BYU Athletics department, produce and provide play-by-play and game analysis, for football, basketball, soccer and baseball games live over air, including webstreams. In 2018, we also assumed responsibility for the distribution of our live sporting events to our radio affiliates. 

With this new responsibility added to the mix of our radio sports operation, there was a separate request to increase the number of live sporting events. This means we can air two, occasionally three, different sporting events simultaneously. However, we can’t hire four or five remote engineers and send them jet setting across the USA — that cost was not an option for us. But there was another way. 

With the exception of football, our sports announcers are required to travel with the remote mixing gear, and then mix/engineer their own shows.

Of course, that is a double-edged sword! Doing this reduces the amount of engineers needed to travel, but then you are relying on your talent to have at least some basic audio mixing skills.

SOLUTION

To perform this miracle, I needed to find a magical box. A remote unit that would be ridiculously easy to use, insanely versatile and, last of all, be intrinsically redundant like never before. 

When I attended the NAB Show last year, I visited the Tieline booth. I had previously purchased a Tieline product called Merlin. What a great name for a product that comes from a company that I consider to be the wizards of remote connectivity.

I was so impressed with this unit, I wanted to give Tieline the first crack at this unknown magic box I had conjured up, a Swiss Army Knife of radio remote codec units. I was not expecting to get all of the requirements on my list checked off. Well, to my amazement Tieline did have one such unit in its arsenal of remote weaponry: the ViA. 

I have no idea why it’s called the ViA, but after my demo, ViA stands for Very Intelligent Apparatus. My magic box was a reality. 

ViA is a compact unit that can handle a three-headset mix, plus one aux bus that can have analog, digital, or USB sources routed to it. It features a beautiful touchscreen display that makes navigating menus a breeze and is equipped with a good size rechargeable battery, which will keep you on the air and running when the power goes out. (Trust me I know.) It includes AGC, compression, gating, filters, EQ on each channel. Also, there’s a built-in SD card stereo/mono recorder and playback device with full library recall, custom playlist option, mixing ability and a full blown matrix and cue routing control. 

There are more features on this box that I could write about, but consider this: A person can take this little unit, add the new dual LTE module and three headsets on the road, set up in the middle of nowhere with no power, connect up with dual bonded LTE SIM cards and broadcast for two hours without a hitch. You’ll quickly become a believer in Tieline. ViA is the real deal. 

CCC 

Let me finish by commenting on a Tieline product that works with their remote gear line, which of course includes the ViA. This product is the Cloud Codec Controller. 

No matter where the ViA is located in the U.S., as long as it is turned on with an internet connection (LAN, LTE or wireless) and assigned an IP address, I will be able to connect to the unit via the CCC software and have complete control of it. And I really mean complete control, just as if I were standing right in front of the unit itself. 

That was the feature that won my full allegiance to the Tieline company. It gave me the peace of mind and confidence that sending the ViA on the road with no engineer, is not only doable, but is now the active protocol. In reality, there really is an engineer with the unit; he just happens to be sitting at his desk computer back at the station, making any necessary adjustments. 

The Tieline ViA was a golden find. As for Tieline, they are the Swiss Army Knife of remote radio broadcasting.

For information, contact Dawn Shewmaker at Tieline U.S. in Indiana at 1-888-211-6989 or visit www.tieline.com.

The post User Report: Tieline ViA Is a “Magical Box” appeared first on Radio World.

Sean Fahey

Trends in Automation for Radio: 2020

Radio World
5 years 3 months ago

The term “automation” has come to mean so much more in 2020.

Radio World asked the sponsors of our new automation trends ebook to share their views on the state of their sector. We invited them to comment on what they are thinking about now and for systems in the future.

How far along is our industry in moving automation to the cloud, and what are next emerging steps?  What are the new most relevant features and capabilities that these systems are bringing to radio operations? How can you reduce your risk from ransomware? How are systems from various ecosystems working together? Will “the cloud” replace brick and mortar studios?

Read how they answered inside.

The post Trends in Automation for Radio: 2020 appeared first on Radio World.

RW Staff

NAB Sneak Peek: Heil Sound Debuts PR 37 Vocal Mic

Radio World
5 years 3 months ago

Heil Sound has launched its new PR 37 vocal microphone.

Aimed towards professional vocalists, the new microphone is said to have an upper mid-range response designed to cut through a mix. It features a 1.5-inch diameter dynamic element and has a frequency response from 50 Hz to 18 kHz and output level of -51 dB @ 1000 Hz.

The company worked with several FOH mix engineers, both with the initial design and subsequent field testing of the new microphone. John Hopkins, FOH for the bands Sleep, Uncle Acid and the Deadbeats, stated, “The PR 37 immediately moved to the top of the list for my go-to vocal mic. It’s a super transparent mic and the rejection of stage noise is incredible.”

Adam Pike, working with Red Fang noted, “The Heil PR 37 is a beast. Very rich and smooth low-mids along with the pristine high-mids that Heil is known for. The extremely sturdy casing is also a great added bonus.”

The PR 37 is expected to begin shipping in July, retailing at $269.

NAB Show Booth: C2956

Info: www.heilsound.com

 

The post NAB Sneak Peek: Heil Sound Debuts PR 37 Vocal Mic appeared first on Radio World.

RW Staff

2020 Crystal Radio Awards: Finalists Announced

Radio World
5 years 3 months ago

The National Association of Broadcasters has narrowed down the entries in this year’s NAB Crystal Radio Awards program to 50 finalists.

The finalists are:

  • KBFB(FM) Dallas
  • KCLY(FM) Clay Center, Kan.
  • KKZY(FM) Bemidji, Minn.
  • KMVP(FM) Phoenix
  • KPWJ(FM) College Station, Texas
  • KRMG(FM) Tulsa, Okla.
  • KRSP(FM) Salt Lake City
  • KRWM(FM) Bellevue, Wash.
  • KSFI(FM) Salt Lake City
  • KSL(FM) Salt Lake City
  • KSTP(FM) St. Paul
  • KTAR(FM) Phoenix
  • KTMY(FM) St. Paul, Minn.
  • KUBL(FM) Salt Lake City
  • KUPD(FM) Phoenix
  • KVTY(FM) Lewiston, Idaho
  • KWHL(FM) Anchorage, Alaska
  • KWLM(AM) Willmar, Minn.
  • KXKT(FM) Omaha
  • KZFN(FM) Moscow, Idaho
  • KZKX(FM) Lincoln, Nebraska
  • WBUL(FM) Lexington, Ky.
  • WBYT(FM) South Bend, Ind.
  • WBZZ(FM) Pittsburgh
  • WCCO(AM) Minneapolis
  • WDNS(FM) Bowling Green, Ky.
  • WDRM(FM) Huntsville, Ala.
  • WDSY(FM) Pittsburgh
  • WFEZ(FM) Hollywood, Fla.
  • WHPT(FM) St. Petersburg, Fla.
  • WHUB(FM) Cookeville, Tenn.
  • WHUR(FM) Washington, D.C.
  • WIL(FM) St. Louis, Mo.
  • WJJY(FM) Baxter, Minn.
  • WKQI(FM) Detroit, Mich.
  • WKRQ(FM) Cincinnati
  • WLBC(FM) Muncie, Ind.
  • WMCI(FM) Mattoon, Ill.
  • WQNZ(FM) Natchez, Miss.
  • WRBR(FM) South Bend, Ind.
  • WREW(FM) Cincinnati, Ohio
  • WSGW(AM) Saginaw, Mich.
  • WSUN(FM) St. Petersburg, Fla.
  • WTAW(AM) College Station, Texas
  • WTFX(FM) Louisville, Ky.
  • WTMJ(AM) Milwaukee
  • WUBE(FM) Cincinnati
  • WUSL(FM) Philadelphia
  • WUSQ(FM) Winchester, Va.
  • WWJ(AM) Detroit

Finalists and winners will be recognized Tuesday, April 21, at the We Are Broadcasters Celebration on the main stage at the 2020 NAB Show.

[Learn about the 2019 Crystal Radio Award winners]

Last month, NAB announced that Cedar Falls, Iowa’s KCVM(FM) will be honored with the Crystal Heritage Award.

The NAB Crystal Radio Awards were introduced in 1987 to highlight radio stations’ community service efforts.

The post 2020 Crystal Radio Awards: Finalists Announced appeared first on Radio World.

RW Staff

2020 NAB Show: Schedule, Exhibitor Info, Updates

Radio World
5 years 3 months ago

This article is updated periodically. We will add information as we learn more about the 2020 NAB Show and colocated events.

The 2020 NAB Show is scheduled for April 18–22 and will be held at the Las Vegas Convention Center.

The annual trade show is expected to draw some 90,000 attendees and more than 1,600 exhibitors to the Nevada desert to learn about broadcast and entertainment industry trends, experience new technology and research gear to purchase. 

BROADCAST ENGINEERING & IT CONFERENCE

The Broadcast Engineering & Information Technology Conference track begins Saturday, April 18 and runs through Wednesday, April 22. Sessions will be held in the North Hall Meeting Rooms of the Las Vegas Convention Center.

According to the NAB Show website, this year’s BEITC has a “decidedly forward-looking focus” due to technical presentations with an “emphasis on next-generation systems throughout the media-delivery ecosystem.”

BEITC education partners include IEEE Broadcast Technology Society, Society of Broadcast Engineers and the North American Broadcasters Association.

Find information about the agenda and speakers as the program is filled in on the BEITC page at the NAB Show website. 

KEYNOTES

FCC Chairman Ajit Pai is scheduled to speak with NAB President and CEO Gordon Smith during the NAB Show Welcome event on Monday, April 20. According to the announcement, they will discuss communications policy issues currently on the FCC’s docket, including spectrum policy and media ownership.

ACHIEVEMENT IN BROADCASTING DINNER

The Achievement in Broadcasting Dinner is scheduled for Monday, April 20, at the Encore in Las Vegas. The evening will feature Broadcasting Hall of Fame Award inductions and presentation of the NAB Digital Leadership Award to Entercom Chief Digital Officer J.D. Crowley.

The event is by invitation only, according to the NAB Show website.

EXHIBITOR INFORMATION

NAB Show says the 2020 show floor will feature more than 1,600 exhibitors and several pavilions of “exhibitor communities” and subject-specific theatres.

PRODUCT PREVIEWS

Every year, we highlight notable product introductions as we learn about them. Here are those we’ve covered so far:

  • 2wcom Debuts HDR-CC
  • Dielectric Releasing Switch Controller
SBE ENNES WORKSHOP

The Society of Broadcast Engineer’s annual Ennes Workshop is scheduled to kickoff Saturday, April 18, at 9 a.m. at the Las Vegas Convention Center. 

To attend, you must register for the NAB Show, selecting either a Conference Pass, Session Three-Pack or BEITC Pass, all of which are available to SBE members for a discounted price.

APRE PRE CONFERENCE

The Association of Public Radio Engineers will host its annual Public Radio Engineering Conference April 15–17 at the Tuscany Suites & Casino. 

Attendees are required to register and pay in full prior to the event. 

Contact Jobie Sprinkle via 877-887-2261 for more information.

CORONAVIRUS CONCERNS

The National Association of Broadcasters “affirmed” its plans in a mid-February press release amid growing concerns over the potential impact of the COVID-19 outbreak, also known as coronavirus.

The announcement noted, “While the NAB stands firm in its commitment to hold the convention as planned, the health and safety of attendees and participants are NAB’s top priority.” However, the same release emphasized business as usual — or better — ahead of the event: “NAB Show has experienced an uptick in exhibit sales, attendee registration and hotel bookings in recent weeks, and conference program speakers are confirmed daily.”

NAB has created a COVID-19 resource page for NAB Show attendees and exhibitors, featuring updates related to the trade show as well as information about steps NAB and the LVCC are taking to ensure the health of all involved. 

Because the coronavirus disease 2019 was first identified in Wuhan, China, and is widely believed to be the epicenter of the outbreak, NAB Show organizers also indicated that they will continue to “evaluate options for those unable to attend due to travel restrictions.” However, they emphasized that fewer than 2% of 2019’s total registered attendees came from China.

The post 2020 NAB Show: Schedule, Exhibitor Info, Updates appeared first on Radio World.

RW Staff

Brave New Radio Airs Live From Marconi’s Home

Radio World
5 years 3 months ago

PONTECCHIO MARCONI, Italy — The first time I saw Guglielmo Marconi’s childhood home, I felt as if I was entering hallowed ground.

Villa Griffone is the childhood home of Guglielmo Marconi.

After 30 minutes of driving from central Bologna, located in the Emilia-Romagna region northern Italy, the roads became smaller and the landscape of farms lined with pencil-shaped Cypress trees opened up. We were presented with a lush, rolling countryside accentuated with picturesque Italian villas, some of which are hundreds of years old.

Then we made a hard left turn off the small road in the village of Pontecchio Marconi, and carefully drove toward

Guglielmo Marconi’s house on an old bumpy road. Driving down the long driveway, we saw rising before us a magnificent buttery yellow house, with three floors, 17 front-facing windows and a circular driveway in front of its heavy, green doors.

MAKING HISTORY

These are the same doors that a young Marconi would have used thousands of times as a child growing up in his father Giuseppe’s house. The huge house, called “Villa Griffone,” is a remarkable place in its own right, but what has secured its place in history and as a national Italian monument is the fact that it was in this house that radio as we know it was invented. The successful experiments that young Marconi conducted, remarkably without having received a college degree or much formal education, would reverberate around the world and forever change wireless communications history.

I was here with a small team from William Paterson University, where I am professor and chair of the communication department, to create a moment, albeit small, of radio history. Our radio station, WPSC — Brave New Radio, was here to broadcast a live, three-hour show on World Radio Day (Feb. 13), as well as to launch a brand-new radio station called Outside Radio.

Rob Quicke (left) stands with Professor Giovanni Emanuele Corazza.

To make the event even more remarkable was the fact that it was also happening in the 125th anniversary year of Marconi’s first successful wireless transmissions from that very house in 1895. We would be broadcasting to the world in the very place that radio technology was invented. We would also be launching a radio station that we had somehow had a hand in inspiring from our own studios back at William Paterson University, New Jersey.

Back in August 2019, Giovanni Lenzi, an Italian student visiting us from Bologna, experienced two weeks at our radio station, Brave New Radio. That experience, as part of our Summer Youth program, proved to be a remarkable one. Under the guidance and training of one of our students at the station, Bridget Charlton, Giovanni was able to take to the mic at the end of the two weeks and have his own radio show.

Giovanni is autistic, and his ability to communicate so fluently and passionately on the radio astonished his family and friends. It was as if sitting in front of a microphone unlocked his ability to communicate. The radio station literally helped him to find his own voice.

Deeply moved by this event, Giovanni’s father, Alberto, was inspired to create Outside Radio in Italy for his son, and others like him, who could present radio programming from their point of view and find inclusion for those who may struggle with special needs. It was a radio station for outsiders to create programming not heard anywhere else.

COINCIDENCE

The official promotional graphic for the event.

Shortly after Giovanni’s summer experience, Alberto flew over to see our radio station for himself. As he was about to leave, we passed our trophy cabinet, and I pointed out our Marconi Radio Award that the National Association of Broadcasters had awarded us in 2018 for Non-Commercial Radio Station of the Year. It’s an award that is considered the highest accolade possible in the radio industry, and we are very proud of it. Alberto responded with delight, “Wow! Did you know Marconi was born in the city where I live? Bologna.”

That seemed like an unbelievable coincidence. I suggested an idea: What if we could help launch his new radio station at the Marconi house and also coincide the launch to celebrate World Radio Day 2020? He enthusiastically agreed to contact the Marconi Foundation and propose the idea.

Soon after, we were thrilled to hear that the Marconi Foundation embraced the idea, as it was also the 125th anniversary of Marconi’s first successful wireless radio transmissions. It all seemed to come together in one, now potentially historic, event.

I contacted UNESCO, the organizers of World Radio Day, next. Alex Da Silva, at UNESCO’s department of Media Development and Society, responded positively and shared that UNESCO “want to highlight your initiative of a radio run by students with autism.” It seemed that our proposal resonated with their theme for WRD2020, which was “We Are Diversity Radio.”

The press conference at the University of Bologna. Pictured from left to right are Dr. Rob Quicke, Professor Corazza and Alberto Lenzi.

The project seemed absolutely compatible with this theme, as Outside Radio was giving a voice to those perhaps marginalized in society because of their special needs, and giving them an important outlet for their views and opinions.

SETTING THE STAGE

At 2 p.m. on Wednesday, Feb. 12, the day before the main broadcast,  I took part in a press conference at the University of Bologna, along with Alberto Lenzi, Giovanni’s father and founder of Outside Radio, and the President of the Marconi Foundation, Professor Giovanni Emanuele Corazza. The University of Bologna is the world’s oldest university, founded in 1088, and home of over 85,000 students, who busily pass through the ancient corridors and lecture rooms.

I must be honest and admit that in the press conference I did not understand anything that the other two gentlemen were saying to the cameras, but a translation of Italian was not necessary when Alberto was very emotional talking about how his son Giovanni had found his voice on Brave New Radio and now was launching his own radio station. The next day we were on the Italian TV news as well as in several newspapers and websites.

The adrenaline of being at that press conference got my heart pumping but the next day, we found ourselves setting up our remote radio studio in a room full of Marconi’s wireless inventions and a life-size photo of Marconi, who seemed to be overlooking our efforts to make this broadcast happen. The combination of excitement, nerves, and adrenaline added urgency to our preparations, and it felt surreal that this was actually going to happen. We would go live at 2 p.m.

WPSC — Brave New Radio’s, Sebastian Escobar (center) co-hosts the radio show.

Villa Griffone is the site of the Marconi Museum, dedicated to the origins and development of radio communications. After Marconi died in 1937, the villa also became the home of the Marconi Foundation, set up in 1938, to keep alive the memory of the great inventor and to continue his work promoting innovation and creativity.

The foundation is closely tied to the University of Bologna. Its president, Giovanni Corazza, is also a professor at the university. We all felt honored by his participation in our broadcast.

INTERNATIONAL PARTICIPATION

One of the many inventions in Marconi’s Museum.

Now we were about to go live from the center of a room, which had Marconi’s inventions literally surrounding us in display cabinets and on the walls. The air was thick with history and that only put pressure on us to make sure our broadcast would be successful.

Precisely at 2 p.m. local time in Bologna (8 a.m. in New Jersey), our mics went live and our broadcast began. Much that happened in the three hours we were on the air, and those that regularly broadcast on the radio know that it feels like time goes by very quickly when you are on air. This broadcast was no exception.

Some highlights of our broadcast included greetings from all around the world, such as Hong Kong, Finland, Sweden, United Kingdom, the United States, Ireland, Oman, Spain, Italy, and other countries, all recorded specifically for our program.

WPSC — Brave New Radio, student broadcaster Alyssa Robbins takes the mic.

I was also deeply proud of our communication student from William Paterson University, Alyssa Robbins, who interviewed the  Marconi Foundation’s president live and asked him some great questions. My co-host was Brave New Radio Station Manager, Sebastian Escobar, who also did a brilliant interview with Barbara Valotti, the director of the Marconi Museum. She’s an expert on Marconi’s early years, and she gave some fascinating insights into the mind of a young Marconi in 1895.

In the second hour we officially launched Outside Radio, and we presented the team of eight students with an engraved trophy from the Brave New Radio team, congratulating them on launching their station. They were clearly delighted and surprised by the gesture.

GREAT CONTENT

The Outside Radio team had recorded some great content, which we played on the air, including an interview with Marconi’s surviving daughter Elettra Marconi, who gave extraordinary insight into how she experienced her father’s legacy firsthand. They also produced and played the “Impossible Interview with Guglielmo Marconi,” a piece that imagined an interview with Marconi if he were alive today, and his thoughts about how far we’ve come with the technologies he invented.

Presenting the Outside Radio team with medals celebrating their launch.

I was also pleased with my interview with Mirta Lourenço, chief of Media Development and Society at UNESCO. She was thrilled with our launch and congratulated the team on the event and the launch of Outside Radio. It felt that our efforts had been legitimated by our recognition from UNESCO and Mirta’s kind words to us: “Congratulations! What a nice story! … How important it is that these students will be able to access and express themselves and have their own radio station. I think Marconi would be proud!”

Similarly enthused, Alberto Lenzi was both moved and moving in his words, which paid tribute to his son Giovanni and the journey that Outside Radio was now embarking upon.

Then, just before the very end of the broadcast, we surprised everyone and presented them with specially engraved medals that recognized the historic event and also the launch of Outside Radio.

A job well done! The team assembles outside after the broadcast.

When we finally closed the mics at 5 p.m. We knew that all had gone smoothly and we had accomplished something special and memorable. In the birthplace of radio itself, a new radio station had been launched. We had paid tribute to Marconi and his enduring legacy, and radio stations around the world had taken the livestream on their own airwaves and contributed material to the broadcast.

MORSE CODE

It’s hard to know for sure how many countries participated, but we estimate at least 12 countries and more than 50 radio stations were a part of this historic broadcast. We were able to use the World College Radio Day network of stations that I had co-founded to share the news of our broadcast and encourage their participation in the event.

The Morse printer, still working more than 125 years after its invention.

As we packed away the last of the microphones and rolled up all the cables, I noticed something left on the table that we had used to broadcast from. It was something that had been given to us just before the broadcast began: A very thin strip of paper that could have easily been mistaken for trash and been thrown away.

The thin strip of paper had a series of dots and dashes on it, with letters written under each series of them, denoting their corresponding Morse code letter. It read “Brave New Radio.” Just before we went on the air, one of the tour guides had set up Marconi’s equipment, the same as he had in 1895, and had tapped out our radio station name wirelessly, which then came out on a paper feed from a Morse printer next to it. We all watched with amazement, as likely those 125 years before us also had. I now held the tiny strip of paper in my hand and marveled at how something so small had been, in fact, so revolutionary. It had changed the world. Now, isn’t that something?

Dr. Rob Quicke is professor of Communication, Chairperson of William Paterson University’s Communication Department, and general manager of WPSC Brave New Radio. Dr. Quicke would like to thank Alberto Lenzi and the Outside Radio team for their kind hosting of the team for this event. We thank the live producer of the radio program, Carlo Magistretti. Dr. Quicke would also like to thank the Marconi Museum and the Marconi Foundation for their kind support and participation of this broadcast event. Thanks also to UNESCO for participating and promoting the event to its global network of participating media. Finally, thanks to William Paterson University for making it possible for the team from Brave New Radio to travel to Italy and participate in this historic radio event.  

The post Brave New Radio Airs Live From Marconi’s Home appeared first on Radio World.

Rob Quicke

NAB Sneak Peek: 2wcom Debuts HDR-CC

Radio World
5 years 3 months ago

2wcom has developed the HDR-CC, an HD Radio capture client for the delivery of additional HD Radio channels.

The company explains that by using the unit, users can set-up the importer IP address and directly connect audio to the small box’s XLR connectors. The box is able to accept one digital or analog stereo audio channel and provide it to an importer. The unit also sends the compressed audio via IP using an HD Radio codec. The HDR-CC can thus be located in a different location than the importer. Due to HDR-CC’s sound processing capabilities the loudness is almost the same as on the main program.

In addition, 2wcom says the unit simplifies audio switching for emergency alerts. Utilizing a new feature Xperi has implemented in Generation 4 importers, a single HDR-CC is able to provide the entire emergency alert for all supplemental channels on the transmitter.

The company points out that the only set-up required is an AES audio connection to the capture client and a GPI to trigger the alarm. When the alarm is triggered the HDR-CC logs into the importer and replaces all supplemental channels (HD2–HD4) with the alarm program. After the GPI is released the HDR-CC logs out and the importer continues with normal operation.

NAB Show Booth: C12431

Info: www.2wcom.com

The post NAB Sneak Peek: 2wcom Debuts HDR-CC appeared first on Radio World.

RW Staff

FCC’s Pai to Speak at 2020 NAB Show

Radio World
5 years 3 months ago

FCC’s head honcho, Chairman Ajit Pai, will make his way to Sin City to take part in a keynote conversation during the 2020 NAB Show.

Pai has been slated for a conversation with NAB President and CEO Gordon Smith during the NAB Show Welcome event on Monday, April 20, where they will discuss communications policy issues currently on the FCC’s docket, including spectrum policy and media ownership.

Also during the NAB Show Welcome event, Smith is scheduled to give his “State of the Broadcast Industry” address, as well as present the NAB Distinguished Service Award.

The NAB Show Welcome event will be at 9 a.m. on April 20 on the Main Stage in the North Hall of the Las Vegas Convention Center.

The 2020 NAB Show takes place from April 18–22.

 

The post FCC’s Pai to Speak at 2020 NAB Show appeared first on Radio World.

Michael Balderston

NAB Sneak Peek: Dielectric Releasing Switch Controller

Radio World
5 years 3 months ago

Getting out of the NAB Show gate early, antenna maker is teaming up with remote control systems developer Burk Technology to add to its transmission support products line with a new dual RF switch controller.

According to a release, “The new DRFSC [Dual RF Switch Controller] device integrates SNMP and secure web-based capabilities to streamline the management of waveguide and coaxial transfer switch activation for modern TV and radio transmitters.”

It adds, “Benefits include plug-and-play adaptability to accelerate installation, streamlined hardware requirements, and networked status monitoring with richer data sets.”

The DRFSC can control up to two, four-port RF switches to provide RF routing in systems with auxiliary transmitters and/or antennas.

At the heart is Burk’s specialized Plus-X protocol. This can provide connectivity to Burk’s ARC Plus remote control system via a network connection, allowing engineers to centralize functions with other control and monitoring applications.

Dielectric explains, “Benefits include plug-and-play adaptability to accelerate installation, streamlined hardware requirements, and networked status monitoring with richer data sets.” In addition, “The DRFSC’s integrated SNMP control differentiates the unit from other RF switch controllers on the market. SNMP is a universal networking protocol integrated with most transmitter systems currently available.”

Dielectric Western Regional Sales Manager Steven Moreen, noting the influx of modern, digitally controlled transmitters in the last decade said, “All of these transmitters have built-in SNMP capability, and we are bringing this modernized solution to our customers for the purpose of simplifying how they remotely access, control, monitor and communicate with their RF systems.”

Commenting on the technology and business partnership between the two companies, Burk Technology’s Director of Sales Matt Leland said, “This powerful combination allows customers to integrate switch control into an overall facility view with graphical control screens, automated functions and flexible alarm reporting. The DRFSC represents the next-generation solution in switch controllers. We look forward to continuing our partnership and assisting our common customers with technical support and integration.”

NAB Show Booth: C2622

Info: www.dielectric.com

 

The post NAB Sneak Peek: Dielectric Releasing Switch Controller appeared first on Radio World.

RW Staff

Connect’s Kybio to Launch as SaaS

Radio World
5 years 3 months ago

The Kybio Media end-to-end monitoring and control platform from Connect is expanding beyond its on-premises offering to a new cloud-based software-as-a-service offering, which will officially launch at the 2020 NAB Show in Las Vegas.

Kybio is designed to assist with ensuring operational continuity and efficiency across the entire value chain from media acquisition, production to distribution. As a SaaS offering, the system will now be available to consumers who may not have the man-power to deploy and maintain a full on-premise system.

[Check Out More Products at Radio World’s Products Section]

Kybio as a SaaS service will be offered with a monthly subscription that will provide access to Kybio’s entire range of functions, while platform hosting, administration and general maintenance will be handled directly by Connect.

There will be automatic software updates and corrective patches as well.

Connect will showcase the Kybio SaaS offering at booth N5206 during the 2020 NAB Show, which takes place from April 18–22.

The post Connect’s Kybio to Launch as SaaS appeared first on Radio World.

Michael Balderston

Cumulus Considers Selling Tower Holdings

Radio World
5 years 3 months ago

Cumulus Media, looking to reduce its debt load further, is looking at possibly selling some or all of its 250+ tower sites that are spread around 32 states.

President/CEO Mary Berner made the announcement on a conference call reporting annual financial results Friday. “We are considering strategic alternatives regarding our tower portfolio,” she said.

CFO John Abbot said Cumulus is the last major U.S. radio group that owns such a large collection of sticks. “Given the dynamics in the tower market where multiples are well in excess of multiples in our industry, we may be able to take advantage of a sale/leaseback opportunity that could be beneficial to us.” He emphasized that these discussions are in an early stage.

Berner said the company is also “working on ways to monetize some land we own in Nashville.” Cumulus has multiple locations in that city and is looking at possible consolidation there.

[Related: “Diplex Two Four-Tower DA Stations 60 kHz Apart? No Way!”]

Berner expressed pride in the company’s 2019 results, including growth in its digital business and “active cost management across our platforms.”

The reduction of “leverage” is an important theme for the Cumulus leaders. Abbot said debt was reduced by more than $220 million in 2019 and by more than $275 million since emergence from bankruptcy. “The company has paid down debt that equates to over $13 per share.”

Berner said, “We are optimistic about 2020 and our continuing ability to drive strong operating and financial performance while aggressively reducing net leverage.”

 

The post Cumulus Considers Selling Tower Holdings appeared first on Radio World.

Paul McLane

User Report: AEQ Phoenix Alio Helps Antenna Hungária

Radio World
5 years 3 months ago

The author is general manger for Ringnet.

BUDAPEST — Budapest is a city involved in European sports events.

Antenna Hungária is a member of the European Broadcast Union and one of the largest audiovisual service companies in Hungary. It has extensive facilities and highly qualified personnel to provide production services in Hungary for customers in radio, television and telecommunications. 

Antenna Hungária has a large fleet of OB vans and recently it was the designated host broadcaster for the European Men’s and Women’s Water Polo Championships. This competition was held in Budapest’s Duna Arena from Jan. 14 to 26 with the participation of 16 countries: Germany, Croatia, Slovenia, Spain, France, Georgia, Greece, Hungary, Italy, Malta, Montenegro, Netherlands, Romania, Russia, Serbia and Turkey.

To be able to offer the highest broadcast quality audio for the unilateral commentary signals from the event, Antenna Hungária chose AEQ’s Phoenix Alio portable IP audio codecs. Hungarian Integrator systems’ integrator Ringnet supplied five units to service fully equipped commentary positions for the Rights-Holding Broadcasters at this edition of the championship. 

The commentary service includes technical support to the RHBs, provided by Antenna Hungária in its role as host broadcaster. Such services usually involve operational and communication issues. AEQ, in turn, supported Antenna Hungária whenever required. 

SPORTS BROADCASTING

Several top-level broadcasters from Serbia, Croatia, Malta and Greece have taken up this practice. The links are mostly done by RTP protocol, and some broadcasters register the codecs on their own SIP server as an additional means of ensuring the link.

Antenna Hungária said the AEQ Phoenix Alio was effective in simple and flexible use and operation for the sports coverage. It is also able to cover other types of events such as concerts thanks to its stereo signal transmission capability. The broadcaster also uses it to broadcast political and social events. 

Alio can be controlled remotely from an app, which allows it to be handled by inexperienced users. It is sometimes given to journalists for remote reporting and guest appearances in programs via public internet connections. The Alio is controlled from the station. It has a “help” button for requesting remote technical support.

Alio is ideal for sports broadcasting. First, it can work with two independent full-duplex circuits, one for program and one for coordination. Also, because it has equalization for the microphones, it can mix the international stereo sound. Furthermore, its compact and solid design optimizes it for use outdoors with users and equipment renters, who might not always be careful with the equipment.

[Codecs Make the Magic of Radio Shine]

To interface with broadcasters in other countries, Alio can connect to other codecs from most manufacturers thanks to the SIP communications protocol (N/ACIP Tech 3326 EBU standard). This avoids requiring visiting broadcasters having to send their own equipment to events.

When connecting Alio to another AEQ codec, users can take advantage of an exclusive set of tools that makes the establishment of communication and the control of the unit a simple task, including SIP and IP (RTP) connectivity, with a simplified connection tool called Smart RTP. 

 

For information, contact AEQ in Spain at +34-91-686-1300 or visit www.aeq.eu.

The post User Report: AEQ Phoenix Alio Helps Antenna Hungária appeared first on Radio World.

Tibor Orban

FCC Preps Big Spectrum Moves

Radio World
5 years 3 months ago

The FCC will be making some big spectrum-related decisions Friday (Feb. 28) at its February public meeting that will affect broadcast and cable operators.

The commission is scheduled to vote on freeing up 300 MHz of the 500 MHz C-Band satellite spectrum for next-gen terrestrial wireless, in the process repacking satellite operators and their broadcast and cable clients into smaller space and potentially paying those satellite operators billions to exit the spectrum early.

There has been a flurry of activity at the FCC as stakeholders argue for tweaks in the item before the vote.

The meeting will also include a separate vote on proposed rules for the auction of that C-Band spectrum.

Also on the docket is a vote on freeing up more “white spaces” — the space between TV station channels — for unlicensed use by allowing for higher power and taller towers. The FCC is billing the move as a way to better close the rural digital divide.

Broadcasters have said they are willing to work with computer companies on freeing up the white spaces spectrum, but only if they have assurances it will not cause interference to their existing signals.

One of the main sticking points has been whether the FCC should allow unlicensed operations on channels adjacent to TV channels. Computer companies say they can without causing undue interference. Broadcasters are unconvinced.

The FCC will seek further input on whether that is feasible, essentially kicking that can a bit further down the road.

But wait, there’s more.

The FCC will also vote on final procedures for an auction of county-sized licenses (22,000, the most ever) for 70 MHz of midband spectrum in the 3.5 GHz band.

 

The post FCC Preps Big Spectrum Moves appeared first on Radio World.

John Eggerton

NUG@NAB Radio Technology Forum Stays on Sunday

Radio World
5 years 3 months ago

Nautel has announced details for its annual pre-NAB Show event, and registration is now open. 

The 2020 NUG@NAB Radio Technology Forum is scheduled for April 19 from 9 a.m. – 1 p.m. at the Flamingo Las Vegas’ Scenic/Twilight Ballrooms. 

The networking and educational event includes lunch. It features presentations on “broadcast transmission best practices, challenges and technology trends” from industry figures and Nautel employees. Radio World’s Paul McLane will again share his thoughts about the show’s biggest trends and technologies to watch. Additionally, McLane will present the Radio World Excellence in Engineering Award to Dave Kolesar of Hubbard Radio.

Note that participation in the NUG@NAB Radio Technology Forum qualifies for one-half of a certification credit for the Society of Broadcast Engineers. 

Registration is required, but the event is “free and open to anyone passionate about radio transmission.” Nautel says they expect more than 300 broadcasters to attend.

Nautel says it kept the Sunday schedule for this event based on attendee feedback, despite the timing change for the NAB Show itself, which had traditionally opened its show floor Monday morning and will now commence at noon on Sunday.

The post NUG@NAB Radio Technology Forum Stays on Sunday appeared first on Radio World.

Emily M. Reigart

Former Air Talent Establish Congressional Broadcasters Caucus

Radio World
5 years 3 months ago
Rep. Tom Emmer

Two broadcasters-turned-congressmen have established a new bipartisan caucus to represent the interests of local broadcasters in the U.S. House of Representatives and Senate.

Representatives Tom Emmer (R-Minn.) and Brendan F. Boyle (D-Pa.) announced the formation of the Congressional Broadcasters Caucus and explained in a press release that this “caucus will be a resource to educate members of Congress about broadcast-related issues and the importance of local radio and television stations to tens of millions of Americans.”

Rep. Brendan Boyle

Rep. Emmer previously co-hosted a morning talk show on Minneapolis station KTLK(AM), and Rep. Boyle analyzed Notre Dame football and basketball games on the radio during college.

Through this endeavor, Emmer explained he hopes to “further the conversations about how to support” the broadcast industry.

The announcement also quoted former senator and broadcaster now National Association of Broadcasters President and CEO, Gordon Smith, who said the new “caucus will serve an important role” by fulfilling its mission of discussing and solving issues of importance to the broadcast community.

 

The post Former Air Talent Establish Congressional Broadcasters Caucus appeared first on Radio World.

RW Staff

Broadcast Pix Names RadioPix Product Manager

Radio World
5 years 3 months ago
Jeff Adams

Jeff Adams has joined Broadcast Pix as a product manager, heading up the business and product development of RadioPix visual radio systems. RadioPix was introduced last year at IBC Show in Amsterdam. 

In the announcement, Broadcast Pix CEO Graham Sharp charged Adams with “spearheading our new visual radio strategy — to provide the most complete and easy-to-use solutions for live broadcasting and streaming.”

Visual radio has been an area of growth and interest for the broadcast community for several years, and Radio World explored the technology in the Trends in Visual Radio 2019 ebook. 

Broadcast Pix noted that Adams’ career comprises stints as a record label producer; radio talk show and TV host; creative executive at JamtheHype and Black Fuel Music; and manager of business development for Image Technologies and at multiCAM Systems. His behind-the-mic credits include “The Jeff Adams Show,” “The Shannon Burke Show,” “Jeff is Live,” “Broadcast Now,” “NAB Live” and the Facebook Live Streaming Platform BeLive.tv.

Broadcast Pix was founded in 2002 and is based in Chelmsford, Mass. However, Adams will be based in Lakeland, Fla. 

The post Broadcast Pix Names RadioPix Product Manager appeared first on Radio World.

RW Staff

Prevent False Hot Spot Readings With These Tips

Radio World
5 years 3 months ago
Fig. 1: Dan’s IR SEEK Camera, available from Amazon, Grainger and Allied Electronics.

Dan Grimes handles radio broadcast maintenance for the Southwest Region of Faith Communications Corp. 

Dan recently took advantage of a Telos-sponsored tips webinar provided by the Society of Broadcast Engineers. He picked up on one of the tips provided by Richard Wood, an independent consultant and principal of Resonant Results Ltd. Richard performs infrared camera inspections for all types of facilities, among other services.

In the SBE presentation, I share some of Richard’s photos, showing “hot spots” detected by his inspections. Many of these are at rigid line junctions, or elbows, where a bullet is overheating and ready to fail.

Richard’s service becomes an insurance of sorts for stations that do not want to endure the catastrophic failure of a bullet and transmission line — potentially costing the station tens of thousands of dollars in repairs and lost revenue.

Dan has been performing this maintenance inspection for the Faith Communications Corp. stations for some time. Dan uses both the Seek IR camera and an Etekcity IR gun. His warning is that both instruments can give false results when looking at a brass rigid transmission line.  

The brass is simply an IR reflector, so the reading turns out to be whatever the brass is reflecting. If a cold door is opposite the line, it reads cold. Turn over to the other side where there is a warm transmitter, and it reads hot. 

Fig. 2: (A) Rigid Line Elbow – Angle 1 at filter; (B) the IR image with no tape covering the line; (C) black tape covering the suspect right angle, reducing reflections; (D) the IR image with black tape covering the elbow. Fig. 3: Elbow number 2, measured with the IR temperature gun.

When you have a dilemma, you turn to an expert. In this case, I contacted Richard Wood, who said that false readings are actually common in IR work. The key word is emissivity. 

Richard provided a website that discusses the different reflected versus transmitted values of thermal energy from an object.

Richard added that when he took IR training, they showed how to make a highly reflective object easier to “read.” The trick was — yep, you guessed it — Scotch 33 Tape. You cover the area to be measured with the black tape, and then you measure the object, not the reflected IR value. 

Higher-end cameras allow the operator to adjust the emissity level of the measurement, but I think you’ll find the black tape is less expensive! 

Richard also typically moves around to different angles when testing new transmission lines or highly polished brass and aluminum.

Fig. 4: (A) Angle number 2, with no tape; (B) IR image of the same angle, no tape; (C) angle number 2, showing line covered with black tape; (D) IR image of same — note the “red” temperature not seen in the image with reflections.

Richard pointed out another key feature in any measurement device — the spot size ratio. This is the pattern measurement area at a given distance. Even though there may be a “laser” pointer, that does not mean that that is the only point measured.

So Richard’s suggestion is not to just “point and shoot.” Instead, put Scotch 33 tape on the elbows you want to measure. Then use the thermal gun at the same physical distance point each time. The result will be repeatable values that can be put in a log. An easy way to accomplish this is to tape the line and an X on the floor for the measurement target and send points. 

Dan provided several images to demonstrate this effect “with and without black tape.” The results are seen in Figs. 2, 4 and 5. 

Fig. 5: (A) A third junction to be measured at the bandpass filter; (B) the IR picture of the third junction, with no tape applied to the junction; (C) the third junction with tape applied; (D) the IR image of the third junction, with tape applied — normal temperatures noted.

Richard Wood and Resonant Results can be reached at 1-608-839-3930.

***

The SBE membership drive is underway. If you opt for SBE MemberPlus membership, you’ll have access to the library of all SBE webinars — including the Workbench Tips Webinar. 

These webinars are an excellent resource for engineering education — whether you’re new to the industry or an old salt like me, but still learning! 

Head to www.sbe.org for more information.

John Bisset has spent 50 years in the broadcasting industry and is still learning. He handles western U.S. radio sales for the Telos Alliance. He holds CPBE certification with the Society of Broadcast Engineers and is a past recipient of the SBE’s Educator of the Year Award.

The post Prevent False Hot Spot Readings With These Tips appeared first on Radio World.

John Bisset

Small Station WDNP(LP) Finds It Needs More Space

Radio World
5 years 3 months ago
Before: WDNP shared the floor with a yoga studio.

WDNP(LP) went on the air in Dover-New Philadelphia, Ohio, on July 13, 2015. Five years later, this little LPFM has continued to grow.

Being in a small market with four commercial stations and two full-power noncoms has been an advantage. The fact that signals from a larger market (Canton and Akron) penetrate the county could have been a little more of a concern; but the initial focus of the station was to fill a void in programming, with the added element of hyperfocus on localism and being a real part of the community. 

This has proven to be the right thing to do as the station holds a 6.1 rating and is near the very top of the 14 rated stations in the market.

That success has translated to strong support not just from underwriters but from listeners, donors and organizations who recognize the station as a nonprofit with a mission to support all the other nonprofits of the area as “their voice.” And to the listeners, DNP 102.3 “sounds” like any full-power station with strong imaging and playing “hits all day, rock all night, and oldies and specialty shows on the weekend.” 

For five years, this slogan (and “your hometown station”) have been the foundation of growth.

GROWING PAINS

The station started as a studio, transmitter “room” (rack in closet with glass door facing the control room), reception area and small office that doubled for editing areas for content). The growth of volunteers and the huge increase in production has taxed the tiny studio and has made it necessary for volunteers to work at midnight or overnight to produce content or even voice-track a show. 

The problem of too many people and too few resources is a nice problem to have! 

The station started the process of improvements two years ago, planning to add an additional production studio, but it quickly became apparent that the community had bigger requests than a single additional studio could support. With this in mind, we took it to “Phase II,” and that would include a major amount of significant upgrades.   

After: Here the new large room can be used as a meeting room.

The upgrades included increasing the office/work area size to accommodate the PD, plus numerous volunteers. And with many guests arriving to be a part of live shows like “Gimme That Shu,” we had to be able to give a good impression to the numerous listeners that were finding their way into our office and studio. 

In addition to the office growth, a production studio (B) would be added along with a multitrack studio (C) for more complex editing and production. The big addition would be the very necessary large space to hold volunteer meetings (which now numbered more than 25 people), but this space would be far more than a meeting area. The new area would be designated the Performance Studio/Conference/Community Room.   

Since DNP has an all-volunteer organization with no paid staff, the board supported the idea of creating space that our small nonprofit could allow other small (or smaller) nonprofits to use at no cost. As a nonprofit, WDNP (or Dover/New Philadelphia Educational Broadcasting) has been fortunate to continue to grow and have great support. It is the intent to share that blessing with other nonprofits who might not have a place where they can meet, so sharing our community room aspect of the performance studio was added.

But that performance studio with a digital multitrack room was going to be pushed even further. In a rural county of about 90,000 people, the station felt that giving local musicians a place to record CDs or even perform live on-the-air would be something that would take DNP to the next level. 

So the design allows musicians to create music. And since DNP wanted to relaunch “Saturday Night Live & Local,” a live music show Saturday nights from 10 p.m. to midnight, creating this new performance space would allow us to do what we couldn’t before, which was to have five or six band members together to perform live. Previously, two or three were in our main studio, and another two or three were miked out in the office with cables running into that studio. The show sounded great, but very difficult to manage in that scenario.

[LPFM operators shouldn’t be afraid to ask for help]

So we cut to where things are today. Over the past few weeks, the remodeling has started and things underway for Phase 2. The office size is increased, new studios framed and insulated and the shell is nearly complete. Drywall is being finished shortly and doors installed.

After: Here the new large room can be used as a meeting room.

To create a broadcast-quality studio, things were done in a less-than-traditional method, yet my own experience working with some incredible people (including acousticians) allowed the design of primary walls between the performance studio and studios B and C to be double walled with mineral wool in each wall, and the walls isolated from each other with foam board between them. Truly, one wall has no contact with the inner wall. As high-priced acoustic doors aren’t possible in a “budget environment,” outdoor doors and windows that are double-paned and insulated with argon-filled gas serve to provide excellent acoustic isolation between areas.

The pictures show the original WDNP and the new DNP with Phase 2. To prep for the necessary cabling, three 2-inch conduits were run inside the interior wall to allow cables to chase above the ceiling. As the ceilings in this original building are 15 feet, a standard height studio allows for six feet of storage above each studio. So in the sound-lock hallway between each studio, a heavy (400-pound rated) pull-down ladder was added. 

To give us a unique and unusual space, the station opted to create a “loft” (of sorts) above Studio C so guests/groupies/friends of bands could actually sit up in that “cozy” area and watch their bands perform … and even be a part of a “live audience.” Later we may add a small spiral staircase up to this loft from the performance studio side of the wall.

What comes next is a split zone, low-noise HVAC system to each studio. I’ve done this before with KERA(FM) in Dallas, and the noise level of these systems is acceptable (and surprisingly quiet) since they use low velocity fans that run very slow and quiet but only ramp up in heavy conditions (still, at a low volume).

HARDWARE

Finally, the equipment! When all the area is fully prepped and HVAC ready, the consideration of adding equipment to Studio B and Studio C made one thing very clear: Staying with traditional point-to-point wired audio consoles (whether analog or digital) made little sense. For only a very slight increase in cost, the station could go full AoIP and network the whole thing, greatly simplifying all aspects of installation.

Which system is still to be determined as there are a number of good manufacturers with excellent products out there. It will need to be something “in our price range,” but that doesn’t exclude much but the highest “major market-type” AoIP systems. With the primary air studio A and the production studio B being AoIP, it will only make sense to take that digital multitrack system into a similar world, so a board like the PreSonus Live32 is being considered. The “musician’s world” includes things not native to radio, like AVB networking, but to interconnect a broadcast AoIP system with a multitrack digital “musician’s mixer/recorder,” the easy answer will simply be to bridge them with their AES digital interfacing to keep everything clean and digital.

There’s still a lot of work to go, but things are looking excellent for the future and growth of this small market station. And weighing in the fact that it’s an LPFM with an ERP of 100 watts makes it an even sweeter success story. The station certainly hopes the FCC considers small rural LPFMs for a future 250-watt upgrade, not necessarily to increase coverage as much as giving a stronger signal in the six miles around the station, featuring  better signal penetration into local factories and offices.

The author is a regular contributor to Radio World. He has written about WDNP(LP) at several stages of its conception, launch and growth.

The post Small Station WDNP(LP) Finds It Needs More Space appeared first on Radio World.

Dan Slentz

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  • FCCdata.org
  • myLPFM Station Management
  • REC site map

The More You Know...

  • Unlicensed Broadcasting
  • Class D Stations for Alaska
  • Broadcasting in Japan
  • Our Jingles

Other REC sites

  • J1 Radio
  • REC Delmarva FM
  • Japan Earthquake Information
  • API for developers

But wait, there's more!

  • Join NFCB
  • Pacifica Network
  • LPFM Wiki
  • Report a bug with an REC system

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