Radio World

WideOrbit is offering a family of software products under the umbrella of the Total Radio Solution.

“A suite of end-to-end radio solutions that can both stand alone and work together, WideOrbit’s Total Radio Solution helps station groups of all sizes improve efficiency, reduce costs, and increase revenue across the entire radio ecosystem, from the studio to the C-suite,” the company stated.

WideOrbit makes inventory and revenue workflow management products. It said the components of this new suite allow stations to streamline their workflows, increase opportunities for revenue in streaming and podcasting; simplify cross-channel transactions; and make it easier to access performance data.

The company positions the suite as useful to stations and groups of all sizes.

“Starting from the solid foundation of WideOrbit’s core radio solutions, WO Automation for Radio and WO Traffic for Radio, stations can build out a complete solution as their business grows. WideOrbit’s Total Radio Solution incorporates digital management and monetization, business intelligence and A/R automation and payment tools, in addition to seamless integration with a wide variety of third-party systems.”

The company recently held a webinar on this product.

The post WideOrbit Offers “Total Radio Solution” Suite appeared first on Radio World.

The MusicFirst Coalition and the Future of Music Coalition want the Federal Communications Commission to retain its local radio station ownership caps and subcaps, at least for FM stations.

“These rules remain necessary to promote diversity, competition and localism in communities throughout the country,” they told the commission.

They noted that a proposal from the National Association of Broadcasters would allow common ownership of up to eight commercial FM stations in the 75 largest U.S. markets.

Commenting in the FCC’s long-drawn-out 2018 quadrennial review process, the two groups, which advocate for music creators, wrote: “What we have observed at commercial FM radio in recent years confirms our long-held conviction that prior to rulemaking, the FCC should commission its own analysis — beyond just macroeconomics — incorporating cultural, artistic, labor and other public interest concerns. Such analysis must authentically center on core policy principles of diversity, competition and localism.”

The groups say that the proposal from the NAB to ease some local caps and eliminate others “raises the frightening possibility that a single company might be allowed to own every commercial radio station in many geographic markets, accelerating many of the harms already described by civil rights groups, unions and media reformers.

“Having failed to establish consensus for their proposal even among struggling commercial FM station owners,” the coalitions continued, “they now desperately point solely to marketplace challenges facing the radio industry as justification for further drastic ownership deregulation while dodging accountability for their own anti-competitive actions and the impacts of their preferred deregulatory policies.”

Further ownership consolidation, they said, “is not the answer to terrestrial radio’s competition woes.” They dismissed NAB’s argument that caps are limiting ownership unduly. “In fact, the few AM/FM owners who are currently hitting the LRSO Caps appear to be bouncing back nicely. Permanent ownership deregulation is not the right remedy.”

[Related: “NAB Lays Out Precarious Financial Position of Radio”]

They want to FCC to “chart a different course … rather than assenting to calls to further weaken important public interest protections on the flimsiest of justifications.” It wants the commission to define markets differently, study the impact of past policy decisions on racial equity, and collect better data about what is happening in the marketplace “with respect to listeners, broadcast owners and content creators.”

So they asked the FCC to retain current maximums on the number of FM stations that an entity can own in a market, as well as the AM/FM subcap. They didn’t take a position on whether it should ease the number of AM stations that one entity can own in a market.

“We also call upon the commission to conduct its own meaningful studies about the effects of deregulation of commercial FM ownership on diversity, localism and both intramodal and intermodal competition for use in its upcoming 2022 Quadrennial Review. Such studies should include analysis of effects on the public interest of the elimination of the Main Studio Rule, with an eye toward determining whether the Main Studio Rule should be reinstated in the public interest.”

Founding members of MusicFirst include the Recording Industry Association of America and SoundExchange, among other advocacy groups. FMC is a nonprofit that advocates for artist compensation.

Read the filing (PDF).

The post MusicFirst, FMC See “Inequities” in AM/FM Policy appeared first on Radio World.

This month Andrea Cummis will be sworn in as president of the Society of Broadcast Engineers. She will be the first woman to hold that office.

Cummis, CBT, CTO, has been chief technical officer of PBS39 WLVT(TV), in Bethlehem, Pa., since 2017, and she is a member of SBE Chapter 15 in New York City. Her responsibilities include technical oversight at NPR affiliate WLVR(FM).

She was unopposed in the SBE election and will take office on Oct. 18, succeeding Wayne Pecena, who served two terms and remains on the board as immediate past president.

Cummis has a breadth of expertise, holding degrees in electrical engineering and in law and technology, as well as an MBA. She has worked for more than two decades in engineering, operations and new technology in television, radio and new media.

She and her husband Renard Fiscus also own AC Video Solutions, a systems design and integration firm. Its customers include Christian Faith Network, New Jersey Performing Arts Center, All Mobile Video, M&T Bank, and Raritan Valley Community College.

Cummis spoke with Radio World Editor in Chief Paul McLane.

Radio World: You’ve done quite a bit of systems integration and design, as I understand it.

Andrea Cummis: Lots and lots. Many, many years.

RW: How did you get into broadcast engineering in the first place?

Cummis: Oh, it’s a funny story. I was in my eighth-grade history class and we were doing projects; you got up and showed your project.

Someone dropped off a cart of equipment — a camera and an old black-and-white reel-to-reel deck — but none of it was put together, it was all just on a cart in a box. I thought it was really interesting. I went over and put it together and started recording the projects.

I went over to the librarian and said, “Do you need help with this?” And I became the AV person for the junior high.

I would record all the school plays and do the audio recordings for concerts.

When I was ready to go to high school, the librarian called them and said, “Don’t mess around, just let her do video stuff when she gets there, don’t make her wait.” So I started running a four-camera video studio as soon as I got to high school. I was TD’ing and directing four-camera shoots for the school plays and running monitors backstage. I just figured it all out.

RW: A lot of people in our business would know what that high school AV closet looks like! Yet in 2021 there are still very few women in the field. Why do you think that is?

Cummis: It’s really hard, and pretty physical, and you don’t get paid that much.

If you’re studying engineering in college, why wouldn’t you do chemical engineering or IT, where you don’t have to be on your feet all day and work crazy hours and be on call weekends and nights and probably get paid a lot more?

I think we as engineers are very undervalued in how hard we work and how much knowledge we need, how we have to work under pressure and respond really quickly.

It’s a very unusual job. I wish I knew why more women didn’t do it. I don’t think they have the opportunity. Maybe a lot of people don’t know that this job exists, they were never exposed to it.

RW: As you come in as SBE president, what are your priorities?

Cummis: Well, for me as the first woman president of SBE, I would like to figure out how to diversify and get more women, more minorities, different ages, and people who aren’t necessarily “straight engineering” but have other technical jobs in broadcasting. I think it’s been our goal as a society for a long time, but it feels really important right now.

Andrea Cummis at work for “The Today Show” in China in 1987.

RW: Certainly there’s been no lack of good intentions on the part of the society over the years, but these also are issues in our broader culture. Those are not small obstacles.

Cummis: No, absolutely.

One of our goals is to have a strategic planning process that will open things. In the past, we’ve flown people into one place, trapped them in a room and talked all day. But with all the virtual meetings we have nowadays, it’s a great opportunity to be able to invite more people and do sessions in different jobs and locations — really open it up so that we can get a better understanding of what people need, what they think we could do to be better and attract other kinds of people.

RW: You certainly are coming into this position at an interesting time nationally, given the pandemic and the effect it’s had on events, meetings and working remotely.

Cummis: We’ve done really well at SBE with having virtual meetings, it’s been very successful for us.

For me, the interesting thing being in charge of a facility is having to deal with all the COVID stuff and keeping your facility safe and your people safe. A lot of chief engineers and other members have been thrown into being COVID experts and having to figure this out.

Are your people working remotely successfully? Are you increasing your cleaning?

For example I found these really cool wraps that you put around handles that are supposed to keep everything clean magically. I don’t know how they work but it’s amazing technology. I even had to take COVID certifications including a session with a doctor, a nurse and a lawyer; you had to pass a test.

There’s so much to know and it changes so fast. It really has changed what our job is in ways you never could have predicted.

RW: We often hear of the traditional divide between IT and broadcast engineering. Many of those skillsets and interest areas now overlap. Is the divide getting any closer?

Cummis: In some cases it’s totally merged and there is really no divide; and in other places that are union shops, they can’t get together because they’re not allowed to. That’s where it gets messy, because the broadcast engineers have a specific domain, the IT guys are on the other side, and there are times they have to work together. But then there’s times where you get finger-pointing: Who’s in charge of this or that, and who’s assigning IP addresses or anything else that crosses over.

I think you’re always going to have two paths.

RW: As you look across media technology, are there particular areas where you think SBE members ought to be paying closer attention for their careers?

Cummis: Well, the ATSC 3.0 stuff is coming up really fast. A lot of places are already starting to implement it. There’s so much to know and it’s so complicated, so many ways to use it. Each organization is going to have to figure out why they’re doing it and what they’re hoping to get out of it.

Then having to keep the ATSC 1 going while you’re doing ATSC 3. It’s years and years that you have to overlap, and nobody’s helping you pay for it. How do you do it? How do you “lighthouse”? Are you doing it with somebody else or can you do it with just what you own?

Just taking a webinar is not going to be enough for anyone. There’s an awful lot to know, and it’s going to keep changing. It will be probably be a few years of people watching to see how’s somebody else rolling it out, and was it successful? How long did it take? What did it cost?

We’re looking at it here at WLVT, but we’re part of a big channel share. It’s going to be hard to do that with nine channels on our one piece of bandwidth now; how would you ever lighthouse that?

RW: You mentioned webinars. SBE has done a great job of putting together comprehensive training materials on many radio and TV technical topics. Are there other issues that you want to mention?

Cummis: I think overall we’ve made some really good decisions in the past few years. Our new membership enhancement, SBE MemberPlus, which includes all the webinars, has been really successful. All our education certification, all our big initiatives like the Technical Professional Training Program have been terrific and are continuing — we just started ATSC 3.0 certification, something I should probably take at some point!

There are a lot of things we do really well. I hope to continue those and grow in other places.

[Related: Read our 2014 interview with Wayne Pecena on the occasion of his receiving the Radio World Excellence in Engineering Award.]

SBE Presidents List

Andrea Cummis 2021–

Wayne Pecena 2019–2021

Jim Leifer 2017–2019

Jerry Massey 2015–2017

Joe Snelson 2013–2015

Ralph Hogan 2011–2013

Vincent Lopez 2009–2011

Barry Thomas 2007–2009

Christopher H. Scherer 2005–2007

Raymond C. Benedict 2003–2005

Troy D. Pennington 2001–2003

James “Andy” Butler 1999–2001

Edward J. Miller 1997–1999

Terrence M. Baun 1995–1997

Charles W. Kelly Jr. 1993–1995

Richard Farquhar 1991–1993

Bradley Dick 1989–1991

Jack McKain 1987–1989

Richard Rudman 1985–1987

Roger Johnson 1984–1985

Doyle Thompson, Sr. 1983–1984

Ron Arendall 1981–1983

Robert Jones 1979–1981

James Hurley 1978–1979

Robert Wehrman   1977–1978

Glen Lahman   1975–1977

James Wulliman 1973–1975

Robert Flanders 1971–1973

Lewis Wetzel 1970–1971

Al Chismark   1968–1970

Charles Hallinan 1966–1968

John Battison, P.E. 1965–1966

The post Cummis Set to Take the Lead at SBE appeared first on Radio World.

Radio TechCon, which bills itself as the “UK radio and audio industry’s technical and engineering conference” has announced Nov. 29 as its date for a virtual gathering.

[For News on This and Other Shows See Our Show News Page]

Organizers are still putting together details. There will be speeches, interactive sessions and presentations along with breakout rooms and special events from sponsors.

Committed sponsors of the show include Broadcast Bionics, RCS, Lawo, Arqiva, The Institution of Engineering and Technology, Broadcast Radio and Vortex Communications.

The post Radio TechCon Scheduled for End of November appeared first on Radio World.

FEMA and iHeartMedia will cut the ribbon later this month on an upgraded “Primary Entry Point” facility at WBZ NewsRadio 1030 Boston.

WBZ is the 13th U.S. station to work with FEMA to complete an “all-hazards upgrade,” which includes increased sheltering capabilities, expanded broadcast capacity and sustainable power generation for hazardous events.

[Related: “WLW PEP Station to Test New Studio Shelter”

“The modernization to the emergency studio increases iHeartMedia’s WBZ NewsRadio 1030 Boston’s resiliency to continue broadcasting under all conditions, including natural disasters and acts of terrorism,” they announced.

“This facility is one of 77 across the country that serve as a National Public Warning System Primary Entry Point (PEP) station, participating with FEMA to provide emergency alert and warning information to the public before, during and after incidents and disasters.”

The ribbon cutting will be open to news media but not the general public.

 

The post WBZ to Cut the Ribbon on Upgraded PEP Facility appeared first on Radio World.

GettyImages/wildpixel

FCC Form 395-B is intended to gather workforce composition data from broadcasters, including race and gender, but hasn’t been collected since 2001. It might be coming back.

The FCC has been contemplating its return since releasing a Further Notice of Proposed Rulemaking (FNPRM) in July to refresh the existing record regarding collection of the EEO data. The collection of the form, which gathers workforce composition from broadcasters with five or more full-time employees, was suspended two decades ago because of a legal ruling and other unresolved issues.

[Read: EEO Supporters Lay Out Their Wish List]

While none of the major radio broadcast groups filed initial comments on the FNPRM, the NAB says it “does not object to the commission reinstating the FCC Form 395-B,” so long as station data is kept confidential while any related information made publicly available “is provided on an anonymous, aggregated basis.”

The group says the revitalized form is “likely to merely increase paperwork burdens without offering much corresponding value” that is duplicative of EEOC requirements. “The left hand of the government should be talking to the right one, instead of putting unnecessary additional burdens on broadcasters,” NAB wrote in comments to the FCC.

In addition, NAB says the FCC’s FNPRM provides “no evidentiary support for why such a data collection is necessary or how it will help further the goal of increased diversity in the broadcasting industry.”

“No one contests whether the industry should continue to strive to hire, retain and promote more women and people of color,” NAB wrote. It adds “broadcasting is replete with opportunities for talented individuals of every race, ethnicity or gender.”

In fact, the group suggests a better option for how the FCC can help increase diversity within the broadcast industry.

NAB states: “Rather than focus efforts on reporting data that is already largely apparent, a far better use of the commission’s time would be to reach out to broadcasters and ask exactly how the commission can be helpful to our efforts to increase diversity.”

It also renewed the group’s concern that making publicly available the required employment data on a station-attributable basis “will unlawfully pressure broadcasters to adopt race- or gender-based hiring practices” and that “publishing the racial composition of each broadcaster’s workforce would clearly exceed the FCC’s authority.”

NAB punctuated its argument by highlighting the EEO efforts of some of its members. For instance, Audacy provides yearlong fellowships that provide “diverse candidates early in their career access to resources, support and professional networks” they might not otherwise experience in a typical internship or entry level position. “Currently, 10 fellows started work on September 13, 2021, in [Audacy’s] news, sports content, digital, and ad sales departments,” NAB stated in its comments.

In addition, NAB says iHeartMedia invests resources to further the broadcaster’s commitment to inclusion, and credible, sustainable efforts to foster a diverse workforce culture. “(iHeartMedia) recently launched a DE&I Plan that includes measures committing to more diversity on their company’s board of directors to requiring that diversity be a part of recruiting, hiring and promotion decisions,” NAB wrote the FCC.

In conclusion, NAB says Form 395 is unnecessary since FCC already randomly selects approximately 5% of radio and television stations annually for a thorough EEO audit. “NAB estimates that the FCC has conducted EEO audits of at least 15,000 broadcast stations since this process was launched in 2003. To our knowledge, all of these investigations have resulted in fewer than 20 Notices of Apparent Liability or admonishments to broadcasters for EEO rules violations (0.1%), none of which involved a charge of discrimination.”

Meanwhile, the Multicultural Media, Telecom and Internet Council (MMTC) other EEO supporters continue to push the FCC to do more to improve broadcaster diversity. MMTC in a group filing said they “enthusiastically endorse EEO data collection,” in their most recent comments last week to the FCC.

MMTC previously submitted to the FCC a list of nine proposals it says the commission should adopt to improve EEO compliance and enforcement.

Acting FCC Chair Jessica Rosenworcel supports Form 395-B’s return. “This data is a vitally important to assess the industry’s workforce diversity. Moreover, its collection is required under the law,” Rosenworcel said at the time the FNPRM was released this summer.

Reply comments to the FCC on this topic must be submitted by Nov. 1, MB Docket No. 98-204.

 

The post FCC Could Recommence Race and Gender Reporting for Broadcasters appeared first on Radio World.

The number of FM translators and boosters in the United States continues to surge.

The latest quarterly raw numbers of the various types of broadcast licenses have been released by the Federal Communications Commission. There are now 8,771 translators and boosters, 5% more than just a year ago and 43% up from 10 years ago.

[Related: “NAB Lays Out Precarious Financial Position of Radio”]

Translators rebroadcast an FM or AM station signal on a different FM frequency. Boosters operate on the same FM frequency as the main station. The commission does not report the two individually, but the ongoing growth is certainly almost entirely in translators, not boosters, as various FCC policies over that period have tended to promote the expanded use of that type of signal.

The list below is as of Sept. 30, 2021, and compares the number of stations to the same time last year.

AM Stations — 4,519 (down 41 stations from a year ago)
FM Commercial — 6,682 (down 22)
FM Educational — 4,211 (up 15)
Total — 15,412 (down 48)

Other:
FM Translators and Boosters — 8,771 (up 432 from a year ago)
Low-Power FM Stations — 2,081 (down 62)

 

The post Surge in FM Translators Continues appeared first on Radio World.

National Radio of the Amazon plans to use DRM shortwave transmissions to serve indigenous populations in the northern Amazon region, according to the Digital Radio Mondiale Consortium.

Public broadcaster Empresa Brasil de Comunicação (EBC) ordered a 100 kW BT transmitter to broadcast in DRM at 11,780 kHz in the 25-meter band, a shortwave channel used by Rádio Nacional da Amazônia.

The purchase, valued at about $650,000 USD, was the result of an auction held a year ago for purchase of equipment for EBC public radio broadcasts.

This is believed to be the first domestic DRM installation on a locally produced transmitter in Latin America.

“At the end of last year, Nacional da Amazônia carried out tests with the DRM technology using a transmitter of 2.5 kW with the digital power of just 1 kW,” the consortium stated in a press brief.

“EBC demonstrated then, for the first time in the country, the use of multi-programming and the transmission of interactive multimedia applications. Despite this low power of the transmitter supplied by BT Transmitters, recordings were reported from different regions of the country and even from North America and Europe.”

 

The post DRM Shortwave Will Serve Amazon Region appeared first on Radio World.

Quu Inc. announced that Cox Media Group will use its web-based software to publish messages on vehicle dashboards from its 54 radio stations in 10 cities.

“These messages, called Visual Quus, are paired with station and client on-air content like artist information, local promotions and ads,” the software company said in its announcement.

[See Our Who’s Buying What Page]

“Radio stations with Visual Quus offer a better user experience in the car and generate immediate incremental revenue by adding text, logos, and images to on-air advertisements.”

[Related: “Bonneville Signs on With Quu”]

The announcement was made by Quu CEO Steve Newberry and Cox Media Group Digital Audience Development Manager Zac Morgan. Newberry noted that 80% of the cars on the road now can display text on the dash.

Quu says CMG signed a multiyear agreement.

Beasley Media Group is among Quu’s investors. Watch a Quu promo video.

Send news for Who’s Buying What to radioworld@futurenet.com.

 

The post Cox Will Use Visual Quus appeared first on Radio World.

Carmaker Audi, a subsidiary of Volkswagen Group, has been active in the realms of digital radio, hybrid radio and metadata.

Late last year, Christian Winter of Volkswagen Group software development subsidiary CARIAD wrote in Radio World that, after the successful launch of hybrid radio in Europe, Audi was offering the feature in most of its 2021 vehicles, including models available in North America.

He also noted that iHeartMedia had started providing RadioDNS support for hybrid radio in Audi cars, and that Radioplayer Canada was supporting Audi with data from more than 350 Canadian radio stations.

In a recent ebook about trends in digital radio, Radio World checked in for an update with Anupam “Pom” Malhotra, senior director, Connected Services, at Audi of America.

Pom Malhotra

Radio World: What’s the most important digital radio trend right now?

Pom Malhotra: Hybrid radio is the newest trend, as more and more cars have a broadband internet connection. Broadcast-only digital radio, like HD Radio for North America or DAB in Europe and some other countries, is standard in every Audi.

RW: Audi has been one of the carmakers most engaged with digital radio and hybrid radio. Broadly speaking, how would you characterize the state of digital radio around the world?

Malhotra: The standards are very mature, and all new cars come equipped with digital radio in Europe using the DAB standard. Digital radio enables new radio programs because the distribution is cheaper and there is a larger spectrum for new stations. Additionally, digital radio enables nationwide broadcast stations like Deutschlandfunk in Germany or NRK in Norway. More recently, Audi has launched hybrid radio in many of our models both in Europe and in the U.S., which extends FM broadcasts beyond their geographical limitations.

RW: What can radio entities around the world do to keep broadcast radio prominent in the car?

Malhotra: The challenge for broadcast radio is how to compete with the user experience of streaming audio through an online connection. Using standards like RadioDNS, broadcast radio providers can include metadata like station name, streaming URLs and station logos via the online connection to enrich the listening experience for the customer in the vehicle. In today’s vehicles, radio must be visually on par with streaming services and online radio apps in the connected car.

RW: Which countries do you feel have advanced the most in deploying digital radio, for each of the major platforms?

Malhotra: In Europe, DAB is widely used in Norway, Switzerland, the U.K. and Germany. In all European countries, DAB created a new market for new programs and helped channels get better coverage, for example in the Swiss Alps.

Although North America has a rich history in broadcast radio and has innovated significantly with satellite radio and HD Radio, the growth of online streaming through internet radio threatens to make AM and FM radio obsolete over time. This is where hybrid radio can reinvigorate the broadcast industry to appeal to new and younger listeners.

RW: WorldDAB states that “DAB+ is firmly established as the core future platform for radio in Europe.” Please comment.

Malhotra: From a manufacturer point of view, DAB delivers everything a broadcast radio station needs. With the addition of RadioDNS as the online standard, broadcast radio is ready for the future.

RW: Which major countries or markets are you watching to see will adopt digital standard(s) next?

Malhotra: From Audi’s perspective, we have seen all major markets already adopt or are in the process of adopting either HD Radio or DAB as their digital radio standard.

RW: What impact do you expect on the digital radio marketplace from Google’s aspirations for Android Automotive?

Malhotra: Android gives listeners the ability to download their preferred internet radio apps via an online store in their vehicle. However, customers will choose their infotainment options based on the attractiveness of content, which means there will always be room for broadcast radio as long as it delivers a competitive listening experience.

RW: Hybrid radio is part of Audi’s MIB 3 infotainment system. What is the status of that rollout, and which media companies are supporting it?

Malhotra: Hybrid radio is available now in all MIB 3 vehicles with the high-speed data package for the 2021+ model year — A4, A5, A6, A7, A8, Q3, Q5, Q7, Q8, and e-tron Sportback/SUV. For 2022, that will expand to more models including the all-electric e-tron GT and Q4 e-tron.

Within the North American market, we already have nearly 1,500 FM stations supporting hybrid radio from broadcasters like iHeartRadio, Cumulus, Entercom, Educational Media Foundation, Boise State Radio in Idaho and Radioplayer Canada. More media companies are continuing to grow support for hybrid radio using the RadioDNS standard.

RW: What else should we know about Audi’s current or pending activities in digital radio?

Malhotra: Audi continues to play a leadership role in helping to shape the future of broadcast radio. In fact, the chair of the WorldDAB Automotive Group is a senior Audi executive from our CARIAD subsidiary, Martin Koch. Aand Christian Winter, also from CARIAD, represents Audi on the RadioDNS steering board.

The post Audi Encourages Support for Hybrid Radio appeared first on Radio World.

The National Association of Broadcasters paints an increasingly grim picture of the financial state of the U.S. commercial radio industry, and said that includes FM stations as well as AMs.

In a 75-page filing to the FCC about ownership rule reform, the NAB listed evidence that it says shows the impact of increased audio and advertising competition on radio.

“Aside from losing nearly 200 radio stations in the past two years, growing numbers of stations are unprofitable and experiencing negative advertising growth, while at the same time are constrained by outdated ownership restrictions from responding to these competitive conditions,” NAB wrote.

“The managing director of a nationally-known media brokerage firm stated in a declaration that there are increasingly no buyers for struggling AM and FM stations, especially in mid-sized and small markets, other than a same-market competitor who often may not be allowed to purchase the troubled stations due to the local radio caps.”

As a result, it said, more stations, both AM and FM, are “unable to maintain a significant local presence and offer a high level of local services, and their owners are both financially unable to improve their stations or sell them to a competitively viable local broadcaster capable of upgrading the underperforming outlets by leveraging scale economies.”

NAB said it had “submitted unrefuted evidence demonstrating the increasing parlous financial position of the radio industry, which directly and negatively impacts stations’ ability to hire additional or even retain existing staff; upgrade their facilities; and maintain, let alone improve, their programming, including locally oriented content.”

It said local radio stations’ OTA ad revenues fell almost 45 percent in nominal terms ($17.6 billion to $9.7 billion) from 2005 to 2020, “and even when taking stations’ 2020 digital ad revenues into account, their total ad revenues still dropped 39.8 percent in nominal terms ($17.6 to $10.6 billion) over that time period.” Further, it said, analysts expect only a very modest recovery from the pandemic recession.

“The advertising revenues of FM stations mirror the radio industry as a whole, with FM stations’ revenues over the same 2005–2020 period showing a similarly stark decline.”

It cited BIA data showing that the OTA ad revenues of FM stations in the 253 continuously surveyed Arbitron/Nielsen Audio markets fell from $10.5 billion in 2005 to $6 billion in 2020, a decline of 42.9 percent in nominal terms.

These data, it said, show a clear and present threat to FM stations’ “ability to serve the public interest in the spirit of the Communications Act.”

Further, FM stations as well as AMs have experienced declines in listenership. “According to Nielsen Audio, the Average Quarter Hour (AQH) Listening of FM stations dropped 23.5 percent in just the past five years. Falling AQH audiences directly impact the competitive and financial viability of FM (and AM) stations because advertising is sold based on stations’ AQH listening, rather than stations’ audience reach or weekly cume.”

These findings, it said, are proof of its argument that commercial U.S. radio stations compete in a broader market and should be regulated accordingly.

The NAB believes current caps on how many stations a given company can own in one market need to be eased or eliminated in the face of audio and advertising market competition and recent marketplace developments. (Not all major broadcasters agree.)

And it says those who support the existing rules ignore the fact that commercial stations, upended by digital technologies, “cannot function in the public interest as Congress intended unless they remain economically viable.”

Read the filing (PDF).

More comments

The NAB’s filing also touched on a number of other issues.

It said some critics are misinterpreting the Supreme Court’s recent decision in FCC v. Prometheus Radio Project to mean that the court affirmed the FCC’s “full discretion to implement its conception of the public interest as to diversity.”

In fact, NAB said, the high court did not “affirm” any such thing, rather that it left open questions about the FCC’s authority to consider minority and female ownership in its quadrennial reviews.  NAB says structural ownership rules will do nothing to promote future ownership diversity.

In addition to dealing with several TV-specific issues, the association also told the FCC it needs to act quickly to finish this 2018 quadrennial review, which should have been done by now. It said the FCC has no flexibility to defer the process.

“In particular, the commission has no authority to skip the 2018 review and roll that quadrennial into the upcoming 2022 review, despite the urging of certain commenters.”

The post NAB Lays Out “Parlous Financial Position” of Radio appeared first on Radio World.

The author is general manager of GMF-Christian Media, Buenas Nuevas Network.

I have been a client of Arrakis Systems and automating stations using their software and hardware since 2005. Four years ago, when I learned of the new Apex automation system, my first impression was that this was the automation we’d been waiting for.

When we started our Buenas Nuevas Network in 2018, our CEO Dr. Richard Hamlet conveyed a message of quality and excellence in all we do. So I started by adding Apex automation. Its versatility, live functions and programming tools have placed this software at the top of its class. Apex is sophisticated yet remains the most user-friendly and intuitive automation program on the market.

In-person staff interaction is a thing of the past, which makes communication of time-sensitive and complex tasks more difficult. Apex has minimized this gap between producers, programmers and DJs.

[Related: “With Automation, You’re Buying More Than a Product”]

We have a diverse team in multiple markets including San Juan, Monterrey, Boston, Albuquerque, Jacksonville, Memphis, and several markets in North Carolina. Apex allows my staff to navigate the system remotely as if they are in our studio headquarters. Having staff simultaneously working on production and programming remotely is truly a blessing.

The Apex On Air module is flexible and easy to navigate. My DJs set up their own user profiles, allowing them to quickly bring up their own customized windows layout, which may be as simple or complex as they wish. Using multiple sound cards, they may manually crossfade events or allow Apex to automatically do so.

Features include drag and drop, preview audio, and File Info to share interesting facts about an upcoming song. You can run a game manually or let the system do it.

Apex On Air works with Apex Tools, the management software. Using Tools, we manage audio, create clocks, edit the play schedule, import, voice track, record and edit new audio and pull reports. Apex Tools is the fastest and easiest to learn programming tool out of many programming platforms we have used.

There is a lot to consider when purchasing automation: features, installation, staff training, efficiency of daily operation and the ability to support technological growth. Apex has the bells and whistles. There’s no need to purchase additional software as our stations evolve.

Thanks to the Arrakis support staff, installation is smooth and quick; they jump in to train your people and will help with anything that may come up later. I highly recommend that decision-makers take advantage of the time Arrakis gives for testing Apex before making a big automation purchase. It will be worth it.

Contact Arrakis at 1-970-461-0730 x2 or visit www.arrakis-systems.com.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

The post User Report: Apex Serves Buenas Nuevas Network appeared first on Radio World.

What are the primary benefits of virtualization to radio broadcasters? Are we farther along now than a year ago in seeing virtualization come to PPM, to EAS? What are common misconceptions or unfamiliar terms in virtualization that readers should be aware of?

Those are some of the questions explored in our new ebook “What’s Next for Virtualization?”

Editor in Chief Paul McLane talked with six manufacturers and software sponsors about their applications of the concept of virtualization, and he checked in with prominent industry engineering executives for an assessment of the relevance and impact of virtualization.

How close are we to a fully virtualized air chain? What else should we know on this topic? Find out in the latest free ebook.

Read it here.

The post What’s Next for Virtualization? appeared first on Radio World.

At Thursday’s FCC meeting, Acting Chairwoman Jessica Rosenworcel used the occasion of her trip to Louisiana to explain several commission initiatives.

 In a written statement, she described the damage done by Hurricane Ida and summarized steps the FCC had taken before and after that storm.

 “But we have to understand where communications fell short, where recovery took too long, and what changes can be made to make our networks more resilient before the next unthinkable event occurs,” she wrote in comments released by her office.

 She talked about the NPRM that the FCC has adopted to strengthen its DIRS system and possibly to require backup power at communications facilities including broadcast stations.

The text of her statement is below:

This week I had the opportunity to see firsthand the devastation wrought by Hurricane Ida. Commissioner Carr joined me to crisscross a long, flat stretch of Louisiana — from Baton Rouge to New Orleans. The drive itself was telling. Along the way we saw cruel reminders of the storm and the great damage wind and water can do — mangled store signs and piles of refuse still being cleared away. Still, what struck me most was all the blue. Not the grey-blue of Lake Pontchartrain. Instead, it was the bright blue of heavy plastic tarps. They were everywhere. On the pitched rooves of homes. On the flat tops of commercial buildings. They were part of fixing what had blown away.

That image stays with me. But so does the strength and resilience of everyone we met. They love where they live and are deeply committed to restoration in their communities. They are also deeply invested in making sure that when the next storm comes — and it will — they are better prepared. Being better prepared means having more resilient communications. It means making sure our networks work when we need them most. I spoke with Governor John Bel Edwards about this before our trip and I heard it from everyone we met — state public safety leaders in Baton Rouge, 911 call center operators in Livingston, broadband companies in LaPlace, and FirstNet officials in Raceland.

Everyone we spoke with wanted to tell us their stories and give us their ideas. They wanted us to know what worked and what didn’t and how stronger and more resilient communications can save lives. I’m grateful Commissioner Carr was able to join me and thank all my colleagues for supporting the swift actions the agency took to assist before and after the storm.

In anticipation of landfall, the Federal Communications Commission set up an information hub for Hurricane Ida, with emergency communications tips in nine languages, tailored media advisories for broadcasters, downloadable Public Service Announcements, communications status reports, and other content.

We deployed FCC staff to Louisiana and the Federal Emergency Management Agency Regional Response Coordination Center in Dallas, Texas, to support spectrum management, perform damage assessments, and prioritize recovery efforts.

In coordination with FEMA and other federal partners, we activated our Disaster Information Reporting System. As a result, we published the first comprehensive assessment of Hurricane Ida’s impact on communications networks followed by daily updates.

We provided technical assistance to 911 coordinators, State Emergency Operations Centers, 911 call centers, carriers implementing the Wireless Resiliency Cooperative Framework and other communications providers, and the Louisiana Association of Broadcasters.

We engaged in daily coordination with Federal, state, and local partners, as well as with industry, to help coordinate the transport of necessary communications equipment, fuel, and other resources to help fill communications gaps. We also set up a first-of-its kind team to address coordination with utilities to prevent accidental fiber cuts during debris removal and restoration.

Of course, we had help.  Communications companies worked long and hard to restore critical services. All of this made a difference. More than 98 percent of the cell sites in the affected counties have been restored. Other outages trended downward as fast as power was restored.

This is progress. But we have to understand where communications fell short, where recovery took too long, and what changes can be made to make our networks more resilient before the next unthinkable event occurs.

Today’s rulemaking gets that effort going. We start by taking a second look at the voluntary Wireless Resiliency Cooperative Framework and its disaster roaming and asking where can it be strengthened. Are best practices enough? Should coordination happen earlier? Be more automatic? This was something that came up repeatedly in our discussions in Louisiana — a desire for this cooperative roaming to work faster, work better, and help keep more people connected in disaster.

We also revisit our Disaster Information Reporting System and seek targeted comment on where there are gaps that need to be filled. 911 call centers should not be the last ones to find out where there are critical network failures. But we learned that during Hurricane Ida, that is exactly what happened. So we ask about how we can improve data collection and timely notification during disasters.

Finally, we renew our inquiry into backup power for communications facilities. Our review of the data collected in the aftermath of Hurricane Ida reveals that the lack of commercial power at key equipment and facilities is the single biggest reason why communications networks failed. Left unaddressed, this problem will only get worse in coming years as we experience disasters with increasing severity, duration, and impact. So our rulemaking explores resilience strategies for power outages — including better coordination between communications providers and power companies and backup power or other measures that could help keep service running after a disaster.

I am hopeful that this rulemaking is the beginning of a broader discussion of our need for resilient networks. Look around. We have hurricanes in Louisiana, a snowstorm in Texas, and wildfires out West. These issues are not going away. We need to think deeply about what network resiliency means and how our policies can support it. So in addition to this rulemaking, next month the FCC will hold a virtual field hearing on Hurricane Ida and the resilient networks now needed in disaster more generally. To make it simple, we’ll have it as part of our monthly open meeting in October. Stay tuned for details.

 

The post Rosenworcel Highlights Network Resilience appeared first on Radio World.

David H. Layer is vice president, advanced engineering at the National Association of Broadcasters. Radio World spoke with him recently ahead of the anticipated Broadcast Engineering & IT Conference at the NAB Show. The convention has since been cancelled but the activities discussed here continue. Here are relevant portions of our conversation.

Radio World: David, there is a Radio Committee of the North American Broadcasters Association, in which NAB is involved. What role is NABA playing right now in regards to the auto infotainment landscape?
David Layer: NABA serves as a bridge between Canada, the U.S. and Mexico regarding radio and TV broadcasting technical and regulatory issues. NABA’s Radio Committee has two active projects, one involving development of a NABA In-Car User Experience (ICUE) guideline that is based upon — and complements — an ICUE document developed by WorldDAB, the other on hybrid radio and metadata.

This second project involves developing resources and guidance for North American broadcasters on how to effectively support hybrid radio platforms and regarding the importance of having good textual and visual metadata which will make radio look as good as it sounds.

RW: Hybrid radio has occupied a lot of your attention recently, and we’ve written a good deal about the topic in Radio World. What’s your key message for broadcasters regarding hybrid radio?
Layer: It’s a straightforward message: for each station to provide good metadata support for their over-the-air and streaming audio products.

At NAB, we’ve been reaching out to broadcasters with this message and backing it up with information on specific metadata suggestions that are relevant to different types of stations.

For example, all analog FM stations and AM and FM HD Radio stations should be registered with RadioDNS, a nonprofit organization that develops and supports open technical standards for hybrid radio — unfortunately, analog AM stations are not at present supported since they have no data-carrying capability.

NAB recently updated and reissued the NAB Digital Dashboard Best Practices Report, which provides lots of detail and recommendations for broadcasters on how to implement and improve their metadata operations. I would encourage your readers to download and read this report.

RW: U.S. broadcasters seem to be cautious about building out the infrastructure to support hybrid radio. Why do you think that is?
Layer: I believe there are many broadcasters who have actually been bullish on hybrid radio and eager to provide top-notch support, encompassing both medium and large radio groups. I do not sense a lack of interest among broadcasters but I definitely think that there are resource issues contributing to a slower-than-desired rollout of support. And not surprisingly, these resource issues have been exacerbated by the pandemic.

RW: What specific make and models of cars now have hybrid radio available in North America, and when should we expect more?
Layer: I know that Audi, using their MultiMedia Interface or MMI, and Mercedes, using DTS AutoStage, are shipping cars with hybrid radio receivers to North America, but I do not know the model breakdown. Also, there are BMW cars in North America that use RadioDNS for station information and logos but do not support streaming audio service following.

I expect more brands will be doing hybrid radio soon but I expect that the “chip shortage” we’ve been reading about, where the computer chips needed by automobiles are in short supply, will lengthen this hybrid radio rollout.

RW: Something NAB PILOT has been involved in, is testing the reception of all-digital AM radio in electric vehicles. Why is this important?
Layer: I’ve been privileged to work with a fine group of Xperi employees on an all-digital AM in electric vehicles project, most recently with Pooja Nair, an Xperi communications engineer who is my co-author for a paper on this subject in this year’s NAB Broadcast Engineering and Information Technology Conference Proceedings.

Also, a special thanks to Dave Kolesar of Hubbard Broadcasting for making all-digital AM station WWFD at 820 kHz in Frederick, Md., available for electric vehicle-related testing.

One of the topics covered in our BEITC paper is a comparison of the coverage of all-digital AM radio using both internal combustion engine or “ICE” vehicles and electric vehicles, or EVs. While only a limited amount of all-digital AM testing has been done in electric vehicles to date, the clear indication is that all-digital AM works well in electric vehicles and is much more resistant to the electrical noise generated by the motors than is analog AM.

This is important information for automakers as they make decisions affecting radio technology in electric vehicles.

RW: What else should engineers know about these topics and the work in radio that NAB PILOT is doing?
Layer: An interesting recent development is the installation and upgrading of the PILOT radio test bed into the Technology Lab at NAB’s new headquarters building at 1 M Street SE in Washington, D.C.

This test bed, built for PILOT by Cavell, Mertz & Associates, was housed at their office in Manassas, Va., prior to this move, and while in Manassas was used for a number of important projects including co-channel interference testing for all-digital AM radio and testing of FM-band HD Radio mode MP11 which adds an additional 25 kbps of throughput to digital FM radio signals.

Bringing this facility to the new NAB building will provide us with new opportunities to use the test bed for technology demonstrations to NAB members and others, and will allow NAB and PILOT to continue exploring radio technology and assisting in its development.

The post Layer Reiterates Importance of Good, Consistent Metadata appeared first on Radio World.

Click image to enlarge.

The author is executive director, broadcast technology at Xperi Corp.

As broadcasters, we often limit our perception of radio to audio programming. But we shouldn’t.

Jeff Detweiler

Today, Radio Data Systems (RDS) and HD Radio technology mean that data can be sent over the air through radio’s cost-effective and reliable, one-to-many delivery system. Each week, radio broadcast touches the lives of over 93% of the U.S. population, with no point-to-point connection, conveying simplex data effortlessly to a single unit or millions of devices.

Because it’s scalable, broadcasters can add millions of new data “listeners,” without increasing infrastructure costs or reducing existing service quality, for analog and digital broadcasts.

While FM analog RBDS services offer limited data, text or messaging, HD Radio technology enables digital audio programs and much higher levels of data services to automobiles, homes and portable devices. In other words: digital radio IoT.

Internet of Things

The Internet of Things, or IoT, has service providers who want to deliver content over a secure cost-effective platform, but security is a big concern.

At present, most connected devices allow bidirectional communication, with vulnerability to hacking. Configuration data, including personal information, may be exposed. Plus, there is the challenge of keeping those devices connected on in-home networks.

Unidirectional communication can mitigate these challenges: device applications can benefit from a one-way secure communication path.

Green initiatives

Recent regulations on Green House Gas (GHG) emissions mandate an energy shift from fossil fuels to an already oversubscribed electrical power grid, impacting electric energy pricing, billing and consumption. Radio is poised to play a significant role in this changing landscape.

On Aug. 5, 2021, President Joe Biden signed an executive order targeting that 50% of all automobiles be zero-emission by 2030, jump-starting a dramatic shift toward EVs. In 2020, California Governor Gavin Newsom signed an executive order banning all in-state sales of gasoline-fueled vehicles by 2035. In addition, the California Air Resources Board, Natural Gas (NG) plans to tighten rules on natural gas for home heating and hot water, effective in 2023.

Real-time demand/response

The proliferation of electric vehicles, and the shift from gas-fired heating to electric, will further burden an already overtaxed power grid. Constructing new generation plants, or adding battery storage, comes at a high cost to utilities, without addressing the variable nature of the load.

Creation of an intelligent demand/response network for managing power usage offers a solution. How? Providing real-time energy pricing to devices means they become “smarter” about energy cost, use and charging decisions — and this is where radio has a critical role to play.

The Consumer Technology Association has defined CTA-2045 as a modular communications interface (MCI) to facilitate communications with residential devices for applications such as energy management.

Among these are:

• Electric Vehicles (EV) charging systems
• Water Heaters
• Heating, Ventilating, and Air Conditioning (HVAC)
• Emergency shutdown of electricity and gas
• Smart City Lighting management and control
• Pool and spa pumps
• Autonomous vehicles
• Connected car

As the number of electric vehicles increases, peak use will exceed the design limits of the electric grid, overloading it with potentially disastrous consequences, including wildfires that cause loss of life and property. Rolling blackouts in California have become commonplace to reduce these risks.

Smart charging systems and utility control data mean EV chargers could manage charging times to avoid peak power demands, optimize charging costs. This requires tight collaboration between the auto industry, electricity providers, and data service companies, which is where radio can be indispensable: conveying pricing and control data. While this data distribution may not be exclusive to radio, it just may be the best fit due to security, reliability and cost concerns.

The competitive landscape

Sending 1 MB of data to 10,000 IoT devices requires 1 GB capacity for cellular, BUT only 1 MB for radio.

While 5G’s capacity and interconnectivity can offer advantages to connected cars and personal entertainment, 5G, like the power grid, may be oversubscribed before it reaches mass adoption. In 2020, connected cars and autonomous vehicles will generate 380 GB/hour to over 5 TB/hour of data, according to the Automotive Edge Computing Consortium.

A limitation on 5G networks is that they are yet to be fully deployed. 5G build-out in high population density and urban locations may be cost-effective for providers, but suburban and rural deployment will be a challenge given low population density and high rollout costs.

This is an opportunity for radio broadcasters, who offer broad reach through over 2,400 digital HD Radio stations, as well as scalability and reliability.

Today, through HD Radio data technology, stations are already transmitting real-time traffic and weather data directly to car navigation systems. Multiple automakers are working with HD Radio technology developer, Xperi Corp., to investigate, demonstrate and test additional data services, including software and ECU updates, map updates, navigation corrections, customer relationship management and more.

What is needed

Several components need to coalesce to achieve digital radio IoT. These include a content distribution system and a backend that enables service providers to connect to local radio stations or subscribers to provide content over available data bandwidth.

Radio stations could register to participate in data services and allow part of their data capacity to be used for services or applications. For example, an application provider (utility, city management, etc.) could have a data service or application that needs to communicate to their devices. The cloud distribution system would manage the data input and then route to the appropriately registered stations in the given market. Authentication, scheduling, and routing would happen automatically. The radio station simply has to configure their HD Radio Importer to open the available data ports. This data content distribution system has been prototyped and is operational in selected markets.

At the consumer end is a low-cost, low-power HD Radio-enabled IoT receiver module in the form of a plug-in card for an existing CTA-2045 compatible smart appliance or, ultimately, built-in to the appliance circuit board. The IoT module scans the band, detecting the application’s required data service. Once data is available, the HD Radio IoT device pulls the appropriate data from the digital broadcast and provides the content to the smart appliance application.

Xperi is testing this end-to-end system in several markets, gathering data on coverage and data reliability to create Quality of Service (QoS) metrics for these data applications. Xperi, together with the broadcast community and our development partners, looks forward to bolstering radio’s future with digital radio IoT, providing game-changing, cost-efficient and reliable data transmission services.

The post Radio Broadcasting and the Internet of Things appeared first on Radio World.

This article originally appeared in the Nov. 19, 2014, issue of Radio World and was posted on this website Nov. 26, 2014, a nice Thanksgiving treat. See More of John’s Schneider’s Roots of Radio.

A St. Louis Post-Dispatch employee reads the facsimile newspaper received over W9XZY. An RCA printer is shown. The black roller at the top contains the used carbon paper after the page has been printed. Wide World Photo, 1938.

In the beginning, there were newspapers.

And then radio arrived, challenging the newspapers’ journalistic monopoly.

At first, many newspapers fought the new competitor, refusing to print radio news or program schedules. But some went in the opposite direction, deciding to operate their own radio stations to augment their businesses. And finally, a few brave pioneering publications went even farther: They tried to deliver their newspapers via radio facsimile.

In the early 1930s, radio facsimile looked like the dream application for newspapers. They could use their own local radio stations to deliver newspapers directly to consumers during overnight hours. It would eliminate the cost of printing and distribution and shift those costs onto consumers, who would provide their own printers and paper.

A home user receives a Detroit News bulletin from WWJ on her Finch facsimile printer, 1938. Courtesy of the Detroit News archives.

This led several radio stations and newspapers to experiment with facsimile transmission during the late 1930s.

THE FINCH SYSTEM
The person most responsible for this technology was William G. H. Finch. He worked for the International News Service and set up their first teletype circuits between New York, Chicago and Havana. He became interested in facsimile machines and eventually amassed hundreds of patents.

In 1935, he established Finch Telecommunications Laboratories to build and market his system. Although RCA had already developed a facsimile system, it was only focused on its commercial possibilities. Finch envisioned the delivery of newspapers to the public via radio facsimile.

The Finch system circumvented RCA’s patents in several ways.

First, image details were transmitted by varying the amplitude of an audio tone, instead of its frequency.

An example of a news bulletin received on the Finch system.

Second, it recreated the image by generating an electric current at the tip of a stylus to trace the image onto thermally sensitive paper (the origins of the thermal paper still used by cash registers today). Synchronization between the transmitter and receiver used the 60 Hz line frequency. The Finch scanning head focused a pinpoint scanning spot on the document. A motor moved the scanner across the page while another motor advanced the page at the end of each scanning line. Low-frequency sync pulses were inserted at the end of each line. The result was an audio signal that could be fed into any conventional AM transmitter.

Finch receivers sold for $125 and were housed in a one-foot-square wooden box that could be connected to the speaker of any radio receiver. The images were drawn onto a continuous roll of thermal paper 5 inches wide that sold for one dollar and would last about a week. The process was slow, taking about 20 minutes to print a 12-inch page, but a timer was used to capture the transmissions from a local AM station during overnight hours. Six hours overnight was enough time to print a six-page, two-column news bulletin.

Several stations received FCC permission in 1937 and 1938 to experiment with the Finch system. The first was KSTP in St. Paul, Minn. It was followed by WHO in Des Moines, Iowa; WGH in Newport News, Va.; WOR in New York; WGN in Chicago; WHK in Cleveland; WSM in Nashville, Tenn.; and WWJ in Detroit.

McClatchy Newspapers published the Radio Bee over KFBK in Sacramento and KMJ in Fresno, Calif. It required a staff of seven to produce the radio newspaper, and McClatchy bought 100 Finch receivers to distribute to listeners.

RCA ADAPTS
RCA, sensing it had missed an opportunity, quickly adapted its system for use by broadcasters.

The RCA Radio Facsimile system was displayed in the RCA Pavilion at the New York World’s Fair, 1939.

The RCA system went into operation overnights on the St. Louis Post-Dispatch’s station KSD in St. Louis in 1937. By late the following year, the service moved to an experimental ultra-high-frequency station, W9XZY, transmitting on 31,600 kHz with 100 watts. It had a range of about 20 miles. By using a dedicated transmitter for facsimile, the transmissions could be made during daytime hours, and so the Post-Dispatch transmissions now took place at 2 p.m. Also, ultrahigh frequencies were less susceptible to radio static, which greatly disrupted the received image quality. RCA provided 15 receivers for the experiment, placing them at Washington University and in St. Louis area homes.

The receivers sold for $260 each and combined an ultra-high frequency receiver and facsimile printer into a single cabinet that had no controls or adjustments — the user simply kept the receiver supplied with rolls of carbon paper and white printing paper. RCA also demonstrated its facsimile system at the New York World’s Fair in 1939, transmitting special “Radiopress” bulletins daily over WOR.

CROSLEY GETS IN THE GAME
At the same world’s fair, Crosley Radio Corp. surprised everyone by introducing its own facsimile machine called the “Reado,” with two models selling for $60 and $80. (A timer to turn the unit overnight cost an additional $10.)

A Crosley Reado with a shortwave receiver and Finch facsimile printer (removed from its cabinet) at WWJ in Detroit, 1940. Courtesy of the Detroit News archives.

Powel Crosley had licensed the Finch technology and made some changes to reduce the cost. He produced an initial stock of 500 units and made plans to turn out up to 1,000 units a day. He began Reado facsimile transmissions during overnight hours over 500,000-watt WLW, which continued until 1942.

Most radio facsimile transmissions soon shifted from the AM band to the ultrahigh frequencies. About a dozen of these experimental stations were built, including the Milwaukee Journal station WTMJ, which transmitted over W9XAF.

Nonetheless, it soon became clear that radio facsimile was a technological dead end.

An engineer at W9XZY in St. Louis prepares an RCA scanner for the transmission of a news bulletin in 1938 in this photo from the author’s collection.

Despite all the promotion and hype, the public had neither asked for, nor cared about, the technology.

Receivers were expensive, suffered from frequent paper jams and outages, and were subject to content loss due to static.

To make matters worse, there were two incompatible standards fighting for market dominance.

Further, advertisers didn’t want to risk their money on the new medium, preferring the safety of traditional media.

The World War II paper shortages caused most facsimile stations to cease operations, and when the war was over, it was all but forgotten in the rush to build the new television industry. An attempt to bring it back on the FM band found no takers.

William Finch’s company went into bankruptcy in 1952, and RCA eventually took over many of his patents. Finch died in Florida in 1990 at the age of 93.

John Schneider is a lifelong radio history researcher. Write the author at jschneid93@gmail.com. See other photos from his collection. Click on the Roots of Radio tab atradioworld.comunder Columns.

The post A Look Back at the Radio Newspaper of the Air appeared first on Radio World.

Oh, by the way, about that NAL? You can toss that …

The Federal Communications Commission has canceled a notice of apparent liability for forfeiture issued to Carlos Lopez in relation to two FM translators in Texas.

As we reported earlier, the commission was planning a $3,000 penalty because the license renewal forms for the translators in Conroe and South Padre Island were due April 1 but not received until late May.

Now, the FCC says it had “overlooked the fact that the commission first issued licenses for the stations on May 14, 2021.” Thus it was impossible for Lopez to file for renewal by April 1.

“Given this and the fact that the licensee filed the renewal applications prior to expiration of the stations’ licenses, we find that cancellation of the NAL is appropriate,” it said.

Hey, it’s not called a notice of apparent liability for nuthin…

The post FCC Cancels NAL on Texas Translators appeared first on Radio World.

With nine weeks to go, IBC Show organizers have unveiled their plans to hold a hybrid event in December.

Following the reduction in COVID restrictions announced by the Dutch government earlier this month, organizers say they are “heading in the right direction” in terms of the physical event. “We are focusing on delivering an absolutely safe event,” CEO Mike Crimp told a media briefing.

While the rules around social distancing and wearing of masks have been relaxed, the IBC exhibition will include signs asking attendees to respect everyone’s preferences if they should want to continue with the measures.

The exhibition will also implement a “festival-style” perimeter fence, and include checks on vaccinations status, as well as recent COVID test status. Attendees from non-EU countries (such as the U.K. and U.S.) will be able to gain access to the Netherlands with a negative PCR test, but organizers suggest they check both their own government and the Dutch government’s websites in the run-up to the event.

In terms of the digital side of the event, this year’s content program will be free for everyone to access whether they are in Amsterdam or at home, the first time this has happened in the event’s history.

IBC Digital is a hybrid platform that will run in tandem with the live event, and enable users to watch content, schedule online meetings with exhibitors and other attendees, review exhibitor profiles, and invite colleagues to live meetings.

IBC 2021 takes place Dec. 3–6 at the RAI in Amsterdam.

 

The post “We Are Confident. We Are Not Complacent”: IBC Unveils Plans for Hybrid Event appeared first on Radio World.

Volkswagen Australia added DAB+ digital radio across most of its 2022 vehicle lineup.

The announcement came from industry body Commercial Radio Australia.

“All Volkswagen passenger and commercial vehicles in Australia will offer DAB+ with the exception of the base model grades of its van and ‘ute’ range,” CRA announced. It said models with DAB+ will include the Golf and T-Cross SUV.

[Read: Warner to Step Down at Commercial Radio Australia]

DAB+ is on air in five major metro markets and four other cities, and there are plans to add it to the Gold Coast.

CEO Joan Warner said the number of new vehicles in Australia with DAB+ had increased by 420,000 in the first half of 2021.

“The number of new vehicles sold with DAB+ was up by 25% in the first half of the year compared to the same period last year. This is good news for radio listeners who will benefit from the extra station choice, reliability and ease of use of digital technology,” she said in the announcement.

She added that 76% of new vehicles sold in Australia come with DAB+ from the factory and that 4.1 million new vehicles have been sold with DAB+ to June 2021.

 

The post VW Australia Expands Use of DAB+ appeared first on Radio World.