The first worldwide 24-7 live linear video channel dedicated to the growing E-Sports arena has partnered with an independent provider of personalized sports data and gaming visualization to help bring greater value for both fans and, importantly, sponsors.
• Broadcast Revenue Trends and Expectations for 2022
• Prospects for Broadcast Media as an Investment in 2022
• Cross-Ownership and the FCC
• Main Street Media: Where Local Broadcast Survives & Thrives— What Now?
• Passing the Torch: A Conversation with Gordon Smith
and Curtis LeGeyt
• Executive Leadership Session – Sharing Visions for Tomorrow
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The presentation of the 2021 NAB Marconi Radio Awards and the annual “State of the Industry” Address by NAB President/CEO Gordon Smith will take place virtually on the second Wednesday in November — just days before his appearance at Forecast 2022 in New York, perhaps his last industry event before Smith’s year-end retirement.
The Marconis, and Smith’s speech, are scheduled for Wednesday, November 10 at 2pm Eastern. To view the event, access is available at NAB.org/watch and will be available on-demand on NAB Amplify.
The NAB Marconi Radio Awards honor radio stations and on-air personalities for excellence in broadcasting. NAB will name the winners in each of the 23 categories during the November event, which will be hosted by Angela Yee, co-host of the nationally syndicated morning show, “The Breakfast Club.”
Prior to the awards presentation, Smith will deliver his final State of the Industry address, in which he will reflect on his tenure leading the association and how the broadcast industry can continue to thrive into the future.
“It has been my great honor to represent America’s broadcasters in Washington D.C. and around the world for the past 12 years,” said Smith, who will assume an advisory and advocacy role beginning next year. “While I am disappointed we are not able to gather in person in Las Vegas, I look forward to connecting virtually and seeing everyone in-person at the 2022 NAB Show.”Passing the Torch: A Conversation With Gordon Smith And Curtis LeGeyt
As Gordon Smith exits his role at year’s end as CEO of the National Association of Broadcasters and Curtis LeGeyt prepares to take the helm, what is the state of the broadcast industry from the Beltway view? Steve Newberry, who worked closely with both executives during his own tenure at the NAB, sits down with them in an exclusive Forecast 2022 chat covering legal, regulatory, and legislative initiatives under the leadership of the NAB that have impacted the broadcast industry over the past 12 years, how they will shape and define its future, and what challenges and opportunities lie on the horizon.
Moderator: Steve Newberry, CEO, Quu
Curtis LeGeyt, COO, National Association of Broadcasters
Gordon Smith, President and CEO, National Association of Broadcasters
Veteran public relations pro Rosemary Ravinal is often asked, “How do I stand out during a virtual meeting and make a strong impression?”
“My answer draws from techniques honed during my corporate career, combined with what I teach my clients about public speaking and executive presence online,” she says in this latest Media Information Bureau column focused on Zoom excellence in today’s workplace.
It’s official. And, a formal announcement was released minutes ago.
A COVID-19 pandemic-influenced plan to co-locate the Radio Show, co-produced by the NAB and the Radio Advertising Bureau, at the now cancelled 2021 NAB Show will be extended to 2022 — and beyond.
There will no longer be a stand-alone Radio Show.
“In today’s world where radio companies are essentially multimedia companies, the value in attending NAB Show cannot be overstated,” said Dave Santrella, president of Broadcast Media at Salem Media Group and NAB joint board chair. “We are now streaming and podcasting and even producing video. NAB Show provides unparalleled access to the critical tools, knowledge and connections we need to grow and thrive in today’s media business.”
For the last two decades, the Radio Show has faded with respect to its size and must-attend status in a consolidated industry. As a co-production of the NAB and RAB the Radio Show enjoyed renewed vigor in the last five years, with the 2016 Radio Show in Nashville particularly memorable, followed by the 2017 Radio in Austin. At the Austin event, Audacy CEO David Field delivered an impassioned speech in support of Radio industry leaders still recall.
With attendance of 2,130 people, the 2018 Radio Show was staged in Orlando. In 2019, it shifted to Dallas.
Then came COVID-19 and the pandemic. The 2020 Radio Show, scheduled for Sept. 13-16 of last year in Nashville, was scrubbed. A decision to co-locate in October 2021 in Las Vegas was then made, with a definitive plan to return to Music City USA from October 5-7, 2022.
That Nashville event is now a permanent COVID-19 scar.
With April 2022 now set for a redo of what was supposed to have concluded today (10/14), the 2022 NAB Show, which will precede the Radio Show, will feature “signature awards, networking events and a comprehensive conference program, including popular sales and marketing sessions” the RAB will present.
RAB President/CEO and former Radio & Records Publisher Erica Farber said, “It’s important that we continue to bring radio professionals together to network, celebrate audio and engage in meaningful discussions around the future of our industry.”
The RAB and NAB also note that the permanent change will benefit radio industry leaders by gaining access to the NAB Show floor and sessions, should they choose to attend those co-located events.
While the newest FCC Commissioner, Nathan Simington, is widely known as an advocate for Section 230 reform, it’s unlikely he’ll agree with newly crafted legislation introduced by Democrats on the House Energy & Commerce Committee.
Introducing “The Justice Against Malicious Algorithms Act,” which Democrats say erases the liability shield when a digital platform “knowingly or recklessly promotes harmful content.”This FCC Commissioner Wants To Hear From You FCC Commissioner Nathan Simington As he demonstrated at the recent Hispanic Radio Conference, FCC Commissioner Nathan Simington is eager to learn about the broadcast media industry’s input and concerns. You can share your thoughts and desires with Simington in-person, with your registration to Forecast 2022 at the prestigious Harvard Club in New York.
The 2020 Census is complete. The topline data is out. And … are marketers doing anything yet to better reflect in their advertising campaigns the consumers that define the U.S.A. today?
It’s a tricky question. As Diversity, Equity and Inclusion efforts have swept through Corporate America and many media companies, some in the marketing and advertising world wonder if D&I has inadvertently become synonymous with marketing.
In this fresh InFOCUS Podcast, presented by dot.FM, Ana Ceppi, a senior advisor on the U.S. Hispanic market at Edelman, shares how one can easily distinguish DEI from multicultural marketing and what broadcast TV and radio station management and ownership may wish to consider if the goal is connecting brands with all consumers — including key multicultural segments.WHAT BROADCASTERS NEED TO KNOW ON ADVERTISING’S NEW COURSE Brands are paying attention to the multicultural consumer like never before. Consumers are watching and listening to see how brands are reacting. Creative directors and media buyers are shifting greater focus and budget to better reach a more diverse audience and engage the same in marketing partnerships. At Forecast 2022 on November 16 in New York, General Motors Global CMO Deborah will chat with with American Urban Radio Networks CEO Chesley Maddox-Dorsey (pictured, at left) for an exclusive conversation on GM’s commitment to increased minority media expenditures along with her thoughts on how broadcast media fits into GM’s marketing strategy. They will be joined by Doug Ray, Chief Product Officer, Global Media & dentsu Americas, who has been instrumental in the creation and launch of Project Booker, an initiative focused on African American-developed and -owned content that is being distributed on African American-owned radio and is leading the way in how the global media agency community is doing business with African American-owned media. DON’T HESITATE. SECURE YOUR SEAT FOR FORECAST 2022 TODAY!
In August, RBR+TVBR shared with readers the details of two “unique” low-power TV station permits that had just been sold by Mako Communications.
These LPTV permits don’t need to be constructed until 2023, giving the buyer a big window for getting the stations on the air.
The transaction involving this LPTV-to-be pair just closed.
For an article in our latest Buyer’s Guide section, software supplier RCS asked its customer Brett Patram of Hubbard Radio in Cincinnati about his experience with its software.
RCS: Tell us a little bit about your position.
Brett Patram: I am the director of engineering for the Hubbard Radio Cincinnati market.
I originally came on to handle their local IT/network infrastructure needs. But I was also handling all the RF needs at the same time. My background is pretty heavy in both RF and IT. Eventually I took over as director of engineering, which made the most sense for everyone.
RCS: What products have you installed from RCS?
RCS: Why did you choose to install Zetta and GSelector?
Patram: As a previous NexGen facility we were used to, let’s say, certain luxuries that NexGen offered. When it was time to review our automation choices we were a bit surprised to find that the other vendors were still playing catchup to NexGen. Zetta in comparison was years ahead, and was a mature product with years of development behind it.
The choice to also migrate from Selector to GSelector was one that made the most sense based on the full integration the two products shared with each other. We have a very particular staff that are passionate about the tools they use to program and run their stations. We saw several workflow improvements that they couldn’t do without the Zetta and GSelector integration existing.
RCS: You have added Zetta Disaster Recovery, can you elaborate on this feature and why is helpful for Hubbard?
Patram: Zetta Disaster Recovery was another draw to the overall offering. I needed a backup solution that was multifaceted.
It helps us in several ways. We are always sending a current backup snapshot of our database and audio assets into the cloud. We don’t have to be directly responsible to maintain this environment.
Our logs are also being synced and played out in the cloud environment. This creates the ultimate backup audio solution for us. When we need it, it’s always available and it’s actually going to be what we programmed and scheduled — not some canned fill audio. At our transmitter sites and even in the studios the streamed feed of the Zetta Cloud DR instance is made available to switch into. Because all our logs and assets are backed up into this environment, all our spots would continue to play if we needed to use it for any length of time.
On top of that, being able to control these sequencers from a very familiar looking interface makes it that much easier in a true DR scenario to take control and “run” the station from that environment.
For info: Contact RCS at 1-914-428-4600 or visit www.rcsworks.com.
It’s time to file your station’s 2021 biennial ownership report.
Every odd-numbered year — we’re looking at you, 2021 — AM and FM radio stations and TV stations are required to file biennial ownership reports with the Federal Communications Commission. The filing window for 2021 opened on Oct. 1 and will run until Dec. 1. All reports must be submitted by that date.
In a public notice, the FCC reminded stations that reporting ownership information is a fundamental obligation of broadcast licensees. “The accurate and timely filing of such information is critical to ensuring that the commission and the public know who owns, operates and controls broadcast stations,” the commission said in a webinar about the filing window. Such ownership information is crucial to understanding the broadcast industry as a whole, the commission said, including tracking the diversity makeup of a station and identifying owners with an ownership stake in multiple stations.
“For several years now, promoting female and minority ownership has been an important goal of the commission,” said Bill Durdach, attorney/advisor for the Media Bureau, in a recent webinar about the filing requirement. “Like any other goal, you can’t advance it if you don’t have accurate data to inform your decisions. This is why [these filings] are so important.”
There are a few important things stations should keep in mind. One, the filing should be a snapshot of what station ownership looked like on Oct. 1 of this year. Two, there are a different forms for commercial and noncommercial stations. Form 323 should be used by commercial stations; Form 323-E should be used by noncommercial stations. Third, AM and FM stations are required to submit an $85 fee.
Keep in mind that two main sets of data should be listed on the form. First, the report must list all stations and licenses to which the ownership report relates. Second, each report must provide key information on the entity and all individual owners, including details like call sign, FRN number, address and a listing of what role an owner has within the station, such as director, limited partner or stockholder.
The webinar created by the commission offers guidance and notes common filing errors that individuals should look out for — such as using an FRN number consistently and remembering to report what the station ownership looked like on Oct. 1, not after that date.
By Brad Altfest
Imagine until now, the broadcast and OTT viewing experience has been one way, one to many – the lean-back experience, as we call it. And how many lean-back experiences can we really have? At this point, key players in the industry are struggling to play catch up to having their own OTT channels. But the reality is that there’s so much more that is technically possible than is being technically exploited industry-wide. The ongoing pandemic has only accelerated the trend toward trying something new of when, where and how we can watch.
He’s largely known as one of the nation’s top media brokers. But, Eddie Esserman of Media Services Group is also the head of Golden Isles Broadcasting, the licensee of three FM radio stations serving the Brunswick, Ga., region.
And, like other radio station licensees, Golden Isles has something to say to the FCC regarding its 2018 Quadrennial Regulatory Review of Commission broadcast media ownership rules.
That said, Esserman tells RBR+TVBR he believes his Reply Comments in M.B. Docket No 18-349 raise a new question.
A new era in leadership at Jacksonville’s most-watched television station will take place next month.
Graham Media Group has named the next Vice President and General Manager of unaffiliated WJXT, branded as “News4Jax,” and The CW Network affiliate serving Jacksonville, WCWJ-TV.
New York Festivals Radio Awards announced the 2021 Storytellers Gala award-winners. World-class audio work created by global storytellers from 30+ countries was honored at the October 12 Storytellers Gala virtual event.
The 2021 Radio Awards Grand Jury panel honored riveting podcasts and audiobooks, dramas, documentaries, breaking news coverage, entertainment and music specials created by masterful audio storytellers from around the globe.
The BBC was honored with the 2021 Broadcaster of the Year Award. Award-winning entries captivated listeners with exceptional storytelling in News, Podcasts, and Dramas. Exceptional entries honored with the NYF Radio Awards Gold trophy include: “I’m Not A Monster” and “Where Is George Gibney?”.
TBI Media UK earned the title of Production Company of the Year. Known for award-winning programs and live events created for TV, Radio, online, and brands, the London based company earned multiple Gold trophies for their work for high profile clients including the BBC.
2021 Grand Awards
I’m Not A Monster – from BBC Panorama & FRONTLINE PBS – News Programs: Best Nonfiction Series (BBC) The 10-part series explores journalist Josh Baker’s four-year odyssey to uncover the complex truth about an American family’s journey from Indiana to the Islamic State’s caliphate and back again to the US.
The Hobbit, By J.R.R. Tolkien, Read by Andy Serkis – Audio Books: Best Narration – Solo (HarperCollins Publishers) The new Hobbit recording was inspired by an extraordinary charity effort that raised over £300k for Coronavirus charities. This led to actor Andy Serkis narrating this newest recording of The Hobbit. Serkis, who voiced “Gollum” in the film recorded this magical performance of the classic text with affinity for the Tolkien world.
Weightless – Podcasts: Drama Podcast (DMC Studio Argentina) The podcast tells the story of a character who has reached a critical moment in his life and deceives himself by telling a story that abounds with emotions, memories, and sensations. Weightless uses sound elements and song samples from different periods of the character’s life to illustrate his epic journey.
For 2021 new categories were unveiled across all genres to shine the spotlight on Social Justice. Trophy winning entries include Gold – “Birds Eye View” (StoryProjects), Silver – “Racism within” (SBS Australia), and Bronze – “Say Their Name” (DCP Entertainment), and “Bioneers Radio Series” (Bioneers Radio Series).
Compelling podcasts in a variety of categories captivated listeners. Gold winning work includes “Alligator Candy”, “The Lost Kids”, and “The Followers: House of Prayer”(USG Audio),“Dead Memory Clinic” (Welcome to Earth), “Driving the Green Book” (Alvin Hall & Macmillan Podcasts), “The Secrets in Us” (Loftus Media), “Earth Eclipsed” (The Lunar Company), “Nut Jobs: Cracking California’s Strangest $10 Million Dollar Heist” (Audible), “Dérives (Out of Control)” (Radio-Canada/CBC), “The Debrief with Major Garrett” (CBS News Radio), “The Battersea Poltergeist” (Bafflegab Productions), and “The Unthinkable” (Radio New Zealand). For the complete list of 2021 Radio winners, visit: HERE.
Documentaries masterfully captured reality and gave voice to diverse points of view. Entries earning Gold include: “Nations United” (TBI Media),” Bob Dylan: Verbatim” (Zinc Media), “The FRONTLINE Dispatch presents: The Choice 2020: Trump vs. Biden” (FRONTLINE PBS), “Kangaroo Cuddles” (ABC Radio National), “Stuff The British Stole” (ABC Radio Australia), and “The Grief of a Nation” (RTÉ Radio 1).
Powerhouse entertainment entries recognized with Gold include “There Used To Be A Me” (Spiteful Puppet Entertainment & AUK Studios), “Stripey tales/ Randiga sagor” (Sveriges Radio), and “Musicals: The Greatest Show” and “Laura Whitmore” (TBI Media). “Q with Tom Power” (CBC) was honored with a Gold trophy in Craft: Best Interview.
Audio Books transported listeners, Gold winning entries from HarperCollins Publishers include “Girl A, By Abigail Dean, Read by Holliday Grainger” and “Imaginary Fred, By Oliver Jeffers, Read by Ciaran Hinds”. Penguin Random House entries achieving Gold: “A Life on Our Planet” and “Beatrix Potter – The Complete Tales”. Additional Gold entries in the spotlight: “Modigast i Världen i Barnradion” (Swedish Radio) and “The Tale of Squirrel Nutkin” (Almost Tangible).
Breaking News, features, and investigative reporting captured events as they unfolded on the world stage. Gold winning entries include “Where Is George Gibney?” (BBC), “The Great Post Office Trial” (Whistledown), and Silver trophy winner, “How fracking could threaten Australia’s Paris target” (Australian Broadcasting Corp. Sydney).
Gold winning entries in Sound include “La foresta dei violini / The violins forest” (RSI SRG SSR and Faïdos Sonore) and “Islands with Chris Watson & Luke Clancy” (RTÉ Radio 1). “The Ballad of the Stolwijk Rescue” (RTE Lyric FM) was honored with a Silver trophy in Craft: Best Original Music.
New York Festivals Radio Awards Grand Jury honored content creators across all platforms and in all genres and awarded in total of 3 Grand Awards, 48 NYF Gold Radio trophies, 46 Silver and 49 Bronze.
This year is the eleventh year of NYF’s strategic partnership with NAB Show.For a complete list of the New York Festivals 2021 Storytellers Gala Radio Awards winners, please visit HERE.
New York Festivals Television & Film Awards has revealed the 2021 Storytellers Gala award-winners. World-class work created by global storytellers from 40+ countries was honored at the October 12 Storytellers Gala, a virtual event due to the cancellation of the 2021 NAB Show in Las Vegas.
2021 Grand Awards
“My Octopus Teacher” Documentary: Nature & Wildlife (Off the Fence B.V./Sea Change Project/Netflix)
This acclaimed effort was recognized for their Grand Award-winning documentary. The film takes the viewer to a spectacular undersea world few humans have ever seen, rich with unimaginable vistas, creatures, and characters. The 2021 Oscar-winning documentary showcases a fully immersive cinematic experience and redefines the relationship between human and wild animal.
“All Creatures Great And Small” Entertainment Program: Drama (Playground TV for Masterpiece PBS and Channel 5 in association with All3media International and Screen Yorkshire) earned the NYF Grand for their adaptation of the much-loved popular BBC series that ran through the 70s-90s. The new vision for the show preserves the rich spirit, tone, and values of Herriot’s iconic characters and stories and brings his sharply observed, entertaining tales of country life in the North of England to life for a wide modern audience.
“The Last Dance” News Program: Best Nonfiction Series (ESPN) The Grand Award winning 10-part documentary series from ESPN Films and Netflix explores the period in 1997 as Michael Jordan and the Chicago Bulls were followed by a film crew as they began their quest to win a sixth NBA title. The result is the film “The Last Dance”, a remarkable portrait of an iconic player and a celebrated team –revealed more than two decades later.
For the fifth consecutive year, Al Jazeera English’s coverage of international issues and universal themes earned the network the prestigious title of Broadcaster of the Year. The network garnered medals for a diverse programming roster including Al Jazeera Investigations, Witness, 101 East, Al Jazeera Correspondent, Talk to Al Jazeera, Fault Lines, and Story to Follow.
“We are delighted to once again win the top accolade of Broadcaster of the Year from the New York Festivals,” said Giles Trendle, Managing Director of Al Jazeera English. “We consider it a great honour to have our work recognised and rewarded by such a distinguished jury of our industry peers. I attribute this win to all our wonderful and diverse teams at Al Jazeera English who, with professionalism, diligence and creativity, remain committed to reporting and telling the stories that matter.”
This is the 15th year consecutive year that The Edge Picture Company UK earned the prestigious title of Production Company of the Year. The Edge Picture Company’s corporate and brand-image films earned a robust number of medals for their visionary work for prestigious brands including Deloitte, PwC, Openreach, Standard Chartered, The Guardian Service, Havas Just and Ahmad Tea.
The 2021 New York Festivals Storytellers Gala celebrated Molly Solomon, Executive Producer & President of NBC Olympics Production and Executive Producer for the Golf Channel with the eleventh annual New York Festivals Lifetime Achievement Award. NBC Sports host Mike Tirico presented the 2021 Lifetime Achievement Award to Solomon.
For 2021 NYF added 10 categories for social justice across all genres to honor storytellers using creativity to engage audiences on this critical topic. Entries earning Gold include “CBS Sports Presents: 8:46” (CBS Sports), “The Price of Poverty” (DW Deutsche Welle), “I Am Not A Commodity” (ANTENA 3), “A Most Beautiful Thing” (50 Eggs Films), and “The Psychiatrist of Aleppo” (CRTVE). Silver winners include “Momma Lonnae O’Neal Essay” (ESPN), “MLB Tonight: A Conversation” (MLB Network), “Insight: Stateless In India” (Mediacorp Pte Ltd), “The Time is Now” (The Edge Picture Company), and “Surviving R. Kelly Part II: The Reckoning” (Kreativ Inc. for Lifetime),
Gold winning Documentaries in the winner’s circle this year include “Why We Hate” Discovery Channel), “Witness – St Louis Superman” (Al Jazeera), “Surviving Jeffery Epstein” (Bungalow Media + Entertainment and Break Thru Films, Inc For Lifetime), “Love on the Spectrum” (Northern Pictures Pty Ltd), “Beethoven’s Ninth: Symphony for the World” (DW Deutsche Welle), “The Real Right Stuff” (1895 Films/Disney+), “Into America’s Wild” (MacGillivray Freeman Films), “America´s Arctic – A Refuge imperiled” (Terra Mater Factual Studios GmbH), “The Meadow – Paradise lost?” (nautilusfilm GmbH), “Wild Africa in Pandemic Times” (Story Producciones/RTVE), “Wild Tokyo” (NHK Japan Broadcasting Corporation Global Content Development Division), and “Mesa Para Todos “Mesa Para Todos/Table For All” (Globo Comunicações e Participações SA).
Entertainment entries captivated viewers and earned Gold including: “Das Boot” (Bavaria Fiction/Sky Studios), “Dear Santa” (UM Studios), “Freud” (Satel Film/Bavaria Fiction), “MasterChef Australia” (Banijay Rights), “Barefoot Contessa: Cook Like A Pro” (Pacific Television), “That Animal Rescue Show” (CBS Studios), “100 Días Para Enamorarnos” (Telemundo), “Des” (New Pictures/ITV, UK), and “Bäckström” and “Caliphate” (Banijay Rights).
Entries earning Gold in Special Events include “The 2020 Innovators Awards: Wall Street Journal Magazine” (WSJ. Magazine), “One World: Together at Home “(Global Citizen), and “Space Launch Live: America Returns to Space” (Discovery Channel).
Broadcast Journalism from around the globe showcased breaking news and headline topics emerging from the world stage. Gold winning work includes “The Search for Assad Executioners” (Al Jazeera Media Network), “101 East – India’s Child Sex Highway” (Al Jazeera English), and “From China With Love: An Adoption Story” (Voice Of America). Silver trophy winners include “NBC Nightly News: Kids Edition” (NBC News) with anchor Lester Holt, and “Beirut Blast” (Al Jazeera English).
Sports content scored Gold. ESPN’s inclusive coverage and in-depth sports reporting earned Gold including: “Backstory: The Decision”, “Lance”, “The All-American Cuban Comet”, “First Take: George Floyd and Police Brutality Protest Show”, and “D. Wade: Life Unexpected”. Additional Gold winners in the spotlight include “Kick Off! Explains” (DW Sports), “Stories of Women in Sports: 2020 Animated Vignette Series” (CBS Sports Network), and “MLB Network Presents: Junior” (MLB Network).
Compelling Promos enticed viewers. Gold Medalists include: “Monday Night Football Open” (ESPN), “Agatha Christie Compilation” (BBC Studios), “Dinda – The Voice of Barcelona Bekasi” (beIN SPORTS Asia), “Astro Citra August Monthly Highlight” (Measat Broadcast Network Systems Sdn Bhd), “Love and Destiny” (Shanghai Xia Yi Culture Communication CO. Ltd.), and “What’s your story? // Was ist deine Geschichte?” (Luxlotusliner GmbH).
Corporate and Brand Image Films showcased the mission and vision of prominent brands. Networks and production companies honored with Gold trophies include: The Edge Picture Company, Seed Audio-Visual Communication, CBS Sports, UM Studios, KWP and Zoom Film TV, Indigo View Productions, and Sledgehammer Studio.
New York Festivals TV & Film Awards Grand Jury recognized global content creators across all platforms and in all genres and awarded in total 3 Grand Awards, 126 Gold World Medals, 136 Silver and 124 Bronze.
This year is the eleventh year of NYF’s strategic partnership with NAB Show, the ultimate marketplace for people passionate about media, entertainment, and technology.
Entries to each of the competitions are judged around the world by panels of peers in their respective industries. For more information, go to www.newyorkfestivals.com.
KINGSTON, N.Y. — For two generations of public radio listeners, the call letters WAMC have meant NPR, and a host of local and national spoken word content that makes it one of the biggest Members in the U.S. today.
Over the years, what is now “WAMC Northeast Public Radio” grew with the addition of stations including WAMK-FM, in Kingston, and WOSR-FM in Middletown, serving the Catskills and Mid-Hudson Valley; and WCAN-AM in Canajoharie, serving Little Falls, Amsterdam and Gloversville. Today, the WAMC network is comprised of 11 FMs and 16 FM translators stretching from Northern Westchester County to the Canadian border, as well as WAMC-AM in Albany, N.Y.
Now, WAMC is bolstering its coverage in Northern Dutchess and Columbia Counties, while adding Litchfield County, Conn., to its Constitution State coverage.
A company focused on cloud-based workflow management and media distribution options for the advertising and entertainment industries — connecting media buyers to local, national, and cable TV broadcasters and to radio broadcasters — has entered into a partnership with independent Connected TV advertising and measurement platform Innovid.
Comrex is teasing a new product launch that it will announce Monday at an SBE chapter meeting that will also be conducted as an online webinar.
Comrex added that people in the New York area are welcome to join in person for the New York SBE Chapter 15 Annual Picnic and NBT tour from 4 7 p.m. at New York Elks Lodge #1 in Lynbrook, N.Y.
Audacy has confirmed that it plans to offer, subject to market conditions and other factors, $45 million in aggregate principal amount of subsidiary Audacy Capital Corp.’s 6.500% senior secured second-lien notes due 2027.
They are “Additional Notes,” and it’s a $45 million ad-on offering for the audio content creation and distribution company that is once again struggling to gain investors on Wall Street.
In April 2021, RBR+TVBR exclusively reported on a plan of action that would see Entravision Communications exit Central Florida, starting with the sale of WNUE-FM 98.1 in Deltona for $4 million.
That deal was completed in July, with the FM now a part of The Joy FM Contemporary Christian non-commercial network. It was tied to an arrangement that would see Univision Communications take full control of Entravision’s TV twins in the Orlando DMA.
That shift has now come to fruition, along with an announcement that a similar transfer of control of TV properties in nearby Tampa, and in the Washington, D.C., market.